Jazz à la Creole French Creole music and the birth of jazz
"During the formative years of jazz (1890-1917), the Creoles of Color-as they were then called-played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community,...
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[2022]
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| Schriftenreihe: | American made music series
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| 505 | 8 | 0 | |t Acknowledgments -- |t Introduction -- |t Chapter 1: Creole, Creolization, the Creole state, and the Creoles -- |t Chapter 2: Black American/French Creole folk music -- |t Chapter 3: French religious music -- |t Chapter 4: European music and dances -- |t Chapter 5: Early jazz Creole musicians -- |t Chapter 6: The early jazz revivial and the Creole songs |t Epilogue -- |t Appendices -- |t Notes -- |t Bibliography -- |t Selected discography -- |t Index |
| 520 | 3 | |a "During the formative years of jazz (1890-1917), the Creoles of Color-as they were then called-played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Acknowledgments.......................................................................................... ix Introduction................................................................................................. З і. Creole, Creolization, the Creole State, and the Creoles.............................. 8 A (Very) Short History of the Creole State................................................ 10 The Creoles of Louisiana............................................................................. 12 Race Relations.............................................................................................. 19 Part I: The Precursors of Jazz 2, Black American/French Creole Folk Music.............................................. 27 Characteristics of Black American Folk Music.......................................... 27 Plantation Songs........................................................................................... 29 Work Songs, Street Cries, and Voodoo Songs..............................................33 Congo Square.............................................................................................. 38 3. French Religious Music.............................................................................. 49 The Catholic Church in Louisiana.............................................................. 49 The Ursuline Manuscript: Nouvelles poésies spirituelles et morales . ... 52 The Cantiques.............................................................................................. 54 4. European Music and
Dances..................................................................... 60 Balls and Dance Music............................................................................... 60 Classical Music and Composers................................................................. 63 Military Music............................................................................................. 66 Part II: Early Jazz 5. Early Jazz Creole Musicians......................................................................71 The Tio Family..............................................................................................74 Ferdinand Joseph Lamothe/Jelly Roll Morton (1885 or 1890-1941) ... 77
VIII CONTENTS Edouard/Edward “Kid” Ory (1886-1973).................................................. 81 Elizabeth Marie (Mary) Landreaux/Lizzie Miles (1895-1963).................. 84 Sidney Bechet (1897-1959)........................................................................ 88 6. The Early Jazz Revival and the Creole Songs.......................................... 93 The Creole Songs.......................................................................................94 The Creole Songs and Early Jazz................................................................98 The Revival Recordings of Creole Songs................................................ 104 Epilogue.......................................................................................................... 121 Appendices 1. More about Creolization and Creole Identity......................................... 125 2. Chanson du Vié Boscugo/Michié Preval (Dansez Calinda).............. 129 3. Cantique: Tombeau, Tombeau Marie-Madeleine................................... 134 4. Cantique: Dans un Jardin Solitaire........................................................... 141 5. Cantique: Marie-Madeleine, Laisse-Moi Passer.......................................151 6. Cantique: Grand Dieu Du Ciel/Paradis L’Aura...................................... 158 Notes............................................................................................................ 163 Bibliography................................................................................................ 194 Selected
Discography.................................................................................. 217 Index............................................................................................................ 219
|
| adam_txt |
CONTENTS Acknowledgments. ix Introduction. З і. Creole, Creolization, the Creole State, and the Creoles. 8 A (Very) Short History of the Creole State. 10 The Creoles of Louisiana. 12 Race Relations. 19 Part I: The Precursors of Jazz 2, Black American/French Creole Folk Music. 27 Characteristics of Black American Folk Music. 27 Plantation Songs. 29 Work Songs, Street Cries, and Voodoo Songs.33 Congo Square. 38 3. French Religious Music. 49 The Catholic Church in Louisiana. 49 The Ursuline Manuscript: Nouvelles poésies spirituelles et morales . . 52 The Cantiques. 54 4. European Music and
