Gender, sex and sexuality in musical theatre he/she/they could have danced all night
"Critics and fans alike often mistake theatrical song and dance as simplistic, heteronormative, and traditional. This collection troubles this over-idealized notion of musical theatre, tackling divas, chorus boys, and the Rockettes; hit shows such as Hamilton and Spring Awakening; and lesser-kn...
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[2023]
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| 505 | 8 | |a Introduction: Belting Away at Binaries -- PART 1: Exploring and Exploding the Gender Binary on the Musical Stage -- 1. Adrienne Gibbons Oehlers: The Radio City Rockettes and the Making of a Sisterhood -- 2. George Rodosthenous: Billy Elliot: The Musical: Visual Representations of Working-Class Masculinity and the All-Singing, All-Dancing Bo[d]y -- 3. Stacy Wolf: Hamilton's Women -- 4. Jordan Ealey: Rewriting the American West: Black Feminist (Re)vision in Bella: An American Tall Tale -- 5. Janet Werther: A-List Drag Queens, Accidental Drag Kings, and Illegible Gender Rebels: (Mis)Representations of Trans Experience in Contemporary Musicals -- PART 2: Embodying and Exploiting Sex and Sexuality On and Off Broadway -- 6. David Haldane Lawrence: Chorus Boys: Words, Music and Queerness (c.1900-c.1936) -- 7. Elizabeth L. Wollman: Emancipation or Exploitation? Gender Liberation and Adult Musicals in 1970s New York -- | |
| 505 | 8 | |a 8. Bryan Vandevender: A Substitute for Love: The Performance of Sex in Spring Awakening -- 9. Ryan Donovan: If You Were Gay, That'd Be Okay: Marketing LGBTQ Musicals from La Cage to The Prom -- PART 3: The Divas Break Everybody's Rules -- 10. Michele Dvoskin: Embracing Excess: The Queer Feminist Power of Musical Theatre Diva Roles -- 11. Dustyn Martinich: Stepping Out of Line: (Re)claiming the Diva for the Dancers of Broadway -- 12. Deborah Paredez: Diva Relations in The Color Purple, the 2015 Broadway Revival -- 13. Kelly Kessler: How Can the Small Screen Contain Her? Television, Genre and the Twenty-First-Century Broadway Diva Onslaught -- PART 4: Onstage, Offstage, and Online: Gender and Sexuality in Personal and Professional Musical Practice -- 14. Alejandro Postigo: The Queerness of Copla: Musical Hope for the Spanish LGBTQ -- 15. Sherrill Gow: Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices -- | |
| 505 | 8 | |a 16. Stephanie Lim: For Progress or Profit: The Possibilities and Limitations of Playing with Gender in 21st Century Musical Theatre -- 17. Jiyoon Jung: The Right to See and Not Be Seen: South Korean Musicals and Young Feminist Activism | |
| 520 | 3 | |a "Critics and fans alike often mistake theatrical song and dance as simplistic, heteronormative, and traditional. This collection troubles this over-idealized notion of musical theatre, tackling divas, chorus boys, and the Rockettes; hit shows such as Hamilton and Spring Awakening; and lesser-known but groundbreaking gems like Erin Markey's A Ride on The Irish Cream and Kirsten Childs's Bella: An American Tall Tale. The book takes a broad look at musical theater across a range of intersecting lenses including race, nation, form, dance, casting, marketing, pedagogy, industry, stardom, politics, and platform. Undermining the musical form's conservative façade, scholars drive home the fact that gender and desire have long been at the heart of the musical. This exciting and vibrant collection of articles takes sex, sexuality, gendered complexity out of the musical's liner notes and back above the marquee."--Provided by publisher | |
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Datensatz im Suchindex
| _version_ | 1819660237737558016 |
|---|---|
