Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of "liberation." How is the national framed within a dynamic system of intercultural contact zones highlight...
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| 505 | 8 | 0 | |t Introduction: Politics and Cultures of Liberation -- |t The Politics and Cultures of Liberation: Marketing, Memory and Mediation -- |t An Invasion of a Different Kind: The U.S. Office of War Information and "The Projection of America" Propaganda in the Netherlands, 1944-1945 |r Marja Roholl -- |t Educating the Nation: Jo Spier, Dutch National Identity, and the Marshall Plan in the Netherlands |r Mathilde Roza -- |t From Memory Repression to Memorialization: The Bombardments of Nijmegen 1944 and Mortsel 1943 |r Joost Rosendaal -- |t Playing in the Ruins of Arnhem: Reenacting Operation Market Garden in Theirs Is the Glory |r László Munteán -- |t "Can Anybody Fly This Thing?" Appropriations of History in Reenactments of Operation Market Garden |r Wolfgang Hochbruck -- |t On the Road to Nijmegen-Earle Birney and Alex Colville, 1944-1945 |r Hans Bak -- |t The Soundtrack of Liberation -- |t Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945 |r Frank Mehring -- |9 |t The Reception and Development of Jazz in the Netherlands (1945-1970s) |r Walter van de Leur -- |9 |t Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From "The Jazz Ambassador Tours" to "The Rhythm Road" |r Wilfried Raussert -- |9 |t Transnational Re-Locations -- |9 |t Marching Towards Kullman's Diner: Performing Transnational American Sites (of Memory) in Bavaria |r Birgit M. Bauridl -- |9 |t The Promise of Democracy for the Americas: U.S. Diplomacy and the Meaning(s) of World War II in El Salvador, 1941-1945 |r Jorrit van den Berk -- |9 |
| 505 | 8 | 0 | |t Liberation and Lingering Trauma: U.S. Present and Haitian Past in Edwidge Danticat's The Dew Breaker |r Josef Raab -- |9 |t The Japanese American Relocation Center at Heart Mountain and the Construction of the Post-World War II Landscape |r Eric J. Sandeen -- |9 |t Transnational Perspectives from the Archives -- |9 |t The Cornelius Ryan Collection of World War II Papers |r Doug McCabe -- |9 |t "Quality First!" American Aid to the Nijmegen University Library, 1945-1949 |r Léon Stapper -- |9 |t The Marshall Plan: "A Short Time to Change the World" |r Linda Christenson and Eric Christenson -- |9 |t The Liberation Route Europe: Challenges of Exhibiting Multinational Perspectives |r Jory Brentjens and Wiel Lenders |9 |
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Datensatz im Suchindex
| _version_ | 1804185355437473792 |
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| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author_additional | Marja Roholl -- Mathilde Roza -- Joost Rosendaal -- László Munteán -- Wolfgang Hochbruck -- Hans Bak -- Frank Mehring -- Walter van de Leur -- Wilfried Raussert -- Birgit M. Bauridl -- Jorrit van den Berk -- Josef Raab -- Eric J. Sandeen -- Doug McCabe -- Léon Stapper -- Linda Christenson and Eric Christenson -- Jory Brentjens and Wiel Lenders |
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| contents | Introduction: Politics and Cultures of Liberation -- The Politics and Cultures of Liberation: Marketing, Memory and Mediation -- An Invasion of a Different Kind: The U.S. Office of War Information and "The Projection of America" Propaganda in the Netherlands, 1944-1945 Educating the Nation: Jo Spier, Dutch National Identity, and the Marshall Plan in the Netherlands From Memory Repression to Memorialization: The Bombardments of Nijmegen 1944 and Mortsel 1943 Playing in the Ruins of Arnhem: Reenacting Operation Market Garden in Theirs Is the Glory "Can Anybody Fly This Thing?" Appropriations of History in Reenactments of Operation Market Garden On the Road to Nijmegen-Earle Birney and Alex Colville, 1944-1945 The Soundtrack of Liberation -- Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945 The Reception and Development of Jazz in the Netherlands (1945-1970s) Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From "The Jazz Ambassador Tours" to "The Rhythm Road" Transnational Re-Locations -- Marching Towards Kullman's Diner: Performing Transnational American Sites (of Memory) in Bavaria The Promise of Democracy for the Americas: U.S. Diplomacy and the Meaning(s) of World War II in El Salvador, 1941-1945 Liberation and Lingering Trauma: U.S. Present and Haitian Past in Edwidge Danticat's The Dew Breaker The Japanese American Relocation Center at Heart Mountain and the Construction of the Post-World War II Landscape Transnational Perspectives from the Archives -- The Cornelius Ryan Collection of World War II Papers "Quality First!" American Aid to the Nijmegen University Library, 1945-1949 The Marshall Plan: "A Short Time to Change the World" The Liberation Route Europe: Challenges of Exhibiting Multinational Perspectives |
