Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language

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Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
Art Dictionaries Early works to 1800
title Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_auth Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_exact_search Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_full Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_fullStr Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_full_unstemmed Dictionarium polygraphicum or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
title_short Dictionarium polygraphicum
title_sort dictionarium polygraphicum or the whole body of arts regularly digested containing i the arts of designing drawing painting washing prints limning japanning gilding in all their various kinds also perspective the laws of shadows dialling c ii carving cutting in wood stone moulding and casting figures in plaister wax metal also engraving and etching and mezzotinto iii a brief historical account of the most considerable painters sculptors statuaries and engravers with those cyphers or marks by which their works are known iv an explanation of the emblematical and hieroglyphical representations of the heathen deities powers human passions virtues vices c of great use in history painting v the production nature refining compounding transmutation and tinging all sorts of metals and minerals of various colours vi the arts of making working painting or staining all sorts of glass and marble also enamels the imitation of all sorts of precious stones pearls c according to the practice both of the antients and moderns vii dying all sorts of materials linen woollen silk leather wood ivory horns bones also bleaching and whitening linen hair c viii the art of tapestry weaving as now performed in england flanders and france either of the high or low warp also many other curious manufactures ix a description of colours natural and artificial as to their productions natures or qualities various preparations compositions and uses x the method of making all kinds of inks both natural and sympathetical and also many other cariosities not here to be specified whereby this is rendred a more compleat work than has hitherto appear d in any language
title_sub or, the whole body of arts regularly digested. containing, I. The arts of Designing, Drawing, Painting, Washing Prints, Limning, Japanning, Gilding in all their various kinds. Also Perspective, the Laws of Shadows, Dialling, &c. II. Carving, Cutting in Wood, Stone; Moulding and Casting Figures in Plaister, Wax, Metal; also Engraving, and Etching, and Mezzotinto. III. A brief historical Account of the most considerable Painters, Sculptors, Statuaries, and Engravers, with those Cyphers or Marks by which their Works are known. IV. An Explanation of the Emblematical and Hieroglyphical Representations of the Heathen Deities, Powers, Human Passions, Virtues, Vices, &c. of great Use in History Painting. V. The Production, Nature, Refining, Compounding, Transmutation and Tinging all sorts of Metals and Minerals of various Colours. VI. The Arts of Making, Working, Painting or Staining all sorts of Glass and Marble; also Enamels, the imitation of all sorts of Precious Stones, Pearls, &c. according to the Practice both of the Antients and Moderns. Vii. Dying all sorts of Materials, Linen, Woollen, Silk, Leather, Wood, Ivory, Horns, Bones; also Bleaching and Whitening Linen, Hair, &c. Viii. The Art of Tapestry-Weaving, as now performed in England, Flanders and France, either of the high or low Warp; also many other curious Manufactures. IX. A Description of Colours, Natural and Artificial, as to their Productions, Natures or Qualities, various Preparations, Compositions and Uses. X. The method of making all kinds of Inks, both Natural and Sympathetical; and also many other Cariosities not here to be specified, whereby this is rendred a more Compleat Work than has hitherto appear'd in any language
topic Art Dictionaries Early works to 1800
topic_facet Art Dictionaries Early works to 1800
url http://nl.sub.uni-goettingen.de/id/0730100101?origin=/collection/nlh-ecc
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