Supposed Spaces

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Bibliographische Detailangaben
1. Verfasser: Harman, Brian 1981- (KomponistIn)
Format: Elektronisch Partitur Buch
Sprache:English
Veröffentlicht: Paris BabelScores 2010
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Online-Zugang:DE-12
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500 |a Supposed Spaces explores the intersection between music and architecture. The work aims to evoke a journey through an imaginary building with various extraordinary rooms, hallways and spaces. As the piece unfolds, we discover new musical rooms, but also return to previously explored spaces to experience them from new perspectives, in different lighting, or with more or less activity occurring.Many composers have written music inspired by architecture. I am interested specifically in the similarities between a physical architectural experience and an abstract listening experience. Supposed Spaces creates relationships between characteristics of imaginary rooms and musical qualities, so that the work might evoke these fantastical spaces as vividly as possible. Each room is defined by a general atmosphere (hushed, dark, joyous, manic, still, energetic, etc.), but also by more specific elements: room dimensions, amount of light in the room, function of the room, etc. These attributes are translated into music, generating unique structures for organizing rhythm, pitch and other musical qualities. Also pivotal to the work is the way in which we move from room to room. The work explores a number of possibilities for transition, and also plays with the speed that we move through this imaginary building 
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Datensatz im Suchindex

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Supposed Spaces Brian Harman
Paris BabelScores 2010
1 Online-Ressource (1 Partitur (45 Seiten))
ntm rdacontent
c rdamedia
cr rdacarrier
Supposed Spaces explores the intersection between music and architecture. The work aims to evoke a journey through an imaginary building with various extraordinary rooms, hallways and spaces. As the piece unfolds, we discover new musical rooms, but also return to previously explored spaces to experience them from new perspectives, in different lighting, or with more or less activity occurring.Many composers have written music inspired by architecture. I am interested specifically in the similarities between a physical architectural experience and an abstract listening experience. Supposed Spaces creates relationships between characteristics of imaginary rooms and musical qualities, so that the work might evoke these fantastical spaces as vividly as possible. Each room is defined by a general atmosphere (hushed, dark, joyous, manic, still, energetic, etc.), but also by more specific elements: room dimensions, amount of light in the room, function of the room, etc. These attributes are translated into music, generating unique structures for organizing rhythm, pitch and other musical qualities. Also pivotal to the work is the way in which we move from room to room. The work explores a number of possibilities for transition, and also plays with the speed that we move through this imaginary building
Instrumental Music
https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=765&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext
PDF
orchestra
spellingShingle Harman, Brian 1981-
Supposed Spaces
title Supposed Spaces
title_auth Supposed Spaces
title_exact_search Supposed Spaces
title_full Supposed Spaces Brian Harman
title_fullStr Supposed Spaces Brian Harman
title_full_unstemmed Supposed Spaces Brian Harman
title_short Supposed Spaces
title_sort supposed spaces
url https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=765&virtuemart_category_id=1
work_keys_str_mv AT harmanbrian supposedspaces