Flaco's legacy the globalization of conjunto
"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Ji...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2023]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048958285 | ||
| 003 | DE-604 | ||
| 005 | 20230818 | ||
| 007 | t| | ||
| 008 | 230512s2023 xx agl| b||| 00||| eng d | ||
| 020 | |a 9780252087158 |c paperback |9 978-0-252-08715-8 | ||
| 020 | |a 9780252045028 |9 978-0-252-04502-8 | ||
| 035 | |a (OCoLC)1378039047 | ||
| 035 | |a (DE-599)BVBBV048958285 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Bauer, Erin |e Verfasser |0 (DE-588)1126744190 |4 aut | |
| 245 | 1 | 0 | |a Flaco's legacy |b the globalization of conjunto |c Erin E. Bauer |
| 264 | 1 | |a Urbana ; Chicago ; Springfield |b University of Illinois Press |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a viii, 290 Seiten |b Illustrationen, Notenbeispiele |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music in American life | |
| 505 | 8 | |a Introduction. The Globalization of Conjunto -- PART I. THE MIGRATION OF CONJUNTO. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, KEDA Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- PART II: THE HYBRIDIZATION OF CONJUNTO. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- PART III. THE APPROPRIATION OF CONJUNTO. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized | |
| 520 | 3 | |a "A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"-- | |
| 600 | 1 | 7 | |a Jiménez, Flaco |d 1939- |0 (DE-588)134582624 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Globalisierung |0 (DE-588)4557997-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tex Mex Music |0 (DE-588)4582131-8 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Conjunto music / History and criticism | |
| 653 | 0 | |a Music and globalization | |
| 653 | 1 | |a Jiménez, Flaco | |
| 653 | 1 | |a Jiménez, Flaco | |
| 653 | 0 | |a Conjunto music | |
| 653 | 0 | |a Music and globalization | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Jiménez, Flaco |d 1939- |0 (DE-588)134582624 |D p |
| 689 | 0 | 1 | |a Tex Mex Music |0 (DE-588)4582131-8 |D s |
| 689 | 0 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 0 | 3 | |a Globalisierung |0 (DE-588)4557997-0 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9780252054297 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034222090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20230818 | |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0904 |g 72 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0905 |g 73 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |f 0905 |g 72 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034222090 | |
Datensatz im Suchindex
| _version_ | 1822410097381343232 |
|---|---|
| adam_text |
This publication was funded in part by grants from the University of Wisconsin Whitewater and the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. © 2023 by the Board of Trustees of the University of Illinois All rights reserved 12345CP54321 @ This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Names: Bauer, Erin E., 1983- author. Title: Flaco’s legacy: the globalization of conjunto I Erin E. Bauer. Description: Urbana: University of Illinois Press, 2023.1 Series: Music in American life | Includes bibliographical references and index. Identifiers: LCCN 2022048755 (print) | LCCN 2022048756 (ebook) | ISBN 9780252045028 (hardback) | ISBN 9780252087158 (paperback) ( ISBN 9780252054297 (ebook) Subjects: LCSH: Conjunto music—History and criticism. I Music and globalization. | Jimenez, Flaco. Classification: LCC ML3476 .B38 2023 (print) | LCC ML3476 (ebook) | DDC 781.64097—dc23/ eng/20221104 LC record available at https://lccn.loc.gov/2022048755 LC ebook record available at https://lccn.loc.gov/2022048756 Bayerische Staatsbibliothek München
Contents Acknowledgments vii Introduction: The Globalization of Conjunto 1 PART I: THE MIGRATION OF CONJUNTO 1. “We love you, Flaco!”: Chicken Skin Music, “Mingomania,” and the Inter/national Presentation of Conjunto 31 2. “Ladies and gentlemen, Dodge presents Flaco Jiménez!”: Arhoolie Records, KEDA Radio Jalapeno, and the Mediated Dispersal of Conjunto 57 3. “From Texas to Washington and across to Michigan and Illinois.”: Nostalgia and Authenticity in the U.S. American Spread of Conjunto 79 PART II: THE HYBRIDIZATION OF CONJUNTO 4. “You have to mix it up!”: “Seguro Que Hell Yes,” the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez 105 5. “I play the jazz accordion!”: “Rueda de Fuego (Ring of Fire),” “My Toot Toot,” and the Country/Zydeco Influences of Mingo Saldivar and Steve Jordan 129 6. “It’s jealousy.”: Eva Ybarra and the Hybrid Offerings of Women in Conjunto 165
PART III: THE APPROPRIATION OF CONJUNTO 7. “That’s my music!”: Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto 181 8. “¡Esto es globalizáción!”: Rowwen Hèze, the Rolling Stones, and the Commercialized Appropriation of Conjunto 211 Conclusion: Continuing Considerations Notes 253 Discography 275 Works Cited 277 Index 283 239 |
| any_adam_object | 1 |
| author | Bauer, Erin |
| author_GND | (DE-588)1126744190 |
| author_facet | Bauer, Erin |
| author_role | aut |
| author_sort | Bauer, Erin |
| author_variant | e b eb |
| building | Verbundindex |
| bvnumber | BV048958285 |
| contents | Introduction. The Globalization of Conjunto -- PART I. THE MIGRATION OF CONJUNTO. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, KEDA Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- PART II: THE HYBRIDIZATION OF CONJUNTO. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- PART III. THE APPROPRIATION OF CONJUNTO. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized |
