Extreme music silence to noise and everything in between
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| Format: | Buch |
| Sprache: | English |
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Port Townsend, WA
Feral House
[2022]
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| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Tau, Michael |e Verfasser |0 (DE-588)127861642X |4 aut | |
| 245 | 1 | 0 | |a Extreme music |b silence to noise and everything in between |c by Michael Tau |
| 264 | 1 | |a Port Townsend, WA |b Feral House |c [2022] | |
| 264 | 4 | |c © 2022 | |
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| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
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Datensatz im Suchindex
| _version_ | 1819587919813279744 |
|---|---|
| adam_text | TABLE OF CONTENTS INTRODUCTION...................................................................................................... 9 SECTION I: EXTREME SCENES 1.1 LOUD ...................................................................................................... 15 1.1.1 The Loudness War.................................................................... 15 1.1.2 Noise Music............................................................................... 18 1.1.3 Harsh Noise Wall.................................................................... 22 1.2 QUIET ..................................................................................................... 33 1.2.1 Drone...........................................................................................34 1.2.2 New Age Music........................................................................ 34 1.2.3 Ambient...................................................................................... 37 1.2.4 Homemade Drone.................................................................. 39 1.2.5 Lowercase..................................................................................40 1.2.6 Onkyô..................................... 44 1.3 VULGAR...................................................................................................47 1.3.1 Blood and Guts........................................................................47 1.3.2 Pornogrind.................................................................................54 1.4 FAST
......................................................................................................61 1.4.1 Speedcore..................................................................................62 1.4.2 Splittercore............................................................................... 69 1.4.3 Extratone................................................................................... 71 1.4.4 Flashcore.................................................................................... 73 1.5 FOUND................................................................................................... 77 SECTION II: EXTREME DURATIONS 11.1 LONG .................................................................................................... 97 11.2 SHORT................................................................................................... Ill SECTION III: EXTREME RECORDS III.1 LATHE-CUT............................................................................................ 127 III.2 LARGE ................................................................................................... 131 III.3 SMALL.................................................................................................. 135 III.4 SHAPES................................................................................................. 141 III.4.1 Places..................................................................................... 142 III.4.2 Sawblades............................................................................ 143 III.4.3
Beyond................................................................................... 146 III.5 PICTURES.............................................................................................. 149 111.5.1 Picture Disc Prehistory........................................................149 III.5.2 Vogue Records.................................................................... 150 111.5.3 Red Raven Records Zoetrope Discs.............................. 151 IH.5.4 Picture Discs in the Rock Era............................................ 152
III .6 ADULTERATED ....................................................................................159 III .7 NON-VINYL........................................................................................ 165 III.7.1 Records That Melt.................................................................165 III.7.2 Project Dark............................................................................168 III.7.3 Other UnusualMaterials...................................................... 171 SECTION IV: TECHNOLOGICAL QUIRKS IV.l CHIPTUNE........................................................................................... 177 IV .2 LOBIT ...........................................................................................183 IV .3 FLOPPIES .............................................................................................191 IV .3.1 Early Floppy History........................................................... 191 IV.4 IV .3.2 Floppies as Subculture....................................................... 193 MICROCASSETTES .............................................................................199 IV .4.1 Microcassettor..................................................................... 199 IV .4.2 One-Touch Recordings...................................................... 200 IV .4.3 dirgefunk s microcassettes.............................................. 201 IV .4.4 Dictaphonia.......................................................................... 202 IV .4.5
