Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius
This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employ...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore
Cambridge University Press
2021
|
Schriftenreihe: | Elements in critical heritage studies
|
Schlagworte: | |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048504699 | ||
003 | DE-604 | ||
005 | 20230203 | ||
007 | t | ||
008 | 221010s2021 xxka||| |||| 00||| eng d | ||
020 | |a 9781108794503 |c pbk. : (£15.00) |9 978-1-108-79450-3 | ||
035 | |a (OCoLC)1337521088 | ||
035 | |a (DE-599)KXP1811881203 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxk |c XA-GB |a xxu |c XD-US |a at |c XE-AU |a ii |c XB-IN |a si |c XB-SG | ||
049 | |a DE-255 | ||
082 | 0 | |a 759.85 | |
084 | |a KUNST |q DE-16 |2 fid | ||
100 | 1 | |a Malm, Mats |d 1964- |e Verfasser |0 (DE-588)1027738613 |4 aut | |
245 | 1 | 0 | |a Construing cultural heritage |b the stagings of an artist : the case of Ivar Arosenius |c Mats Malm (University of Gothenburg) |
264 | 1 | |a Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore |b Cambridge University Press |c 2021 | |
300 | |a 80 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Elements in critical heritage studies | |
500 | |a Literaturverzeichnis Seite 76-80 | ||
520 | 3 | |a This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The study first elaborates on the theoretical framework through the aspects of mediation and agency, then explores how the artist was staged after his death. Finally, the artist's own means of staging himself are explored. Swedish painter Ivar Arosenius (1878–1909) is the case studied | |
600 | 1 | 7 | |a Arosenius, Ivar |d 1878-1909 |0 (DE-588)11850438X |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Selbstdarstellung |0 (DE-588)4122349-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturerbe |0 (DE-588)4033560-4 |2 gnd |9 rswk-swf |
653 | 1 | |a Arosenius, Ivar / 1878-1909 / Criticism and interpretation | |
653 | 0 | |a Arts and society | |
653 | 0 | |a Cultural property | |
689 | 0 | 0 | |a Arosenius, Ivar |d 1878-1909 |0 (DE-588)11850438X |D p |
689 | 0 | 1 | |a Selbstdarstellung |0 (DE-588)4122349-4 |D s |
689 | 0 | 2 | |a Kulturerbe |0 (DE-588)4033560-4 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-108-88565-2 |
999 | |a oai:aleph.bib-bvb.de:BVB01-033881889 |
Datensatz im Suchindex
_version_ | 1804184476517924864 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Malm, Mats 1964- |
author_GND | (DE-588)1027738613 |
author_facet | Malm, Mats 1964- |
author_role | aut |
author_sort | Malm, Mats 1964- |
author_variant | m m mm |
building | Verbundindex |
bvnumber | BV048504699 |
ctrlnum | (OCoLC)1337521088 (DE-599)KXP1811881203 |
dewey-full | 759.85 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.85 |
dewey-search | 759.85 |
dewey-sort | 3759.85 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02639nam a2200457 c 4500</leader><controlfield tag="001">BV048504699</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230203 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221010s2021 xxka||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108794503</subfield><subfield code="c">pbk. : (£15.00)</subfield><subfield code="9">978-1-108-79450-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1337521088</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1811881203</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield><subfield code="a">at</subfield><subfield code="c">XE-AU</subfield><subfield code="a">ii</subfield><subfield code="c">XB-IN</subfield><subfield code="a">si</subfield><subfield code="c">XB-SG</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">759.85</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-16</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Malm, Mats</subfield><subfield code="d">1964-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1027738613</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Construing cultural heritage</subfield><subfield code="b">the stagings of an artist : the case of Ivar Arosenius</subfield><subfield code="c">Mats Malm (University of Gothenburg)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">80 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Elements in critical heritage studies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverzeichnis Seite 76-80</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The study first elaborates on the theoretical framework through the aspects of mediation and agency, then explores how the artist was staged after his death. Finally, the artist's own means of staging himself are explored. Swedish painter Ivar Arosenius (1878–1909) is the case studied</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Arosenius, Ivar</subfield><subfield code="d">1878-1909</subfield><subfield code="0">(DE-588)11850438X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selbstdarstellung</subfield><subfield code="0">(DE-588)4122349-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturerbe</subfield><subfield code="0">(DE-588)4033560-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Arosenius, Ivar / 1878-1909 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cultural property</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Arosenius, Ivar</subfield><subfield code="d">1878-1909</subfield><subfield code="0">(DE-588)11850438X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Selbstdarstellung</subfield><subfield code="0">(DE-588)4122349-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturerbe</subfield><subfield code="0">(DE-588)4033560-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-108-88565-2</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033881889</subfield></datafield></record></collection> |
id | DE-604.BV048504699 |
illustrated | Illustrated |
index_date | 2024-07-03T20:45:38Z |
indexdate | 2024-07-10T09:39:57Z |
institution | BVB |
isbn | 9781108794503 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033881889 |
oclc_num | 1337521088 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 80 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Elements in critical heritage studies |
spelling | Malm, Mats 1964- Verfasser (DE-588)1027738613 aut Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius Mats Malm (University of Gothenburg) Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore Cambridge University Press 2021 80 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Elements in critical heritage studies Literaturverzeichnis Seite 76-80 This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The study first elaborates on the theoretical framework through the aspects of mediation and agency, then explores how the artist was staged after his death. Finally, the artist's own means of staging himself are explored. Swedish painter Ivar Arosenius (1878–1909) is the case studied Arosenius, Ivar 1878-1909 (DE-588)11850438X gnd rswk-swf Selbstdarstellung (DE-588)4122349-4 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Arosenius, Ivar / 1878-1909 / Criticism and interpretation Arts and society Cultural property Arosenius, Ivar 1878-1909 (DE-588)11850438X p Selbstdarstellung (DE-588)4122349-4 s Kulturerbe (DE-588)4033560-4 s DE-604 Erscheint auch als Online-Ausgabe 978-1-108-88565-2 |
spellingShingle | Malm, Mats 1964- Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius Arosenius, Ivar 1878-1909 (DE-588)11850438X gnd Selbstdarstellung (DE-588)4122349-4 gnd Kulturerbe (DE-588)4033560-4 gnd |
subject_GND | (DE-588)11850438X (DE-588)4122349-4 (DE-588)4033560-4 |
title | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius |
title_auth | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius |
title_exact_search | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius |
title_exact_search_txtP | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius |
title_full | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius Mats Malm (University of Gothenburg) |
title_fullStr | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius Mats Malm (University of Gothenburg) |
title_full_unstemmed | Construing cultural heritage the stagings of an artist : the case of Ivar Arosenius Mats Malm (University of Gothenburg) |
title_short | Construing cultural heritage |
title_sort | construing cultural heritage the stagings of an artist the case of ivar arosenius |
title_sub | the stagings of an artist : the case of Ivar Arosenius |
topic | Arosenius, Ivar 1878-1909 (DE-588)11850438X gnd Selbstdarstellung (DE-588)4122349-4 gnd Kulturerbe (DE-588)4033560-4 gnd |
topic_facet | Arosenius, Ivar 1878-1909 Selbstdarstellung Kulturerbe |
work_keys_str_mv | AT malmmats construingculturalheritagethestagingsofanartistthecaseofivararosenius |