The Routledge companion to musical theatre

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Weitere Verfasser: MacDonald, Laura (HerausgeberIn), Donovan, Ryan ca. 20./21. Jh (HerausgeberIn), Everett, William A. 1962- (HerausgeberIn)
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Sprache:English
Veröffentlicht: London ; New York Routledge 2023
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Datensatz im Suchindex

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adam_text CONTENTS List of contributors Foreword Diane Paulus Introduction Laura MacDonald and Ryan XX 1 041078650011 A. Everett PARTI What 3 Introduction: On Musicals San Bao, translated by Li Bo 5 1 Musical Theatre Mobilities: Around the World in Eighty Years David Savran 9 2 An American in Tokyo? Musical Theatre Dance s Transnational Movements Ryan Donovan 3 “How a World Can Seem So Vast”: The Craft of Musical Theatre Dramaturgy Lindsey R. Barr and Laura MacDonald 4 The Singing Voice Masi Asare 25 39 54 v Contents 5 “The Song Is You”: Song Types and Genres in Musical Theatre William Л. Everett 68 PARTII 81 When Introduction: Dark Primal Energy, Ancestor Memory, and American Exceptionalism André De Shields, in conversation with Kenneth J. Cerniglia 83 6 From Ballad Opera to Minstrelsy and Back: Social Class, Race, and Gender on the North American Musical Stage Kristin Moriah 91 7 From the 1870s Through World War I: The Spectre and Spectacle of the Human Body Maya Cantu 105 8 Boom to Bust: Genre Borders, Color Lines, and Women Stars in the Musical Between the World Wars Todd Decker 121 9 World War II and the Cold War: Reflections and Refractions of Ourselves, Then and Now Dominic Broomfield-McHugh 136 10 Since the 1980s: The Global Musical Theatre Ecology Kelsey Blair 150 PART III Who 165 Introduction: Who Makes a Musical? Georgia Stitt 167 11 Musical Theatre Training in the Twenty-First Century: A Primer Amy S. Osatinski and Bud Coleman 12 “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre Arianne Johnson Quinn and Clare Chandler vi 172 187 Contents 13 Good Gals Wear Black: Offstage Labor and the Musical Christine Snyder 202 14 Mediated Taste: The Role of Critics Paul R. Laird 217 15 From Stage Door to Cyberspace: The Digital Evolution of Musical Theatre Fandom Adam Rush and Stephanie Lim 232 PARTIV 247 How Introduction: How Musicals Work: A Press Representative s View Chris Boneau 249 16 Fitting the Slipper: The Art of Adaptation for the Musical Stage William A. Everett 254 17 Harnessing Technology: The Evolving Labor of Design in Musical Theatre Virginia Anderson 268 18 Humming the Scenery: The Aesthetics of Musical Theatre Spectacle Douglas L. Reside 284 19 “That’s Showbiz, Kid”: Casting as Process and Product Ryan Donovan 298 20 The Foundation, Function, and Future of the Musical Theatre Director Mary Jo Lodge and Anne Healy 313 21 How Choreographers and Dancers Work: The Laboring Bodies of Musical Theatre Joanna Dee Das 329 22 “The Name on Everybody’s Lips”: Marketing Musical Theatre Laura MacDonald 342 23 A Critical Guide to Code-Meshing, Multilingualism, and Musicals Samuel Yates 359 vii Contents PARTY 375 Where Introduction: Scenes From a Showbiz Couple’s Travelogue Kim Varhola 377 24 Centers of Musical Theatre Alex Bađue, Jennifer C. H. J Wilson, Laura Milburn, Leesi Patrick, and Sir Anril P. Tiatco 383 25 Pilots and Petticoats: Original Musicals in Continental Europe Jeroen van Wijhe and Jacek Mikołajczyk 400 26 The Broadway-Style Musical in/and Global Asias: 1920—2019 Sissi Liu and Rina Tanaka 418 T1 “One of the Best Ways to Please the Locals Is to Go to New York”: US American Regional Theatres and New Musical Theatre Development Claudia Wilsch Case 436 28 “We’re All in This Together”: Student and Amateur Musical Theatre Performances Kenneth J. Cerniglia 450 29 Mediated Musical Theatre Sam O’Connell 465 PART VI Why 479 Introduction: Into the Theatre Yilun (Della) Wu 481 30 Journeys to the Past: The Uses of Memory and Nostalgia in Musical Theatre Bryan Μ. Vandevender 486 31 What’s in a Name? The Multiplicities of the Musical John Koegel 32 Interrogating America’s National Myth Onstage: Case Studies on the Individual and the Community in US Musical Theatre Katie Welsh with Stacy Wolf viii 502 521 Contents 33 Translating Race in Musical Theatre Ji Ηγοη (Kayla) Yuh and Emilio Méndez 537 34 Art Isn’t Easy (and Neither Is Commerce): The Musical Stays in the Money Michael Schwartz 552 35 “Worlď’-Traveling, Diversity, Inclusion, and the Making of Musicals in the Twenty-First Century Trevor BoJJone 567 Appendix: Towards a Taxonomy of Music Theatre Genres, A-Z Assembled by John Koegel 582 Index 585 ix
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title The Routledge companion to musical theatre
title_alt Companion to musical theatre
Musical theatre
title_auth The Routledge companion to musical theatre
title_exact_search The Routledge companion to musical theatre
title_full The Routledge companion to musical theatre edited by Laura MacDonald and Ryan Donovan with William A. Everett
title_fullStr The Routledge companion to musical theatre edited by Laura MacDonald and Ryan Donovan with William A. Everett
title_full_unstemmed The Routledge companion to musical theatre edited by Laura MacDonald and Ryan Donovan with William A. Everett
title_short The Routledge companion to musical theatre
title_sort the routledge companion to musical theatre
topic Theaterproduktion (DE-588)4261186-6 gnd
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topic_facet Theaterproduktion
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