Multiplicity Blackness in contemporary American collage
"The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a ra...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Nashville, TN
Frist Art Museum
[2023]
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049493494 | ||
| 003 | DE-604 | ||
| 005 | 20240307 | ||
| 007 | t| | ||
| 008 | 240110s2023 xx a||| |||| 00||| eng d | ||
| 020 | |a 9780300272963 |9 9780300272963 | ||
| 035 | |a (OCoLC)1410565591 | ||
| 035 | |a (DE-599)BVBBV049493494 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 | ||
| 245 | 1 | 0 | |a Multiplicity |b Blackness in contemporary American collage |c edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students |
| 246 | 1 | 3 | |a Blackness in contemporary American collage |
| 264 | 1 | |a Nashville, TN |b Frist Art Museum |c [2023] | |
| 264 | 2 | |a New Haven ; London |b Yale University Press | |
| 300 | |a 263 Seiten |b Illustrationen |c 29 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville, and curated by Senior Curator Kathryn E. Delmez. - Exhibition itinerary: Frist Art Museum, September 15 - December 31, 2023; Museum of Fine Arts, Houston, February 18 - May 12, 2024; The Phillips Collection, July 6 - September 22, 2024 | ||
| 500 | |a Artists include: Nina Chanel Abney ; Derrick Adams ; Njideka Akunyili Crosby ; Radcliffe Bailey ; Sanford Biggers ; McArthur Binion ; Brittney Boyd Bullock ; Mark Bradford ; Tay Butler ; Zoë Charlton ; Andrea Chung ; Jamal Cyrus ; M. Florine Démosthène ; Derek Fordjour ; Genevieve Gaignard ; Lauren Halsey ; Kahlil Robert Irving ; Tomashi Jackson ; Arthur Jafa ; Rashid Johnson ; Yashua Klos ; YoYo Lander ; Rick Lowe ; Kerry James Marshall ; Rod McGaha ; Lester Julian Merriweather ; Helina Metaferia ; Wardell Milan ; Joiri Minaya ; Troy Montes Michie ; Devin N. Morris ; Wangechi Mutu ; Narcissister ; Rashaad Newsome ; Lovie Olivia ; Ebony G. Patterson ; Howardena Pindell ; Jamea Richmond-Edwards ; Deborah Roberts ; Lanecia A. Rouse ; Tschabalala Self ; Vitus Shell ; Devan Shimoyama ; David Shrobe ; Lorna Simpson ; Nyugen E. Smith ; Paul Anthony Smith ; Shinique Smith ; Mickalene Thomas ; Kara Walker ; Didier William ; Kandis Williams | ||
| 505 | 8 | 0 | |t I'll Make Me A World: An Introduction to Contemporary Black Collage |r Kathryn E. Delmez |t Hurston's Law, or a Philosophy of Display |r Richard J. Powell, PhD |t Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists |r Patricia Hills |t Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories |r Rebecca VanDiver, PhD |t Pon tu mano con la mía: Rhizomatic Pathways and Collage |r María Elena Ortiz |t Meditations on the Multivalence of Black Womanhood |r Valerie Cassel Oliver |t Minor Figures, Continuous Tension |r Tiffany E. Barber, PhD |t also also also and and and: Digital Stitches and the Collage as Glitch |r Anita N. Bateman, PhD. |
| 520 | 3 | |a "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"-- | |
| 648 | 7 | |a Geschichte 1940-2023 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Collage |0 (DE-588)4010384-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerin |0 (DE-588)4033430-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |g Motiv |0 (DE-588)4116434-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstler |0 (DE-588)4033423-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a African American collage / 21st century / Exhibitions | |
| 653 | 0 | |a Collage, American / 21st century / Exhibitions | |
| 653 | 0 | |a African American art / Exhibitions | |
| 653 | 0 | |a African American art / 21st century | |
| 653 | 0 | |a African American artists / Exhibitions | |
| 653 | 0 | |a Collage (Art) américain / 21e siècle / Expositions | |
| 653 | 0 | |a Art noir américain / Expositions | |
| 653 | 0 | |a Art noir américain / 21e siècle | |
| 653 | 0 | |a Artistes noirs américains / Expositions | |
| 653 | 0 | |a Collage, American | |
| 653 | 0 | |a African American art | |
| 653 | 0 | |a African American artists | |
| 653 | 4 | |a 2000-2099 | |
