How women became poets a gender history of Greek literature
"This book that shows how ancient poets broke the silence of literary gender norms to express their own voices, and thus illuminating long neglected discussions of gender in the ancient world. In How Women Became Poets, Emily Hauser provides a startling new history of classical literature that...
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| Format: | Buch |
| Sprache: | English |
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Princeton, New Jersey ; Oxford
Princeton University Press
[2023]
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CONTENTS Note on Transliterations and Texts Acknowledgments List ofAbbreviations xi xiii xv Introduction: A Name of One’s Own i PART I. LYRE The Singer-Man: Making Poets Male from the Beginning i The Invention of the Singer-Man in Homer 25 2 Mastering the Muses in Hesiod 46 3 The Instruments of Song in the Homeric Hymns 62 PART Π. TOOL The Man-Maker: Male Poets Making Male Citizens 4 How to Make Men in Aristophanes 83 5 The (Gendered) Problem of Plato and the Poets 122 PART III. WREATH The Female Homer: Toward a Language for Women Poets 6 Into the Otherworld: Singing Women in Euripides 7 A Woman, or a Poet? Words for Women Poets, from Herodotus to Antipater ix 165 191
X CONTENTS PART IV. BIRD A New Kind of Language: Women Poets in Their Own Words 8 Mother Sappho: Creating Women Poets 231 9 Bards and Birds: Old Terms on Her Terms, from Sappho to Nossis 258 Conclusion: Beyond Words References 286 291 Index ofPassages General Index 335 347
HOW THE IDEA OF THE AUTHOR WAS BORN IN THE BATTLEGROUND OF GENDER the only word that existed to describe a poet was a male one—aoidos, or "singer-man." The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. WHEN SAPPHO SANG HER SONGS, Women, as Virginia Woolf recognized, need rooms of their own in order to write. So too, have women writers through his tory needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—the building up and reinforcing of the word for male poet, followed by the creation, in response, of a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around author ship and literary
production. |
| adam_txt |
CONTENTS Note on Transliterations and Texts Acknowledgments List ofAbbreviations xi xiii xv Introduction: A Name of One’s Own i PART I. LYRE The Singer-Man: Making Poets Male from the Beginning i The Invention of the Singer-Man in Homer 25 2 Mastering the Muses in Hesiod 46 3 The Instruments of Song in the Homeric Hymns 62 PART Π. TOOL The Man-Maker: Male Poets Making Male Citizens 4 How to Make Men in Aristophanes 83 5 The (Gendered) Problem of Plato and the Poets 122 PART III. WREATH The Female Homer: Toward a Language for Women Poets 6 Into the Otherworld: Singing Women in Euripides 7 A Woman, or a Poet? Words for Women Poets, from Herodotus to Antipater ix 165 191
X CONTENTS PART IV. BIRD A New Kind of Language: Women Poets in Their Own Words 8 Mother Sappho: Creating Women Poets 231 9 Bards and Birds: Old Terms on Her Terms, from Sappho to Nossis 258 Conclusion: Beyond Words References 286 291 Index ofPassages General Index 335 347
HOW THE IDEA OF THE AUTHOR WAS BORN IN THE BATTLEGROUND OF GENDER the only word that existed to describe a poet was a male one—aoidos, or "singer-man." The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. WHEN SAPPHO SANG HER SONGS, Women, as Virginia Woolf recognized, need rooms of their own in order to write. So too, have women writers through his tory needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—the building up and reinforcing of the word for male poet, followed by the creation, in response, of a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around author ship and literary
production. |
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| author | Hauser, Emily |
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| illustrated | Illustrated |
| index_date | 2024-09-19T15:57:26Z |
| indexdate | 2024-09-27T17:03:59Z |
| institution | BVB |
| isbn | 9780691201078 |
| language | English |
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| title | How women became poets a gender history of Greek literature |
| title_auth | How women became poets a gender history of Greek literature |
| title_exact_search | How women became poets a gender history of Greek literature |
| title_exact_search_txtP | How women became poets a gender history of Greek literature |
| title_full | How women became poets a gender history of Greek literature Emily Hauser |
| title_fullStr | How women became poets a gender history of Greek literature Emily Hauser |
| title_full_unstemmed | How women became poets a gender history of Greek literature Emily Hauser |
| title_short | How women became poets |
| title_sort | how women became poets a gender history of greek literature |
| title_sub | a gender history of Greek literature |
| topic | Griechisch (DE-588)4113791-7 gnd Schriftstellerin (DE-588)4053311-6 gnd Männlichkeit (DE-588)4123701-8 gnd Geschlechtergeschichte (DE-588)4547810-7 gnd Antike (DE-588)4068754-5 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Griechisch Schriftstellerin Männlichkeit Geschlechtergeschichte Antike Literatur |
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