Art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
|
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049588832 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t| | ||
| 008 | 240228s2020 xx |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV049588832 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Dalle Vacche, Angela |d 1954- |0 (DE-588)128810351 |4 aut | |
| 245 | 1 | 0 | |a Art |c Angela Dalle Vacche |
| 264 | 1 | |c 2020 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Enthält. A Christological ontology, Impure cinema, Pure cinema, The postwar art documentary, Painting as object, cinema as event, Frame and screen, The objects of still life and the camera lens as object, From painting to biology | ||
| 773 | 1 | 8 | |g pages:16-54 |
| 773 | 0 | 8 | |t André Bazin's film theory / Angela Dalle Vacche |d New York, NY, 2020 |g Seite 16-54 |w (DE-604)BV046652823 |z 978-0-19-006730-4 |
| 941 | |s 16-54 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034933553 | |
Datensatz im Suchindex
| _version_ | 1819316061598646272 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV046652823 |
| author | Dalle Vacche, Angela 1954- |
| author_GND | (DE-588)128810351 |
| author_facet | Dalle Vacche, Angela 1954- |
| author_role | aut |
| author_sort | Dalle Vacche, Angela 1954- |
| author_variant | v a d va vad |
| building | Verbundindex |
| bvnumber | BV049588832 |
| ctrlnum | (DE-599)BVBBV049588832 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00991naa a2200265 c 4500</leader><controlfield tag="001">BV049588832</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240228s2020 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049588832</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dalle Vacche, Angela</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)128810351</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art</subfield><subfield code="c">Angela Dalle Vacche</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2020</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Enthält. A Christological ontology, Impure cinema, Pure cinema, The postwar art documentary, Painting as object, cinema as event, Frame and screen, The objects of still life and the camera lens as object, From painting to biology</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:16-54</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">André Bazin's film theory / Angela Dalle Vacche</subfield><subfield code="d">New York, NY, 2020</subfield><subfield code="g">Seite 16-54</subfield><subfield code="w">(DE-604)BV046652823</subfield><subfield code="z">978-0-19-006730-4</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">16-54</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034933553</subfield></datafield></record></collection> |
| id | DE-604.BV049588832 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T10:09:56Z |
| institution | BVB |
| isbn | 978-0-19-006730-4 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034933553 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| record_format | marc |
| spelling | Dalle Vacche, Angela 1954- (DE-588)128810351 aut Art Angela Dalle Vacche 2020 txt rdacontent n rdamedia nc rdacarrier Enthält. A Christological ontology, Impure cinema, Pure cinema, The postwar art documentary, Painting as object, cinema as event, Frame and screen, The objects of still life and the camera lens as object, From painting to biology pages:16-54 André Bazin's film theory / Angela Dalle Vacche New York, NY, 2020 Seite 16-54 (DE-604)BV046652823 978-0-19-006730-4 |
| spellingShingle | Dalle Vacche, Angela 1954- Art |
| title | Art |
| title_auth | Art |
| title_exact_search | Art |
| title_full | Art Angela Dalle Vacche |
| title_fullStr | Art Angela Dalle Vacche |
| title_full_unstemmed | Art Angela Dalle Vacche |
| title_short | Art |
| title_sort | art |
| work_keys_str_mv | AT dallevaccheangela art |