| 653 | 6 | |a Exhibition catalogs | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Frist Center for the Visual Arts |y 15.09.2023-31.12.2023 |z Nashville, Tenn. |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museum of Fine Arts |y 18.02.2024-12.05.2024 |z Houston, Tex. |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x The Phillips Collection |y 06.07.2024-22.09.2024 |z Washington, DC |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 2 | |a Künstler |0 (DE-588)4033423-5 |D s |
| 689 | 0 | 3 | |a Künstlerin |0 (DE-588)4033430-2 |D s |
| 689 | 0 | 4 | |a Collage |0 (DE-588)4010384-5 |D s |
| 689 | 0 | 5 | |a Schwarze |g Motiv |0 (DE-588)4116434-9 |D s |
| 689 | 0 | 6 | |a Geschichte 1940-2023 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Delmez, Kathryn E. |0 (DE-588)102934485X |4 edt | |
| 700 | 1 | |a Barber, Tiffany E. |4 aut | |
| 710 | 2 | |a Frist Center for the Visual Arts (Nashville, Tenn.) |0 (DE-588)6034241-9 |4 his |4 isb | |
| 710 | 2 | |a Museum of Fine Arts, Houston |0 (DE-588)50293-5 |4 his | |
| 710 | 2 | |a The Phillips Collection |0 (DE-588)1212424-2 |4 his | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034838774 | |
Datensatz im Suchindex
| _version_ | 1819315835832893440 |
|---|---|
| any_adam_object | |
| author | Barber, Tiffany E. |
| author2 | Delmez, Kathryn E. |
| author2_role | edt |
| author2_variant | k e d ke ked |
| author_GND | (DE-588)102934485X |
| author_additional | Kathryn E. Delmez Richard J. Powell, PhD Patricia Hills Rebecca VanDiver, PhD María Elena Ortiz Valerie Cassel Oliver Tiffany E. Barber, PhD Anita N. Bateman, PhD. |
| author_facet | Barber, Tiffany E. Delmez, Kathryn E. |
| author_role | aut |
| author_sort | Barber, Tiffany E. |
| author_variant | t e b te teb |
| building | Verbundindex |
| bvnumber | BV049493494 |
| contents | I'll Make Me A World: An Introduction to Contemporary Black Collage Hurston's Law, or a Philosophy of Display Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories Pon tu mano con la mía: Rhizomatic Pathways and Collage Meditations on the Multivalence of Black Womanhood Minor Figures, Continuous Tension also also also and and and: Digital Stitches and the Collage as Glitch |
| ctrlnum | (OCoLC)1410565591 (DE-599)BVBBV049493494 |
| era | Geschichte 1940-2023 gnd |
| era_facet | Geschichte 1940-2023 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07150nam a2200781 c 4500</leader><controlfield tag="001">BV049493494</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240307 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240110s2023 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300272963</subfield><subfield code="9">9780300272963</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1410565591</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049493494</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Multiplicity</subfield><subfield code="b">Blackness in contemporary American collage</subfield><subfield code="c">edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Blackness in contemporary American collage</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Nashville, TN</subfield><subfield code="b">Frist Art Museum</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="2"><subfield code="a">New Haven ; London</subfield><subfield code="b">Yale University Press</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">263 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">29 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville, and curated by Senior Curator Kathryn E. Delmez. - Exhibition itinerary: Frist Art Museum, September 15 - December 31, 2023; Museum of Fine Arts, Houston, February 18 - May 12, 2024; The Phillips Collection, July 6 - September 22, 2024</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Artists include: Nina Chanel Abney ; Derrick Adams ; Njideka Akunyili Crosby ; Radcliffe Bailey ; Sanford Biggers ; McArthur Binion ; Brittney Boyd Bullock ; Mark Bradford ; Tay Butler ; Zoë Charlton ; Andrea Chung ; Jamal Cyrus ; M. Florine Démosthène ; Derek Fordjour ; Genevieve Gaignard ; Lauren Halsey ; Kahlil Robert Irving ; Tomashi Jackson ; Arthur Jafa ; Rashid Johnson ; Yashua Klos ; YoYo Lander ; Rick Lowe ; Kerry James Marshall ; Rod McGaha ; Lester Julian Merriweather ; Helina