Fuseli and the modern woman fashion, fantasy, fetishism
Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, o...
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245 | 1 | 0 | |a Fuseli and the modern woman |b fashion, fantasy, fetishism |c edited by David H. Solkin ; with texts by Jonas Beyer, Mechthild Fend and Ketty Gottardo and David H.Solkin ; The Courtauld Gallery, Kunsthaus Zürich |
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300 | |a 168 Seiten | ||
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520 | 3 | |a Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad.00Fuseli?s contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puffed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the most bizarre and complicated sort. Often based on the artist?s wife Sophia Rawlins, the women who populate Fuseli?s graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually they appear on their own, in isolation on the page; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband.00Exhibition: The Courtauld Gallery, London, UK (13.10.2022 - 08.01.2023) / Kunsthaus Zu?rich, Switzerland (02.-03.2023) | |
600 | 1 | 7 | |a Füssli, Johann Heinrich |d 1741-1825 |0 (DE-588)118536745 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Erotik |g Motiv |0 (DE-588)4123157-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Mode |g Motiv |0 (DE-588)4133997-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Zeichnung |0 (DE-588)4127900-1 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x The Courtauld Gallery |y 13.10.2022-08.01.2023 |z London |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Kunsthaus Zürich |y 13.10.2023-08.01.2023 |z Zürich |2 gnd-content | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Füssli, Johann Heinrich |d 1741-1825 |0 (DE-588)118536745 |D p |
689 | 0 | 1 | |a Zeichnung |0 (DE-588)4127900-1 |D s |
689 | 0 | 2 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
689 | 0 | 3 | |a Mode |g Motiv |0 (DE-588)4133997-6 |D s |
689 | 0 | 4 | |a Erotik |g Motiv |0 (DE-588)4123157-0 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Solkin, David H. |d 1951- |0 (DE-588)139442529 |4 edt | |
710 | 2 | |a Courtauld Institute Galleries |0 (DE-588)5018948-7 |4 isb | |
710 | 2 | |a Kunsthaus Zürich |0 (DE-588)2016862-7 |4 isb | |
775 | 0 | 8 | |i Parallele Sprachausgabe |n deutsch |z 978-303942-123-7 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033863536 |
Datensatz im Suchindex
_version_ | 1820145541215944704 |
---|---|
adam_text | |
any_adam_object | |
author2 | Solkin, David H. 1951- |
author2_role | edt |
author2_variant | d h s dh dhs |
author_GND | (DE-588)139442529 |
author_facet | Solkin, David H. 1951- |
building | Verbundindex |
bvnumber | BV048485967 |
classification_rvk | LI 31200 |
ctrlnum | (OCoLC)1355309101 (DE-599)BVBBV048485967 |
discipline | Kunstgeschichte |
format | Book |
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genre_facet | Ausstellungskatalog The Courtauld Gallery 13.10.2022-08.01.2023 London Ausstellungskatalog Kunsthaus Zürich 13.10.2023-08.01.2023 Zürich Bildband |
id | DE-604.BV048485967 |
illustrated | Not Illustrated |
indexdate | 2025-01-02T13:54:14Z |
institution | BVB |
institution_GND | (DE-588)5018948-7 (DE-588)2016862-7 |
isbn | 9781913645298 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033863536 |
oclc_num | 1355309101 |
open_access_boolean | |
owner | DE-20 DE-Y2 DE-M458 DE-12 |
owner_facet | DE-20 DE-Y2 DE-M458 DE-12 |
physical | 168 Seiten |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Paul Holberton Publishing |
record_format | marc |
