The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war
"Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2023]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Register // Gemischte Register |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049347716 | ||
| 003 | DE-604 | ||
| 005 | 20240430 | ||
| 007 | t | ||
| 008 | 231002s2023 |||| 00||| eng d | ||
| 020 | |a 9780252045271 |c hbk |9 978-0-252-04527-1 | ||
| 035 | |a (OCoLC)1410708779 | ||
| 035 | |a (DE-599)BVBBV049347716 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-188 | ||
| 082 | 0 | |a 780.9730904 |2 23 | |
| 084 | |a OST |q DE-12 |2 fid | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Horowitz, Joseph |d 1948- |e Verfasser |0 (DE-588)128639733 |4 aut | |
| 245 | 1 | 0 | |a The propaganda of freedom |b JFK, Shostakovich, Stravinsky, and the cultural cold war |c Joseph Horowitz |
| 264 | 1 | |a Urbana ; Chicago ; Springfield |b University of Illinois Press |c [2023] | |
| 300 | |a xi, 222 Seiten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music in American life | |
| 505 | 8 | |a Foreword. Why and What -- JFK, the Artist, and "Free Societies" : A Cold War Myth -- Nicolas Nabokov and the Cultural Cold War -- Lines of Battle : The Case for Stravinsky; -- The Case against Shostakovich -- CIA Cultural Battlegrounds : New York and Paris -- Survival Strategies : Stravinsky and Shostakovich -- Survival Strategies : Nicolas Nabokov -- Cold War Music, East and West -- Enter Cultural Exchange -- Summing Up : Culture, the State, and the "Propaganda of Freedom" -- Afterword. The Arts, National Purpose, and the Pandemic | |
| 520 | 3 | |a "Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine. Horowitz shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian "psychology of exile" traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov's hero Igor Stravinsky. In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He focuses on Stravinsky, who in Los Angeles experienced a "freedom not to matter," and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration's arts advocacy initiatives and their pertinence to today's fraught American national identity. Challenging long-entrenched myths, this book newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement" | |
| 600 | 1 | 7 | |a Šostakovič, Dmitrij Dmitrievič |d 1906-1975 |0 (DE-588)118642472 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |0 (DE-588)118642545 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Nabokov, Nicolas |d 1903-1978 |0 (DE-588)118586106 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a Congress for Cultural Freedom |0 (DE-588)2016024-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstproduktion |0 (DE-588)4166043-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ost-West-Konflikt |0 (DE-588)4075770-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstfreiheit |0 (DE-588)4033433-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Sowjetunion |0 (DE-588)4077548-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Political aspects / United States / History / 20th century | |
| 653 | 0 | |a Music / Political aspects / Soviet Union / History / 20th century | |
| 653 | 0 | |a Cold War / Music and the war | |
| 653 | 2 | |a Congress for Cultural Freedom | |
| 653 | 1 | |a Kennedy, John F. / (John Fitzgerald) / 1917-1963 | |
| 653 | 1 | |a Shostakovich, Dmitriĭ Dmitrievich / 1906-1975 | |
| 653 | 1 | |a Stravinsky, Igor / 1882-1971 | |
| 653 | 1 | |a Nabokov, Nicolas / 1903-1978 | |
| 653 | 1 | |a Kennedy, John F. / (John Fitzgerald) / 1917-1963 | |
| 653 | 1 | |a Nabokov, Nicolas / 1903-1978 | |
| 653 | 1 | |a Shostakovich, Dmitriĭ Dmitrievich / 1906-1975 | |
| 653 | 1 | |a Stravinsky, Igor / 1882-1971 | |
| 653 | 2 | |a Congress for Cultural Freedom | |
| 653 | 0 | |a Music / Political aspects | |
| 653 | 2 | |a Soviet Union | |
| 653 | 2 | |a United States | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Sowjetunion |0 (DE-588)4077548-3 |D g |
| 689 | 0 | 2 | |a Congress for Cultural Freedom |0 (DE-588)2016024-0 |D b |
| 689 | 0 | 3 | |a Ost-West-Konflikt |0 (DE-588)4075770-5 |D s |
| 689 | 0 | 4 | |a Kunstfreiheit |0 (DE-588)4033433-8 |D s |
| 689 | 0 | 5 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Nabokov, Nicolas |d 1903-1978 |0 (DE-588)118586106 |D p |
| 689 | 1 | 1 | |a Šostakovič, Dmitrij Dmitrievič |d 1906-1975 |0 (DE-588)118642472 |D p |
| 689 | 1 | 2 | |a Stravinsky, Igor |d 1882-1971 |0 (DE-588)118642545 |D p |
| 689 | 1 | 3 | |a Kunstproduktion |0 (DE-588)4166043-2 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9780252054792 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
| 940 | 1 | |n oe | |
| 940 | 1 | |q BSB_NED_20240122 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034608164 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 947.08 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 909 |e 22/bsb |f 0904 |g 947.08 |
Datensatz im Suchindex
| _version_ | 1804185878079209472 |
|---|---|
| adam_text | CONTENTS Preface ix Foreword: Why and What 1 1 JFK, the Artist, and Free Societies” : A Cold War Myth 2 Nicolas Nahokov and the Cultural Cold War 7 20 3 Lines of Battle: The Case for Stravinsky; The Case against Shostakovich 34 4 CIA Cultural Battlegrounds: New York and Paris 46 5 Survival Strategies: Stravinsky and Shostakovich 75 6 Survival Strategies: Nicolas Nabokov 7 Cold War Music, East and West 8 Enter Cultural Exchange 96 113 129 Summing Up: Culture, the State, and the “Propaganda of Freedom” 145 Afterword: The Arts, National Purpose, and the Pandemic 167
Appendix A: Nicolas Nabokov, “The Case of Dmitri Shostakovitch (Harpers Magazine, March 1943) 177 Appendix B: President John F. Kennedy/Arthur Schlesinger Jr., “The Amherst Speech (October 26,1963) 191 Notes 195 Index 213
INDEX Abrassimov, Pyotr, 105-6 abstract expressionism, 64-65 Acheson, Dean, 48 Alliance for Progress, 160 “American BBC,” 17-18 American Committee for Cultural Free dom, 128 American Intellectuals for Freedom, 55 American Legion, 53 Americans for Intellectual Freedom, 52-53 American-Soviet Music Society, 130 American Writers Congress, 29 Ansermet, Ernest, 64 anti-Communism, organs for, 51-55 Ardoin, John, 148 Arendt, Hannah: The Origins ofTotalitarianism, 29,150 Ashkenazy, Vladimir, 134,145 Atlantic Monthly, 24,39,99 atomic bomb, 13,47-48,57 Auden, W. H., 22,32 Auric, Georges, 67 Babbitt, Milton, 111 Babel, Isaac, 41 Bach, Isaac, 122 Bagazh, 140 Balanchine, George, 64,76,158; Agon, 141; Episodes, 142 Baldyga, Leonard, 143,156,208131 Barber, Samuel, 62,103; Hermit Songs, 62; Piano Sonata, 123 Barnes, Albert C., 22 Barshai, Rudolf, 62 Bartok, Béla, 121 Baryshnikov, Mikhail, 134,159 Baudelaire, Charles, 164 Baumol, William: Performing Arts: TheEconomicDilemma, 174 BBC, 40 Beauvoir, Simone de, 58 Beethoven, Ludwig von, 12 2 ; An diefeme Geliebte, 88; Fidelio, 119 Bell, Daniel, 160 Bellow, Saul, 164 Beloff, Nora, 160 Benton, Thomas Hart, 17 Berberova, Nina, 159 Berg, Alban, 66; Wozzeck, 64,104,121 Berio, Luciano, 72 Berlin, Isaiah, 34,76,149-50,201П2 Berlin Congress for Cultural Freedom, 57
214 ’ Index Berlin Festival, 105 Bernstein, Leonard, 47,74,137-40,140, 151-54 Bitov, Andrei, 90 Bliss, Arthur, 121 Blitzstein, Marc, 17; The Cradle WillRock, 17-174 Bogdanoff, Peter, 83 Bohlen, Chip, 58,97-98,135 Böhm, Karl, 64 Bolshoi Ballet, 130-31 Bolshoi Opera, 131,132,133,158 Bosset, Vera de, 79 Boston Symphony, 64,130,136 Boulanger, Nadia, 124 Boulez, Pierre, 103,111; “Schoenberg Is Dead, 68 Bowen, William; PerformingArts: The Eco nomic Dilemma, 174 Braden, Thomas, 71,73 Breen, Joseph, 88 Breen, Robert; Porgy and Bess, 134-35,146 British Ministries of Economic Warfare, 130 Britten, Benjamin, 89,103; Billy Budd, 64, 68,104 Brody, Martin, 104-5 Browning, John, 134 Brubeck, Dave, 141,142 Cage, John, 66 Carnegie, Andrew, 152-53 Carnegie Hall, 2,21,50,107,131,133, 152-5З Carter, Elliott, 71,72,102,104,111; First String Quartet, 103 Carter, Jimmy, 172 Casals, Pablo, 1,8 Casella, Alfredo, 67,121 Caute, David, 155 CBS, 18 Central Intelligence Agency (CIA), 2-4, 73-74; anti-Communist organs formed before, 51-55; and artistic indepen dence, 102-5; and Berlin Congress for Cultural Freedom, 57; and Congress for Cultural Freedom, 18-19,22,25,30; counterpropaganda by, 55-62; Cultural and Scientific Conference for World Peace, 46-51; documenting funding by, 101-2; establishing, 13; funding, 60-61; and Paris festival, 62-72 CETA (Comprehensive Employment and Training Act), 173 Chailley, Jacques, 59 Chaliapin, Fyodor, 99 Chaplin, Charlie, 57 Chopin International Piano Competition, 130 Choral Arts Society, 144 Church, Frederic, 169 Churchill, Winston, 13 Cleveland Orchestra, 141