| ctrlnum | (ZDB-95-BOA)BRILL9789004292017 (OCoLC)1390802326 (DE-599)BVBBV049053554 |
| doi_str_mv | 10.1163/9789004292017 |
| era | Geschichte 1943-1980 gnd |
| era_facet | Geschichte 1943-1980 |
| format | Electronic Software eBook |
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| index_date | 2024-07-03T22:22:15Z |
| indexdate | 2024-07-10T09:53:55Z |
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| isbn | 9789004292017 |
| language | English |
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| spelling | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present Leiden Brill [2015] 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Radboud studies in humanities Introduction: Politics and Cultures of Liberation -- The Politics and Cultures of Liberation: Marketing, Memory and Mediation -- An Invasion of a Different Kind: The U.S. Office of War Information and "The Projection of America" Propaganda in the Netherlands, 1944-1945 Marja Roholl -- Educating the Nation: Jo Spier, Dutch National Identity, and the Marshall Plan in the Netherlands Mathilde Roza -- From Memory Repression to Memorialization: The Bombardments of Nijmegen 1944 and Mortsel 1943 Joost Rosendaal -- Playing in the Ruins of Arnhem: Reenacting Operation Market Garden in Theirs Is the Glory László Munteán -- "Can Anybody Fly This Thing?" Appropriations of History in Reenactments of Operation Market Garden Wolfgang Hochbruck -- On the Road to Nijmegen-Earle Birney and Alex Colville, 1944-1945 Hans Bak -- The Soundtrack of Liberation -- Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945 Frank Mehring -- The Reception and Development of Jazz in the Netherlands (1945-1970s) Walter van de Leur -- Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From "The Jazz Ambassador Tours" to "The Rhythm Road" Wilfried Raussert -- Transnational Re-Locations -- Marching Towards Kullman's Diner: Performing Transnational American Sites (of Memory) in Bavaria Birgit M. Bauridl -- The Promise of Democracy for the Americas: U.S. Diplomacy and the Meaning(s) of World War II in El Salvador, 1941-1945 Jorrit van den Berk -- Liberation and Lingering Trauma: U.S. Present and Haitian Past in Edwidge Danticat's The Dew Breaker Josef Raab -- The Japanese American Relocation Center at Heart Mountain and the Construction of the Post-World War II Landscape Eric J. Sandeen -- Transnational Perspectives from the Archives -- The Cornelius Ryan Collection of World War II Papers Doug McCabe -- "Quality First!" American Aid to the Nijmegen University Library, 1945-1949 Léon Stapper -- The Marshall Plan: "A Short Time to Change the World" Linda Christenson and Eric Christenson -- The Liberation Route Europe: Challenges of Exhibiting Multinational Perspectives Jory Brentjens and Wiel Lenders Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of "liberation." How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century Geschichte 1943-1980 gnd rswk-swf Portrait painting History and criticism Befreiung (DE-588)4124630-5 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Demokratisierung (DE-588)4124941-0 gnd rswk-swf Interkulturalität (DE-588)4519498-1 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2013-2015 gnd-content Befreiung (DE-588)4124630-5 s Kollektives Gedächtnis (DE-588)4200793-8 s Interkulturalität (DE-588)4519498-1 s Demokratisierung (DE-588)4124941-0 s Audiovisuelle Medien (DE-588)4068939-6 s Geschichte 1943-1980 z DE-604 Erscheint auch als Druckausgabe 9789004292000 https://doi.org/10.1163/9789004292017 Verlag kostenfrei Volltext |
