Decolonizing contemporary gospel music through praxis Handsworth revolutions
"Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas...
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| Format: | Buch |
| Sprache: | English |
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New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2023
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| Schriftenreihe: | Bloomsbury studies in Black religion and cultures
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 505 | 8 | |a Introduction: Soulful contemporary gospel music and the soul of the Gospel of Jesus -- Part I Theoretical moorings -- 1 Groovement: Bridge the gap -- 2 Warrior charge: Confronting the coloniality within contemporary gospel music -- 3 Testimony: Categories for Black Christian decolonial thinking -- Part II Colonial thought in Black British gospel music -- 1 Roots Manuva: Colonial Christianity in the songs of the Windrush generation -- 2 Vybz Kartel: Coloniality in the golden age of contemporary gospel music -- Part III Decolonial methods -- 6 Handsworth revolutions: Delinking contemporary gospel music from colonial Christianity -- 7 Black voices at the Royal Wedding: Translating decoloniality into music production -- Part IV Production tools -- 1 West Indian front room crossover -- 2 The Black vernacular -- 3 Dangerous memories -- Part V Impact -- 11 Mercy, Mercy Me -- Conclusion: Resurrection revolution -- Notes -- Bibliography -- Index of songs -- Index | |
| 520 | 3 | |a "Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs? In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in crisis because its songs continue to be informed by colonial Christian ideas about God. Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness. This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts"-- | |
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Datensatz im Suchindex
| _version_ | 1819706032266412032 |
|---|---|
| adam_text | Contents ix Acknowledgements Introduction: Soulful contemporary gospel music and the soul of the Gospel of Jesus 1 Part I Theoretical moorings 1 2 3 Groovement: Bridge the gap Warrior charge: Confronting the coloniality within contemporary gospel music 30 Testimony: Categories for Black Christian decolonial thinking 15 45 Part II Colonial thought in Black British gospel music 4 5 Roots Manuva: Colonial Christianity in the songs of the Windrush generation 63 Vybz Kartel: Coloniality in the golden age of contemporary gospel music 80 Part III Decolonial methods 6 7 Handsworth revolutions: Delinking contemporary gospel music from colonial Christianity 97 Black voices at the Royal Wedding: Translating decoloniality into music production 114 Part IV Production tools 8 9 10 West Indian front room crossover The Black vernacular Dangerous memories 121 137 150 PartV Impact 11 Mercy, Mercy Me Conclusion: Resurrection revolution 165 172
viii Contents 175 Notes Bibliography Index of songs Index 201 218 241
|
| any_adam_object | 1 |
| author | Beckford, Robert |
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| building | Verbundindex |
| bvnumber | BV049501622 |
| contents | Introduction: Soulful contemporary gospel music and the soul of the Gospel of Jesus -- Part I Theoretical moorings -- 1 Groovement: Bridge the gap -- 2 Warrior charge: Confronting the coloniality within contemporary gospel music -- 3 Testimony: Categories for Black Christian decolonial thinking -- Part II Colonial thought in Black British gospel music -- 1 Roots Manuva: Colonial Christianity in the songs of the Windrush generation -- 2 Vybz Kartel: Coloniality in the golden age of contemporary gospel music -- Part III Decolonial methods -- 6 Handsworth revolutions: Delinking contemporary gospel music from colonial Christianity -- 7 Black voices at the Royal Wedding: Translating decoloniality into music production -- Part IV Production tools -- 1 West Indian front room crossover -- 2 The Black vernacular -- 3 Dangerous memories -- Part V Impact -- 11 Mercy, Mercy Me -- Conclusion: Resurrection revolution -- Notes -- Bibliography -- Index of songs -- Index |
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| isbn | 9781350081734 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034846747 |
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| owner | DE-12 |
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| physical | viii, 250 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20240226 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury studies in Black religion and cultures |
| spellingShingle | Beckford, Robert Decolonizing contemporary gospel music through praxis Handsworth revolutions Introduction: Soulful contemporary gospel music and the soul of the Gospel of Jesus -- Part I Theoretical moorings -- 1 Groovement: Bridge the gap -- 2 Warrior charge: Confronting the coloniality within contemporary gospel music -- 3 Testimony: Categories for Black Christian decolonial thinking -- Part II Colonial thought in Black British gospel music -- 1 Roots Manuva: Colonial Christianity in the songs of the Windrush generation -- 2 Vybz Kartel: Coloniality in the golden age of contemporary gospel music -- Part III Decolonial methods -- 6 Handsworth revolutions: Delinking contemporary gospel music from colonial Christianity -- 7 Black voices at the Royal Wedding: Translating decoloniality into music production -- Part IV Production tools -- 1 West Indian front room crossover -- 2 The Black vernacular -- 3 Dangerous memories -- Part V Impact -- 11 Mercy, Mercy Me -- Conclusion: Resurrection revolution -- Notes -- Bibliography -- Index of songs -- Index Schwarze Theologie (DE-588)4053779-1 gnd Gospelsong (DE-588)4137312-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| subject_GND | (DE-588)4053779-1 (DE-588)4137312-1 (DE-588)4070860-3 (DE-588)4022153-2 |
| title | Decolonizing contemporary gospel music through praxis Handsworth revolutions |
| title_auth | Decolonizing contemporary gospel music through praxis Handsworth revolutions |
| title_exact_search | Decolonizing contemporary gospel music through praxis Handsworth revolutions |
| title_full | Decolonizing contemporary gospel music through praxis Handsworth revolutions Robert Beckford |
| title_fullStr | Decolonizing contemporary gospel music through praxis Handsworth revolutions Robert Beckford |
| title_full_unstemmed | Decolonizing contemporary gospel music through praxis Handsworth revolutions Robert Beckford |
| title_short | Decolonizing contemporary gospel music through praxis |
| title_sort | decolonizing contemporary gospel music through praxis handsworth revolutions |
| title_sub | Handsworth revolutions |
| topic | Schwarze Theologie (DE-588)4053779-1 gnd Gospelsong (DE-588)4137312-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd |
| topic_facet | Schwarze Theologie Gospelsong Entkolonialisierung Großbritannien |
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