Voice, slavery, and race in seventeenth-century Florence
"Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to sy...
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| 505 | 8 | |a Act one. Songs to Entertain Foreign Royalty ; Comic Songs Imitating Foreign Voices ; Music all'usanza loro (or Performed in a Foreign Way) ; "Turkish Music" in Italy ; Trumpets and Drums Played by Enslaved Musicians ; Scholarly Transcriptions of Foreign Musical Sounds ; Music Proper to Enslaved Singers ; Intermezzo : Thinking from Enslaved Lives -- Act two. Introducing Giovannino Buonaccorsi ; Buonaccorsi Sings on the Florentine Stage ; Buonaccorsi as Court Jester ; Buonaccorsi as a Black Gypsy ; Buonaccorsi as a Soprano ; Buonaccorsi Sings on the Venetian Stage ; Intermezzo II: Thinking from Giovannino Buonaccorsi's Life ; Epilogo (Axiomatic) | |
| 520 | 3 | |a "Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Race, Voice, and Slavery in Seventeenth-Century Florence offers both a macro and micro approach to its content. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl. 1651-1674). Race, Voice, and Slavery in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic" | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents Acknowledgments Abbreviations Notes on Sources Prologo Introduction ix xiii uv xvii 1 ACTI 41 Scene 1. Songs to Entertain Foreign Royalty 43 Scene 2. Comic Songs Imitating Foreign Voices 64 Scene 3. Music all’Usanza Loro (Performed in a Foreign Way) 84 Scene 4. “Turkish Music” in Italy 104 Scene5. Trumpets and Drums Played by Enslaved Musicians 120 Scene 6. Scholarly Transcriptions of Foreign Musical Sounds 135 Scene?. Music Proper to Enslaved Singers 146 Intermezzo Primo: Thinking from Enslaved Lives 162 ACT II 169 Scene8. Introducing Giovannino Buonaccorsi 171 Scene 9. Buonaccorsi Sings on the Florentine Stage 193 Scene 10. Buonaccorsi as Court Jester 208 Scene 11. Buonaccorsi as a Black Gypsy 232 Scene 12. Buonaccorsi as a Soprano 238 Scene 13. Buonaccorsi Sings on the Venetian Stage 254
viii CONTENTS Intermezzo Secondo: Thinking from Giovannino Buonaccorsi’s Life Epilogo (Axiomatic) Appendix: Archival References to Enslaved, Moorish, and “Turkish" (“Non-Christian") Individuals Bibliography Index 283 289 317 465 485 |
| adam_txt |
Contents Acknowledgments Abbreviations Notes on Sources Prologo Introduction ix xiii uv xvii 1 ACTI 41 Scene 1. Songs to Entertain Foreign Royalty 43 Scene 2. Comic Songs Imitating Foreign Voices 64 Scene 3. Music all’Usanza Loro (Performed in a Foreign Way) 84 Scene 4. “Turkish Music” in Italy 104 Scene5. Trumpets and Drums Played by Enslaved Musicians 120 Scene 6. Scholarly Transcriptions of Foreign Musical Sounds 135 Scene?. Music Proper to Enslaved Singers 146 Intermezzo Primo: Thinking from Enslaved Lives 162 ACT II 169 Scene8. Introducing Giovannino Buonaccorsi 171 Scene 9. Buonaccorsi Sings on the Florentine Stage 193 Scene 10. Buonaccorsi as Court Jester 208 Scene 11. Buonaccorsi as a Black Gypsy 232 Scene 12. Buonaccorsi as a Soprano 238 Scene 13. Buonaccorsi Sings on the Venetian Stage 254
viii CONTENTS Intermezzo Secondo: Thinking from Giovannino Buonaccorsi’s Life Epilogo (Axiomatic) Appendix: Archival References to Enslaved, Moorish, and “Turkish" (“Non-Christian") Individuals Bibliography Index 283 289 317 465 485 |
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| author | Wilbourne, Emily ca. 20./21. Jh |
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| author_sort | Wilbourne, Emily ca. 20./21. Jh |
| author_variant | e w ew |
| building | Verbundindex |
| bvnumber | BV048979038 |
| classification_rvk | LQ 82004 |
| contents | Act one. Songs to Entertain Foreign Royalty ; Comic Songs Imitating Foreign Voices ; Music all'usanza loro (or Performed in a Foreign Way) ; "Turkish Music" in Italy ; Trumpets and Drums Played by Enslaved Musicians ; Scholarly Transcriptions of Foreign Musical Sounds ; Music Proper to Enslaved Singers ; Intermezzo : Thinking from Enslaved Lives -- Act two. Introducing Giovannino Buonaccorsi ; Buonaccorsi Sings on the Florentine Stage ; Buonaccorsi as Court Jester ; Buonaccorsi as a Black Gypsy ; Buonaccorsi as a Soprano ; Buonaccorsi Sings on the Venetian Stage ; Intermezzo II: Thinking from Giovannino Buonaccorsi's Life ; Epilogo (Axiomatic) |
| ctrlnum | (OCoLC)1398609932 (DE-599)BVBBV048979038 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| index_date | 2024-07-03T22:04:47Z |
| indexdate | 2024-07-20T06:49:05Z |
| institution | BVB |
| isbn | 9780197646915 |