| spellingShingle | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present Introduction: Politics and Cultures of Liberation -- The Politics and Cultures of Liberation: Marketing, Memory and Mediation -- An Invasion of a Different Kind: The U.S. Office of War Information and "The Projection of America" Propaganda in the Netherlands, 1944-1945 Educating the Nation: Jo Spier, Dutch National Identity, and the Marshall Plan in the Netherlands From Memory Repression to Memorialization: The Bombardments of Nijmegen 1944 and Mortsel 1943 Playing in the Ruins of Arnhem: Reenacting Operation Market Garden in Theirs Is the Glory "Can Anybody Fly This Thing?" Appropriations of History in Reenactments of Operation Market Garden On the Road to Nijmegen-Earle Birney and Alex Colville, 1944-1945 The Soundtrack of Liberation -- Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945 The Reception and Development of Jazz in the Netherlands (1945-1970s) Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From "The Jazz Ambassador Tours" to "The Rhythm Road" Transnational Re-Locations -- Marching Towards Kullman's Diner: Performing Transnational American Sites (of Memory) in Bavaria The Promise of Democracy for the Americas: U.S. Diplomacy and the Meaning(s) of World War II in El Salvador, 1941-1945 Liberation and Lingering Trauma: U.S. Present and Haitian Past in Edwidge Danticat's The Dew Breaker The Japanese American Relocation Center at Heart Mountain and the Construction of the Post-World War II Landscape Transnational Perspectives from the Archives -- The Cornelius Ryan Collection of World War II Papers "Quality First!" American Aid to the Nijmegen University Library, 1945-1949 The Marshall Plan: "A Short Time to Change the World" The Liberation Route Europe: Challenges of Exhibiting Multinational Perspectives Portrait painting History and criticism Befreiung (DE-588)4124630-5 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Demokratisierung (DE-588)4124941-0 gnd Interkulturalität (DE-588)4519498-1 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd |
| subject_GND | (DE-588)4124630-5 (DE-588)4200793-8 (DE-588)4124941-0 (DE-588)4519498-1 (DE-588)4068939-6 (DE-588)1071861417 |
| title | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_alt | Introduction: Politics and Cultures of Liberation -- The Politics and Cultures of Liberation: Marketing, Memory and Mediation -- An Invasion of a Different Kind: The U.S. Office of War Information and "The Projection of America" Propaganda in the Netherlands, 1944-1945 Educating the Nation: Jo Spier, Dutch National Identity, and the Marshall Plan in the Netherlands From Memory Repression to Memorialization: The Bombardments of Nijmegen 1944 and Mortsel 1943 Playing in the Ruins of Arnhem: Reenacting Operation Market Garden in Theirs Is the Glory "Can Anybody Fly This Thing?" Appropriations of History in Reenactments of Operation Market Garden On the Road to Nijmegen-Earle Birney and Alex Colville, 1944-1945 The Soundtrack of Liberation -- Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945 The Reception and Development of Jazz in the Netherlands (1945-1970s) Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From "The Jazz Ambassador Tours" to "The Rhythm Road" Transnational Re-Locations -- Marching Towards Kullman's Diner: Performing Transnational American Sites (of Memory) in Bavaria The Promise of Democracy for the Americas: U.S. Diplomacy and the Meaning(s) of World War II in El Salvador, 1941-1945 Liberation and Lingering Trauma: U.S. Present and Haitian Past in Edwidge Danticat's The Dew Breaker The Japanese American Relocation Center at Heart Mountain and the Construction of the Post-World War II Landscape Transnational Perspectives from the Archives -- The Cornelius Ryan Collection of World War II Papers "Quality First!" American Aid to the Nijmegen University Library, 1945-1949 The Marshall Plan: "A Short Time to Change the World" The Liberation Route Europe: Challenges of Exhibiting Multinational Perspectives |
| title_auth | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_exact_search | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_exact_search_txtP | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_full | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_fullStr | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_full_unstemmed | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_short | Example or alter ego? aspects of the portrait historié in Western art from antiquity to the present |
| title_sort | example or alter ego aspects of the portrait historie in western art from antiquity to the present |
| topic | Portrait painting History and criticism Befreiung (DE-588)4124630-5 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Demokratisierung (DE-588)4124941-0 gnd Interkulturalität (DE-588)4519498-1 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd |
| topic_facet | Portrait painting History and criticism Befreiung Kollektives Gedächtnis Demokratisierung Interkulturalität Audiovisuelle Medien Konferenzschrift 2013-2015 |
| url | https://doi.org/10.1163/9789004292017 |