Pindar and the Sublime Greek Myth, Reception, and Lyric Experience
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Publishing Plc
2022
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| Schriftenreihe: | New Directions in Classics Ser
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-12 |
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Inhaltsangabe:
- Cover
- Halftitle page
- Series page
- Title page
- Copyright page
- Contents
- Preface
- Acknowledgements
- 1 Sublime Receptions
- Ancient perceptions of Pindar
- Preliminary remarks on early modern receptions
- Abraham Cowley and English receptions
- Boileau, Perrault and Pindar
- Herder and the exaltation of genius
- Edmund Burke
- Immanuel Kant
- Reaction to Kant: Friedrich Schiller
- Friedrich Hölderlin
- Lyric parataxis
- Ancient and modern receptions in conversation
- 2 Shared Experience
- The first Pythian
- Primary and secondary (and tertiary) audiences
- The lyric 'now' and lyric experience: Being there
- Occasions: The Pindaric kōmos
- Personae, performativity and authors
- Pindar acting 'Pindar'
- 'So I too': Pindar's 'I' and us
- The shadow's dream
- On the razor's edge: The poet, the kairos, art and politics
- 3 Exceeding Limits
- Greek myth, Greek religion
- Transcendence and immanence
- Personifications
- Probing the boundary of eternity
- Divine epiphanies
- In and out of time: Pindaric temporality
- 'As when': Pindaric metaphor and the limits of language
- Epilogue
- Notes
- Bibliography
- Index of Passages
- Index of Names and Subjects