Metaferia ; Wardell Milan ; Joiri Minaya ; Troy Montes Michie ; Devin N. Morris ; Wangechi Mutu ; Narcissister ; Rashaad Newsome ; Lovie Olivia ; Ebony G. Patterson ; Howardena Pindell ; Jamea Richmond-Edwards ; Deborah Roberts ; Lanecia A. Rouse ; Tschabalala Self ; Vitus Shell ; Devan Shimoyama ; David Shrobe ; Lorna Simpson ; Nyugen E. Smith ; Paul Anthony Smith ; Shinique Smith ; Mickalene Thomas ; Kara Walker ; Didier William ; Kandis Williams</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">I'll Make Me A World: An Introduction to Contemporary Black Collage</subfield><subfield code="r">Kathryn E. Delmez</subfield><subfield code="t">Hurston's Law, or a Philosophy of Display</subfield><subfield code="r">Richard J. Powell, PhD</subfield><subfield code="t">Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists</subfield><subfield code="r">Patricia Hills</subfield><subfield code="t">Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories</subfield><subfield code="r">Rebecca VanDiver, PhD</subfield><subfield code="t">Pon tu mano con la mía: Rhizomatic Pathways and Collage</subfield><subfield code="r">María Elena Ortiz</subfield><subfield code="t">Meditations on the Multivalence of Black Womanhood</subfield><subfield code="r">Valerie Cassel Oliver</subfield><subfield code="t">Minor Figures, Continuous Tension</subfield><subfield code="r">Tiffany E. Barber, PhD</subfield><subfield code="t">also also also and and and: Digital Stitches and the Collage as Glitch</subfield><subfield code="r">Anita N. Bateman, PhD.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1940-2023</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Collage</subfield><subfield code="0">(DE-588)4010384-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstlerin</subfield><subfield code="0">(DE-588)4033430-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4116434-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American collage / 21st century / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Collage, American / 21st century / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American art / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American art / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Collage (Art) américain / 21e siècle / Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art noir américain / Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art noir américain / 21e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Artistes noirs américains / Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Collage, American</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">2000-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Exhibition catalogs</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Frist Center for the Visual Arts</subfield><subfield code="y">15.09.2023-31.12.2023</subfield><subfield code="z">Nashville, Tenn.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Museum of Fine Arts</subfield><subfield code="y">18.02.2024-12.05.2024</subfield><subfield code="z">Houston, Tex.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">The Phillips Collection</subfield><subfield code="y">06.07.2024-22.09.2024</subfield><subfield code="z">Washington, DC</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Künstlerin</subfield><subfield code="0">(DE-588)4033430-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Collage</subfield><subfield code="0">(DE-588)4010384-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Schwarze</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4116434-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1940-2023</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Delmez, Kathryn E.</subfield><subfield code="0">(DE-588)102934485X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barber, Tiffany E.</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Frist Center for the Visual Arts (Nashville, Tenn.)