Performance practice
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Macmillan Press
1990
|
| Schriftenreihe: | The New Grove handbooks in music
|
| Schlagworte: | |
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| 100 | 1 | |a Brown, Howard Mayer |d 1930-1993 |e Verfasser |0 (DE-588)120239213 |4 aut | |
| 240 | 1 | 0 | |a New Grove dictionary of music and musicians |
| 245 | 1 | 0 | |a Performance practice |c edited by Howard Mayer Brown and Stanley Sadie |
| 264 | 1 | |a New York ; London |b Macmillan Press |c 1990 | |
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| 490 | 0 | |a The New Grove handbooks in music | |
| 505 | 8 | 0 | |t Music before 1600 |t The middle ages |t Introduction |r Howard M. Brown |t Instruments |r Howard M. Brown |t Chant |r David Hiley |t Secular monophony |r Wulf Arlt |t Polyphony before 1400 |r Christopher Page |t Interlude |t Musical ficta |r Karol Berger |t Tempo and proportions |r Alejandro Planchart |t The Renaissance |t Introduction |t Instruments |r Howard M. Brown |t Sacred polyphony |r Christopher A. Reynolds |t Secular polyphony in the 15th century |r David Fallows |t Secular polyphony in the 16th century |r Anthony Newcomb |t Monophony and the unwritten traditions |r James Haar |t Music after 1600 |t The Baroque era |t Introduction |r Eleanor Selfridge-Field |t Keyboards |r Peter Williams |t Strings |r Peter Walls |t Woodwind and brass |r Alan Lumsden |t Voices |r Ellen T. Harris |t The performer as composer |r David Fuller |t Pitch |r Cary Karp |t Tuning and intonation |t Keyboard fingering and articulation |r Mark Lindley |t The Classical era |t Introduction |r Neal Zaslaw |t Keyboards |r Malcolm Bilson |t Strings |r Robin Stowell |t Woodwind and brass |r David Charlton |t Instrumental ornamentation, improvisation and cadenzas |r Robert D. Levin |t Voices |r Will Crutchfield |t The 19th century |t Introduction |r D. Kern Holoman |t Keyboards |r Robert Winter |t Organ |r Wayne Leupold |t Strings |r Robin Stowell |t Woodwind and brass |r David Charlton |t Voices |r Will Crutchfield |t The 20th century |t 1900-1940 |r Robert Philip |t Since 1940 |r Paul Griffiths |
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| 653 | 0 | |a Performance practice (Music) | |
| 653 | 0 | |a Performance practice (Music) / History / 17th century | |
| 653 | 0 | |a Performance practice (Music) / History / 18th century | |
| 653 | 0 | |a Performance practice (Music) / History / 19th century | |
| 653 | 0 | |a Performance practice (Music) / History / 20th century | |
| 653 | 0 | |a Pratique de l'exécution (Musique) / Histoire / 17e siècle | |
| 653 | 0 | |a Pratique de l'exécution (Musique) / Histoire / 18e siècle | |
| 653 | 0 | |a Pratique de l'exécution (Musique) / Histoire / 19e siècle | |
| 653 | 0 | |a Pratique de l'exécution (Musique) / Histoire / 20e siècle | |
| 653 | 0 | |a Pratique de l'exécution (Musique) | |
| 653 | 0 | |a Performance practice (Music) | |
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| 689 | 0 | 1 | |a Geschichte |0 (DE-588)4020517-4 |D s |
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| 700 | 1 | |a Sadie, Stanley |d 1930-2005 |e Verfasser |0 (DE-588)130097675 |4 aut | |
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Datensatz im Suchindex
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|---|---|
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| any_adam_object_boolean | |
| author | Brown, Howard Mayer 1930-1993 Sadie, Stanley 1930-2005 |
| author_GND | (DE-588)120239213 (DE-588)130097675 |
| author_additional | Howard M. Brown David Hiley Wulf Arlt Christopher Page Karol Berger Alejandro Planchart Christopher A. Reynolds David Fallows Anthony Newcomb James Haar Eleanor Selfridge-Field Peter Williams Peter Walls Alan Lumsden Ellen T. Harris David Fuller Cary Karp Mark Lindley Neal Zaslaw Malcolm Bilson Robin Stowell David Charlton Robert D. Levin Will Crutchfield D. Kern Holoman Robert Winter Wayne Leupold Robert Philip Paul Griffiths |
| author_facet | Brown, Howard Mayer 1930-1993 Sadie, Stanley 1930-2005 |
| author_role | aut aut |
| author_sort | Brown, Howard Mayer 1930-1993 |
| author_variant | h m b hm hmb s s ss |
| building | Verbundindex |
| bvnumber | BV048557986 |
| contents | Music before 1600 The middle ages Introduction Instruments Chant Secular monophony Polyphony before 1400 Interlude Musical ficta Tempo and proportions The Renaissance Sacred polyphony Secular polyphony in the 15th century Secular polyphony in the 16th century Monophony and the unwritten traditions Music after 1600 The Baroque era Keyboards Strings Woodwind and brass Voices The performer as composer Pitch Tuning and intonation Keyboard fingering and articulation The Classical era Instrumental ornamentation, improvisation and cadenzas The 19th century Organ The 20th century 1900-1940 Since 1940 |
| ctrlnum | (DE-599)BVBBV048557986 |
| format | Book |