Dances. 60 Balls and Dance Music. 60 Classical Music and Composers. 63 Military Music. 66 Part II: Early Jazz 5. Early Jazz Creole Musicians.71 The Tio Family.74 Ferdinand Joseph Lamothe/Jelly Roll Morton (1885 or 1890-1941) . 77
VIII CONTENTS Edouard/Edward “Kid” Ory (1886-1973). 81 Elizabeth Marie (Mary) Landreaux/Lizzie Miles (1895-1963). 84 Sidney Bechet (1897-1959). 88 6. The Early Jazz Revival and the Creole Songs. 93 The Creole Songs.94 The Creole Songs and Early Jazz.98 The Revival Recordings of Creole Songs. 104 Epilogue. 121 Appendices 1. More about Creolization and Creole Identity. 125 2. Chanson du Vié Boscugo/Michié Preval (Dansez Calinda). 129 3. Cantique: Tombeau, Tombeau Marie-Madeleine. 134 4. Cantique: Dans un Jardin Solitaire. 141 5. Cantique: Marie-Madeleine, Laisse-Moi Passer.151 6. Cantique: Grand Dieu Du Ciel/Paradis L’Aura. 158 Notes. 163 Bibliography. 194 Selected
Discography. 217 Index. 219 |
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| author | Vézina, Caroline |
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| bvnumber | BV048684525 |
| contents | Acknowledgments -- Introduction -- Chapter 1: Creole, Creolization, the Creole state, and the Creoles -- Chapter 2: Black American/French Creole folk music -- Chapter 3: French religious music -- Chapter 4: European music and dances -- Chapter 5: Early jazz Creole musicians -- Chapter 6: The early jazz revivial and the Creole songs Epilogue -- Appendices -- Notes -- Bibliography -- Selected discography -- Index |
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| id | DE-604.BV048684525 |
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| index_date | 2024-07-03T21:26:11Z |
| indexdate | 2024-07-10T09:46:02Z |
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| language | English |
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| physical | x, 236 Seiten Illustrationen, Notenbeispiele 24 cm |
| psigel | BSB_NED_20230420 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University Press of Mississippi |
| record_format | marc |
| series2 | American made music series |
| spelling | Vézina, Caroline Verfasser (DE-588)1286459583 aut Jazz à la Creole French Creole music and the birth of jazz Caroline Vézina Jackson University Press of Mississippi [2022] © 2022 x, 236 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier American made music series Acknowledgments -- Introduction -- Chapter 1: Creole, Creolization, the Creole state, and the Creoles -- Chapter 2: Black American/French Creole folk music -- Chapter 3: French religious music -- Chapter 4: European music and dances -- Chapter 5: Early jazz Creole musicians -- Chapter 6: The early jazz revivial and the Creole songs Epilogue -- Appendices -- Notes -- Bibliography -- Selected discography -- Index "During the formative years of jazz (1890-1917), the Creoles of Color-as they were then called-played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana"-- Geschichte 1890-1917 gnd rswk-swf Franzosen (DE-588)4018199-6 gnd rswk-swf Kreolen (DE-588)4211695-8 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Louisiana (DE-588)4036394-6 gnd rswk-swf Creoles / Louisiana / Music / History and criticism Jazz / History and criticism Jazz Louisiana Criticism, interpretation, etc Louisiana (DE-588)4036394-6 g Franzosen (DE-588)4018199-6 s Kreolen (DE-588)4211695-8 s Jazz (DE-588)4028532-7 s Geschichte 1890-1917 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4968-4241-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034058832&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vézina, Caroline Jazz à la Creole French Creole music and the birth of jazz Acknowledgments -- Introduction -- Chapter 1: Creole, Creolization, the Creole state, and the Creoles -- Chapter 2: Black American/French Creole folk music -- Chapter 3: French religious music -- Chapter 4: European music and dances -- Chapter 5: Early jazz Creole musicians -- Chapter 6: The early jazz revivial and the Creole songs Epilogue -- Appendices -- Notes -- Bibliography -- Selected discography -- Index Franzosen (DE-588)4018199-6 gnd Kreolen (DE-588)4211695-8 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4018199-6 (DE-588)4211695-8 (DE-588)4028532-7 (DE-588)4036394-6 |
| title | Jazz à la Creole French Creole music and the birth of jazz |
| title_alt | Acknowledgments -- Introduction -- Chapter 1: Creole, Creolization, the Creole state, and the Creoles -- Chapter 2: Black American/French Creole folk music -- Chapter 3: French religious music -- Chapter 4: European music and dances -- Chapter 5: Early jazz Creole musicians -- Chapter 6: The early jazz revivial and the Creole songs Epilogue -- Appendices -- Notes -- Bibliography -- Selected discography -- Index |
| title_auth | Jazz à la Creole French Creole music and the birth of jazz |
| title_exact_search | Jazz à la Creole French Creole music and the birth of jazz |
| title_exact_search_txtP | Jazz à la Creole French Creole music and the birth of jazz |
| title_full | Jazz à la Creole French Creole music and the birth of jazz Caroline Vézina |
| title_fullStr | Jazz à la Creole French Creole music and the birth of jazz Caroline Vézina |
| title_full_unstemmed | Jazz à la Creole French Creole music and the birth of jazz Caroline Vézina |
| title_short | Jazz à la Creole |
| title_sort | jazz a la creole french creole music and the birth of jazz |
| title_sub | French Creole music and the birth of jazz |
| topic | Franzosen (DE-588)4018199-6 gnd Kreolen (DE-588)4211695-8 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Franzosen Kreolen Jazz Louisiana |
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