Cliburn, Van, 18,74,123,134,136,141,143, 159,20916; Tchaikovsky International Piano Competition victory, 145-51 Clurman, Harold, 127 Cohn, Roy, 127 Cold War, 2-5,98; condemning Soviet mu sic, 20-33; jazz during, 208П26; music composed in, 113-28; myth of free soci eties, 7-19; overview of, 13-14 Coleman, Peter; The Liberal Conspiracy, 155-56 Columbia Records, 131 Commission of Fine Arts, 15 Committee for Cultural Freedom, 17,51, 128 Composers Collective, 126 Composers’ Union, 43,77,109 Comprehensive Employment and Training Act (CETA), 172-73 Congress for Cultural Freedom (CCF), 1819,33 51 60,72,201157; art exhibit by, 64; collapse of, 22; concealing depen dency, 18; coup staged by, 58; cultural mandate of, 71; as cultural/intellectual hub, 61; defending, 153; dogma of, 2-3; festivals, 4,25,71; looking back on, 15457; Nabokov leadership role in, 101-2; playbook by, 58-59; reconstitution of, 105; reliance on secret support, 65; as source of confusion, 101-2; splitting, 128; studies of, 24-25,72-74; summa rizing, 164; termination of, 142; “Tradi tion and Change in Music” festival, 71 Copland, Aaron, 47,49,67,75,121,171; Ap palachian Spring, 125; Billy the Kid, 125; The
Index City, 126; Clarinet Concerto, 127-28; El salon Mexico, 127; Fanfarefor the Common Man, 127; Hollywood scores, 126; “Into the Streets May First,” 125; Our New Music (1941), 124; Piano Quartet (1950), 126-27; Piano Variations, 125; Rodeo, 125; The Second Hurricane, 125; Symphony No. 3,126. Count, George, 54 Cousins, Norman, 48 COVID-19 pandemic, 167,175 Cowell, Henry, 66,72 Craft, Robert, 7,33,75,83,85 creative autonomy, 127,164 Croce, Benedetto, 52 Cuban Missile Crisis, 162 Cultural and Scientific Conference for World Peace, 4,21,30,48,46-50,53, 153,19904; and American counterpro paganda, 55-62; anti-Communist or gans formed after, 51-55 cultural exchange, 14,19,53,74,85,134-36, 140,143-44,147,152,154,156,164 cultural freedom, 4,69; cultural rhetoric of, 82,101; dogma of, 54,65,78; postulating doctrine of, 52; Soviet campaign against, 29; and survival strategies, 75-79 cultural propaganda, 2,18,22,25,55,62; American counterpropaganda, 55-62; anti-Communist organs, 51-55; Cul tural and Scientific Conference for World Peace, 46-51 culture boom of the sixties, 15 Danielou, Alain, 200155 Dahl, Ingolf, 82 Dallapiccola, Luigi, 72,103; Canti di prigionia, 67 Dallas Morning News, 148 Dayton, Daryl, 104 Declaration of Independence, 163 Denisov, Edison, 105 Dewey, John, 51 Diaghilev, Serge, 22,35,75-76,79,99,107 Dixon, Dean, 46 Dovzhenko, Alexander, 92; Earth, 92 Downes, Olin, 49,118 Dubinsky, David, 52 Dulles, Allen, 71 · 215 Dvorak Cello Concerto, 131 “East-West Music Encounter” festival, 72 Edinburgh Festival, 64 Eisenhower, Dwight D., 15,131,136,147, 149, 202П2
Eisenstein, Sergei, 174; Battleship Potem kin, 174 Eisler, Hanns, 125-26 Eliot, T. S., 52 Elisabeth, Queen, 145 Ellington, Duke, 73,141 Empson, William, 101 Encounter (magazine), 24,27,72-73,102, 160-61 Epstein, Jason, 71-73 Europe-America Groups, 30 exile, psychology of, 80-81,163 Factory of the Eccentric Actor, 91-92 Fadeyev, Alexander, 48-49,89 Fadiman, Clifton, 18 Falla, Manuel de, 121 Farfield Foundation, 60 Faulkner, William, 31 Federal Bureau of Investigation (FBI), 55 Feldman, Morton, 65 Feltsman, Vladimir, 95,133-34,140-41 Firebird, The (1900), 79 Fischer, Louis, 57 Flanner, Janet, 68 Flaubert, Gustave, 164 Fleischman, Julius, 60 Fleisher, Leon, 145 Foner, Eric: The Story ofAmerican Freedom, 163 formalism, 78 France, 79 free artists, 2-3,12, 37,57,62, 69,71,72,74, 78; artistic autonomy, 4,70,78,84,86, 89,101,103,117,127,164; bias against, 16; declared as “free men,” 1; following death of Kennedy, 15-19 freedom: cheapening, 165; fetishization of, 164-65; as masterword, 163; nega tive freedom, 76; positive freedom, 76; propaganda of, 4-5,17,25,71,153-54, 159,161,163-65,172-73,175. Seealso cultural freedom Freedom House, 55-56
216 · Index Freedom Manifesto, 57 free left, 30 free societies, 2-3,5,7-8,32,62,64,66, 74,112,122,153,163 French Radio/Television Orchestra, 64 Fricsay, Ferenc, 64 Frolova-Walker, Marina, 115-16; Stalin s Music Prize: Soviet Culture and Politics, 114 Frost, Robert, 32 Furtwängler, Wilhelm, 56 General Motors, as metaphor, 27,44 Gergiev, Valery, 87 German Democratic Republic, 55 Gershwin, George, 73,134-35 Geyer, Michael, 161 Gide, André, 70 Giels, Emil, 76 Gilded Age, 168-70 Gilels, Emil, 130,133,145 Gilman, Lawrence: Toscanini and Great Mu sic, 120 Giroud, Vincent, 25,44,58,99,107, 154-55 Glinka, Mikhail, 81, i2y,ALifefortheTsar, 99 Gold, Mike, 29 Goldbeck, Fred, 103 Goldenweiser, Alexander, 136 Gold Star Mothers, 53 Gombrowicz, Witold, 101 Good Housekeeping (magazine),118 Goodman, Benny, 141, 208П26 Goodwin, Richard, 14-15 Gorbachev, Mikhail, 143 Gosman, Lazar, 132 Gould, Glenn, 134-35 Great Purge, 42 Greenberg, Clement, 64-65 Greenway, Gilbert, 61 Guelzo, Allen, 2О2П2 Hanks, Nancy, 172 Harper’s Magazine, 24 Harris, Roy, 67 Harrison, Lou, 72-73; Rapunzel, 62 Haydn, Joseph, 120 Hayek, Friedrich: The Road to Serfdom, 29 Heard, Gerald, 80 Heckscher, August, 8; report following death of Kennedy, 14-15 Hegel, Georg Wilhelm Friedrich, 76 Heifetz, Jascha, 130,134 Hellmann, Lillian, 48-49 Helms, Richard, 155 Henahan, Donal, 148 Heresy, John, 32 Hermann, Bernard, 18,152 High Fidelity, 24,36 Hines, Earl, 141 Hitler, Adolf, 49, 51,78,171 Hofstadter, Richard, 15-16; Anti-intellectual ism in American Life, 15 Hollywood, 40 Honegger, Arthur, 77,103 Hook, Irving, 54 Hook, Sidney,
17,51-54,61,71,101,128; Out ofStep: An Unquiet Life in the 20th Cen tury, 53 Hoover, J. Edgar, 55,109 Horgan, Paul, 79; Encounters with Stravin sky, 36 Horowitz, Vladimir, 130,142-43 Horszowski, Mieczyslaw, 1 Humbert, Humbert: Lolita, 96 Hurok, Sol, 85,136 Huxley, Aldous, 80 index prohibitorum, 43, 59 inspiration, 81,84 International Association for Cultural Freedom, 105 International Institute for Comparative Music Studies, 200155 Iron Curtain, 128 Isherwood, Christopher, 80 Ives, Charles, 66,73,172; Concord Sonata, 103; Three Places in New England, 67; The Unanswered Question, 137-39 Jackson, C. D., 61,20in62 Janis, Byron, 149 Jazz, 208П26 Jewish War Veterans, 53 Johnson, Boris, 167 Johnson, Lyndon B„ 172-73 Johnson, Stephen, 20; How Shostakovich Changed My Mind, 20
Index Josselson, Diana, 73 Josselson, Michael, 33,56-57,71,100-101, 105,153,160,199122 Joyce, James, 164 Kabalevsky, Dmitri, 138 Kandinsky, Wassily, 111 Kennan, George, 13,34-35,58,97,108-9, 112,156-57 Kennedy, Jacqueline, 158-59 Kennedy, John F., 1,2-5,71,111-12,114, 122,163,201—212; Amherst speech, 11, 160,191-93; cultural pronouncements of, 11-14,157-62; and Schlesinger, 3133; Stravinsky dinner, 7-8,151-54; sup port for national culture center, 9-12 Kennedy Center for the Performing Arts, 152 Kessler, Harry, 23 Khachaturian, Aram, 43,77,105,136 Khrennikov, Tikhon, 85,110,115 Khrushchev, Nikita, 130-31,149,158, 159-60 Khrushchev, Sergei, 131,136,161-62 Kiehl, William, 144 Kinbote, Charles: PaleFire, 96 Kirov Ballet, 131 Klemperer, Otto, 75,130,134 Knipper-Chekhova, Olga, 24 Koestler, Arthur, 30,71; Darkness at Noon, 57 Kogan, Leonid, 77,138 Kollek, Teddy, 108 Kondrashin, Kirill, 133,148-49 Kozintsev, Grigori: King Lear, 91-93; The New Babylon, 26-27,42 91-92, 174 Kozlov, Viktor, 20-22 Kozlovsky, 100 Krapchenko, Mikhail, 130 Krehbiel, Henry: How to Listen to Music, 118-19 Kurosawa, Akira, 92 Lacy-Zarubin Agreement, 136-37 Ladies’ Garment Workers Union, 52 “La Musica nel XX Secolo,” 71 Langford, Laura, 169-70 La revue musicale, 62 Lasch, Christopher, 16,31 Lasky, Melvin, 56,69 · 217 Leacock, Richard: A Stravinsky Portrait, 35 League for Cultural Freedom and Social ism, 52 Leibowitz, René, 40 Leningrad Philharmonic, 130,131-33 Leningrad Radio Orchestra, 20 Lepore, Jill, 13; These Truths, 168 Lerner, Alan Jay: Brigadoon, 31 Levant, Oscar, 18 Leventritt, Edgar Μ., 146 Lewis,
Sinclair: Babbitt, 118 Lhevinne, Rosina, 146 Liberman, Viktor, 133 Libman, Lillian, 33,36 Library of Congress, 14 Lifar, Serge, 35 Life magazine, 21,47, 53,65 Lipkin, Seymour, 139 literary conferences, 64-65 Logevall, Fredrik: JFK, 157 London, George, 158 Longfellow, Henry Wadsworth, 168; The Song ofHiawatha, 169 Look magazine, 8,32,160 Lorentz, Pare: The Plow That Broke the Plains, 17-174 Los Angeles, 79-80 Los Angeles Philharmonic, 75,130 Love Me Tonight (film), 88 Lowell, Robert, 32 Lubimov, Alexei, 139 Luce, Henry, 47,65 Lunacharsky, Anatoly, 78 MacArthur, Douglas, 47 Macdonald, Dwight, 40,49,52,120-21,123, 201157; “America! America!,” 72-73,161 Mahler, Gustav: Resurrection Symphony, 151; The Song ofEarth, 89 Mailer, Norman, 55 Malenkov, Georgy, 147 Malraux, André, 52 Mann, Thomas, 78; Reflections ofa Non-political Man, 78,171 Marek, George, 118,120 Maretskaya, Vera, 113-14 Mariinsky Theater, 100 Maritain, Jacques, 32,101 Markevitch, Igor, 64,101