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| id | DE-604.BV048557986 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:59:10Z |
| indexdate | 2024-07-10T09:41:26Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033934260 |
| open_access_boolean | |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| publisher | Macmillan Press |
| record_format | marc |
| series2 | The New Grove handbooks in music |
| spelling | Brown, Howard Mayer 1930-1993 Verfasser (DE-588)120239213 aut New Grove dictionary of music and musicians Performance practice edited by Howard Mayer Brown and Stanley Sadie New York ; London Macmillan Press 1990 txt rdacontent n rdamedia nc rdacarrier The New Grove handbooks in music Music before 1600 The middle ages Introduction Howard M. Brown Instruments Howard M. Brown Chant David Hiley Secular monophony Wulf Arlt Polyphony before 1400 Christopher Page Interlude Musical ficta Karol Berger Tempo and proportions Alejandro Planchart The Renaissance Introduction Instruments Howard M. Brown Sacred polyphony Christopher A. Reynolds Secular polyphony in the 15th century David Fallows Secular polyphony in the 16th century Anthony Newcomb Monophony and the unwritten traditions James Haar Music after 1600 The Baroque era Introduction Eleanor Selfridge-Field Keyboards Peter Williams Strings Peter Walls Woodwind and brass Alan Lumsden Voices Ellen T. Harris The performer as composer David Fuller Pitch Cary Karp Tuning and intonation Keyboard fingering and articulation Mark Lindley The Classical era Introduction Neal Zaslaw Keyboards Malcolm Bilson Strings Robin Stowell Woodwind and brass David Charlton Instrumental ornamentation, improvisation and cadenzas Robert D. Levin Voices Will Crutchfield The 19th century Introduction D. Kern Holoman Keyboards Robert Winter Organ Wayne Leupold Strings Robin Stowell Woodwind and brass David Charlton Voices Will Crutchfield The 20th century 1900-1940 Robert Philip Since 1940 Paul Griffiths Musik (DE-588)4040802-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Performance practice (Music) Performance practice (Music) / History / 17th century Performance practice (Music) / History / 18th century Performance practice (Music) / History / 19th century Performance practice (Music) / History / 20th century Pratique de l'exécution (Musique) / Histoire / 17e siècle Pratique de l'exécution (Musique) / Histoire / 18e siècle Pratique de l'exécution (Musique) / Histoire / 19e siècle Pratique de l'exécution (Musique) / Histoire / 20e siècle Pratique de l'exécution (Musique) Musik (DE-588)4040802-4 s Geschichte (DE-588)4020517-4 s DE-604 Sadie, Stanley 1930-2005 Verfasser (DE-588)130097675 aut |
| spellingShingle | Brown, Howard Mayer 1930-1993 Sadie, Stanley 1930-2005 Performance practice Music before 1600 The middle ages Introduction Instruments Chant Secular monophony Polyphony before 1400 Interlude Musical ficta Tempo and proportions The Renaissance Sacred polyphony Secular polyphony in the 15th century Secular polyphony in the 16th century Monophony and the unwritten traditions Music after 1600 The Baroque era Keyboards Strings Woodwind and brass Voices The performer as composer Pitch Tuning and intonation Keyboard fingering and articulation The Classical era Instrumental ornamentation, improvisation and cadenzas The 19th century Organ The 20th century 1900-1940 Since 1940 Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4020517-4 |
| title | Performance practice |
| title_alt | New Grove dictionary of music and musicians Music before 1600 The middle ages Introduction Instruments Chant Secular monophony Polyphony before 1400 Interlude Musical ficta Tempo and proportions The Renaissance Sacred polyphony Secular polyphony in the 15th century Secular polyphony in the 16th century Monophony and the unwritten traditions Music after 1600 The Baroque era Keyboards Strings Woodwind and brass Voices The performer as composer Pitch Tuning and intonation Keyboard fingering and articulation The Classical era Instrumental ornamentation, improvisation and cadenzas The 19th century Organ The 20th century 1900-1940 Since 1940 |
| title_auth | Performance practice |
| title_exact_search | Performance practice |
| title_exact_search_txtP | Performance practice |
| title_full | Performance practice edited by Howard Mayer Brown and Stanley Sadie |
| title_fullStr | Performance practice edited by Howard Mayer Brown and Stanley Sadie |
| title_full_unstemmed | Performance practice edited by Howard Mayer Brown and Stanley Sadie |
| title_short | Performance practice |
| title_sort | performance practice |
| topic | Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Musik Geschichte |
| work_keys_str_mv | AT brownhowardmayer newgrovedictionaryofmusicandmusicians AT sadiestanley newgrovedictionaryofmusicandmusicians AT brownhowardmayer performancepractice AT sadiestanley performancepractice |