A semiotics of multimodality and signification in the "Divine comedy"
"A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante's time, and the reception of the Divine Comedy took place multimodally. Th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
[2024]
|
| Schriftenreihe: | Routledge studies in medieval literature and culture
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049594155 | ||
| 003 | DE-604 | ||
| 005 | 20240403 | ||
| 007 | t| | ||
| 008 | 240303s2024 xx |||| 00||| eng d | ||
| 020 | |a 9781032497334 |c hbk |9 978-1-032-49733-4 | ||
| 035 | |a (DE-599)BVBBV049594155 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a De Benedictis, Raffaele |d 1964- |e Verfasser |0 (DE-588)173470068 |4 aut | |
| 245 | 1 | 0 | |a A semiotics of multimodality and signification in the "Divine comedy" |c Raffaele De Benedictis |
| 264 | 1 | |a New York ; London |b Routledge |c [2024] | |
| 300 | |a 251 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge studies in medieval literature and culture | |
| 520 | 3 | |a "A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante's time, and the reception of the Divine Comedy took place multimodally. Thus, a theoretical study of multimodality carried out under the semiotic lens sheds light on how and why a mode is more effective than another and/or how they may combine in producing signification and new ontologies warranted by Dante's text. Also, we do not have yet a critical theory that allows us to understand the function of multimodality for the creation of new forms of signification and clarifying the ontological boundaries set forth by different modalities. It is a new and original study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education." | |
| 600 | 0 | 7 | |a Dante |c Alighieri |d 1265-1321 |t Divina commedia |0 (DE-588)4113270-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literarischer Stil |0 (DE-588)4074271-4 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Dante Alighieri / 1265-1321 / Divina commedia | |
| 653 | 1 | |a Dante Alighieri / 1265-1321 / Literary style | |
| 653 | 1 | |a Dante Alighieri / 1265-1321 | |
| 653 | |a Divina commedia (Dante Alighieri) | ||
| 653 | 0 | |a Literary style | |
| 653 | 6 | |a Literary criticism | |
| 689 | 0 | 0 | |a Dante |c Alighieri |d 1265-1321 |t Divina commedia |0 (DE-588)4113270-1 |D u |
| 689 | 0 | 1 | |a Literarischer Stil |0 (DE-588)4074271-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Paperback |z 978-1-032-50192-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-39729-8 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034938739 | |
Datensatz im Suchindex
| _version_ | 1819316084578189313 |
|---|---|
| any_adam_object | |
| author | De Benedictis, Raffaele 1964- |
| author_GND | (DE-588)173470068 |
| author_facet | De Benedictis, Raffaele 1964- |
| author_role | aut |
| author_sort | De Benedictis, Raffaele 1964- |
| author_variant | b r d br brd |
| building | Verbundindex |
| bvnumber | BV049594155 |
| ctrlnum | (DE-599)BVBBV049594155 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02575nam a22004218c 4500</leader><controlfield tag="001">BV049594155</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240403 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240303s2024 xx |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032497334</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-032-49733-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049594155</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">De Benedictis, Raffaele</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)173470068</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A semiotics of multimodality and signification in the "Divine comedy"</subfield><subfield code="c">Raffaele De Benedictis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">251 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge studies in medieval literature and culture</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante's time, and the reception of the Divine Comedy took place multimodally. Thus, a theoretical study of multimodality carried out under the semiotic lens sheds light on how and why a mode is more effective than another and/or how they may combine in producing signification and new ontologies warranted by Dante's text. Also, we do not have yet a critical theory that allows us to understand the function of multimodality for the creation of new forms of signification and clarifying the ontological boundaries set forth by different modalities. It is a new and original study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education."</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Dante</subfield><subfield code="c">Alighieri</subfield><subfield code="d">1265-1321</subfield><subfield code="t">Divina commedia</subfield><subfield code="0">(DE-588)4113270-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literarischer Stil</subfield><subfield code="0">(DE-588)4074271-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Dante Alighieri / 1265-1321 / Divina commedia</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Dante Alighieri / 1265-1321 / Literary style</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Dante Alighieri / 1265-1321</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Divina commedia (Dante Alighieri)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Literary style</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Literary criticism</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Dante</subfield><subfield code="c">Alighieri</subfield><subfield code="d">1265-1321</subfield><subfield code="t">Divina commedia</subfield><subfield code="0">(DE-588)4113270-1</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literarischer Stil</subfield><subfield code="0">(DE-588)4074271-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-032-50192-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-39729-8</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034938739</subfield></datafield></record></collection> |
| id | DE-604.BV049594155 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T10:10:13Z |
| institution | BVB |
| isbn | 9781032497334 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034938739 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 251 Seiten |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in medieval literature and culture |
| spelling | De Benedictis, Raffaele 1964- Verfasser (DE-588)173470068 aut A semiotics of multimodality and signification in the "Divine comedy" Raffaele De Benedictis New York ; London Routledge [2024] 251 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge studies in medieval literature and culture "A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante's time, and the reception of the Divine Comedy took place multimodally. Thus, a theoretical study of multimodality carried out under the semiotic lens sheds light on how and why a mode is more effective than another and/or how they may combine in producing signification and new ontologies warranted by Dante's text. Also, we do not have yet a critical theory that allows us to understand the function of multimodality for the creation of new forms of signification and clarifying the ontological boundaries set forth by different modalities. It is a new and original study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education." Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd rswk-swf Literarischer Stil (DE-588)4074271-4 gnd rswk-swf Dante Alighieri / 1265-1321 / Divina commedia Dante Alighieri / 1265-1321 / Literary style Dante Alighieri / 1265-1321 Divina commedia (Dante Alighieri) Literary style Literary criticism Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 u Literarischer Stil (DE-588)4074271-4 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-50192-5 Erscheint auch als Online-Ausgabe 978-1-003-39729-8 |
| spellingShingle | De Benedictis, Raffaele 1964- A semiotics of multimodality and signification in the "Divine comedy" Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd Literarischer Stil (DE-588)4074271-4 gnd |
| subject_GND | (DE-588)4113270-1 (DE-588)4074271-4 |
| title | A semiotics of multimodality and signification in the "Divine comedy" |
| title_auth | A semiotics of multimodality and signification in the "Divine comedy" |
| title_exact_search | A semiotics of multimodality and signification in the "Divine comedy" |
| title_full | A semiotics of multimodality and signification in the "Divine comedy" Raffaele De Benedictis |
| title_fullStr | A semiotics of multimodality and signification in the "Divine comedy" Raffaele De Benedictis |
| title_full_unstemmed | A semiotics of multimodality and signification in the "Divine comedy" Raffaele De Benedictis |
| title_short | A semiotics of multimodality and signification in the "Divine comedy" |
| title_sort | a semiotics of multimodality and signification in the divine comedy |
| topic | Dante Alighieri 1265-1321 Divina commedia (DE-588)4113270-1 gnd Literarischer Stil (DE-588)4074271-4 gnd |
| topic_facet | Dante Alighieri 1265-1321 Divina commedia Literarischer Stil |
| work_keys_str_mv | AT debenedictisraffaele asemioticsofmultimodalityandsignificationinthedivinecomedy |