spelling | Fuseli and the modern woman fashion, fantasy, fetishism edited by David H. Solkin ; with texts by Jonas Beyer, Mechthild Fend and Ketty Gottardo and David H.Solkin ; The Courtauld Gallery, Kunsthaus Zürich London Paul Holberton Publishing [2022] 168 Seiten txt rdacontent n rdamedia nc rdacarrier Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad.00Fuseli?s contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puffed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the most bizarre and complicated sort. Often based on the artist?s wife Sophia Rawlins, the women who populate Fuseli?s graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually they appear on their own, in isolation on the page; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband.00Exhibition: The Courtauld Gallery, London, UK (13.10.2022 - 08.01.2023) / Kunsthaus Zu?rich, Switzerland (02.-03.2023) Füssli, Johann Heinrich 1741-1825 (DE-588)118536745 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Mode Motiv (DE-588)4133997-6 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog The Courtauld Gallery 13.10.2022-08.01.2023 London gnd-content (DE-588)4135467-9 Ausstellungskatalog Kunsthaus Zürich 13.10.2023-08.01.2023 Zürich gnd-content (DE-588)4145395-5 Bildband gnd-content Füssli, Johann Heinrich 1741-1825 (DE-588)118536745 p Zeichnung (DE-588)4127900-1 s Frau Motiv (DE-588)4113617-2 s Mode Motiv (DE-588)4133997-6 s Erotik Motiv (DE-588)4123157-0 s DE-604 Solkin, David H. 1951- (DE-588)139442529 edt Courtauld Institute Galleries (DE-588)5018948-7 isb Kunsthaus Zürich (DE-588)2016862-7 isb Parallele Sprachausgabe deutsch 978-303942-123-7 |
spellingShingle | Fuseli and the modern woman fashion, fantasy, fetishism Füssli, Johann Heinrich 1741-1825 (DE-588)118536745 gnd Erotik Motiv (DE-588)4123157-0 gnd Mode Motiv (DE-588)4133997-6 gnd Frau Motiv (DE-588)4113617-2 gnd Zeichnung (DE-588)4127900-1 gnd |
subject_GND | (DE-588)118536745 (DE-588)4123157-0 (DE-588)4133997-6 (DE-588)4113617-2 (DE-588)4127900-1 (DE-588)4135467-9 (DE-588)4145395-5 |
title | Fuseli and the modern woman fashion, fantasy, fetishism |
title_auth | Fuseli and the modern woman fashion, fantasy, fetishism |
title_exact_search | Fuseli and the modern woman fashion, fantasy, fetishism |
title_full | Fuseli and the modern woman fashion, fantasy, fetishism edited by David H. Solkin ; with texts by Jonas Beyer, Mechthild Fend and Ketty Gottardo and David H.Solkin ; The Courtauld Gallery, Kunsthaus Zürich |
title_fullStr | Fuseli and the modern woman fashion, fantasy, fetishism edited by David H. Solkin ; with texts by Jonas Beyer, Mechthild Fend and Ketty Gottardo and David H.Solkin ; The Courtauld Gallery, Kunsthaus Zürich |
title_full_unstemmed | Fuseli and the modern woman fashion, fantasy, fetishism edited by David H. Solkin ; with texts by Jonas Beyer, Mechthild Fend and Ketty Gottardo and David H.Solkin ; The Courtauld Gallery, Kunsthaus Zürich |
title_short | Fuseli and the modern woman |
title_sort | fuseli and the modern woman fashion fantasy fetishism |
title_sub | fashion, fantasy, fetishism |
topic | Füssli, Johann Heinrich 1741-1825 (DE-588)118536745 gnd Erotik Motiv (DE-588)4123157-0 gnd Mode Motiv (DE-588)4133997-6 gnd Frau Motiv (DE-588)4113617-2 gnd Zeichnung (DE-588)4127900-1 gnd |
topic_facet | Füssli, Johann Heinrich 1741-1825 Erotik Motiv Mode Motiv Frau Motiv Zeichnung Ausstellungskatalog The Courtauld Gallery 13.10.2022-08.01.2023 London Ausstellungskatalog Kunsthaus Zürich 13.10.2023-08.01.2023 Zürich Bildband |
work_keys_str_mv | AT solkindavidh fuseliandthemodernwomanfashionfantasyfetishism AT courtauldinstitutegalleries fuseliandthemodernwomanfashionfantasyfetishism AT kunsthauszurich fuseliandthemodernwomanfashionfantasyfetishism |