From perception to pleasure the neuroscience of music and why we love it
"Our species has been making music most likely for as long as we've been human. It seems to be an indelible a part of us. The oldest known musical instruments date back to the upper paleolithic period, some 40,000 years ago. Among the most intriguing of these are delicate bone flutes, seen...
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| 245 | 1 | 0 | |a From perception to pleasure |b the neuroscience of music and why we love it |c Robert Zatorre |
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| 505 | 8 | |a Part I. Perception. Introduction ; Early Sound Processing : The Auditory Cortex, Its Inputs, and Functions ; Communicating Between Auditory Regions and the Rest of the Brain : The Ventral Stream ; Communicating Between Auditory Regions and the Rest of the Brain : The Dorsal Stream -; Hemispheric Specialization : Two Brains Are Better Than One -- Part II. Pleasure. The Reward System ; Music Recruits the Reward System ; Why Does Music Engage the Reward System? ; Pleasure and Beyond -- Coda. The Miracle of Music | |
| 520 | 3 | |a "Our species has been making music most likely for as long as we've been human. It seems to be an indelible a part of us. The oldest known musical instruments date back to the upper paleolithic period, some 40,000 years ago. Among the most intriguing of these are delicate bone flutes, seen in Figure 1.1, found in what is now southern Germany. (Conard et al. 2009). These discoveries testify to the advanced technology that our ancestors applied to create music: the finger holes are carefully bevelled to allow the musician's fingers to make a tight seal; and the distances between the holes appear to have been precisely measured, perhaps to correspond to a specific musical scale. This time period corresponds to the last glaciation episode in the northern hemisphere -- life could not have been easy for people living at that time. Yet time, energy, and the skills of craftworkers were expended for making abstract sounds "of the least use ... to daily habits of life". So, music must have been very meaningful and important for them. Why would that be?"-- | |
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| 653 | 0 | |a Musical perception | |
| 653 | 0 | |a Cognitive neuroscience | |
| 653 | 0 | |a Pleasure | |
| 653 | 0 | |a Musique / Aspect psychologique | |
| 653 | 0 | |a Perception de la musique | |
| 653 | 0 | |a Neurosciences cognitives | |
| 653 | 0 | |a Plaisir | |
| 653 | 0 | |a Cognitive neuroscience | |
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| 776 | 0 | 8 | |i Online version |a Zatorre, Robert J. |t From perception to pleasure |d New York : Oxford University Press, 2023 |z 9780197558300 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034913532&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
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|---|---|
| adam_text |
Contents Preface 1. Introduction Part I: Perception ix 1 15 2. Early Sound Processing: The Auditory Cortex, Its Inputs, and Functions 3. Communicating Between Auditory Regions and the Rest of the Brain: The Ventral Stream 65 4. Communicating Between Auditory Regions and the Rest of the Brain: The Dorsal Stream 100 Hemispheric Specialization: Two Brains Are Better Than One 136 5. Part II: Pleasure 17 173 6. The Reward System 175 7. Music Recruits the Reward System 201 8. Why Does Music Engage the Reward System? 230 9. Pleasure and Beyond 260 Coda: The Miracle of Music 289 Acknowledgments References Index 291 295 341 |
| adam_txt |
Contents Preface 1. Introduction Part I: Perception ix 1 15 2. Early Sound Processing: The Auditory Cortex, Its Inputs, and Functions 3. Communicating Between Auditory Regions and the Rest of the Brain: The Ventral Stream 65 4. Communicating Between Auditory Regions and the Rest of the Brain: The Dorsal Stream 100 Hemispheric Specialization: Two Brains Are Better Than One 136 5. Part II: Pleasure 17 173 6. The Reward System 175 7. Music Recruits the Reward System 201 8. Why Does Music Engage the Reward System? 230 9. Pleasure and Beyond 260 Coda: The Miracle of Music 289 Acknowledgments References Index 291 295 341 |
| any_adam_object | 1 |
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| author | Zatorre, Robert J. |
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| author_facet | Zatorre, Robert J. |
| author_role | aut |
| author_sort | Zatorre, Robert J. |
| author_variant | r j z rj rjz |
| building | Verbundindex |
| bvnumber | BV049568280 |
| contents | Part I. Perception. Introduction ; Early Sound Processing : The Auditory Cortex, Its Inputs, and Functions ; Communicating Between Auditory Regions and the Rest of the Brain : The Ventral Stream ; Communicating Between Auditory Regions and the Rest of the Brain : The Dorsal Stream -; Hemispheric Specialization : Two Brains Are Better Than One -- Part II. Pleasure. The Reward System ; Music Recruits the Reward System ; Why Does Music Engage the Reward System? ; Pleasure and Beyond -- Coda. The Miracle of Music |