| language | English |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | Wilbourne, Emily ca. 20./21. Jh. Verfasser (DE-588)1081572787 aut Voice, slavery, and race in seventeenth-century Florence Emily Wilbourne 17th-century New York Oxford University Press [2023] © 2023 XXIII, 491 Seiten, 16 ungezählte Seiten Farbtafeln Illustrationen, Karten, Notenbeispiele (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Act one. Songs to Entertain Foreign Royalty ; Comic Songs Imitating Foreign Voices ; Music all'usanza loro (or Performed in a Foreign Way) ; "Turkish Music" in Italy ; Trumpets and Drums Played by Enslaved Musicians ; Scholarly Transcriptions of Foreign Musical Sounds ; Music Proper to Enslaved Singers ; Intermezzo : Thinking from Enslaved Lives -- Act two. Introducing Giovannino Buonaccorsi ; Buonaccorsi Sings on the Florentine Stage ; Buonaccorsi as Court Jester ; Buonaccorsi as a Black Gypsy ; Buonaccorsi as a Soprano ; Buonaccorsi Sings on the Venetian Stage ; Intermezzo II: Thinking from Giovannino Buonaccorsi's Life ; Epilogo (Axiomatic) "Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary performances and musical conventions, this book makes the forceful claim that operatic musical techniques were-from their very inception-imbricated with racialized differences. Race, Voice, and Slavery in Seventeenth-Century Florence offers both a macro and micro approach to its content. The first half of the volume draws upon a wide range of archival, theatrical and historical sources to articulate the theoretical interdependence of razza (lit. "race"), voice, and music in early modern Italy; the second half focuses on the life and work of a specific, racially-marked individual: the enslaved, Black, male soprano singer, Giovannino Buonaccorsi (fl. 1651-1674). Race, Voice, and Slavery in Seventeenth-Century Florence reframes the place of racial difference in Western art music and provides a compelling pre-history to later racial formulations of the sonic" Buonaccorsi, Giovannino -1674 (DE-588)1325824119 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Ethnizität (DE-588)4220764-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Unfreier (DE-588)4186858-4 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Music / Italy / Florence / 17th century / History and criticism Orientalism in music / Italy / Florence / History / 17th century Music / Social aspects / Italy / Florence / History / 17th century Music / Political aspects / Italy / Florence / History / 17th century Enslaved persons / Social conditions / Italy / Florence / History / 17th century Music and race / Italy / Florence / History / 17th century Buonaccorsi, Giovannino / -1674 Singers / Italy / Florence / Biography Music Music and race Music / Political aspects Music / Social aspects Orientalism in music Singers Italy / Florence 1600-1699 Biographies Criticism, interpretation, etc History Buonaccorsi, Giovannino -1674 (DE-588)1325824119 p Florenz (DE-588)4017581-9 g Unfreier (DE-588)4186858-4 s Ethnizität (DE-588)4220764-2 s Musik (DE-588)4040802-4 s Geschichte 1600-1700 z DE-604 Erscheint auch als Online-Ausgabe 9780197646939 Erscheint auch als Online-Ausgabe 9780197646946 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034242534&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wilbourne, Emily ca. 20./21. Jh Voice, slavery, and race in seventeenth-century Florence Act one. Songs to Entertain Foreign Royalty ; Comic Songs Imitating Foreign Voices ; Music all'usanza loro (or Performed in a Foreign Way) ; "Turkish Music" in Italy ; Trumpets and Drums Played by Enslaved Musicians ; Scholarly Transcriptions of Foreign Musical Sounds ; Music Proper to Enslaved Singers ; Intermezzo : Thinking from Enslaved Lives -- Act two. Introducing Giovannino Buonaccorsi ; Buonaccorsi Sings on the Florentine Stage ; Buonaccorsi as Court Jester ; Buonaccorsi as a Black Gypsy ; Buonaccorsi as a Soprano ; Buonaccorsi Sings on the Venetian Stage ; Intermezzo II: Thinking from Giovannino Buonaccorsi's Life ; Epilogo (Axiomatic) Buonaccorsi, Giovannino -1674 (DE-588)1325824119 gnd Ethnizität (DE-588)4220764-2 gnd Musik (DE-588)4040802-4 gnd Unfreier (DE-588)4186858-4 gnd |
| subject_GND | (DE-588)1325824119 (DE-588)4220764-2 (DE-588)4040802-4 (DE-588)4186858-4 (DE-588)4017581-9 |
| title | Voice, slavery, and race in seventeenth-century Florence |
| title_alt | 17th-century |
| title_auth | Voice, slavery, and race in seventeenth-century Florence |
| title_exact_search | Voice, slavery, and race in seventeenth-century Florence |
| title_exact_search_txtP | Voice, slavery, and race in seventeenth-century Florence |
| title_full | Voice, slavery, and race in seventeenth-century Florence Emily Wilbourne |
| title_fullStr | Voice, slavery, and race in seventeenth-century Florence Emily Wilbourne |
| title_full_unstemmed | Voice, slavery, and race in seventeenth-century Florence Emily Wilbourne |
| title_short | Voice, slavery, and race in seventeenth-century Florence |
| title_sort | voice slavery and race in seventeenth century florence |
| topic | Buonaccorsi, Giovannino -1674 (DE-588)1325824119 gnd Ethnizität (DE-588)4220764-2 gnd Musik (DE-588)4040802-4 gnd Unfreier (DE-588)4186858-4 gnd |
| topic_facet | Buonaccorsi, Giovannino -1674 Ethnizität Musik Unfreier Florenz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034242534&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wilbourneemily voiceslaveryandraceinseventeenthcenturyflorence AT wilbourneemily 17thcentury |