</subfield><subfield code="0">(DE-588)6034241-9</subfield><subfield code="4">his</subfield><subfield code="4">isb</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Museum of Fine Arts, Houston</subfield><subfield code="0">(DE-588)50293-5</subfield><subfield code="4">his</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">The Phillips Collection</subfield><subfield code="0">(DE-588)1212424-2</subfield><subfield code="4">his</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034838774</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Frist Center for the Visual Arts 15.09.2023-31.12.2023 Nashville, Tenn. gnd-content (DE-588)4135467-9 Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 Houston, Tex. gnd-content (DE-588)4135467-9 Ausstellungskatalog The Phillips Collection 06.07.2024-22.09.2024 Washington, DC gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Ausstellungskatalog Frist Center for the Visual Arts 15.09.2023-31.12.2023 Nashville, Tenn. Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 Houston, Tex. Ausstellungskatalog The Phillips Collection 06.07.2024-22.09.2024 Washington, DC Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049493494 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T10:06:23Z |
| institution | BVB |
| institution_GND | (DE-588)6034241-9 (DE-588)50293-5 (DE-588)1212424-2 |
| isbn | 9780300272963 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034838774 |
| oclc_num | 1410565591 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 263 Seiten Illustrationen 29 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Frist Art Museum |
| record_format | marc |
| spelling | Multiplicity Blackness in contemporary American collage edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students Blackness in contemporary American collage Nashville, TN Frist Art Museum [2023] New Haven ; London Yale University Press 263 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville, and curated by Senior Curator Kathryn E. Delmez. - Exhibition itinerary: Frist Art Museum, September 15 - December 31, 2023; Museum of Fine Arts, Houston, February 18 - May 12, 2024; The Phillips Collection, July 6 - September 22, 2024 Artists include: Nina Chanel Abney ; Derrick Adams ; Njideka Akunyili Crosby ; Radcliffe Bailey ; Sanford Biggers ; McArthur Binion ; Brittney Boyd Bullock ; Mark Bradford ; Tay Butler ; Zoë Charlton ; Andrea Chung ; Jamal Cyrus ; M. Florine Démosthène ; Derek Fordjour ; Genevieve Gaignard ; Lauren Halsey ; Kahlil Robert Irving ; Tomashi Jackson ; Arthur Jafa ; Rashid Johnson ; Yashua Klos ; YoYo Lander ; Rick Lowe ; Kerry James Marshall ; Rod McGaha ; Lester Julian Merriweather ; Helina Metaferia ; Wardell Milan ; Joiri Minaya ; Troy Montes Michie ; Devin N. Morris ; Wangechi Mutu ; Narcissister ; Rashaad Newsome ; Lovie Olivia ; Ebony G. Patterson ; Howardena Pindell ; Jamea Richmond-Edwards ; Deborah Roberts ; Lanecia A. Rouse ; Tschabalala Self ; Vitus Shell ; Devan Shimoyama ; David Shrobe ; Lorna Simpson ; Nyugen E. Smith ; Paul Anthony Smith ; Shinique Smith ; Mickalene Thomas ; Kara Walker ; Didier William ; Kandis Williams I'll Make Me A World: An Introduction to Contemporary Black Collage Kathryn E. Delmez Hurston's Law, or a Philosophy of Display Richard J. Powell, PhD Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists Patricia Hills Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories Rebecca VanDiver, PhD Pon tu mano con la mía: Rhizomatic Pathways and Collage María Elena Ortiz Meditations on the Multivalence of Black Womanhood Valerie Cassel Oliver Minor Figures, Continuous Tension Tiffany E. Barber, PhD also also also and and and: Digital Stitches and the Collage as Glitch Anita N. Bateman, PhD. "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"-- Geschichte 1940-2023 gnd rswk-swf Collage (DE-588)4010384-5 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African American collage / 21st century / Exhibitions Collage, American / 21st century / Exhibitions African American art / Exhibitions African American art / 21st century African American artists / Exhibitions Collage (Art) américain / 21e siècle / Expositions Art noir américain / Expositions Art noir américain / 21e siècle Artistes noirs américains / Expositions Collage, American African American art African American artists 2000-2099 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Frist