Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music

"Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of media, orchestration, and arranging. He travels from symphonic jazz...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Howland, John Louis 1964- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Oakland, California University of California Press [2021]
Schriftenreihe:California studies in music, sound, and media 2
Schlagworte:
Online-Zugang:DE-12
URL des Erstveröffentlichers
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000 cb4500
001 BV048896532
003 DE-604
005 20231211
007 cr|uuu---uuuuu
008 230412s2021 xx agl| o|||| 00||| eng d
020 |a 9780520971646  |9 978-0-520-97164-6 
035 |a (ZDB-23-DGG)9780520971646 
035 |a (ZDB-23-DKU)9780520971646 
035 |a (OCoLC)1376411634 
035 |a (DE-599)BVBBV048896532 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-11  |a DE-12 
084 |a MUS  |q DE-12  |2 fid 
100 1 |a Howland, John Louis  |d 1964-  |e Verfasser  |0 (DE-588)139791329  |4 aut 
245 1 0 |a Hearing Luxe Pop  |b glorification, glamour, and the middlebrow in American popular music  |c John Howland 
264 1 |a Oakland, California  |b University of California Press  |c [2021] 
300 |a 1 Online-Ressource  |b Illustrationen, Diagramme, Notenbeispiele 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
490 0 |a California studies in music, sound, and media  |v 2 
520 3 |a "Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of media, orchestration, and arranging. He travels from symphonic jazz to the Great American Songbook; teenage symphonies of the Motown label and 1960s girl groups to the emerging "countrypolitan" sound of Nashville; the sunshine pop and baroque pop of the Beach Boys to the blending of soul and funk into 1970s disco; the hip-hop-with-orchestra events of Jay-Z and Kanye West to indie rock bands with the Brooklyn Philharmonic. The luxe aesthetic merges popular-music idioms with lush string orchestrations, big-band instrumentation, and symphonic instruments. This book attunes readers to hearing the discourses that gathered around the music and its associated images, and in turn examines pop's relations to aspirational consumer culture, spectacle, theatricality, glamour, sophistication, cosmopolitanism, and "classy" lifestyles"-- 
648 7 |a Geschichte 1960-1980  |2 gnd  |9 rswk-swf 
650 0 7 |a Classic Rock  |0 (DE-588)1224574702  |2 gnd  |9 rswk-swf 
650 0 7 |a Popmusik  |0 (DE-588)4046781-8  |2 gnd  |9 rswk-swf 
650 0 7 |a Orchester  |0 (DE-588)4172708-3  |2 gnd  |9 rswk-swf 
651 7 |a USA  |0 (DE-588)4078704-7  |2 gnd  |9 rswk-swf 
653 0 |a Popular music / United States / History and criticism 
653 0 |a Popular music / Production and direction / United States / History / 20th century 
653 0 |a Popular music / United States / 20th century / Philosophy and aesthetics 
653 0 |a Instrumentation and orchestration / United States / History / 20th century 
653 0 |a Arrangement (Music) / United States / History / 20th century 
653 0 |a MUSIC / History & Criticism 
653 0 |a Arrangement (Music) 
653 0 |a Instrumentation and orchestration 
653 0 |a Popular music 
653 0 |a Popular music / Philosophy and aesthetics 
653 2 |a United States 
653 4 |a 1900-1999 
653 6 |a Criticism, interpretation, etc 
653 6 |a History 
689 0 0 |a USA  |0 (DE-588)4078704-7  |D g 
689 0 1 |a Popmusik  |0 (DE-588)4046781-8  |D s 
689 0 2 |a Orchester  |0 (DE-588)4172708-3  |D s 
689 0 3 |a Classic Rock  |0 (DE-588)1224574702  |D s 
689 0 4 |a Geschichte 1960-1980  |A z 
689 0 |5 DE-604 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |z 978-0-520-30011-8 
856 4 0 |u https://doi.org/10.1525/9780520971646  |x Verlag  |z URL des Erstveröffentlichers  |3 Volltext 
912 |a ZDB-23-DGG 
912 |a ZDB-23-DKU 
940 1 |q ZDB-23-DKU21 
940 1 |q BSB_NED_20230412 
942 1 1 |c 781.66  |e 22/bsb  |f 09047  |g 73 
942 1 1 |c 781.66  |e 22/bsb  |f 09046  |g 73 
943 1 |a oai:aleph.bib-bvb.de:BVB01-034161034 
966 e |u https://doi.org/10.1525/9780520971646?locatt=mode:legacy  |l DE-12  |p ZDB-23-DKU  |q BSB_DKU_UniversityCaliforniaPress  |x Verlag  |3 Volltext 

Datensatz im Suchindex

_version_ 1819314421657239552
any_adam_object
author Howland, John Louis 1964-
author_GND (DE-588)139791329
author_facet Howland, John Louis 1964-
author_role aut
