Gothic and racism

"The perception of the Other has changed while a predilection for othering has endured. Our primary goal with this collection of essays is to contribute to the nascent field of Postcolonial Gothic Studies, understood binomially as a postcolonial version of 'Gothic studies' and as the...

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Bibliographische Detailangaben
Weitere Verfasser: Artenie, Cristina ca. 20./21. Jh (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Montreal Universitas Press 2023
Ausgabe:Second edition, revised and enlarged
Schlagworte:
Online-Zugang:DE-473
DE-20
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Inhaltsangabe:
  • Gothic horror and racial infection in Bram Stoker's "Dracula" Avishek Parui Abramovitch's "The mare": Russian imperialism and the Yiddish Gothic novel Meital Orr Strange Gods, monstrous aliens, and the ignoble savage: revealing and obscuring xenophobia in H.P. Lovecraft's "The call of Cthulhu" Joanna Wilson <<The>> appropriation of the Gothic in Charlaine Harris' Southern vampire mysteries Jessica Birch Bigger Faustus: The purpose of diabolism in Richard Wright's "Native son" Mark Henderson Women of colour in queer(ed) space: Ann-Marie MacDonald's "Fall on your knees" Monalesia Earle Return of the repressed slaveholding past in three horror films: "Chloe, love is calling you" (1934), "Poor pretty Eddie" (1975) and "White dog" (1982) Fernando Gabriel Pagnoni Bern, Mariana Zárate, Patricia Vazquez <<A>> house divided: porous borders in "American horror story: murder house" (Fox TV, 2011) Lance Hanson Forever beyond the forrest: "Dracula" and the Neo-Victorian editors Cristina Artenie Mutiny memorial: imperial Gothic in Victorian Delhi Ipshita Nath, Anubhav Pradhan Unpacking the Ruse in Shani Mootoo's "Cereus blooms at night" Monalesia Earle