Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit
This essay addresses the question of ethics and aesthetics of distance from a particular angle: the very instable fiction that is the human body. It traces how and what kind of distances collapse when the human body in all its resistance as an artistic and academic ‘object’ is approached. How does t...
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| 520 | 3 | |a This essay addresses the question of ethics and aesthetics of distance from a particular angle: the very instable fiction that is the human body. It traces how and what kind of distances collapse when the human body in all its resistance as an artistic and academic ‘object’ is approached. How does this interfere with scientific objectivity or the figure of historical distance? The paper touches upon (Christian) concepts of the human body and their entanglement with philosophical and, in its wake, art historical writing with a special focus on early modern European art. It grasps the subject via a medial experience with Eve from the Ghent Altarpiece by Hubert and Jan van Eyck, thereby aiming to explore relations between new media, painting techniques, or style as a means of operating distance effects. By examining relations of closeness and distance through media, technique, style, and the (art historical) discourses on bodies, the essay ventures into a self-critical destabilization of European concepts and formations of bodies | |
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| spelling | Degler, Anna Verfasser (DE-588)1068897627 aut Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit Anna Degler 2023-09-27 Illustrationen txt rdacontent c rdamedia cr rdacarrier This essay addresses the question of ethics and aesthetics of distance from a particular angle: the very instable fiction that is the human body. It traces how and what kind of distances collapse when the human body in all its resistance as an artistic and academic ‘object’ is approached. How does this interfere with scientific objectivity or the figure of historical distance? The paper touches upon (Christian) concepts of the human body and their entanglement with philosophical and, in its wake, art historical writing with a special focus on early modern European art. It grasps the subject via a medial experience with Eve from the Ghent Altarpiece by Hubert and Jan van Eyck, thereby aiming to explore relations between new media, painting techniques, or style as a means of operating distance effects. By examining relations of closeness and distance through media, technique, style, and the (art historical) discourses on bodies, the essay ventures into a self-critical destabilization of European concepts and formations of bodies Zusammenfassung in englischer Sprache Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd rswk-swf Eva Biblische Person (DE-588)118531441 gnd rswk-swf Geschichte gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf Weiblicher Akt (DE-588)4189404-2 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Männlicher Akt (DE-588)4168477-1 gnd rswk-swf Kunsthistoriografie Körper Körpertheorie Methodengeschichte Ideengeschichte Digitale Kunstgeschichte Jan van Eyck Maarten van Heemskerck Glitch Christliche Kunst (DE-588)4010109-5 s Ästhetik (DE-588)4000626-8 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Körper (DE-588)4031575-7 s Weiblicher Akt (DE-588)4189404-2 s Männlicher Akt (DE-588)4168477-1 s Geschichte z DE-604 Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 u Eva Biblische Person (DE-588)118531441 p volume:4 number:3 year:2023 pages:529-554 21: inquiries into art, history, and the visual Heidelberg, 2023 Bd. 4, Nr. 3 (2023), Seite 529-554 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2023.3.99105 Resolving-System Verlag kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/99105 Verlag kostenfrei Volltext |
| spellingShingle | Degler, Anna Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd Eva Biblische Person (DE-588)118531441 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Körper (DE-588)4031575-7 gnd Weiblicher Akt (DE-588)4189404-2 gnd Christliche Kunst (DE-588)4010109-5 gnd Ästhetik (DE-588)4000626-8 gnd Männlicher Akt (DE-588)4168477-1 gnd |
| subject_GND | (DE-588)4065420-5 (DE-588)118531441 (DE-588)4033643-8 (DE-588)4031575-7 (DE-588)4189404-2 (DE-588)4010109-5 (DE-588)4000626-8 (DE-588)4168477-1 |
| title | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit |
| title_auth | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit |
| title_exact_search | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit |
| title_exact_search_txtP | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit |
| title_full | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit Anna Degler |
| title_fullStr | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit Anna Degler |
| title_full_unstemmed | Auf den Leib gerückt glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit Anna Degler |
| title_short | Auf den Leib gerückt |
| title_sort | auf den leib geruckt glitschige korper in der kunst historiografie der fruhen neuzeit |
| title_sub | glitschige Körper in der Kunst(-historiografie) der Frühen Neuzeit |
| topic | Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd Eva Biblische Person (DE-588)118531441 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Körper (DE-588)4031575-7 gnd Weiblicher Akt (DE-588)4189404-2 gnd Christliche Kunst (DE-588)4010109-5 gnd Ästhetik (DE-588)4000626-8 gnd Männlicher Akt (DE-588)4168477-1 gnd |
| topic_facet | Eyck, Jan van 1390-1441 Genter Altar Eva Biblische Person Kunstgeschichtsschreibung Körper Weiblicher Akt Christliche Kunst Ästhetik Männlicher Akt |
| url | https://doi.org/10.11588/xxi.2023.3.99105 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/99105 |
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