| ctrlnum | (OCoLC)1435164868 (DE-599)BVBBV049568280 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T23:29:59Z |
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| institution | BVB |
| isbn | 9780197558287 |
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| spelling | Zatorre, Robert J. Verfasser (DE-588)173489729 aut From perception to pleasure the neuroscience of music and why we love it Robert Zatorre New York Oxford University Press 2024 XI, 350 Seiten Illustrationen, Diagramme (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Part I. Perception. Introduction ; Early Sound Processing : The Auditory Cortex, Its Inputs, and Functions ; Communicating Between Auditory Regions and the Rest of the Brain : The Ventral Stream ; Communicating Between Auditory Regions and the Rest of the Brain : The Dorsal Stream -; Hemispheric Specialization : Two Brains Are Better Than One -- Part II. Pleasure. The Reward System ; Music Recruits the Reward System ; Why Does Music Engage the Reward System? ; Pleasure and Beyond -- Coda. The Miracle of Music "Our species has been making music most likely for as long as we've been human. It seems to be an indelible a part of us. The oldest known musical instruments date back to the upper paleolithic period, some 40,000 years ago. Among the most intriguing of these are delicate bone flutes, seen in Figure 1.1, found in what is now southern Germany. (Conard et al. 2009). These discoveries testify to the advanced technology that our ancestors applied to create music: the finger holes are carefully bevelled to allow the musician's fingers to make a tight seal; and the distances between the holes appear to have been precisely measured, perhaps to correspond to a specific musical scale. This time period corresponds to the last glaciation episode in the northern hemisphere -- life could not have been easy for people living at that time. Yet time, energy, and the skills of craftworkers were expended for making abstract sounds "of the least use ... to daily habits of life". So, music must have been very meaningful and important for them. Why would that be?"-- Neurowissenschaften (DE-588)7555119-6 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Music / Psychological aspects Musical perception Cognitive neuroscience Pleasure Musique / Aspect psychologique Perception de la musique Neurosciences cognitives Plaisir Musizieren (DE-588)4170838-6 s Musikhören (DE-588)4075127-2 s Musikerlebnis (DE-588)4170819-2 s Neurowissenschaften (DE-588)7555119-6 s DE-604 Online version Zatorre, Robert J. From perception to pleasure New York : Oxford University Press, 2023 9780197558300 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034913532&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zatorre, Robert J. From perception to pleasure the neuroscience of music and why we love it Part I. Perception. Introduction ; Early Sound Processing : The Auditory Cortex, Its Inputs, and Functions ; Communicating Between Auditory Regions and the Rest of the Brain : The Ventral Stream ; Communicating Between Auditory Regions and the Rest of the Brain : The Dorsal Stream -; Hemispheric Specialization : Two Brains Are Better Than One -- Part II. Pleasure. The Reward System ; Music Recruits the Reward System ; Why Does Music Engage the Reward System? ; Pleasure and Beyond -- Coda. The Miracle of Music Neurowissenschaften (DE-588)7555119-6 gnd Musikhören (DE-588)4075127-2 gnd Musikerlebnis (DE-588)4170819-2 gnd Musizieren (DE-588)4170838-6 gnd |
| subject_GND | (DE-588)7555119-6 (DE-588)4075127-2 (DE-588)4170819-2 (DE-588)4170838-6 |
| title | From perception to pleasure the neuroscience of music and why we love it |
| title_auth | From perception to pleasure the neuroscience of music and why we love it |
| title_exact_search | From perception to pleasure the neuroscience of music and why we love it |
| title_exact_search_txtP | From perception to pleasure the neuroscience of music and why we love it |
| title_full | From perception to pleasure the neuroscience of music and why we love it Robert Zatorre |
| title_fullStr | From perception to pleasure the neuroscience of music and why we love it Robert Zatorre |
| title_full_unstemmed | From perception to pleasure the neuroscience of music and why we love it Robert Zatorre |
| title_short | From perception to pleasure |
| title_sort | from perception to pleasure the neuroscience of music and why we love it |
| title_sub | the neuroscience of music and why we love it |
| topic | Neurowissenschaften (DE-588)7555119-6 gnd Musikhören (DE-588)4075127-2 gnd Musikerlebnis (DE-588)4170819-2 gnd Musizieren (DE-588)4170838-6 gnd |
| topic_facet | Neurowissenschaften Musikhören Musikerlebnis Musizieren |
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