Dictafawn.............................................................................. 203 IV .4.6 Lavender Sweep................................................................. 204 IV.5 8-TRACKS............................................................................................207 IV .5.1 Malcolm Tent s 8-Track Obsession.................................208 IV .5.2 8-Tracks in the Nineties..................................................... 210 IV .5.3 The 21 st Century................................................................. 210 IV .6 CYLINDERS.......................................................................................... 215 IV .7 NON-TRADITIONAL FORMATS............................................... 219 IV .7.1 USB SD................................................................................ 219 IV .7.2 Self-Reliant Formats........................................................... 220 SECTION V: EXTREME PACKAGING V.l ELABORATE..........................................................................................227 V .l.l History of ElaboratePackaging......................................... 228 V .l.2 American Tapes..................................................................... 229 V .1.3 MSBR Records........................................................................ 233 V .l .4 Toxic Industries / Very Toxic............................................. 235 V V.2 .1.5 Others....................................................................................... 239 DISGUSTING
..................................................................................... 243 V .2.1 Packs ....................................................................................... 247 V .2.2Body Fluids............................................................................. 248 V .2.3 Perishables............................................................................. 252 V .2.4 A Final Anecdote...............................................................255
SECTION VI: RECORDINGS? VU SILENT..................................................................................................261 VI.1.1 Silent Pioneers..................................................................... 261 Vl.1.2 Silent Recordings................................................................. 263 VI.2 DAMAGED .......................................................................................... 273 VI.3 UNPLAYABLE ...................................................................................... 281 VI .3.1 Anti-Records Underground Music............................... 283 VI .3.2 RRRecords Anti-Records.................................................... 284 Vl .3.3 The Haters............................................................................. 286 Vl .3.4 Major Ego Produkt Objekts Aktions....................... 289 VI .3.5 One-Off Anti-Recordsin the Nineties..............................292 VI .3.6 Anti-Recordings in Other Formats................................ 295 VI .3.7 Contemporary Anti-Recordings: NONE Records, Michael Ridge, and Auris Apothecary............. 298 VI .3.9 Anti-Recordings: Tying It All Together........................ 304 SECTION VII: THE DIGITAL AGE VILI WAVES.............................................................................................. 313 Vll .1.1 Mallsoft................................................................................ 313 VII .1.2 Broken Transmission......................................................... 321 VII .1.3 Late Night Lo-
Fi.................................................................. 324 VII.2 RINGTONES........................................................................................ 327 VII.3 BLACK MIDI ....................................................................................... 331 VII.4 OUTSIDERS...........................................................................................333 VII.4.1 R.A.E.D..................................................................................... 333 Vll.4.2 Vll.4.3 Vll.4.4 Vll.4.5 Viper........................................................................................ 335 Farrah Abraham.................................................................. 336 Al Walser............................................................................... 337 Chief Kooffreh...................................................................... 338 Vll.4.6 Fallen Vengeance................................................................. 338 Vll.4.7 Girls With Attitude............................................................... 339 Vll.4.8 Ornaments of Agony...........................................................340 VII.4.9 Hekaloth Records................................................................. 340 VI 1.4.10 Tonetta.................................................................................... 341 CONCLUSION..................................................................................................... 345
INDEX................................................................................................................... 349 ACKNOWLEDGEMENTS.................................................................................... 367
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| id | DE-604.BV048600067 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T09:37:15Z |
| institution | BVB |
| isbn | 9781627311243 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033975605 |
| oclc_num | 1362881740 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 367 Seiten, 8 ungezählte Tafeln Illustrationen |
| psigel | BSB_NED_20230403 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Feral House |
| record_format | marc |
| spellingShingle | Tau, Michael Extreme music silence to noise and everything in between Das Extreme (DE-588)1031657800 gnd Ästhetik (DE-588)4000626-8 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd |
| subject_GND | (DE-588)1031657800 (DE-588)4000626-8 (DE-588)4153365-3 (DE-588)4126097-1 |
| title | Extreme music silence to noise and everything in between |
| title_auth | Extreme music silence to noise and everything in between |
| title_exact_search | Extreme music silence to noise and everything in between |
| title_full | Extreme music silence to noise and everything in between by Michael Tau |
| title_fullStr | Extreme music silence to noise and everything in between by Michael Tau |
| title_full_unstemmed | Extreme music silence to noise and everything in between by Michael Tau |
| title_short | Extreme music |
| title_sort | extreme music silence to noise and everything in between |
| title_sub | silence to noise and everything in between |
| topic | Das Extreme (DE-588)1031657800 gnd Ästhetik (DE-588)4000626-8 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd |
| topic_facet | Das Extreme Ästhetik Experimentelle Musik Musikwahrnehmung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033975605&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT taumichael extrememusicsilencetonoiseandeverythinginbetween |