218 · Index Marshall Plan, 13,74,102 Martin, Frank, 103 Martin, John, 142 Marx, Karl, 76 Massine, Leonide, 22 “Masterpieces of the Twentieth Century,” 68. See also Paris festival (1952) McCann, Richard, 54 McCarthy, Joseph, 127; Permanent Sub committee on Investigations, 171 McCarthyism, 53,65,128,171 Medvedev, Alexandr, 138-39 Melville, Herman, 172 Mendelson, Edward, 96,98-99,107 Mendelssohn, Felix Robert, 52 Menuhin, Yehudi, 130 Metropolitan Opera House, 133 Mexican Revolution, 160 Mexico, 125,160-62,174 Meyer, Cord, 71 Miaskovsky, Nikolai, 43 midcult, 40,102,111,121,123 Mikhoels, Solomon, 41 Milhaud, Darius, 103 Mill, John Stuart, 76,202П2 Miller, Arthur, 55 Milosz, Czeslaw, 58 Mitropoulos, Dmitri, 131 modernism, 111 Moiseyev, Igor, 131 Monteux, Pierre, 64,68 Moscow Chamber Orchestra, 62 Moscow Conservatory, 133 Moscow Philharmonic, 133 Moscow Trials, 42 Mozart, Wolfgang Amadeus, 18,38,60,81, 122,181-82; Violin Concerto No. 5,132 Mravinsky, Evgeny, 114,121,130,132 Mukhina, Vera, 115 Mumford, Lewis, 31 Munch, Charles, 64 Mundt, Karl, 127 Murrow, Edward R., 146 Museum of Modern Art (MoMA), 16,65, 172 music, Cold War, 128; discovering com monality, 129-44; Stalin Music Prize, 113-17; teaching in America, 124-27; tutoring new audiences, 117-23 MusicalAmerica (magazine), 24,43,59,157 music appreciation. See new audience, in troducing music to Mussorgsky, Modest, 92-94,122; Boris Godunov, 89 Nabokov, Nicolas, 2-3,17,52,76,116-17, 149-50,158,161,163-64,196П7,200155, 201157; adversary of, 109-12; and anti Communist organs, 51-55; articles on Russian music, 41; association
with El liott Carter, 204—5119; association with Schlesinger Jr., 28-33; Bagazh, 24-25,53; career overview of, 22-25; The Case of Dmitri Shostakovich,” 25-28,37,177-90; CCF leadership role, 101-2; Cultural and Scientific Conference for World Peace, 46-51; Don Quixote, 2^; Encounter contri bution, 27; eulogizing, 34-35; as exiled composer, 102; first encounter with Schlesinger, 34; indexprohibitorum of, 4344; journalism of, 25-27; Love’s Labour s Lost, 23; Memoirs ofa Russian Cosmopolitan, 107; Music in the Soviet Union,” 43,59; “The Music Purge,” 30; “No Cantatas for Stalin?,” 27; Ode, 22-23; OldFriendsand New Music, 35-36; OldFriends andNew Music und Bagazh, 97-100,105-6; and Paris festival, 62-72; portrait of, 98-99; public activism of, 46-90; Rasputin sEnd, 23; “Russian Music afterthe Purge,” 43; and Shostakovich Wars, 20-22; stress ing artistic independence, 102-5;survival strategies of, 81-82,96-112; Union Pacific, 22-23,102; writings on cultural exchange, 140-44. Nabokov, Vladimir: Speak, Memory, 96-97 Nasser, Gamel Abdel, 14 National Council ofArts, Sciences, and Professions, 46,48 National Endowment of the Arts (NEA), 152,172 National Endowment of the Humanities (NEH), 152 National Gallery of Art, 14 national imaginaries, 161 National Public Radio, 152 National Symphony Orchestra, 144 Nazi Germany, 52
Index NBC, 18 NBC Symphony, 120 negative culture, 76 negative freedom, 76 Nemirovich-Danchenko, Vladimir, 115 Neuhaus, Heinrich, 136 new audience, introducing music to, 117-23 New Deal, 16-17, 172 New World, 16,24,66,96,98,120,140, 202П2 New York City Ballet, 64,141 New Yorker, 68,102 NewYorkHerald-Tribune, 21,52-53,115, 120-21 New York magazine, 151 New York Philharmonic, 131,137-40; So You re Going to Russia, 137 New York Philharmonic Archives, 21,74,82 New York Review ofBooks, 98-99 New York State Council of the Arts, 172 New York Times, 25,44,49, 53,76,102,138, 142,147 Nigg, Serge, 68 Nijinsky, Vaslav, 35 Nikisch, Arthur, 56 Nixon, Richard, 147,157,172-73 nontonal composition, 71,85,102-3,127, 142 North Atlantic Treaty Organization (NATO), 13,47 Notes (journal), 39 Nouvel, Walter, 80 Nureyev, Rudolf, 134,159 Oborin, Lev, 130,145 Office of Strategic Services (OSS), 30 offset politics, 172-73 Oistrakh, David, 76,123,130,131,145 Olivier, Laurence, 92 OMGUS, 56 Onassis, Jacqueline, 159. See also Kennedy, Jacqueline Orlov, Henry, 90 Orozco, José Clemente, 174 Orwell, George: Animal Farm, 159; Nineteen Eighty-Four, 29,159 Paley, William, 18 219 Paris festival (1952), 163-64; assessing, 67-72; ensembles, 63-64; extent of cultural propaganda in, 62-67; L’oeuvre du vingtième siècle, 67; landmark Bal anchine ballets at, 65-66; literary con ferences, 64-65; representing Copland, 127-28 Paris Opera Orchestra, 64 . Partisan Review, 24,40,43 Pasternak, Boris, 12,137-38 People’s Committee for the Freedom of Religion, 53 Phelps, William, 18 Philadelphia Orchestra, 136 Philharmonic,
Moscow, 148 Picasso, Pablo, 111; Dove ofPeace, 57 Plato, 79 Plisetskaya, Maya, 10 Pokrovsky, Boris, 133 Polanyi, Michael, 160 Politburo, 115 political art, 173-75 Politics (journal), 24,43,110 Pollock, Jackson, 64-65,103 Pons, Lily, 130 Popov, Gavril, 43 Porter, Andrew, 102 positive freedom, 76 Powers, Francis Gary, 149 Pravda, 41, 53 Price, Leontyne, 62 Prodromides, Jean, 59-60 Production Code, 88 Prokofiev, Serge, 50,78; Fifth Piano Con certo, 37-38; The Gambler, 133; On Guard for Peace, 43; Lovefor the Three Oranges, 121; Romeo andJuliet, 132; Seventh Piano So nata, 84; Sixth Symphony, 132 propaganda: American propaganda, 14; Communist propaganda, 46,52,59; cul tural propaganda, 2,18,22,25,55,62; of freedom, 4-5,17,25,71; Life magazine, 46-47; Soviet propaganda, 21,47 propaganda of freedom, 4-5,17,25,71, 153-54, 159,161,163-65,172-73,175 Preuves (magazine), 58,60 public activism, 72-74 Public Broadcasting System, 152 Pudovkin, Vsevolod, 92; Mother, 92,174
220 · Index Putnam, Robert: The Upswing, 168 Queen Elisabeth Competition, 130 Rachmaninoff, Sergei, 66,74,100,148; Second Piano Sonata, 148; Third Piano Concerto, 136,147 Radio Corporation of American and the National Broadcasting Company, 118 Radio Moscow, 142 Radzinsky, Edvard, 159 Radziwell, Lee, 33 Ravel, Maurice, 121 RCA Victor, 118-20 Reagan, Ronald, 142-43 Red Scare, 163,171 Reger, Max, 121 Reiner, Fritz, 134,148 Reporter, The (magazine), 24 Respighi, Ottorino, 121 Revue international de musique, 59 Revueltas, Silvestre, 67; Redes, 174 RIAS Orchestra of West Berlin, 64 Richmond, Yale: CulturalExchangeandthe Cold War, 156 Richter, Sviatoslav, 131,136 Rilke, Rainer Maria, 23 Rivera, Diego, 174 Robert Frost Library, Amherst College, 11 Robeson, Paul, 29,57 Robinson, Earl: BalladforAmericans, 29 Rockefeller, Nelson, 65,172 Rockefeller Foundation, 61 Roland-Manuel, Alexis, 80 Romanticism, 66 Roosevelt, Franklin D., 8,195112; bipolar thinking of, 16-17 Rosbaud, Hans, 64 Rosen, Charles, 87 Rostropovich, Mstislav, 95,105,123,130- 31.143 Rothko, Mark, 103 Rovere, Richard, 31 Royal Opera of Covent Garden, 64 Rozhdestvensky, Genady, 90-91,105,132 Ruggles, Carl, 66 Rusk, Dean, 7 Russell, Bertrand, 52 Russian Ministry of Information, 130 Russian Musical Society, 206П12 Salinger, Pierre, 16 Salisbury, Harrison, 76,150-51 Santa Cecilia Orchestra, 64 Sargeant, Lynn Μ.: Harmony Discord, 2o6ni2 Sarnoff, David, 18,118 Sartre, Jean-Paul, 58; Les temps modernes, 68 Satie, Erik, 121 Saturday Review ofLiterature, 24,48, 58 Sauguet, Henri, 62,67; La voyante, 62 Saunders, Frances Stonor,
61,72-73, 153,164-65; The Cultural Cold War, 155, 196—9717 Schlesinger, Arthur, Jr., 3,8,14,16,52,70, 101,107,128,154,163;AgeofJackson, 28; Amherst speech, 160,191-93; associa tion with Nabokov, 28-33; “Future of Liberalism, The,” 30; A Thousand Days, 31; The Vital Center: The Politics ofFreedom, 28-30,1979 Schneider, Alexander, 1 Schnittke, Alfred, 105 Schoenberg, Arnold, 24,36 Schoenberg, Arthur, 134,152; Erwarturg, 66; Gurrelieder, 121; Ode to Napoleon, 84 Schonberg, Harold, 132 Schreker, Franz, 121; Der Feme Klang, 121 Schumann, Robert, 88,122; Kinderszenen, 1; Kreisleriana, 1 Schwarz, Boris, 109,207117; Music andMusicalLife in SovietRussia, 1917-1970, 117; MusicalLifein the Soviet Russia, 44 Schweitzer, Albert, 52 Scriabin, Alexander, 100 Serkin, Rudolf, 146 Sessions, Roger, 124 Seymour, Charles, 50 Shakespeare, William: Love s Labour’s Lost, 107 Shapey, Ralph, 65 Shapley, Harlow, 48, 52-53 Shebalin, Vissarion, 43 Shils, Edward, 16 Shostakovich Wars, controversy, 20-22 Shostakovich, Dmitri, 1-2,3,12,20-22, 72,97,106,111,125,128,134-35,145, 150-51,164,204139; and anti-Com-