Center for the Visual Arts 15.09.2023-31.12.2023 Nashville, Tenn. gnd-content (DE-588)4135467-9 Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 Houston, Tex. gnd-content (DE-588)4135467-9 Ausstellungskatalog The Phillips Collection 06.07.2024-22.09.2024 Washington, DC gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Künstler (DE-588)4033423-5 s Künstlerin (DE-588)4033430-2 s Collage (DE-588)4010384-5 s Schwarze Motiv (DE-588)4116434-9 s Geschichte 1940-2023 z DE-604 Delmez, Kathryn E. (DE-588)102934485X edt Barber, Tiffany E. aut Frist Center for the Visual Arts (Nashville, Tenn.) (DE-588)6034241-9 his isb Museum of Fine Arts, Houston (DE-588)50293-5 his The Phillips Collection (DE-588)1212424-2 his |
| spellingShingle | Barber, Tiffany E. Multiplicity Blackness in contemporary American collage I'll Make Me A World: An Introduction to Contemporary Black Collage Hurston's Law, or a Philosophy of Display Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories Pon tu mano con la mía: Rhizomatic Pathways and Collage Meditations on the Multivalence of Black Womanhood Minor Figures, Continuous Tension also also also and and and: Digital Stitches and the Collage as Glitch Collage (DE-588)4010384-5 gnd Schwarze (DE-588)4116433-7 gnd Künstlerin (DE-588)4033430-2 gnd Schwarze Motiv (DE-588)4116434-9 gnd Künstler (DE-588)4033423-5 gnd |
| subject_GND | (DE-588)4010384-5 (DE-588)4116433-7 (DE-588)4033430-2 (DE-588)4116434-9 (DE-588)4033423-5 (DE-588)4078704-7 (DE-588)4135467-9 (DE-588)4143413-4 |
| title | Multiplicity Blackness in contemporary American collage |
| title_alt | Blackness in contemporary American collage I'll Make Me A World: An Introduction to Contemporary Black Collage Hurston's Law, or a Philosophy of Display Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories Pon tu mano con la mía: Rhizomatic Pathways and Collage Meditations on the Multivalence of Black Womanhood Minor Figures, Continuous Tension also also also and and and: Digital Stitches and the Collage as Glitch |
| title_auth | Multiplicity Blackness in contemporary American collage |
| title_exact_search | Multiplicity Blackness in contemporary American collage |
| title_full | Multiplicity Blackness in contemporary American collage edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students |
| title_fullStr | Multiplicity Blackness in contemporary American collage edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students |
| title_full_unstemmed | Multiplicity Blackness in contemporary American collage edited by Kathryn E. Delmez ; with contributions by Tiffany E. Barber, Anita N. Bateman, Valerie Cassel Oliver, Patricia Hills, María Elena Ortiz, Richard J. Powell, Rebecca VanDiver, Chase Williamson, Fisk University students |
| title_short | Multiplicity |
| title_sort | multiplicity blackness in contemporary american collage |
| title_sub | Blackness in contemporary American collage |
| topic | Collage (DE-588)4010384-5 gnd Schwarze (DE-588)4116433-7 gnd Künstlerin (DE-588)4033430-2 gnd Schwarze Motiv (DE-588)4116434-9 gnd Künstler (DE-588)4033423-5 gnd |
| topic_facet | Collage Schwarze Künstlerin Schwarze Motiv Künstler USA Ausstellungskatalog Frist Center for the Visual Arts 15.09.2023-31.12.2023 Nashville, Tenn. Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 Houston, Tex. Ausstellungskatalog The Phillips Collection 06.07.2024-22.09.2024 Washington, DC Aufsatzsammlung |
| work_keys_str_mv | AT delmezkathryne multiplicityblacknessincontemporaryamericancollage AT barbertiffanye multiplicityblacknessincontemporaryamericancollage AT fristcenterforthevisualartsnashvilletenn multiplicityblacknessincontemporaryamericancollage AT museumoffineartshouston multiplicityblacknessincontemporaryamericancollage AT thephillipscollection multiplicityblacknessincontemporaryamericancollage AT delmezkathryne blacknessincontemporaryamericancollage AT barbertiffanye blacknessincontemporaryamericancollage AT fristcenterforthevisualartsnashvilletenn blacknessincontemporaryamericancollage AT museumoffineartshouston blacknessincontemporaryamericancollage AT thephillipscollection blacknessincontemporaryamericancollage |