Private music lessons

In this masterclass, Yvonne Loriod retraces her musical itinerary, her meeting with Olivier Messiaen and their influence on one another, while sharing her experience of the classical, romantic and contemporary piano repertoire with her pupils. A young man plays before an elegant lady in her prime, u...

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Weitere Verfasser: Messiaen, Olivier 1908-1992, Beethoven, Ludwig van 1770-1827, Mozart, Wolfgang Amadeus 1756-1791
Format: Elektronisch Video
Sprache:English
Veröffentlicht: [Place of publication not identified] La Sept Arte [1991]
Radio France [1991]
Com'unimage [1991]
Schlagworte:
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505 8 |a Introduction -- Par lui tout a été fait : 1944 : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen -- Les oiseaux -- Sonate op. 31 no 2 en ré mineur : la tempête. III., Allegretto / Ludwig v. Beethoven -- Discussion avec Roger Muraro -- Sonate K. 448 en ré majeur. II., Andante / Wolfgang A. Mozart -- Résurrection : 1938 : extrait de Chants de terre et de ciel / Olivier Messiaen (Agnès Robert, soprano) -- Noël : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen 
511 0 |a Pianist Yvonne Loriod and composer Olivier Messiaen, with piano pupils Nicholas Angelich, Kei Saotome, Yoko Kaneko, and Masaaki Yasuda 
520 3 |a In this masterclass, Yvonne Loriod retraces her musical itinerary, her meeting with Olivier Messiaen and their influence on one another, while sharing her experience of the classical, romantic and contemporary piano repertoire with her pupils. A young man plays before an elegant lady in her prime, under the severe gaze of a judge who sometimes plunges his eyes into a yellowed score Iying open on his knees. The camera Iovingly follows the meanders of the music, Iingering on the stained-giass windows of the church, the tortured face of Christ or the long hands of the artist. Who would have imagined in 1993 that Nicholas Angelich was to become une of the world's foremost pianists, except for Yvonne Loriod whose pupil he still was at the time? François Manceaux opens this Iesson with a dïzzying sequence shot. Angelïch plays "Par Lui tout a été fait", the sixth movement of Olivier Messiaen's Vingt regards sur I'Enfant-Jésus.  
520 3 |a The illustrious composer had warned us: 'This is Yvonne Loriod's film! I will be no more than a bystander.' And here he is, impassive, gazing into the beyond; but he will not be able to resist giving a short Iesson in musical analysis and reminding us that modern man neglects God and His messengers the birds. We will meet the couple again at their home, squeezing in behind the piano keyboard as they talk about photos. Messiaen will observe that human love reflects divine love and that his wife is living proof of the fact. This film of music is also a hymn to conjugal love. Many documentaries, some of them extremely interesting, have been made about Messiaen; very few about his wife. And yet, over and above its intrinsic human interest, the couple they formed embodies the indispensable relationship between the composer and his interpreter.  
520 3 |a Messiaen was an unusually gifted pianist and an organist fit to rank among the finest, but without Yvonne Loriod who heard his new pieces during their gestatïon and sometimes played his sketches for him, would he have written so large a body of keyboard works? Yvonne Loriod, a lady of thoroughly oId-world values, precious in her Ianguage, somewhat stuffy in her politeness, had the most anti-establishment attitude imaginable for her period when it came to music. Her ideas on society and her unswerving Catholic faith placed her on the side of a generous but reactionary Right. In music, though, she was far from reactionary : she defended tooth and nail the musical creation of her time by no means renouncing tradition.  
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Datensatz im Suchindex