Index munist organs, 51-55; Anti-firmalist Rayok, 45; assaying Stravisnky, 34-37; class analysis, 39-40; at Cultural and Scientific Conference for World Peace, 46-51; debating messages in a bottle by, 91-94; Eighth String Quartet, 77; Eighth Symphony, 123; The Fall ofBerlin, 116; Fifth Symphony, 45,74,89,137-38,140; First Cello Concerto, 123; First Violin Concerto, 45,123; first-prize composi tions of, 114-15; Fourteenth Symphony, 45; Fourth Symphony, 42,44-45; Fro lova-Walker on, 115-16; impressions of United States, 50-51; Lady Macbeth, 130; Lady Macbeth ofthe Mtsensk District, 41-43, 66,81,90; making case against, 34-45; Michurin, 43; as people s composer, 88; personality of, 38-39; Piano Trio No. 2 (1944), 84; and Prokofiev, 37-39; Second Piano Concerto, 45; Second Piano Trio, 114; self-criticism of, 44-45; Seventh Symphony, 25,89,114; Song ofthe Forests, 43-44,114; String Quartet No. 8,12; survival strategies of, 87-91; sympho nies of, 132; Symphony No. 1, 26-27; Symphony No. 4,90; Symphony No. 9, 39; Ten Poems, 114; Tenth Symphony, 89; as tragic victim of state, 88; TwentyFour Preludes and Fugues, 27,45,88; vectors defining creative acts by, 87-88; Viola Sonata (1975), 45; Violin Concerto No. 1,131; Violin Concerto, 77; Young Guard (1948), 43 siglodeoro, 13 Silone, Ignazio, 160 Silverman, Kenneth, 202П2 Silvestrov, Valentin, 105 Siqueiros, David Alfaro, 65,174 Solzhenitsyn, Alexandr, 12; One Day in the Life ofIvan Demisovich, 12 SovetskayaMuzyka, 77 Soviet Cominform, 48 Soviet Composers’ Union, 124,126 Soviet Music, 50 Soviet musical identity, studying, 121-23
Soviet Union (USSR), 11,13-14,21,33,38, 43,48-49,52,66,78,86,200138; and commonality, 129-44; and Cuban Mis sile Crisis, 162; discovering American · 221 freedoms, 150; first permanent orchestra of, 121-22; New York Philharmonic vis iting, 137-40; and political art, 173-75; teaching new audiences music, 117-23 Spectre of Nijinsky, The,” 35 Sprechstimme, 84 Sputnik, 145 Stalin, Joseph, 41,45,51,118; death of, 154 Stalin Music Prize, 45,113-17,118 Stanislavsky, Konstantin, 24,115 Steinbeck, John, 32 Stockhausen, Karlheinz, ill Stokowski, Leopold, 130 Strand, Paul, 174 Strauss, Richard, 121 Stravinsky, Igor, 3,7,9,24,32-33,52,121, 124,152,158,164,203113; Chronicle ofMy Life, 80; Concerto for Piano and Winds, 85,137; Elegyfor JFK, 85; The Fairy s Kiss, 80; Les noces, 79; in Los Angeles, 79-80; making case for, 34-45; Oedipus Rex, 7, 66; Petrushka, 1,79,87; The Poetics ofMu sic, 80; prose of, 80-81; and psychology of exile, 79-82; Pulcinella and Renard, 121; The Rake s Progress, 60,107; responding to world events, 82-87; The Rite ofSpring, 7, 79,85,138; survival strategies of, 79-87; Symphony in Three Movements, 82-87; Symphony ofPsalms, 80,86; Three Move ments from Petrushka, 1 Suisse Romande Orchestra, 64 survival strategies, 45,75-78, 94-95; Nabokov, 96-112; Shostakovich, 87-91; Stravinsky, 79-87 Survivorfiom Warsaw, A (1947), 84 Swan Lake, 10,158 Sweeney, James Johnson, 64 Szymanowski, Karol, 121,123 Taft, William Howard, 15 Tarkovsky, Andrei, 12 Taruskin, Richard, 81,103 Tate, Allen, 32 Taubman, Howard, 147 Tchaikovsky, Pyotr Ilyich, 132; Eugene One gin, 100,133; First
Concerto, 148; Sleeping Beauty, 10; Swan Lake, 158-59 Tchaikovsky International Piano Competi tion, 18,145
222 · Index Thomas, Theodore, 169 Thompson, Llewellyn, 143 Thomson, Virgil, 21,103,121; Four Saintsfor ThreeActs, 68; memorandum by, 210П40 Tillich, Paul, 2 Tippett, Michael, 67 Tishchenko, Boris, 105 Tocqueville, Alexis de, 171 Tomoff, Kiril, 109-11,116,130,150,161 Toradze, Alexander, 109-10,133-34,139, 208П26 Toscanini, Arturo, 21,120-21,130 totalitarianism, 51,150,156,159,163, 210133 Trauberg, Leonid, 91; The New Babylon, 174 Trifonov, Daniil, 1 Trumbo, Dalton, 29 Tsfasman, Alexander: Rhapsody in Blue, 134-35 Tuch, Hans, 137,143 Ulanova, Galina, 10,131 Union of Soviet Composers, 116-17 United States: and commonality, 129-44; democracy-culture relationship, 171-73; New York Philharmonic visiting Russia, 137-40; and political art, 173-75; popu larization of arts in, 167-70; teaching new audiences music, 124-27 United States Information Agency (USIA), 104,208П31 U.S. Progressive Party, 48 U.S. Strategic Bombing Survey, 22,30 Volkov, Solomon, 95,159; Testimony: The Memoirs ofDmitri Shostakovich, 91,109 Vovzhenko, Alexander: Earth, 174 Voznesensky, Andrei, 159 Wagnerism, 80-81,170 Waldorf Astoria Peace Conference. See Cultural and Scientific Conference for World Peace Wallace, Henry, 126 Wallenstein, Alfred, 18,130 Walter, Bruno, 64 Webern, Anton, 66 Weill, Kurt, 67 Wellens, Ian, 123,19617 Whitman, Walt, 168,171 Whitney, John Hay, 65 Whitney, Julie: “Music in a Cage,” 77 Wilford, Hugh, 60,72; The Mighty Wurlitzer, 155 Wisner, Frank, 52,57,60 Wolfe, Tom, 151 Woollcott, Alexander, 18 Works Progress Administration (WPA), 16-18,152,172-74 World Congress of Intellectuals in
Defense of Peace, 48 World War 1,59,169-70 World War II, 30,42,82,84,90,100,111; long telegram following, 13 writers, kinds of, 164 Wyler, William, 126 Xenakis, Iannis, 72 Verrett, Shirley, 62 Vienna Philharmonic, 151 Vienna State Opera, 64 Viennese School, 68 Vishinsky, Andrei, 135 Vishnevskaya, Galina, 134 Voice of America, 22 VOKS, 129 Yevtushenko, Yevgeny, 159 Yudina, Maria, 139,198123 yurodivy, 88,93-94,100 Zanuck, Darryl, 75,84 Zhdanov, Andrei, 42-43
|
| adam_txt |
CONTENTS Preface ix Foreword: Why and What 1 1 JFK, the Artist, and "Free Societies” : A Cold War Myth 2 Nicolas Nahokov and the Cultural Cold War 7 20 3 Lines of Battle: The Case for Stravinsky; The Case against Shostakovich 34 4 CIA Cultural Battlegrounds: New York and Paris 46 5 Survival Strategies: Stravinsky and Shostakovich 75 6 Survival Strategies: Nicolas Nabokov 7 Cold War Music, East and West 8 Enter Cultural Exchange 96 113 129 Summing Up: Culture, the State, and the “Propaganda of Freedom” 145 Afterword: The Arts, National Purpose, and the Pandemic 167
Appendix A: Nicolas Nabokov, “The Case of Dmitri Shostakovitch" (Harpers Magazine, March 1943) 177 Appendix B: President John F. Kennedy/Arthur Schlesinger Jr., “The Amherst Speech" (October 26,1963) 191 Notes 195 Index 213
INDEX Abrassimov, Pyotr, 105-6 abstract expressionism, 64-65 Acheson, Dean, 48 Alliance for Progress, 160 “American BBC,” 17-18 American Committee for Cultural Free dom, 128 American Intellectuals for Freedom, 55 American Legion, 53 Americans for Intellectual Freedom, 52-53 American-Soviet Music Society, 130 American Writers' Congress, 29 Ansermet, Ernest, 64 anti-Communism, organs for, 51-55 Ardoin, John, 148 Arendt, Hannah: The Origins ofTotalitarianism, 29,150 Ashkenazy, Vladimir, 134,145 Atlantic Monthly, 24,39,99 atomic bomb, 13,47-48,57 Auden, W. H., 22,32 Auric, Georges, 67 Babbitt, Milton, 111 Babel, Isaac, 41 Bach, Isaac, 122 Bagazh, 140 Balanchine, George, 64,76,158; Agon, 141; Episodes, 142 Baldyga, Leonard, 143,156,208131 Barber, Samuel, 62,103; Hermit Songs, 62; Piano Sonata, 123 Barnes, Albert C., 22 Barshai, Rudolf, 62 Bartok, Béla, 121 Baryshnikov, Mikhail, 134,159 Baudelaire, Charles, 164 Baumol, William: Performing Arts: TheEconomicDilemma, 174 BBC, 40 Beauvoir, Simone de, 58 Beethoven, Ludwig von, 12 2 ; An diefeme Geliebte, 88; Fidelio, 119 Bell, Daniel, 160 Bellow, Saul, 164 Beloff, Nora, 160 Benton, Thomas Hart, 17 Berberova, Nina, 159 Berg, Alban, 66; Wozzeck, 64,104,121 Berio, Luciano, 72 Berlin, Isaiah, 34,76,149-50,201П2 Berlin Congress for Cultural Freedom, 57
214 ’ Index Berlin Festival, 105 Bernstein, Leonard, 47,74,137-40,140, 151-54 Bitov, Andrei, 90 Bliss, Arthur, 121 Blitzstein, Marc, 17; The Cradle WillRock, 17-174 Bogdanoff, Peter, 83 Bohlen, Chip, 58,97-98,135 Böhm, Karl, 64 Bolshoi Ballet, 130-31 Bolshoi Opera, 131,132,133,158 Bosset, Vera de, 79 Boston Symphony, 64,130,136 Boulanger, Nadia, 124 Boulez, Pierre, 103,111; “Schoenberg Is Dead," 68 Bowen, William; PerformingArts: The Eco nomic Dilemma, 174 Braden, Thomas, 71,73 Breen, Joseph, 88 Breen, Robert; Porgy and Bess, 134-35,146 British Ministries of Economic Warfare, 130 Britten, Benjamin, 89,103; Billy Budd, 64, 68,104 Brody, Martin, 104-5 Browning, John, 134 Brubeck, Dave, 141,142 Cage, John, 66 Carnegie, Andrew, 152-53 Carnegie Hall, 2,21,50,107,131,133, 152-5З Carter, Elliott, 71,72,102,104,111; First String Quartet, 103 Carter, Jimmy, 172 Casals, Pablo, 1,8 Casella, Alfredo, 67,121 Caute, David, 155 CBS, 18 Central Intelligence Agency (CIA), 2-4, 73-74; anti-Communist organs formed before, 51-55; and artistic indepen dence, 102-5; and Berlin Congress for Cultural Freedom, 57; and Congress for Cultural Freedom, 18-19,22,25,30; counterpropaganda by, 55-62; Cultural and Scientific Conference for World Peace, 46-51; documenting funding by, 101-2; establishing, 13; funding, 60-61; and Paris festival, 62-72 CETA (Comprehensive Employment and Training Act), 173 Chailley, Jacques, 59 Chaliapin, Fyodor, 99 Chaplin, Charlie, 57 Chopin International Piano Competition, 130 Choral Arts Society, 144 Church, Frederic, 169 Churchill, Winston, 13 Cleveland Orchestra, 141