author_sort Howland, John Louis 1964-
author_variant j l h jl jlh
building Verbundindex
bvnumber BV048896532
collection ZDB-23-DGG
ZDB-23-DKU
ctrlnum (ZDB-23-DGG)9780520971646
(ZDB-23-DKU)9780520971646
(OCoLC)1376411634
(DE-599)BVBBV048896532
doi_str_mv 10.1525/9780520971646
era Geschichte 1960-1980 gnd
era_facet Geschichte 1960-1980
format Electronic
eBook
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03962nam a2200721 cb4500</leader><controlfield tag="001">BV048896532</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231211 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230412s2021 xx agl| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520971646</subfield><subfield code="9">978-0-520-97164-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780520971646</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9780520971646</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1376411634</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048896532</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Howland, John Louis</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)139791329</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hearing Luxe Pop</subfield><subfield code="b">glorification, glamour, and the middlebrow in American popular music</subfield><subfield code="c">John Howland</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California</subfield><subfield code="b">University of California Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen, Diagramme, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">California studies in music, sound, and media</subfield><subfield code="v">2</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of media, orchestration, and arranging. He travels from symphonic jazz to the Great American Songbook; teenage symphonies of the Motown label and 1960s girl groups to the emerging "countrypolitan" sound of Nashville; the sunshine pop and baroque pop of the Beach Boys to the blending of soul and funk into 1970s disco; the hip-hop-with-orchestra events of Jay-Z and Kanye West to indie rock bands with the Brooklyn Philharmonic. The luxe aesthetic merges popular-music idioms with lush string orchestrations, big-band instrumentation, and symphonic instruments. This book attunes readers to hearing the discourses that gathered around the music and its associated images, and in turn examines pop's relations to aspirational consumer culture, spectacle, theatricality, glamour, sophistication, cosmopolitanism, and "classy" lifestyles"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1980</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Classic Rock</subfield><subfield code="0">(DE-588)1224574702</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Orchester</subfield><subfield code="0">(DE-588)4172708-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / United States / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Production and direction / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / United States / 20th century / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Instrumentation and orchestration / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arrangement (Music) / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">MUSIC / History &amp; Criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arrangement (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Instrumentation and orchestration</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Orchester</subfield><subfield code="0">(DE-588)4172708-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Classic Rock</subfield><subfield code="0">(DE-588)1224574702</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1960-1980</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-520-30011-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1525/9780520971646</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU21</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230412</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034161034</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1525/9780520971646?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_UniversityCaliforniaPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
geographic USA (DE-588)4078704-7 gnd