| ctrlnum | (OCoLC)1378039047 (DE-599)BVBBV048958285 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048958285</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230818</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230512s2023 xx agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252087158</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-252-08715-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252045028</subfield><subfield code="9">978-0-252-04502-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1378039047</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048958285</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bauer, Erin</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1126744190</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Flaco's legacy</subfield><subfield code="b">the globalization of conjunto</subfield><subfield code="c">Erin E. Bauer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana ; Chicago ; Springfield</subfield><subfield code="b">University of Illinois Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 290 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music in American life</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction. The Globalization of Conjunto -- PART I. THE MIGRATION OF CONJUNTO. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, KEDA Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- PART II: THE HYBRIDIZATION OF CONJUNTO. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- PART III. THE APPROPRIATION OF CONJUNTO. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Jiménez, Flaco</subfield><subfield code="d">1939-</subfield><subfield code="0">(DE-588)134582624</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tex Mex Music</subfield><subfield code="0">(DE-588)4582131-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Conjunto music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and globalization</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Jiménez, Flaco</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Jiménez, Flaco</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Conjunto music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and globalization</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Jiménez, Flaco</subfield><subfield code="d">1939-</subfield><subfield code="0">(DE-588)134582624</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tex Mex Music</subfield><subfield code="0">(DE-588)4582131-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9780252054297</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034222090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230818</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">72</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">72</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034222090</subfield></datafield></record></collection> |
| id | DE-604.BV048958285 |
| illustrated | Illustrated |
| indexdate | 2025-01-27T13:48:22Z |
| institution | BVB |
| isbn | 9780252087158 9780252045028 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034222090 |
| oclc_num | 1378039047 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | viii, 290 Seiten Illustrationen, Notenbeispiele 23 cm |
| psigel | BSB_NED_20230818 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | Music in American life |
| spelling | Bauer, Erin Verfasser (DE-588)1126744190 aut Flaco's legacy the globalization of conjunto Erin E. Bauer Urbana ; Chicago ; Springfield University of Illinois Press [2023] © 2023 viii, 290 Seiten Illustrationen, Notenbeispiele 23 cm txt rdacontent n rdamedia nc rdacarrier Music in American life Introduction. The Globalization of Conjunto -- PART I. THE MIGRATION OF CONJUNTO. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, KEDA Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- PART II: THE HYBRIDIZATION OF CONJUNTO. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- PART III. THE APPROPRIATION OF CONJUNTO. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized "A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"-- Jiménez, Flaco 1939- (DE-588)134582624 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Tex Mex Music (DE-588)4582131-8 gnd rswk-swf Conjunto music / History and criticism Music and globalization Jiménez, Flaco Conjunto music Criticism, interpretation, etc Jiménez, Flaco 1939- (DE-588)134582624 p Tex Mex Music (DE-588)4582131-8 s Rezeption (DE-588)4049716-1 s Globalisierung (DE-588)4557997-0 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 9780252054297 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034222090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bauer, Erin Flaco's legacy the globalization of conjunto Introduction. The Globalization of Conjunto -- PART I. THE MIGRATION OF CONJUNTO. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, KEDA Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- PART II: THE HYBRIDIZATION OF CONJUNTO. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- PART III. THE APPROPRIATION OF CONJUNTO. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized Jiménez, Flaco 1939- (DE-588)134582624 gnd Rezeption (DE-588)4049716-1 gnd Globalisierung (DE-588)4557997-0 gnd Tex Mex Music (DE-588)4582131-8 gnd |
| subject_GND | (DE-588)134582624 (DE-588)4049716-1 (DE-588)4557997-0 (DE-588)4582131-8 |
| title | Flaco's legacy the globalization of conjunto |
| title_auth | Flaco's legacy the globalization of conjunto |
| title_exact_search | Flaco's legacy the globalization of conjunto |
| title_full | Flaco's legacy the globalization of conjunto Erin E. Bauer |
| title_fullStr | Flaco's legacy the globalization of conjunto Erin E. Bauer |
| title_full_unstemmed | Flaco's legacy the globalization of conjunto Erin E. Bauer |
| title_short | Flaco's legacy |
| title_sort | flaco s legacy the globalization of conjunto |
| title_sub | the globalization of conjunto |
| topic | Jiménez, Flaco 1939- (DE-588)134582624 gnd Rezeption (DE-588)4049716-1 gnd Globalisierung (DE-588)4557997-0 gnd Tex Mex Music (DE-588)4582131-8 gnd |
| topic_facet | Jiménez, Flaco 1939- Rezeption Globalisierung Tex Mex Music |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034222090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bauererin flacoslegacytheglobalizationofconjunto |