The neuroscience of Bach's music perception, action, and cognition effects on the brain
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Format: | Partitur Buch |
Sprache: | English |
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London, United Kingdom
Academic Press
[2024]
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Inhaltsangabe:
- Prelude Introduction
- Background and overview of Johann Sebastian Bach
- Basics of the brain and perception
- Case study : A (not so) simple invention by Bach--upside down but very, very rarely backwards.
- Playing Bach and the brain--action Playing Bach's suites for solo cello and experiencing one's actions without perception and clocking Libet's "mind time"
- Neural performance, action requirements, and challenges of playing Bach's Concerto for Two Violins--a study of synchronization and perceptual experience
- Case study : Organ, violin or guitar?
- Incorporating the cello part with two solo violas Bach's in Brandenburg Concerto No. 6--challenges in sychronization and listener experience
- More than three--perceptual, action, and cognitive challenges for performers and listeners
- Case study : A brainy Bach Encore for Handel
- Case study : What is a fugue?
- Virtuoso of Bach's composing and performance expectations.
- Listening to Bach--perception of musical space and landscape An introduction to the neuroscience of "affekt"--music, emotions, and the brain's limbic system
- "Affekt" related to tempos and effects--Bach's composition and emotional playing
- Case study : The affekt of effects in a Bach Cantata
- The algebra and neuroscience of Bach's transcriptions for various instruments and cognitive effects
- Case studies : (Can you hear) What's in a name?
- Bach and the exploration of the tonal system and beyond--cognition
- Parallel fifths and the cognitive-perceptual system
- Sequential enharmonic notes across instruments in Bach's compositions
- Case study : "Wrong notes" in Bach
- Bach's 12-tone row, cognition, and musical perception
- Case study : A whole tone scale in Bach
- Modal traces and the cognitive-perceptual system
- Present and future neuroimaging studies of Bach.
- Mathematical Bach Topology in Bach I--The brain's analysis of Bach's match to a "Möbius strip" structure
- Topology in Bach II--A musical torus and the brain's ability to hear topological structures
- Unbroken and broken symmetry in Bach's compositions.
- Conclusion Bach and the brain : action, perception, and cognition--summary, conclusion, fresh beginnings and future studies