Artistic exceptionalism and the risks of activist art
Activist artists often face a difficult question: is striving to change the world undermined when pursued through difficult and experimental artistic means? Looking closely at Adrian Piper’s Four Intruders Plus Alarm Systems (1980), I consider why this is an important concern for activist art and as...
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2023
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| 520 | 3 | |a Activist artists often face a difficult question: is striving to change the world undermined when pursued through difficult and experimental artistic means? Looking closely at Adrian Piper’s Four Intruders Plus Alarm Systems (1980), I consider why this is an important concern for activist art and assess three different responses in relation to Piper’s work. What I call the ‘conciliatory stance’ recommends that when activist artists encounter misunderstanding, they should downplay their experimental artistry in favor of fitting their work to their audience’s appreciative capacities. What I call the ‘steadfast stance’ recommends that activist artists have reason to use their privilege of artistic exceptionalism to challenge their audience’s expectations, even if this leads to misunderstanding. I claim that a middle position, which I call ‘liberal conciliation’, best balances the demands for actual change placed on activism and the experimental means that artists bring to activism. | |
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| spelling | Earley, Christopher Verfasser aut Artistic exceptionalism and the risks of activist art Christopher Earley 2023 txt rdacontent n rdamedia nc rdacarrier Activist artists often face a difficult question: is striving to change the world undermined when pursued through difficult and experimental artistic means? Looking closely at Adrian Piper’s Four Intruders Plus Alarm Systems (1980), I consider why this is an important concern for activist art and assess three different responses in relation to Piper’s work. What I call the ‘conciliatory stance’ recommends that when activist artists encounter misunderstanding, they should downplay their experimental artistry in favor of fitting their work to their audience’s appreciative capacities. What I call the ‘steadfast stance’ recommends that activist artists have reason to use their privilege of artistic exceptionalism to challenge their audience’s expectations, even if this leads to misunderstanding. I claim that a middle position, which I call ‘liberal conciliation’, best balances the demands for actual change placed on activism and the experimental means that artists bring to activism. Piper, Adrian 1948- (DE-588)119432757 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Engagierte Kunst (DE-588)4681311-1 gnd rswk-swf Piper, Adrian 1948- (DE-588)119432757 p Engagierte Kunst (DE-588)4681311-1 s Ästhetik (DE-588)4000626-8 s DE-604 volume:81 number:2 year:2023 month:06 pages:141-152 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2023 Volume 81, number 2 (June 2023), Seite [141]-152 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Earley, Christopher Artistic exceptionalism and the risks of activist art Piper, Adrian 1948- (DE-588)119432757 gnd Ästhetik (DE-588)4000626-8 gnd Engagierte Kunst (DE-588)4681311-1 gnd |
| subject_GND | (DE-588)119432757 (DE-588)4000626-8 (DE-588)4681311-1 |
| title | Artistic exceptionalism and the risks of activist art |
| title_auth | Artistic exceptionalism and the risks of activist art |
| title_exact_search | Artistic exceptionalism and the risks of activist art |
| title_full | Artistic exceptionalism and the risks of activist art Christopher Earley |
| title_fullStr | Artistic exceptionalism and the risks of activist art Christopher Earley |
| title_full_unstemmed | Artistic exceptionalism and the risks of activist art Christopher Earley |
| title_short | Artistic exceptionalism and the risks of activist art |
| title_sort | artistic exceptionalism and the risks of activist art |
| topic | Piper, Adrian 1948- (DE-588)119432757 gnd Ästhetik (DE-588)4000626-8 gnd Engagierte Kunst (DE-588)4681311-1 gnd |
| topic_facet | Piper, Adrian 1948- Ästhetik Engagierte Kunst |
| work_keys_str_mv | AT earleychristopher artisticexceptionalismandtherisksofactivistart |