geographic_facet USA
id DE-604.BV048896532
illustrated Illustrated
indexdate 2024-12-24T09:43:57Z
institution BVB
isbn 9780520971646
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-034161034
oclc_num 1376411634
open_access_boolean
owner DE-11
DE-12
owner_facet DE-11
DE-12
physical 1 Online-Ressource Illustrationen, Diagramme, Notenbeispiele
psigel ZDB-23-DGG
ZDB-23-DKU
ZDB-23-DKU21
BSB_NED_20230412
ZDB-23-DKU BSB_DKU_UniversityCaliforniaPress
publishDate 2021
publishDateSearch 2021
publishDateSort 2021
publisher University of California Press
record_format marc
series2 California studies in music, sound, and media
spelling Howland, John Louis 1964- Verfasser (DE-588)139791329 aut
Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music John Howland
Oakland, California University of California Press [2021]
1 Online-Ressource Illustrationen, Diagramme, Notenbeispiele
txt rdacontent
c rdamedia
cr rdacarrier
California studies in music, sound, and media 2
"Hearing Luxe Pop explores a deluxe-production aesthetic that has long thrived in American popular music. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of media, orchestration, and arranging. He travels from symphonic jazz to the Great American Songbook; teenage symphonies of the Motown label and 1960s girl groups to the emerging "countrypolitan" sound of Nashville; the sunshine pop and baroque pop of the Beach Boys to the blending of soul and funk into 1970s disco; the hip-hop-with-orchestra events of Jay-Z and Kanye West to indie rock bands with the Brooklyn Philharmonic. The luxe aesthetic merges popular-music idioms with lush string orchestrations, big-band instrumentation, and symphonic instruments. This book attunes readers to hearing the discourses that gathered around the music and its associated images, and in turn examines pop's relations to aspirational consumer culture, spectacle, theatricality, glamour, sophistication, cosmopolitanism, and "classy" lifestyles"--
Geschichte 1960-1980 gnd rswk-swf
Classic Rock (DE-588)1224574702 gnd rswk-swf
Popmusik (DE-588)4046781-8 gnd rswk-swf
Orchester (DE-588)4172708-3 gnd rswk-swf
USA (DE-588)4078704-7 gnd rswk-swf
Popular music / United States / History and criticism
Popular music / Production and direction / United States / History / 20th century
Popular music / United States / 20th century / Philosophy and aesthetics
Instrumentation and orchestration / United States / History / 20th century
Arrangement (Music) / United States / History / 20th century
MUSIC / History & Criticism
Arrangement (Music)
Instrumentation and orchestration
Popular music
Popular music / Philosophy and aesthetics
United States
1900-1999
Criticism, interpretation, etc
History
USA (DE-588)4078704-7 g
Popmusik (DE-588)4046781-8 s
Orchester (DE-588)4172708-3 s
Classic Rock (DE-588)1224574702 s
Geschichte 1960-1980 z
DE-604
Erscheint auch als Druck-Ausgabe 978-0-520-30011-8
https://doi.org/10.1525/9780520971646 Verlag URL des Erstveröffentlichers Volltext
spellingShingle Howland, John Louis 1964-
Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music
Classic Rock (DE-588)1224574702 gnd
Popmusik (DE-588)4046781-8 gnd
Orchester (DE-588)4172708-3 gnd
subject_GND (DE-588)1224574702
(DE-588)4046781-8
(DE-588)4172708-3
(DE-588)4078704-7
title Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music
title_auth Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music
title_exact_search Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music
title_full Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music John Howland
title_fullStr Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music John Howland
title_full_unstemmed Hearing Luxe Pop glorification, glamour, and the middlebrow in American popular music John Howland
title_short Hearing Luxe Pop
title_sort hearing luxe pop glorification glamour and the middlebrow in american popular music
title_sub glorification, glamour, and the middlebrow in American popular music
topic Classic Rock (DE-588)1224574702 gnd
Popmusik (DE-588)4046781-8 gnd
Orchester (DE-588)4172708-3 gnd
topic_facet Classic Rock
Popmusik
Orchester
USA
url https://doi.org/10.1525/9780520971646
work_keys_str_mv AT howlandjohnlouis hearingluxepopglorificationglamourandthemiddlebrowinamericanpopularmusic