Cliburn, Van, 18,74,123,134,136,141,143, 159,20916; Tchaikovsky International Piano Competition victory, 145-51 Clurman, Harold, 127 Cohn, Roy, 127 Cold War, 2-5,98; condemning Soviet mu sic, 20-33; jazz during, 208П26; music composed in, 113-28; myth of free soci eties, 7-19; overview of, 13-14 Coleman, Peter; The Liberal Conspiracy, 155-56 Columbia Records, 131 Commission of Fine Arts, 15 Committee for Cultural Freedom, 17,51, 128 Composers Collective, 126 Composers’ Union, 43,77,109 Comprehensive Employment and Training Act (CETA), 172-73 Congress for Cultural Freedom (CCF), 1819,33 51 60,72,201157; art exhibit by, 64; collapse of, 22; concealing depen dency, 18; coup staged by, 58; cultural mandate of, 71; as cultural/intellectual hub, 61; defending, 153; dogma of, 2-3; festivals, 4,25,71; looking back on, 15457; Nabokov leadership role in, 101-2; playbook by, 58-59; reconstitution of, 105; reliance on secret support, 65; as source of confusion, 101-2; splitting, 128; studies of, 24-25,72-74; summa rizing, 164; termination of, 142; “Tradi tion and Change in Music” festival, 71 Copland, Aaron, 47,49,67,75,121,171; Ap palachian Spring, 125; Billy the Kid, 125; The
Index City, 126; Clarinet Concerto, 127-28; El salon Mexico, 127; Fanfarefor the Common Man, 127; Hollywood scores, 126; “Into the Streets May First,” 125; Our New Music (1941), 124; Piano Quartet (1950), 126-27; Piano Variations, 125; Rodeo, 125; The Second Hurricane, 125; Symphony No. 3,126. Count, George, 54 Cousins, Norman, 48 COVID-19 pandemic, 167,175 Cowell, Henry, 66,72 Craft, Robert, 7,33,75,83,85 creative autonomy, 127,164 Croce, Benedetto, 52 Cuban Missile Crisis, 162 Cultural and Scientific Conference for World Peace, 4,21,30,48,46-50,53, 153,19904; and American counterpro paganda, 55-62; anti-Communist or gans formed after, 51-55 cultural exchange, 14,19,53,74,85,134-36, 140,143-44,147,152,154,156,164 cultural freedom, 4,69; cultural rhetoric of, 82,101; dogma of, 54,65,78; postulating doctrine of, 52; Soviet campaign against, 29; and survival strategies, 75-79 cultural propaganda, 2,18,22,25,55,62; American counterpropaganda, 55-62; anti-Communist organs, 51-55; Cul tural and Scientific Conference for World Peace, 46-51 culture boom of the sixties, 15 Danielou, Alain, 200155 Dahl, Ingolf, 82 Dallapiccola, Luigi, 72,103; Canti di prigionia, 67 Dallas Morning News, 148 Dayton, Daryl, 104 Declaration of Independence, 163 Denisov, Edison, 105 Dewey, John, 51 Diaghilev, Serge, 22,35,75-76,79,99,107 Dixon, Dean, 46 Dovzhenko, Alexander, 92; Earth, 92 Downes, Olin, 49,118 Dubinsky, David, 52 Dulles, Allen, 71 · 215 Dvorak Cello Concerto, 131 “East-West Music Encounter” festival, 72 Edinburgh Festival, 64 Eisenhower, Dwight D., 15,131,136,147, 149, 202П2
Eisenstein, Sergei, 174; Battleship Potem kin, 174 Eisler, Hanns, 125-26 Eliot, T. S., 52 Elisabeth, Queen, 145 Ellington, Duke, 73,141 Empson, William, 101 Encounter (magazine), 24,27,72-73,102, 160-61 Epstein, Jason, 71-73 Europe-America Groups, 30 exile, psychology of, 80-81,163 Factory of the Eccentric Actor, 91-92 Fadeyev, Alexander, 48-49,89 Fadiman, Clifton, 18 Falla, Manuel de, 121 Farfield Foundation, 60 Faulkner, William, 31 Federal Bureau of Investigation (FBI), 55 Feldman, Morton, 65 Feltsman, Vladimir, 95,133-34,140-41 Firebird, The (1900), 79 Fischer, Louis, 57 Flanner, Janet, 68 Flaubert, Gustave, 164 Fleischman, Julius, 60 Fleisher, Leon, 145 Foner, Eric: The Story ofAmerican Freedom, 163 formalism, 78 France, 79 free artists, 2-3,12, 37,57,62, 69,71,72,74, 78; artistic autonomy, 4,70,78,84,86, 89,101,103,117,127,164; bias against, 16; declared as “free men,” 1; following death of Kennedy, 15-19 freedom: cheapening, 165; fetishization of, 164-65; as masterword, 163; nega tive freedom, 76; positive freedom, 76; propaganda of, 4-5,17,25,71,153-54, 159,161,163-65,172-73,175. Seealso cultural freedom Freedom House, 55-56
216 · Index Freedom Manifesto, 57 free left, 30 free societies, 2-3,5,7-8,32,62,64,66, 74,112,122,153,163 French Radio/Television Orchestra, 64 Fricsay, Ferenc, 64 Frolova-Walker, Marina, 115-16; Stalin's Music Prize: Soviet Culture and Politics, 114 Frost, Robert, 32 Furtwängler, Wilhelm, 56 General Motors, as metaphor, 27,44 Gergiev, Valery, 87 German Democratic Republic, 55 Gershwin, George, 73,134-35 Geyer, Michael, 161 Gide, André, 70 Giels, Emil, 76 Gilded Age, 168-70 Gilels, Emil, 130,133,145 Gilman, Lawrence: Toscanini and Great Mu sic, 120 Giroud, Vincent, 25,44,58,99,107, 154-55 Glinka, Mikhail, 81, i2y,ALifefortheTsar, 99 Gold, Mike, 29 Goldbeck, Fred, 103 Goldenweiser, Alexander, 136 Gold Star Mothers, 53 Gombrowicz, Witold, 101 Good Housekeeping (magazine),118 Goodman, Benny, 141, 208П26 Goodwin, Richard, 14-15 Gorbachev, Mikhail, 143 Gosman, Lazar, 132 Gould, Glenn, 134-35 Great Purge, 42 Greenberg, Clement, 64-65 Greenway, Gilbert, 61 Guelzo, Allen, 2О2П2 Hanks, Nancy, 172 Harper’s Magazine, 24 Harris, Roy, 67 Harrison, Lou, 72-73; Rapunzel, 62 Haydn, Joseph, 120 Hayek, Friedrich: The Road to Serfdom, 29 Heard, Gerald, 80 Heckscher, August, 8; report following death of Kennedy, 14-15 Hegel, Georg Wilhelm Friedrich, 76 Heifetz, Jascha, 130,134 Hellmann, Lillian, 48-49 Helms, Richard, 155 Henahan, Donal, 148 Heresy, John, 32 Hermann, Bernard, 18,152 High Fidelity, 24,36 Hines, Earl, 141 Hitler, Adolf, 49, 51,78,171 Hofstadter, Richard, 15-16; Anti-intellectual ism in American Life, 15 Hollywood, 40 Honegger, Arthur, 77,103 Hook, Irving, 54 Hook, Sidney,
17,51-54,61,71,101,128; Out ofStep: An Unquiet Life in the 20th Cen tury, 53 Hoover, J. Edgar, 55,109 Horgan, Paul, 79; Encounters with Stravin sky, 36 Horowitz, Vladimir, 130,142-43 Horszowski, Mieczyslaw, 1 Humbert, Humbert: Lolita, 96 Hurok, Sol, 85,136 Huxley, Aldous, 80 index prohibitorum, 43, 59 inspiration, 81,84 International Association for Cultural Freedom, 105 International Institute for Comparative Music Studies, 200155 Iron Curtain, 128 Isherwood, Christopher, 80 Ives, Charles, 66,73,172; Concord Sonata, 103; Three Places in New England, 67; The Unanswered Question, 137-39 Jackson, C. D., 61,20in62 Janis, Byron, 149 Jazz, 208П26 Jewish War Veterans, 53 Johnson, Boris, 167 Johnson, Lyndon B„ 172-73 Johnson, Stephen, 20; How Shostakovich Changed My Mind, 20
Index Josselson, Diana, 73 Josselson, Michael, 33,56-57,71,100-101, 105,153,160,199122 Joyce, James, 164 Kabalevsky, Dmitri, 138 Kandinsky, Wassily, 111 Kennan, George, 13,34-35,58,97,108-9, 112,156-57 Kennedy, Jacqueline, 158-59 Kennedy, John F., 1,2-5,71,111-12,114, 122,163,201—212; Amherst speech, 11, 160,191-93; cultural pronouncements of, 11-14,157-62; and Schlesinger, 3133; Stravinsky dinner, 7-8,151-54; sup port for national culture center, 9-12 Kennedy Center for the Performing Arts, 152 Kessler, Harry, 23 Khachaturian, Aram, 43,77,105,136 Khrennikov, Tikhon, 85,110,115 Khrushchev, Nikita, 130-31,149,158, 159-60 Khrushchev, Sergei, 131,136,161-62 Kiehl, William, 144 Kinbote, Charles: PaleFire, 96 Kirov Ballet, 131 Klemperer, Otto, 75,130,134 Knipper-Chekhova, Olga, 24 Koestler, Arthur, 30,71; Darkness at Noon, 57 Kogan, Leonid, 77,138 Kollek, Teddy, 108 Kondrashin, Kirill, 133,148-49 Kozintsev, Grigori: King Lear, 91-93; The New Babylon, 26-27,42 91-92, 174 Kozlov, Viktor, 20-22 Kozlovsky, 100 Krapchenko, Mikhail, 130 Krehbiel, Henry: How to Listen to Music, 118-19 Kurosawa, Akira, 92 Lacy-Zarubin Agreement, 136-37 Ladies’ Garment Workers Union, 52 “La Musica nel XX Secolo,” 71 Langford, Laura, 169-70 La revue musicale, 62 Lasch, Christopher, 16,31 Lasky, Melvin, 56,69 · 217 Leacock, Richard: A Stravinsky Portrait, 35 League for Cultural Freedom and Social ism, 52 Leibowitz, René, 40 Leningrad Philharmonic, 130,131-33 Leningrad Radio Orchestra, 20 Lepore, Jill, 13; These Truths, 168 Lerner, Alan Jay: Brigadoon, 31 Levant, Oscar, 18 Leventritt, Edgar Μ., 146 Lewis,
Sinclair: Babbitt, 118 Lhevinne, Rosina, 146 Liberman, Viktor, 133 Libman, Lillian, 33,36 Library of Congress, 14 Lifar, Serge, 35 Life magazine, 21,47, 53,65 Lipkin, Seymour, 139 literary conferences, 64-65 Logevall, Fredrik: JFK, 157 London, George, 158 Longfellow, Henry Wadsworth, 168; The Song ofHiawatha, 169 Look magazine, 8,32,160 Lorentz, Pare: The Plow That Broke the Plains, 17-174 Los Angeles, 79-80 Los Angeles Philharmonic, 75,130 Love Me Tonight (film), 88 Lowell, Robert, 32 Lubimov, Alexei, 139 Luce, Henry, 47,65 Lunacharsky, Anatoly, 78 MacArthur, Douglas, 47 Macdonald, Dwight, 40,49,52,120-21,123, 201157; “America! America!,” 72-73,161 Mahler, Gustav: Resurrection Symphony, 151; The Song ofEarth, 89 Mailer, Norman, 55 Malenkov, Georgy, 147 Malraux, André, 52 Mann, Thomas, 78; Reflections ofa Non-political Man, 78,171 Marek, George, 118,120 Maretskaya, Vera, 113-14 Mariinsky Theater, 100 Maritain, Jacques, 32,101 Markevitch, Igor, 64,101
