Performing the Ramayana tradition enactments, interpretations, and arguments
"Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of perfo...
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| 505 | 8 | 0 | |t The Ramayana narrative tradition as a resource for performance |r Paula Richman |t Thinking the Ramayana tradition through performance |r Rustom Bharucha |t Where narrative and performance meet : Nepathya's Rāmāyaṇa Saṃkṣēpam |r Rizio Yohannan |t Shambuk's severed head by Omprakash Valmiki |r Aaron Sherraden, translator |t Recasting Shambuk in three Hindi anti-caste dramas |r Aaron Sherraden |t The killing of Shambuk : a retelling from a director's perspective |r Sudhanva Deshpande |t Ravana center stage : Origins of Ravana and King of Lanka |r Paula Richman |t Ravana as dissident artist : The Tenth Head and Ravanama |r Rustom Bharucha |t Script of The Tenth Head |r Vinay Kumar |t Script of Ravanama |r Maya Krishna Rao |t The Making of RāmaRāvaṇā : reflections on gender, music, and staging |r Hanne M. de Bruin |t Writing her "Self" : the politics of gender in Nangyarkuttu |r Mundoli Narayanan |t Reflections on Ramayana in Kutiyattam |r David Shulman |r Margi Madhu Chakyar |r Dr. Indu G. |r Rustom Bharucha |t Questions around Ram Vijay : Sattriya in a monastic tradition |r Sri Narayan Chandra Goswami |r Parasmoni Dutta |r Paula Richman |r Rustom Bharucha |t Performing the argument : Ramayana in Talamaddale |r Akshara K.V. |t Revisiting "Being Rama" : playing a god in changing times |r Urmimala Sarkar Munsi |t The night before Bhor Arti : play and Banarasipan in the Ramnagar Ramlila |r Bhargav Rani |t The challenges ahead : researching the Ramayana performance tradition |r Rustom Bharucha |
| 520 | 3 | |a "Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors' two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary re-interpretations of traditional narratives, and the presence of Ramayana discourse in everyday life"-- | |
| 653 | 1 | |a Vālmīki / Rāmāyaṇa | |
| 653 | 1 | |a Vālmīki / Adaptations | |
| 653 | 1 | |a Tulasīdāsa / 1532-1623 / Rāmacaritamānasa | |
| 653 | 1 | |a Kampar / active 9th century / Rāmāyaṇam | |
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| 653 | 0 | |a Art dramatique / Aspect religieux / Hindouisme | |
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| 653 | |a Rāmacaritamānasa (Tulasīdāsa) | ||
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| 776 | 0 | 8 | |i Online version |t Performing the Ramayana traditions |d New York : Oxford University Press, 2021 |z 9780197552537 |
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| author_GND | (DE-588)120939037 |
| author_additional | Paula Richman Rustom Bharucha Rizio Yohannan Aaron Sherraden, translator Aaron Sherraden Sudhanva Deshpande Vinay Kumar Maya Krishna Rao Hanne M. de Bruin Mundoli Narayanan David Shulman Margi Madhu Chakyar Dr. Indu G. Sri Narayan Chandra Goswami Parasmoni Dutta Akshara K.V. Urmimala Sarkar Munsi Bhargav Rani |
| author_facet | Richman, Paula Bharucha, Rustom 1953- |
| building | Verbundindex |
| bvnumber | BV049470864 |
| contents | The Ramayana narrative tradition as a resource for performance Thinking the Ramayana tradition through performance Where narrative and performance meet : Nepathya's Rāmāyaṇa Saṃkṣēpam Shambuk's severed head by Omprakash Valmiki Recasting Shambuk in three Hindi anti-caste dramas The killing of Shambuk : a retelling from a director's perspective Ravana center stage : Origins of Ravana and King of Lanka Ravana as dissident artist : The Tenth Head and Ravanama Script of The Tenth Head Script of Ravanama The Making of RāmaRāvaṇā : reflections on gender, music, and staging Writing her "Self" : the politics of gender in Nangyarkuttu Reflections on Ramayana in Kutiyattam Questions around Ram Vijay : Sattriya in a monastic tradition Performing the argument : Ramayana in Talamaddale Revisiting "Being Rama" : playing a god in changing times The night before Bhor Arti : play and Banarasipan in the Ramnagar Ramlila The challenges ahead : researching the Ramayana performance tradition |
| ctrlnum | (OCoLC)1273666543 (DE-599)BVBBV049470864 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV049470864 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:16:28Z |
| indexdate | 2024-07-10T10:08:11Z |
| institution | BVB |
| isbn | 9780197552506 0197552501 9780197552513 019755251X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034816466 |
| oclc_num | 1273666543 |
| open_access_boolean | |
| owner | DE-20 |
| owner_facet | DE-20 |
