The neuroscience of Bach's music perception, action, and cognition effects on the brain

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Bibliographische Detailangaben
1. Verfasser: Altschuler, Eric Lewin ca. 20./21. Jh (KomponistIn)
Format: Partitur Buch
Sprache:English
Veröffentlicht: London, United Kingdom Academic Press [2024]
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Inhaltsangabe:
  • Prelude Introduction
  • Background and overview of Johann Sebastian Bach
  • Basics of the brain and perception
  • Case study : A (not so) simple invention by Bach--upside down but very, very rarely backwards.
  • Playing Bach and the brain--action Playing Bach's suites for solo cello and experiencing one's actions without perception and clocking Libet's "mind time"
  • Neural performance, action requirements, and challenges of playing Bach's Concerto for Two Violins--a study of synchronization and perceptual experience
  • Case study : Organ, violin or guitar?
  • Incorporating the cello part with two solo violas Bach's in Brandenburg Concerto No. 6--challenges in sychronization and listener experience
  • More than three--perceptual, action, and cognitive challenges for performers and listeners
  • Case study : A brainy Bach Encore for Handel
  • Case study : What is a fugue?
  • Virtuoso of Bach's composing and performance expectations.
  • Listening to Bach--perception of musical space and landscape An introduction to the neuroscience of "affekt"--music, emotions, and the brain's limbic system
  • "Affekt" related to tempos and effects--Bach's composition and emotional playing
  • Case study : The affekt of effects in a Bach Cantata
  • The algebra and neuroscience of Bach's transcriptions for various instruments and cognitive effects
  • Case studies : (Can you hear) What's in a name?
  • Bach and the exploration of the tonal system and beyond--cognition
  • Parallel fifths and the cognitive-perceptual system
  • Sequential enharmonic notes across instruments in Bach's compositions
  • Case study : "Wrong notes" in Bach
  • Bach's 12-tone row, cognition, and musical perception
  • Case study : A whole tone scale in Bach
  • Modal traces and the cognitive-perceptual system
  • Present and future neuroimaging studies of Bach.
  • Mathematical Bach Topology in Bach I--The brain's analysis of Bach's match to a "Möbius strip" structure
  • Topology in Bach II--A musical torus and the brain's ability to hear topological structures
  • Unbroken and broken symmetry in Bach's compositions.
  • Conclusion Bach and the brain : action, perception, and cognition--summary, conclusion, fresh beginnings and future studies