218 · Index Marshall Plan, 13,74,102 Martin, Frank, 103 Martin, John, 142 Marx, Karl, 76 Massine, Leonide, 22 “Masterpieces of the Twentieth Century,” 68. See also Paris festival (1952) McCann, Richard, 54 McCarthy, Joseph, 127; Permanent Sub committee on Investigations, 171 McCarthyism, 53,65,128,171 Medvedev, Alexandr, 138-39 Melville, Herman, 172 Mendelson, Edward, 96,98-99,107 Mendelssohn, Felix Robert, 52 Menuhin, Yehudi, 130 Metropolitan Opera House, 133 Mexican Revolution, 160 Mexico, 125,160-62,174 Meyer, Cord, 71 Miaskovsky, Nikolai, 43 midcult, 40,102,111,121,123 Mikhoels, Solomon, 41 Milhaud, Darius, 103 Mill, John Stuart, 76,202П2 Miller, Arthur, 55 Milosz, Czeslaw, 58 Mitropoulos, Dmitri, 131 modernism, 111 Moiseyev, Igor, 131 Monteux, Pierre, 64,68 Moscow Chamber Orchestra, 62 Moscow Conservatory, 133 Moscow Philharmonic, 133 Moscow Trials, 42 Mozart, Wolfgang Amadeus, 18,38,60,81, 122,181-82; Violin Concerto No. 5,132 Mravinsky, Evgeny, 114,121,130,132 Mukhina, Vera, 115 Mumford, Lewis, 31 Munch, Charles, 64 Mundt, Karl, 127 Murrow, Edward R., 146 Museum of Modern Art (MoMA), 16,65, 172 music, Cold War, 128; discovering com monality, 129-44; Stalin Music Prize, 113-17; teaching in America, 124-27; tutoring new audiences, 117-23 MusicalAmerica (magazine), 24,43,59,157 music appreciation. See new audience, in troducing music to Mussorgsky, Modest, 92-94,122; Boris Godunov, 89 Nabokov, Nicolas, 2-3,17,52,76,116-17, 149-50,158,161,163-64,196П7,200155, 201157; adversary of, 109-12; and anti Communist organs, 51-55; articles on Russian music, 41; association
with El liott Carter, 204—5119; association with Schlesinger Jr., 28-33; Bagazh, 24-25,53; career overview of, 22-25; "The Case of Dmitri Shostakovich,” 25-28,37,177-90; CCF leadership role, 101-2; Cultural and Scientific Conference for World Peace, 46-51; Don Quixote, 2^; Encounter contri bution, 27; eulogizing, 34-35; as exiled composer, 102; first encounter with Schlesinger, 34; indexprohibitorum of, 4344; journalism of, 25-27; Love’s Labour's Lost, 23; Memoirs ofa Russian Cosmopolitan, 107; "Music in the Soviet Union,” 43,59; “The Music Purge,” 30; “No Cantatas for Stalin?,” 27; Ode, 22-23; OldFriendsand New Music, 35-36; OldFriends andNew Music und Bagazh, 97-100,105-6; and Paris festival, 62-72; portrait of, 98-99; public activism of, 46-90; Rasputin'sEnd, 23; “Russian Music afterthe Purge,” 43; and Shostakovich Wars, 20-22; stress ing artistic independence, 102-5;survival strategies of, 81-82,96-112; Union Pacific, 22-23,102; writings on cultural exchange, 140-44. Nabokov, Vladimir: Speak, Memory, 96-97 Nasser, Gamel Abdel, 14 National Council ofArts, Sciences, and Professions, 46,48 National Endowment of the Arts (NEA), 152,172 National Endowment of the Humanities (NEH), 152 National Gallery of Art, 14 national imaginaries, 161 National Public Radio, 152 National Symphony Orchestra, 144 Nazi Germany, 52
Index NBC, 18 NBC Symphony, 120 negative culture, 76 negative freedom, 76 Nemirovich-Danchenko, Vladimir, 115 Neuhaus, Heinrich, 136 new audience, introducing music to, 117-23 New Deal, 16-17, 172 New World, 16,24,66,96,98,120,140, 202П2 New York City Ballet, 64,141 New Yorker, 68,102 NewYorkHerald-Tribune, 21,52-53,115, 120-21 New York magazine, 151 New York Philharmonic, 131,137-40; So You're Going to Russia, 137 New York Philharmonic Archives, 21,74,82 New York Review ofBooks, 98-99 New York State Council of the Arts, 172 New York Times, 25,44,49, 53,76,102,138, 142,147 Nigg, Serge, 68 Nijinsky, Vaslav, 35 Nikisch, Arthur, 56 Nixon, Richard, 147,157,172-73 nontonal composition, 71,85,102-3,127, 142 North Atlantic Treaty Organization (NATO), 13,47 Notes (journal), 39 Nouvel, Walter, 80 Nureyev, Rudolf, 134,159 Oborin, Lev, 130,145 Office of Strategic Services (OSS), 30 offset politics, 172-73 Oistrakh, David, 76,123,130,131,145 Olivier, Laurence, 92 OMGUS, 56 Onassis, Jacqueline, 159. See also Kennedy, Jacqueline Orlov, Henry, 90 Orozco, José Clemente, 174 Orwell, George: Animal Farm, 159; Nineteen Eighty-Four, 29,159 Paley, William, 18 ' 219 Paris festival (1952), 163-64; assessing, 67-72; ensembles, 63-64; extent of cultural propaganda in, 62-67; L’oeuvre du vingtième siècle, 67; landmark Bal anchine ballets at, 65-66; literary con ferences, 64-65; representing Copland, 127-28 Paris Opera Orchestra, 64 . Partisan Review, 24,40,43 Pasternak, Boris, 12,137-38 People’s Committee for the Freedom of Religion, 53 Phelps, William, 18 Philadelphia Orchestra, 136 Philharmonic,
Moscow, 148 Picasso, Pablo, 111; Dove ofPeace, 57 Plato, 79 Plisetskaya, Maya, 10 Pokrovsky, Boris, 133 Polanyi, Michael, 160 Politburo, 115 political art, 173-75 Politics (journal), 24,43,110 Pollock, Jackson, 64-65,103 Pons, Lily, 130 Popov, Gavril, 43 Porter, Andrew, 102 positive freedom, 76 Powers, Francis Gary, 149 Pravda, 41, 53 Price, Leontyne, 62 Prodromides, Jean, 59-60 Production Code, 88 Prokofiev, Serge, 50,78; Fifth Piano Con certo, 37-38; The Gambler, 133; On Guard for Peace, 43; Lovefor the Three Oranges, 121; Romeo andJuliet, 132; Seventh Piano So nata, 84; Sixth Symphony, 132 propaganda: American propaganda, 14; Communist propaganda, 46,52,59; cul tural propaganda, 2,18,22,25,55,62; of freedom, 4-5,17,25,71; Life magazine, 46-47; Soviet propaganda, 21,47 propaganda of freedom, 4-5,17,25,71, 153-54, 159,161,163-65,172-73,175 Preuves (magazine), 58,60 public activism, 72-74 Public Broadcasting System, 152 Pudovkin, Vsevolod, 92; Mother, 92,174
220 · Index Putnam, Robert: The Upswing, 168 Queen Elisabeth Competition, 130 Rachmaninoff, Sergei, 66,74,100,148; Second Piano Sonata, 148; Third Piano Concerto, 136,147 Radio Corporation of American and the National Broadcasting Company, 118 Radio Moscow, 142 Radzinsky, Edvard, 159 Radziwell, Lee, 33 Ravel, Maurice, 121 RCA Victor, 118-20 Reagan, Ronald, 142-43 Red Scare, 163,171 Reger, Max, 121 Reiner, Fritz, 134,148 Reporter, The (magazine), 24 Respighi, Ottorino, 121 Revue international de musique, 59 Revueltas, Silvestre, 67; Redes, 174 RIAS Orchestra of West Berlin, 64 Richmond, Yale: CulturalExchangeandthe Cold War, 156 Richter, Sviatoslav, 131,136 Rilke, Rainer Maria, 23 Rivera, Diego, 174 Robert Frost Library, Amherst College, 11 Robeson, Paul, 29,57 Robinson, Earl: BalladforAmericans, 29 Rockefeller, Nelson, 65,172 Rockefeller Foundation, 61 Roland-Manuel, Alexis, 80 Romanticism, 66 Roosevelt, Franklin D., 8,195112; bipolar thinking of, 16-17 Rosbaud, Hans, 64 Rosen, Charles, 87 Rostropovich, Mstislav, 95,105,123,130- 31.143 Rothko, Mark, 103 Rovere, Richard, 31 Royal Opera of Covent Garden, 64 Rozhdestvensky, Genady, 90-91,105,132 Ruggles, Carl, 66 Rusk, Dean, 7 Russell, Bertrand, 52 Russian Ministry of Information, 130 Russian Musical Society, 206П12 Salinger, Pierre, 16 Salisbury, Harrison, 76,150-51 Santa Cecilia Orchestra, 64 Sargeant, Lynn Μ.: Harmony Discord, 2o6ni2 Sarnoff, David, 18,118 Sartre, Jean-Paul, 58; Les temps modernes, 68 Satie, Erik, 121 Saturday Review ofLiterature, 24,48, 58 Sauguet, Henri, 62,67; La voyante, 62 Saunders, Frances Stonor,
61,72-73, 153,164-65; The Cultural Cold War, 155, 196—9717 Schlesinger, Arthur, Jr., 3,8,14,16,52,70, 101,107,128,154,163;AgeofJackson, 28; Amherst speech, 160,191-93; associa tion with Nabokov, 28-33; “Future of Liberalism, The,” 30; A Thousand Days, 31; The Vital Center: The Politics ofFreedom, 28-30,1979 Schneider, Alexander, 1 Schnittke, Alfred, 105 Schoenberg, Arnold, 24,36 Schoenberg, Arthur, 134,152; Erwarturg, 66; Gurrelieder, 121; Ode to Napoleon, 84 Schonberg, Harold, 132 Schreker, Franz, 121; Der Feme Klang, 121 Schumann, Robert, 88,122; Kinderszenen, 1; Kreisleriana, 1 Schwarz, Boris, 109,207117; Music andMusicalLife in SovietRussia, 1917-1970, 117; MusicalLifein the Soviet Russia, 44 Schweitzer, Albert, 52 Scriabin, Alexander, 100 Serkin, Rudolf, 146 Sessions, Roger, 124 Seymour, Charles, 50 Shakespeare, William: Love's Labour’s Lost, 107 Shapey, Ralph, 65 Shapley, Harlow, 48, 52-53 Shebalin, Vissarion, 43 Shils, Edward, 16 Shostakovich Wars, controversy, 20-22 Shostakovich, Dmitri, 1-2,3,12,20-22, 72,97,106,111,125,128,134-35,145, 150-51,164,204139; and anti-Com-