| physical | xviii, 357 Seiten, 16 ungezählte Tafeln Illustrationen 25 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Performing the Ramayana tradition enactments, interpretations, and arguments edited by Paula Richman and Rustom Bharucha New York Oxford University Press [2021] xviii, 357 Seiten, 16 ungezählte Tafeln Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier The Ramayana narrative tradition as a resource for performance Paula Richman Thinking the Ramayana tradition through performance Rustom Bharucha Where narrative and performance meet : Nepathya's Rāmāyaṇa Saṃkṣēpam Rizio Yohannan Shambuk's severed head by Omprakash Valmiki Aaron Sherraden, translator Recasting Shambuk in three Hindi anti-caste dramas Aaron Sherraden The killing of Shambuk : a retelling from a director's perspective Sudhanva Deshpande Ravana center stage : Origins of Ravana and King of Lanka Paula Richman Ravana as dissident artist : The Tenth Head and Ravanama Rustom Bharucha Script of The Tenth Head Vinay Kumar Script of Ravanama Maya Krishna Rao The Making of RāmaRāvaṇā : reflections on gender, music, and staging Hanne M. de Bruin Writing her "Self" : the politics of gender in Nangyarkuttu Mundoli Narayanan Reflections on Ramayana in Kutiyattam David Shulman Margi Madhu Chakyar Dr. Indu G. Rustom Bharucha Questions around Ram Vijay : Sattriya in a monastic tradition Sri Narayan Chandra Goswami Parasmoni Dutta Paula Richman Rustom Bharucha Performing the argument : Ramayana in Talamaddale Akshara K.V. Revisiting "Being Rama" : playing a god in changing times Urmimala Sarkar Munsi The night before Bhor Arti : play and Banarasipan in the Ramnagar Ramlila Bhargav Rani The challenges ahead : researching the Ramayana performance tradition Rustom Bharucha "Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors' two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary re-interpretations of traditional narratives, and the presence of Ramayana discourse in everyday life"-- Vālmīki / Rāmāyaṇa Vālmīki / Adaptations Tulasīdāsa / 1532-1623 / Rāmacaritamānasa Kampar / active 9th century / Rāmāyaṇam Performing arts / Religious aspects / Hinduism Performance / Religious aspects / Hinduism Acting / Religious aspects / Hinduism Arts du spectacle / Aspect religieux / Hindouisme Rendement au travail / Aspect religieux / Hindouisme Art dramatique / Aspect religieux / Hindouisme Vālmīki Rāmacaritamānasa (Tulasīdāsa) Rāmāyaṇa (Vālmīki) Rāmāyaṇam (Kampar) Adaptations (DE-588)4143413-4 Aufsatzsammlung gnd-content Richman, Paula edt Bharucha, Rustom 1953- (DE-588)120939037 edt Online version Performing the Ramayana traditions New York : Oxford University Press, 2021 9780197552537 |
| spellingShingle | Performing the Ramayana tradition enactments, interpretations, and arguments The Ramayana narrative tradition as a resource for performance Thinking the Ramayana tradition through performance Where narrative and performance meet : Nepathya's Rāmāyaṇa Saṃkṣēpam Shambuk's severed head by Omprakash Valmiki Recasting Shambuk in three Hindi anti-caste dramas The killing of Shambuk : a retelling from a director's perspective Ravana center stage : Origins of Ravana and King of Lanka Ravana as dissident artist : The Tenth Head and Ravanama Script of The Tenth Head Script of Ravanama The Making of RāmaRāvaṇā : reflections on gender, music, and staging Writing her "Self" : the politics of gender in Nangyarkuttu Reflections on Ramayana in Kutiyattam Questions around Ram Vijay : Sattriya in a monastic tradition Performing the argument : Ramayana in Talamaddale Revisiting "Being Rama" : playing a god in changing times The night before Bhor Arti : play and Banarasipan in the Ramnagar Ramlila The challenges ahead : researching the Ramayana performance tradition |
| subject_GND | (DE-588)4143413-4 |
| title | Performing the Ramayana tradition enactments, interpretations, and arguments |
| title_alt | The Ramayana narrative tradition as a resource for performance Thinking the Ramayana tradition through performance Where narrative and performance meet : Nepathya's Rāmāyaṇa Saṃkṣēpam Shambuk's severed head by Omprakash Valmiki Recasting Shambuk in three Hindi anti-caste dramas The killing of Shambuk : a retelling from a director's perspective Ravana center stage : Origins of Ravana and King of Lanka Ravana as dissident artist : The Tenth Head and Ravanama Script of The Tenth Head Script of Ravanama The Making of RāmaRāvaṇā : reflections on gender, music, and staging Writing her "Self" : the politics of gender in Nangyarkuttu Reflections on Ramayana in Kutiyattam Questions around Ram Vijay : Sattriya in a monastic tradition Performing the argument : Ramayana in Talamaddale Revisiting "Being Rama" : playing a god in changing times The night before Bhor Arti : play and Banarasipan in the Ramnagar Ramlila The challenges ahead : researching the Ramayana performance tradition |
| title_auth | Performing the Ramayana tradition enactments, interpretations, and arguments |
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| title_full_unstemmed | Performing the Ramayana tradition enactments, interpretations, and arguments edited by Paula Richman and Rustom Bharucha |
| title_short | Performing the Ramayana tradition |
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