| adam_text | Contents xi List of Figures Acknowledgements xiii Introduction: Belting Awayat Binaries xv Kelly Kessler PART 1: EXPLORING ANDEXPLODING THE GENDER 1 BINARY ON THE MUSICAL STAGE 1. The Radio City Rockettes and the Making of a Sisterhood 3 Adrienne Gibbons Oehlers 2. Billy Elliot the Musical: Visual Representations of Working-Class 16 Masculinity and the All-Singing, All-Dancing Bo[d]y George Rodosthenous 3. Hamilton s Women 36 Stacy Wolf 4. Rewriting the American West: Black Feminist (Re)Vision in 53 Bella: An American Tall Tale Jordan Ealey 5. A-List Drag Queens, Accidental Drag Kings and Illegible Gender Rebels: 72 (Mis)Representations of Trans Experience in Contemporary Musicals Janet Werther PART 2: EMBODYING AND EXPLOITING SEX AND 95 SEXUALITY ON AND OFF BROADWAY 6. Chorus Boys: Words, Music and Queerness (c.1900-36) David Haldane Lawrence vii 97
GENDER, SEX, AND SEXUALITY IN MUSICAL THEATRE 7. Emancipation or Exploitation? Gender Liberation and Adult Musicals in 1970s New York Elizabeth L. tollman 8. A Substitute for Love: The Performance of Sex in Spring Awakening Bryan Μ. Vandevender 9. If You Were Gay, That’d Be Okay: Marketing LGBTQ+ Musicals from La Cage to The Prom Ryan Donovan 112 144 155 PART 3: DIVAS DON’T CARE ABOUT NOBODY’S RULES 175 10. Embracing Excess: The Queer Feminist Power of Musical Theatre Diva Roles Michelle Dvoskin 11. Stepping Out of Line: (Re)Claiming the Diva for the Dancers of Broadway Dustyn Martincích 12. Diva Relations in The Color Purple, the 2015 Broadway Revival Deborah Paredez 13. How Can the Small Screen Contain Her? Television, Genre and the Twenty-First-Century Broadway Diva Onslaught Kelly Kessler 177 PART 4: ONSTAGE, OFFSTAGE AND ONLINE: GENDER AND SEXUALITY IN PERSONAL AND PROFESSIONAL MUSICAL PRACTICE 247 14. The Queerness of Cop la: Musical Hope for the Spanish LGBTQ Alejandro Postigo 15. Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices Sherrill Gow 16. For Progress or Profit: The Possibilities and Limitations of Playing with Gender in Twenty-First-Century Musical Theatre Stephanie Lim 249 viii 190 205 226 268 283
CONTENTS 17. The Right to See and Not Be Seen: South Korean Musicals and Young Feminist Activism Jiyoon Jung ЗОЇ Notes on Contributors 319 ix
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| contents | Introduction: Belting Away at Binaries -- PART 1: Exploring and Exploding the Gender Binary on the Musical Stage -- 1. Adrienne Gibbons Oehlers: The Radio City Rockettes and the Making of a Sisterhood -- 2. George Rodosthenous: Billy Elliot: The Musical: Visual Representations of Working-Class Masculinity and the All-Singing, All-Dancing Bo[d]y -- 3. Stacy Wolf: Hamilton's Women -- 4. Jordan Ealey: Rewriting the American West: Black Feminist (Re)vision in Bella: An American Tall Tale -- 5. Janet Werther: A-List Drag Queens, Accidental Drag Kings, and Illegible Gender Rebels: (Mis)Representations of Trans Experience in Contemporary Musicals -- PART 2: Embodying and Exploiting Sex and Sexuality On and Off Broadway -- 6. David Haldane Lawrence: Chorus Boys: Words, Music and Queerness (c.1900-c.1936) -- 7. Elizabeth L. Wollman: Emancipation or Exploitation? Gender Liberation and Adult Musicals in 1970s New York -- 8. Bryan Vandevender: A Substitute for Love: The Performance of Sex in Spring Awakening -- 9. Ryan Donovan: If You Were Gay, That'd Be Okay: Marketing LGBTQ Musicals from La Cage to The Prom -- PART 3: The Divas Break Everybody's Rules -- 10. Michele Dvoskin: Embracing Excess: The Queer Feminist Power of Musical Theatre Diva Roles -- 11. Dustyn Martinich: Stepping Out of Line: (Re)claiming the Diva for the Dancers of Broadway -- 12. Deborah Paredez: Diva Relations in The Color Purple, the 2015 Broadway Revival -- 13. Kelly Kessler: How Can the Small Screen Contain Her? Television, Genre and the Twenty-First-Century Broadway Diva Onslaught -- PART 4: Onstage, Offstage, and Online: Gender and Sexuality in Personal and Professional Musical Practice -- 14. Alejandro Postigo: The Queerness of Copla: Musical Hope for the Spanish LGBTQ -- 15. Sherrill Gow: Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices -- 16. Stephanie Lim: For Progress or Profit: The Possibilities and Limitations of Playing with Gender in 21st Century Musical Theatre -- 17. Jiyoon Jung: The Right to See and Not Be Seen: South Korean Musicals and Young Feminist Activism |