Index munist organs, 51-55; Anti-firmalist Rayok, 45; assaying Stravisnky, 34-37; class analysis, 39-40; at Cultural and Scientific Conference for World Peace, 46-51; debating messages in a bottle by, 91-94; Eighth String Quartet, 77; Eighth Symphony, 123; The Fall ofBerlin, 116; Fifth Symphony, 45,74,89,137-38,140; First Cello Concerto, 123; First Violin Concerto, 45,123; first-prize composi tions of, 114-15; Fourteenth Symphony, 45; Fourth Symphony, 42,44-45; Fro lova-Walker on, 115-16; impressions of United States, 50-51; Lady Macbeth, 130; Lady Macbeth ofthe Mtsensk District, 41-43, 66,81,90; making case against, 34-45; Michurin, 43; as people's composer, 88; personality of, 38-39; Piano Trio No. 2 (1944), 84; and Prokofiev, 37-39; Second Piano Concerto, 45; Second Piano Trio, 114; self-criticism of, 44-45; Seventh Symphony, 25,89,114; Song ofthe Forests, 43-44,114; String Quartet No. 8,12; survival strategies of, 87-91; sympho nies of, 132; Symphony No. 1, 26-27; Symphony No. 4,90; Symphony No. 9, 39; Ten Poems, 114; Tenth Symphony, 89; as tragic victim of state, 88; TwentyFour Preludes and Fugues, 27,45,88; vectors defining creative acts by, 87-88; Viola Sonata (1975), 45; Violin Concerto No. 1,131; Violin Concerto, 77; Young Guard (1948), 43 siglodeoro, 13 Silone, Ignazio, 160 Silverman, Kenneth, 202П2 Silvestrov, Valentin, 105 Siqueiros, David Alfaro, 65,174 Solzhenitsyn, Alexandr, 12; One Day in the Life ofIvan Demisovich, 12 SovetskayaMuzyka, 77 Soviet Cominform, 48 Soviet Composers’ Union, 124,126 Soviet Music, 50 Soviet musical identity, studying, 121-23
Soviet Union (USSR), 11,13-14,21,33,38, 43,48-49,52,66,78,86,200138; and commonality, 129-44; and Cuban Mis sile Crisis, 162; discovering American · 221 freedoms, 150; first permanent orchestra of, 121-22; New York Philharmonic vis iting, 137-40; and political art, 173-75; teaching new audiences music, 117-23 "Spectre of Nijinsky, The,” 35 Sprechstimme, 84 Sputnik, 145 Stalin, Joseph, 41,45,51,118; death of, 154 Stalin Music Prize, 45,113-17,118 Stanislavsky, Konstantin, 24,115 Steinbeck, John, 32 Stockhausen, Karlheinz, ill Stokowski, Leopold, 130 Strand, Paul, 174 Strauss, Richard, 121 Stravinsky, Igor, 3,7,9,24,32-33,52,121, 124,152,158,164,203113; Chronicle ofMy Life, 80; Concerto for Piano and Winds, 85,137; Elegyfor JFK, 85; The Fairy's Kiss, 80; Les noces, 79; in Los Angeles, 79-80; making case for, 34-45; Oedipus Rex, 7, 66; Petrushka, 1,79,87; The Poetics ofMu sic, 80; prose of, 80-81; and psychology of exile, 79-82; Pulcinella and Renard, 121; The Rake's Progress, 60,107; responding to world events, 82-87; The Rite ofSpring, 7, 79,85,138; survival strategies of, 79-87; Symphony in Three Movements, 82-87; Symphony ofPsalms, 80,86; Three Move ments from Petrushka, 1 Suisse Romande Orchestra, 64 survival strategies, 45,75-78, 94-95; Nabokov, 96-112; Shostakovich, 87-91; Stravinsky, 79-87 Survivorfiom Warsaw, A (1947), 84 Swan Lake, 10,158 Sweeney, James Johnson, 64 Szymanowski, Karol, 121,123 Taft, William Howard, 15 Tarkovsky, Andrei, 12 Taruskin, Richard, 81,103 Tate, Allen, 32 Taubman, Howard, 147 Tchaikovsky, Pyotr Ilyich, 132; Eugene One gin, 100,133; First
Concerto, 148; Sleeping Beauty, 10; Swan Lake, 158-59 Tchaikovsky International Piano Competi tion, 18,145
222 · Index Thomas, Theodore, 169 Thompson, Llewellyn, 143 Thomson, Virgil, 21,103,121; Four Saintsfor ThreeActs, 68; memorandum by, 210П40 Tillich, Paul, 2 Tippett, Michael, 67 Tishchenko, Boris, 105 Tocqueville, Alexis de, 171 Tomoff, Kiril, 109-11,116,130,150,161 Toradze, Alexander, 109-10,133-34,139, 208П26 Toscanini, Arturo, 21,120-21,130 totalitarianism, 51,150,156,159,163, 210133 Trauberg, Leonid, 91; The New Babylon, 174 Trifonov, Daniil, 1 Trumbo, Dalton, 29 Tsfasman, Alexander: Rhapsody in Blue, 134-35 Tuch, Hans, 137,143 Ulanova, Galina, 10,131 Union of Soviet Composers, 116-17 United States: and commonality, 129-44; democracy-culture relationship, 171-73; New York Philharmonic visiting Russia, 137-40; and political art, 173-75; popu larization of arts in, 167-70; teaching new audiences music, 124-27 United States Information Agency (USIA), 104,208П31 U.S. Progressive Party, 48 U.S. Strategic Bombing Survey, 22,30 Volkov, Solomon, 95,159; Testimony: The Memoirs ofDmitri Shostakovich, 91,109 Vovzhenko, Alexander: Earth, 174 Voznesensky, Andrei, 159 Wagnerism, 80-81,170 Waldorf Astoria Peace Conference. See Cultural and Scientific Conference for World Peace Wallace, Henry, 126 Wallenstein, Alfred, 18,130 Walter, Bruno, 64 Webern, Anton, 66 Weill, Kurt, 67 Wellens, Ian, 123,19617 Whitman, Walt, 168,171 Whitney, John Hay, 65 Whitney, Julie: “Music in a Cage,” 77 Wilford, Hugh, 60,72; The Mighty Wurlitzer, 155 Wisner, Frank, 52,57,60 Wolfe, Tom, 151 Woollcott, Alexander, 18 Works Progress Administration (WPA), 16-18,152,172-74 World Congress of Intellectuals in
Defense of Peace, 48 World War 1,59,169-70 World War II, 30,42,82,84,90,100,111; long telegram following, 13 writers, kinds of, 164 Wyler, William, 126 Xenakis, Iannis, 72 Verrett, Shirley, 62 Vienna Philharmonic, 151 Vienna State Opera, 64 Viennese School, 68 Vishinsky, Andrei, 135 Vishnevskaya, Galina, 134 Voice of America, 22 VOKS, 129 Yevtushenko, Yevgeny, 159 Yudina, Maria, 139,198123 yurodivy, 88,93-94,100 Zanuck, Darryl, 75,84 Zhdanov, Andrei, 42-43 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Horowitz, Joseph 1948- |
| author_GND | (DE-588)128639733 |
| author_facet | Horowitz, Joseph 1948- |
| author_role | aut |
| author_sort | Horowitz, Joseph 1948- |
| author_variant | j h jh |
| building | Verbundindex |
| bvnumber | BV049347716 |
| contents | Foreword. Why and What -- JFK, the Artist, and "Free Societies" : A Cold War Myth -- Nicolas Nabokov and the Cultural Cold War -- Lines of Battle : The Case for Stravinsky; -- The Case against Shostakovich -- CIA Cultural Battlegrounds : New York and Paris -- Survival Strategies : Stravinsky and Shostakovich -- Survival Strategies : Nicolas Nabokov -- Cold War Music, East and West -- Enter Cultural Exchange -- Summing Up : Culture, the State, and the "Propaganda of Freedom" -- Afterword. The Arts, National Purpose, and the Pandemic |
| ctrlnum | (OCoLC)1410708779 (DE-599)BVBBV049347716 |
| dewey-full | 780.9730904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9730904 |
| dewey-search | 780.9730904 |
| dewey-sort | 3780.9730904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06014nam a2200913 c 4500</leader><controlfield tag="001">BV049347716</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240430 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">231002s2023 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252045271</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-252-04527-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1410708779</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049347716</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9730904</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Horowitz, Joseph</subfield><subfield code="d">1948-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)128639733</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The propaganda of freedom</subfield><subfield code="b">JFK, Shostakovich, Stravinsky, and the cultural cold war</subfield><subfield code="c">Joseph Horowitz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana ; Chicago ; Springfield</subfield><subfield code="b">University of Illinois Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 222 Seiten</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in American life</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Foreword. Why and What -- JFK, the Artist, and "Free Societies" : A Cold War Myth -- Nicolas Nabokov and the Cultural Cold War -- Lines of Battle : The Case for Stravinsky; -- The Case against Shostakovich -- CIA Cultural Battlegrounds : New York and Paris -- Survival Strategies : Stravinsky and Shostakovich -- Survival Strategies : Nicolas Nabokov -- Cold War Music, East and West -- Enter Cultural Exchange -- Summing Up : Culture, the State, and the "Propaganda of Freedom" -- Afterword. The Arts, National Purpose, and the Pandemic</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine. Horowitz shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian "psychology of exile" traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov's hero Igor Stravinsky. In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He focuses on Stravinsky, who in Los Angeles experienced a "freedom not to matter," and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration's arts advocacy initiatives and their pertinence to today's fraught American national identity. Challenging long-entrenched myths, this book newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement"</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Šostakovič, Dmitrij Dmitrievič</subfield><subfield code="d">1906-1975</subfield><subfield code="0">(DE-588)118642472</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="0">(DE-588)118642545</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Nabokov, Nicolas</subfield><subfield