Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums
The critical examination of the art museum is an important theme in contemporary video art. In contrast to museum films with an educational focus, video art offers a great deal of freedom in the handling, presentation, and reconsideration of collections. Nevertheless, video artists are also fundamen...
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| Format: | Elektronisch Artikel |
| Sprache: | German |
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2022-05-11
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| 520 | 3 | |a The critical examination of the art museum is an important theme in contemporary video art. In contrast to museum films with an educational focus, video art offers a great deal of freedom in the handling, presentation, and reconsideration of collections. Nevertheless, video artists are also fundamentally dependent on constructive cooperation with the institutions, as the realisation is entirely dependant on the support of staff within the house and on the permission to film and publish. This contribution studies contemporary video art by Alexander Glandien, Laure Prouvost, and Marysia Lewandowska. It will discuss how the selected works subvert functional differentiations of art, institutional critique, and museum education by making the art museum its very subject | |
| 653 | |a Videokunst | ||
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| 653 | |a Museumsfilm | ||
| 653 | |a Museumspädagogik | ||
| 653 | |a künstlerische Zusammenarbeit | ||
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| 653 | |a Alexander Glandien | ||
| 653 | |a Landesgalerie Linz | ||
| 653 | |a Laure Prouvost | ||
| 653 | |a Haus der Kunst München, | ||
| 653 | |a Marysia Lewandowska | ||
| 653 | |a Moderna Museet Stockholm | ||
| 653 | |a KODE Art Museums of Bergen | ||
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| indexdate | 2024-07-10T09:32:20Z |
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| issn | 2701-1550 |
| language | German |
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| spelling | Stallschus, Stefanie 1976- Verfasser (DE-588)142937185 aut Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums Stefanie Stallschus 2022-05-11 1 Online-Ressource 5 Illustrationen txt rdacontent c rdamedia cr rdacarrier The critical examination of the art museum is an important theme in contemporary video art. In contrast to museum films with an educational focus, video art offers a great deal of freedom in the handling, presentation, and reconsideration of collections. Nevertheless, video artists are also fundamentally dependent on constructive cooperation with the institutions, as the realisation is entirely dependant on the support of staff within the house and on the permission to film and publish. This contribution studies contemporary video art by Alexander Glandien, Laure Prouvost, and Marysia Lewandowska. It will discuss how the selected works subvert functional differentiations of art, institutional critique, and museum education by making the art museum its very subject Videokunst Videoinstallation Museumsfilm Museumspädagogik künstlerische Zusammenarbeit Institutionskritik Alexander Glandien Landesgalerie Linz Laure Prouvost Haus der Kunst München, Marysia Lewandowska Moderna Museet Stockholm KODE Art Museums of Bergen volume:3 number:1 year:2022 pages:211-234 21: inquiries into art, history, and the visual Heidelberg, 2022 Vol. 3, No. 1 (2022), Seite 211-234 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2022.1.85732 Resolving-System kostenfrei Volltext |
| spellingShingle | Stallschus, Stefanie 1976- Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title_auth | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title_exact_search | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title_exact_search_txtP | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title_full | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums Stefanie Stallschus |
| title_fullStr | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums Stefanie Stallschus |
| title_full_unstemmed | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums Stefanie Stallschus |
| title_short | Zeitgenössische Videokunst und die Koproduktion des Kunstmuseums |
| title_sort | zeitgenossische videokunst und die koproduktion des kunstmuseums |
| url | https://doi.org/10.11588/xxi.2022.1.85732 |
| work_keys_str_mv | AT stallschusstefanie zeitgenossischevideokunstunddiekoproduktiondeskunstmuseums |