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author2 Messiaen, Olivier 1908-1992
Beethoven, Ludwig van 1770-1827
Mozart, Wolfgang Amadeus 1756-1791
Messiaen, Olivier 1908-1992
Messiaen, Olivier 1908-1992
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author_facet Messiaen, Olivier 1908-1992
Beethoven, Ludwig van 1770-1827
Mozart, Wolfgang Amadeus 1756-1791
Messiaen, Olivier 1908-1992
Messiaen, Olivier 1908-1992
author_sort Messiaen, Olivier 1908-1992
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bvnumber BV048408082
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contents Introduction -- Par lui tout a été fait : 1944 : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen -- Les oiseaux -- Sonate op. 31 no 2 en ré mineur : la tempête. III., Allegretto / Ludwig v. Beethoven -- Discussion avec Roger Muraro -- Sonate K. 448 en ré majeur. II., Andante / Wolfgang A. Mozart -- Résurrection : 1938 : extrait de Chants de terre et de ciel / Olivier Messiaen (Agnès Robert, soprano) -- Noël : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen
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indexdate 2024-12-24T09:30:41Z
institution BVB
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-033786557
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physical 1 Online-Ressource (1 video file (57 min., 10 sec.)) sound, color
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Radio France
Com'unimage
record_format marc
spelling Private music lessons La Sept Arte, Radio France, Com'unimage ; François Manceaux, director
Olivier Messiaen et Yvonne Loriod, pianists and teachers
[Place of publication not identified] La Sept Arte [1991]
Radio France [1991]
Com'unimage [1991]
©1991
1 Online-Ressource (1 video file (57 min., 10 sec.)) sound, color
tdi rdacontent
c rdamedia
cr rdacarrier
Introduction -- Par lui tout a été fait : 1944 : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen -- Les oiseaux -- Sonate op. 31 no 2 en ré mineur : la tempête. III., Allegretto / Ludwig v. Beethoven -- Discussion avec Roger Muraro -- Sonate K. 448 en ré majeur. II., Andante / Wolfgang A. Mozart -- Résurrection : 1938 : extrait de Chants de terre et de ciel / Olivier Messiaen (Agnès Robert, soprano) -- Noël : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen
Pianist Yvonne Loriod and composer Olivier Messiaen, with piano pupils Nicholas Angelich, Kei Saotome, Yoko Kaneko, and Masaaki Yasuda
In this masterclass, Yvonne Loriod retraces her musical itinerary, her meeting with Olivier Messiaen and their influence on one another, while sharing her experience of the classical, romantic and contemporary piano repertoire with her pupils. A young man plays before an elegant lady in her prime, under the severe gaze of a judge who sometimes plunges his eyes into a yellowed score Iying open on his knees. The camera Iovingly follows the meanders of the music, Iingering on the stained-giass windows of the church, the tortured face of Christ or the long hands of the artist. Who would have imagined in 1993 that Nicholas Angelich was to become une of the world's foremost pianists, except for Yvonne Loriod whose pupil he still was at the time? François Manceaux opens this Iesson with a dïzzying sequence shot. Angelïch plays "Par Lui tout a été fait", the sixth movement of Olivier Messiaen's Vingt regards sur I'Enfant-Jésus.
The illustrious composer had warned us: 'This is Yvonne Loriod's film! I will be no more than a bystander.' And here he is, impassive, gazing into the beyond; but he will not be able to resist giving a short Iesson in musical analysis and reminding us that modern man neglects God and His messengers the birds. We will meet the couple again at their home, squeezing in behind the piano keyboard as they talk about photos. Messiaen will observe that human love reflects divine love and that his wife is living proof of the fact. This film of music is also a hymn to conjugal love. Many documentaries, some of them extremely interesting, have been made about Messiaen; very few about his wife. And yet, over and above its intrinsic human interest, the couple they formed embodies the indispensable relationship between the composer and his interpreter.
Messiaen was an unusually gifted pianist and an organist fit to rank among the finest, but without Yvonne Loriod who heard his new pieces during their gestatïon and sometimes played his sketches for him, would he have written so large a body of keyboard works? Yvonne Loriod, a lady of thoroughly oId-world values, precious in her Ianguage, somewhat stuffy in her politeness, had the most anti-establishment attitude imaginable for her period when it came to music. Her ideas on society and her unswerving Catholic faith placed her on the side of a generous but reactionary Right. In music, though, she was far from reactionary : she defended tooth and nail the musical creation of her time by no means renouncing tradition.
Dialogue in French
Pianists
Piano music
Piano music Interpretation (Phrasing, dynamics, etc.)
Songs (High voice) with piano
Pianists France Interviews
Loriod, Yvonne / Interviews
Messiaen, Olivier / 1908-1992
Loriod, Yvonne
France
Internet videos
Interviews
Manceaux, François Sonstige oth
Messiaen, Olivier 1908-1992 Sonstige oth
Loriod, Yvonne Sonstige oth
Angelich, Nicholas 1970-2022 Sonstige oth
Saotome, Kei 1975- Sonstige oth
Kaneko, Yoko Sonstige oth
Yasuda, Masaaki 1967- Sonstige oth
Muraro, Roger Sonstige oth
Robert, Agnès 1961- Sonstige oth
Messiaen, Olivier 1908-1992 Vingt regards sur l'Enfant-Jésus Par lui tout a été fait
Beethoven, Ludwig van 1770-1827 Sonatas piano no. 17, op. 31, no. 2 D minor Allegretto
Mozart, Wolfgang Amadeus 1756-1791 Sonatas pianos (2) K. 448 D major Andante
Messiaen, Olivier 1908-1992 Chants de terre et de ciel Résurrection
Messiaen, Olivier 1908-1992 Vingt regards sur l'Enfant-Jésus Noël
Sept/Arte (Firm) Sonstige oth
Radio-France Sonstige oth
Com'unimage (Firm) Sonstige oth
https://edu.medici.tv/en/masterclasses/yvonne-loriod-olivier-messiaen Verlag URL des Erstveröffentlichers Volltext
digital rdatr
video file
spellingShingle Private music lessons
Introduction -- Par lui tout a été fait : 1944 : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen -- Les oiseaux -- Sonate op. 31 no 2 en ré mineur : la tempête. III., Allegretto / Ludwig v. Beethoven -- Discussion avec Roger Muraro -- Sonate K. 448 en ré majeur. II., Andante / Wolfgang A. Mozart -- Résurrection : 1938 : extrait de Chants de terre et de ciel / Olivier Messiaen (Agnès Robert, soprano) -- Noël : extrait de Vingt regards sur I'Enfant-Jésus / Olivier Messiaen
Pianists
Piano music
Piano music Interpretation (Phrasing, dynamics, etc.)
Songs (High voice) with piano
Pianists France Interviews
title Private music lessons
title_alt Olivier Messiaen et Yvonne Loriod, pianists and teachers
Vingt regards sur l'Enfant-Jésus
Sonatas
Chants de terre et de ciel
title_auth Private music lessons
title_exact_search Private music lessons
title_full Private music lessons La Sept Arte, Radio France, Com'unimage ; François Manceaux, director
title_fullStr Private music lessons La Sept Arte, Radio France, Com'unimage ; François Manceaux, director
title_full_unstemmed Private music lessons La Sept Arte, Radio France, Com'unimage ; François Manceaux, director
title_short Private music lessons
title_sort private music lessons
topic Pianists
Piano music
Piano music Interpretation (Phrasing, dynamics, etc.)
Songs (High voice) with piano
Pianists France Interviews
topic_facet Pianists
Piano music
Songs (High voice) with piano
Piano music Interpretation (Phrasing, dynamics, etc.)
Pianists France Interviews
url https://edu.medici.tv/en/masterclasses/yvonne-loriod-olivier-messiaen
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