code="d">1903-1978</subfield><subfield code="0">(DE-588)118586106</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Congress for Cultural Freedom</subfield><subfield code="0">(DE-588)2016024-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ost-West-Konflikt</subfield><subfield code="0">(DE-588)4075770-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstfreiheit</subfield><subfield code="0">(DE-588)4033433-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects / Soviet Union / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cold War / Music and the war</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Congress for Cultural Freedom</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Kennedy, John F. / (John Fitzgerald) / 1917-1963</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Shostakovich, Dmitriĭ Dmitrievich / 1906-1975</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Stravinsky, Igor / 1882-1971</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Nabokov, Nicolas / 1903-1978</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Kennedy, John F. / (John Fitzgerald) / 1917-1963</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Nabokov, Nicolas / 1903-1978</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Shostakovich, Dmitriĭ Dmitrievich / 1906-1975</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Stravinsky, Igor / 1882-1971</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Congress for Cultural Freedom</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Soviet Union</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Congress for Cultural Freedom</subfield><subfield code="0">(DE-588)2016024-0</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Ost-West-Konflikt</subfield><subfield code="0">(DE-588)4075770-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kunstfreiheit</subfield><subfield code="0">(DE-588)4033433-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Nabokov, Nicolas</subfield><subfield code="d">1903-1978</subfield><subfield code="0">(DE-588)118586106</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Šostakovič, Dmitrij Dmitrievič</subfield><subfield code="d">1906-1975</subfield><subfield code="0">(DE-588)118642472</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="0">(DE-588)118642545</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9780252054792</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240122</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034608164</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">947.08</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">947.08</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd Sowjetunion (DE-588)4077548-3 gnd |
| geographic_facet | USA Sowjetunion |
| id | DE-604.BV049347716 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:48:41Z |
| indexdate | 2024-07-10T10:02:13Z |
| institution | BVB |
| isbn | 9780252045271 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034608164 |
| oclc_num | 1410708779 |
| open_access_boolean | |
| owner | DE-12 DE-188 |
| owner_facet | DE-12 DE-188 |
| physical | xi, 222 Seiten 24 cm |
| psigel | BSB_NED_20240122 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | Music in American life |
| spelling | Horowitz, Joseph 1948- Verfasser (DE-588)128639733 aut The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war Joseph Horowitz Urbana ; Chicago ; Springfield University of Illinois Press [2023] xi, 222 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Music in American life Foreword. Why and What -- JFK, the Artist, and "Free Societies" : A Cold War Myth -- Nicolas Nabokov and the Cultural Cold War -- Lines of Battle : The Case for Stravinsky; -- The Case against Shostakovich -- CIA Cultural Battlegrounds : New York and Paris -- Survival Strategies : Stravinsky and Shostakovich -- Survival Strategies : Nicolas Nabokov -- Cold War Music, East and West -- Enter Cultural Exchange -- Summing Up : Culture, the State, and the "Propaganda of Freedom" -- Afterword. The Arts, National Purpose, and the Pandemic "Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine. Horowitz shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian "psychology of exile" traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov's hero Igor Stravinsky. In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He focuses on Stravinsky, who in Los Angeles experienced a "freedom not to matter," and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration's arts advocacy initiatives and their pertinence to today's fraught American national identity. Challenging long-entrenched myths, this book newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement" Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd rswk-swf Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Nabokov, Nicolas 1903-1978 (DE-588)118586106 gnd rswk-swf Congress for Cultural Freedom (DE-588)2016024-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Ost-West-Konflikt (DE-588)4075770-5 gnd rswk-swf Kunstfreiheit (DE-588)4033433-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Music / Political aspects / United States / History / 20th century Music / Political aspects / Soviet Union / History / 20th century Cold War / Music and the war Congress for Cultural Freedom Kennedy, John F. / (John Fitzgerald) / 1917-1963 Shostakovich, Dmitriĭ Dmitrievich / 1906-1975 Stravinsky, Igor / 1882-1971 Nabokov, Nicolas / 1903-1978 Music / Political aspects Soviet Union United States 1900-1999 History USA (DE-588)4078704-7 g Sowjetunion (DE-588)4077548-3 g Congress for Cultural Freedom (DE-588)2016024-0 b Ost-West-Konflikt (DE-588)4075770-5 s Kunstfreiheit (DE-588)4033433-8 s Musik (DE-588)4040802-4 s DE-604 Nabokov, Nicolas 1903-1978 (DE-588)118586106 p Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 p Stravinsky, Igor 1882-1971 (DE-588)118642545 p Kunstproduktion (DE-588)4166043-2 s Erscheint auch als Online-Ausgabe 9780252054792 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Horowitz, Joseph 1948- The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war Foreword. Why and What -- JFK, the Artist, and "Free Societies" : A Cold War Myth -- Nicolas Nabokov and the Cultural Cold War -- Lines of Battle : The Case for Stravinsky; -- The Case against Shostakovich -- CIA Cultural Battlegrounds : New York and Paris -- Survival Strategies : Stravinsky and Shostakovich -- Survival Strategies : Nicolas Nabokov -- Cold War Music, East and West -- Enter Cultural Exchange -- Summing Up : Culture, the State, and the "Propaganda of Freedom" -- Afterword. The Arts, National Purpose, and the Pandemic Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Nabokov, Nicolas 1903-1978 (DE-588)118586106 gnd Congress for Cultural Freedom (DE-588)2016024-0 gnd Musik (DE-588)4040802-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Kunstfreiheit (DE-588)4033433-8 gnd |
| subject_GND | (DE-588)118642472 (DE-588)118642545 (DE-588)118586106 (DE-588)2016024-0 (DE-588)4040802-4 (DE-588)4166043-2 (DE-588)4075770-5 (DE-588)4033433-8 (DE-588)4078704-7 (DE-588)4077548-3 |
| title | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war |
| title_auth | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war |
| title_exact_search | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war |
| title_exact_search_txtP | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war |
| title_full | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war Joseph Horowitz |
| title_fullStr | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war Joseph Horowitz |
| title_full_unstemmed | The propaganda of freedom JFK, Shostakovich, Stravinsky, and the cultural cold war Joseph Horowitz |
| title_short | The propaganda of freedom |
| title_sort | the propaganda of freedom jfk shostakovich stravinsky and the cultural cold war |
| title_sub | JFK, Shostakovich, Stravinsky, and the cultural cold war |
| topic | Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Nabokov, Nicolas 1903-1978 (DE-588)118586106 gnd Congress for Cultural Freedom (DE-588)2016024-0 gnd Musik (DE-588)4040802-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Kunstfreiheit (DE-588)4033433-8 gnd |
| topic_facet | Šostakovič, Dmitrij Dmitrievič 1906-1975 Stravinsky, Igor 1882-1971 Nabokov, Nicolas 1903-1978 Congress for Cultural Freedom Musik Kunstproduktion Ost-West-Konflikt Kunstfreiheit USA Sowjetunion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034608164&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT horowitzjoseph thepropagandaoffreedomjfkshostakovichstravinskyandtheculturalcoldwar |