Jilali Gharbaoui and decolonization
This paper proposes a new reading of Moroccan abstract painter Jilali Gharbaoui through the lens of decolonization. Gharbaoui fits uncomfortably into the narrative of modernism in Morocco. Unlike other painters, interested in direct connections between their shapes or abstractions and traditional vi...
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2023
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| 520 | 3 | |a This paper proposes a new reading of Moroccan abstract painter Jilali Gharbaoui through the lens of decolonization. Gharbaoui fits uncomfortably into the narrative of modernism in Morocco. Unlike other painters, interested in direct connections between their shapes or abstractions and traditional visual culture or Islamic art as a postcolonial claim of local identity, Gharbaoui's work is more elusive. Many critics have framed his abstraction primarily through his schizophrenia, as Gharbaoui died from suicide in 1971; this continual recourse to biography over the actual art objects puts Gharbaoui definitively at the margins of narratives of modernism. Moreover, this analysis precludes close attention to the ways in which Gharbaoui, like other painters of his generation, was shaped by the discourses of decolonization and the role that art could play in the new nation. Within this paper, in contrast, staying close to the work itself allows the possibility to understand the active ways in which Gharbaoui was negotiating questions of what postcolonial modernism could be. He sought to position himself as an international artist that was continually trying to bypass traditional aesthetics as a statement about modernity, but equally saw himself as deeply marked by his homeland. Read in dialogue and confrontation with cosmopolitanism, Gharbaoui's oeuvre can be analyzed in terms of the multiple ways in which Gharbaoui tried to understand the materiality of the art itself, his relationship to the space of production, and the political stakes of abstraction. | |
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Gharbaoui fits uncomfortably into the narrative of modernism in Morocco. Unlike other painters, interested in direct connections between their shapes or abstractions and traditional visual culture or Islamic art as a postcolonial claim of local identity, Gharbaoui's work is more elusive. Many critics have framed his abstraction primarily through his schizophrenia, as Gharbaoui died from suicide in 1971; this continual recourse to biography over the actual art objects puts Gharbaoui definitively at the margins of narratives of modernism. Moreover, this analysis precludes close attention to the ways in which Gharbaoui, like other painters of his generation, was shaped by the discourses of decolonization and the role that art could play in the new nation. Within this paper, in contrast, staying close to the work itself allows the possibility to understand the active ways in which Gharbaoui was negotiating questions of what postcolonial modernism could be. He sought to position himself as an international artist that was continually trying to bypass traditional aesthetics as a statement about modernity, but equally saw himself as deeply marked by his homeland. 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| id | DE-604.BV049583071 |
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| language | English |
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| spelling | Powers, Holiday ca. 20./21.Jh. Verfasser (DE-588)1024272257 aut Jilali Gharbaoui and decolonization Holiday Powers 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier This paper proposes a new reading of Moroccan abstract painter Jilali Gharbaoui through the lens of decolonization. Gharbaoui fits uncomfortably into the narrative of modernism in Morocco. Unlike other painters, interested in direct connections between their shapes or abstractions and traditional visual culture or Islamic art as a postcolonial claim of local identity, Gharbaoui's work is more elusive. Many critics have framed his abstraction primarily through his schizophrenia, as Gharbaoui died from suicide in 1971; this continual recourse to biography over the actual art objects puts Gharbaoui definitively at the margins of narratives of modernism. Moreover, this analysis precludes close attention to the ways in which Gharbaoui, like other painters of his generation, was shaped by the discourses of decolonization and the role that art could play in the new nation. Within this paper, in contrast, staying close to the work itself allows the possibility to understand the active ways in which Gharbaoui was negotiating questions of what postcolonial modernism could be. He sought to position himself as an international artist that was continually trying to bypass traditional aesthetics as a statement about modernity, but equally saw himself as deeply marked by his homeland. Read in dialogue and confrontation with cosmopolitanism, Gharbaoui's oeuvre can be analyzed in terms of the multiple ways in which Gharbaoui tried to understand the materiality of the art itself, his relationship to the space of production, and the political stakes of abstraction. Gharbaoui, Jilali 1930-1971 (DE-588)1209715821 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Gharbaoui, Jilali 1930-1971 (DE-588)1209715821 p Malerei (DE-588)4037220-0 s Entkolonialisierung (DE-588)4070860-3 s DE-604 volume:53 year:2023 month:11 pages:44-55 Nka Durham, NC, 2023 Number 53 (November 2023), Seite 44-55 (DE-604)BV014335500 1075-7163 (DE-600)2076387-6 |
| spellingShingle | Powers, Holiday ca. 20./21.Jh Jilali Gharbaoui and decolonization Gharbaoui, Jilali 1930-1971 (DE-588)1209715821 gnd Malerei (DE-588)4037220-0 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| subject_GND | (DE-588)1209715821 (DE-588)4037220-0 (DE-588)4070860-3 |
| title | Jilali Gharbaoui and decolonization |
| title_auth | Jilali Gharbaoui and decolonization |
| title_exact_search | Jilali Gharbaoui and decolonization |
| title_full | Jilali Gharbaoui and decolonization Holiday Powers |
| title_fullStr | Jilali Gharbaoui and decolonization Holiday Powers |
| title_full_unstemmed | Jilali Gharbaoui and decolonization Holiday Powers |
| title_short | Jilali Gharbaoui and decolonization |
| title_sort | jilali gharbaoui and decolonization |
| topic | Gharbaoui, Jilali 1930-1971 (DE-588)1209715821 gnd Malerei (DE-588)4037220-0 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| topic_facet | Gharbaoui, Jilali 1930-1971 Malerei Entkolonialisierung |
| work_keys_str_mv | AT powersholiday jilaligharbaouianddecolonization |