| ctrlnum | (OCoLC)1381311411 (DE-599)BVBBV048881384 |
| discipline | Allgemeines Soziologie Musikwissenschaft |
| era | Geschichte 1900- gnd |
| era_facet | Geschichte 1900- |
| format | Book |
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| publisher | intellect |
| record_format | marc |
| spellingShingle | Gender, sex and sexuality in musical theatre he/she/they could have danced all night Introduction: Belting Away at Binaries -- PART 1: Exploring and Exploding the Gender Binary on the Musical Stage -- 1. Adrienne Gibbons Oehlers: The Radio City Rockettes and the Making of a Sisterhood -- 2. George Rodosthenous: Billy Elliot: The Musical: Visual Representations of Working-Class Masculinity and the All-Singing, All-Dancing Bo[d]y -- 3. Stacy Wolf: Hamilton's Women -- 4. Jordan Ealey: Rewriting the American West: Black Feminist (Re)vision in Bella: An American Tall Tale -- 5. Janet Werther: A-List Drag Queens, Accidental Drag Kings, and Illegible Gender Rebels: (Mis)Representations of Trans Experience in Contemporary Musicals -- PART 2: Embodying and Exploiting Sex and Sexuality On and Off Broadway -- 6. David Haldane Lawrence: Chorus Boys: Words, Music and Queerness (c.1900-c.1936) -- 7. Elizabeth L. Wollman: Emancipation or Exploitation? Gender Liberation and Adult Musicals in 1970s New York -- 8. Bryan Vandevender: A Substitute for Love: The Performance of Sex in Spring Awakening -- 9. Ryan Donovan: If You Were Gay, That'd Be Okay: Marketing LGBTQ Musicals from La Cage to The Prom -- PART 3: The Divas Break Everybody's Rules -- 10. Michele Dvoskin: Embracing Excess: The Queer Feminist Power of Musical Theatre Diva Roles -- 11. Dustyn Martinich: Stepping Out of Line: (Re)claiming the Diva for the Dancers of Broadway -- 12. Deborah Paredez: Diva Relations in The Color Purple, the 2015 Broadway Revival -- 13. Kelly Kessler: How Can the Small Screen Contain Her? Television, Genre and the Twenty-First-Century Broadway Diva Onslaught -- PART 4: Onstage, Offstage, and Online: Gender and Sexuality in Personal and Professional Musical Practice -- 14. Alejandro Postigo: The Queerness of Copla: Musical Hope for the Spanish LGBTQ -- 15. Sherrill Gow: Queering Brechtian Feminism: Breaking Down Gender Binaries in Musical Theatre Pedagogical Performance Practices -- 16. Stephanie Lim: For Progress or Profit: The Possibilities and Limitations of Playing with Gender in 21st Century Musical Theatre -- 17. Jiyoon Jung: The Right to See and Not Be Seen: South Korean Musicals and Young Feminist Activism Sexualverhalten (DE-588)4116485-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4116485-4 (DE-588)4071776-8 (DE-588)4040801-2 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Gender, sex and sexuality in musical theatre he/she/they could have danced all night |
| title_auth | Gender, sex and sexuality in musical theatre he/she/they could have danced all night |
| title_exact_search | Gender, sex and sexuality in musical theatre he/she/they could have danced all night |
| title_full | Gender, sex and sexuality in musical theatre he/she/they could have danced all night edited and curated by Kelly Kessler |
| title_fullStr | Gender, sex and sexuality in musical theatre he/she/they could have danced all night edited and curated by Kelly Kessler |
| title_full_unstemmed | Gender, sex and sexuality in musical theatre he/she/they could have danced all night edited and curated by Kelly Kessler |
| title_short | Gender, sex and sexuality in musical theatre |
| title_sort | gender sex and sexuality in musical theatre he she they could have danced all night |
| title_sub | he/she/they could have danced all night |
| topic | Sexualverhalten (DE-588)4116485-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musical (DE-588)4040801-2 gnd |
| topic_facet | Sexualverhalten Geschlechterrolle Musical USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034146108&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kesslerkelly gendersexandsexualityinmusicaltheatreheshetheycouldhavedancedallnight |