Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy

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1. Verfasser: Haywood, Eric (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014
Ausgabe:1st, New ed
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505 8 |a According to Petrarch, the Father of the Renaissance, Ireland was almost as well known to the Italians as Italy itself. Visiting Ireland from the comfort of their armchairs, his followers thus knew for a fact that the Irish ate their fathers and slept with their mothers, were welcoming and inhospitable, and were the best and the worst of Christians, and that Ireland was home to St Patrick's Purgatory, where you could visit the otherworld, save your soul and your business, and locate your missing relatives. This book examines Italian descriptions of Ireland in the context of the Renaissance rediscovery of ancient culture and reinvention of geography and historiography, the fashioning of the self and the other, and travel writing. The author argues that the intellectuals of the time were more interested in 'truth for' than in 'truth about' and that they imagined Ireland differently in different circumstances, populating it with their own fantasies, so that its otherness would pose no threat to their sense of self 
505 8 |a «Together with the quality of exposition, which maintains a clear distinction between fact and comment, this copious documentation makes Ibernia Fabulosa a valuable, usable, and consistently engaging book.» (Cormac O Cuilleanain, Modern Language Review Vol. 112, Part 2 2017) 
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Datensatz im Suchindex

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contents According to Petrarch, the Father of the Renaissance, Ireland was almost as well known to the Italians as Italy itself. Visiting Ireland from the comfort of their armchairs, his followers thus knew for a fact that the Irish ate their fathers and slept with their mothers, were welcoming and inhospitable, and were the best and the worst of Christians, and that Ireland was home to St Patrick's Purgatory, where you could visit the otherworld, save your soul and your business, and locate your missing relatives. This book examines Italian descriptions of Ireland in the context of the Renaissance rediscovery of ancient culture and reinvention of geography and historiography, the fashioning of the self and the other, and travel writing. The author argues that the intellectuals of the time were more interested in 'truth for' than in 'truth about' and that they imagined Ireland differently in different circumstances, populating it with their own fantasies, so that its otherness would pose no threat to their sense of self
«Together with the quality of exposition, which maintains a clear distinction between fact and comment, this copious documentation makes Ibernia Fabulosa a valuable, usable, and consistently engaging book.» (Cormac O Cuilleanain, Modern Language Review Vol. 112, Part 2 2017)
ctrlnum (ZDB-114-LAC)9783035306002
(OCoLC)1317696054
(DE-599)BVBBV048209047
discipline Romanistik
edition 1st, New ed
era Geschichte 1300-1600 gnd
era_facet Geschichte 1300-1600
format Electronic
eBook
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spelling Haywood, Eric Verfasser aut
Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy Eric Haywood
1st, New ed
Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014
1 Online-Ressource (303 Seiten)
txt rdacontent
c rdamedia
cr rdacarrier
Online resource; title from title screen (viewed June 10, 2019)
According to Petrarch, the Father of the Renaissance, Ireland was almost as well known to the Italians as Italy itself. Visiting Ireland from the comfort of their armchairs, his followers thus knew for a fact that the Irish ate their fathers and slept with their mothers, were welcoming and inhospitable, and were the best and the worst of Christians, and that Ireland was home to St Patrick's Purgatory, where you could visit the otherworld, save your soul and your business, and locate your missing relatives. This book examines Italian descriptions of Ireland in the context of the Renaissance rediscovery of ancient culture and reinvention of geography and historiography, the fashioning of the self and the other, and travel writing. The author argues that the intellectuals of the time were more interested in 'truth for' than in 'truth about' and that they imagined Ireland differently in different circumstances, populating it with their own fantasies, so that its otherness would pose no threat to their sense of self
«Together with the quality of exposition, which maintains a clear distinction between fact and comment, this copious documentation makes Ibernia Fabulosa a valuable, usable, and consistently engaging book.» (Cormac O Cuilleanain, Modern Language Review Vol. 112, Part 2 2017)
Geschichte 1300-1600 gnd rswk-swf
Literatur (DE-588)4035964-5 gnd rswk-swf
Italienisch (DE-588)4114056-4 gnd rswk-swf
Irlandbild (DE-588)4311215-8 gnd rswk-swf
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Geschichte 1300-1600 z
DE-604
Erscheint auch als Druck-Ausgabe 9783034317580
Erscheint auch als Druck-Ausgabe 9783035398465
Erscheint auch als Druck-Ausgabe 9783035398472
https://www.peterlang.com/view/product/46771?format=EPDF Verlag URL des Erstveröffentlichers Volltext
spellingShingle Haywood, Eric
Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy
According to Petrarch, the Father of the Renaissance, Ireland was almost as well known to the Italians as Italy itself. Visiting Ireland from the comfort of their armchairs, his followers thus knew for a fact that the Irish ate their fathers and slept with their mothers, were welcoming and inhospitable, and were the best and the worst of Christians, and that Ireland was home to St Patrick's Purgatory, where you could visit the otherworld, save your soul and your business, and locate your missing relatives. This book examines Italian descriptions of Ireland in the context of the Renaissance rediscovery of ancient culture and reinvention of geography and historiography, the fashioning of the self and the other, and travel writing. The author argues that the intellectuals of the time were more interested in 'truth for' than in 'truth about' and that they imagined Ireland differently in different circumstances, populating it with their own fantasies, so that its otherness would pose no threat to their sense of self
«Together with the quality of exposition, which maintains a clear distinction between fact and comment, this copious documentation makes Ibernia Fabulosa a valuable, usable, and consistently engaging book.» (Cormac O Cuilleanain, Modern Language Review Vol. 112, Part 2 2017)
Literatur (DE-588)4035964-5 gnd
Italienisch (DE-588)4114056-4 gnd
Irlandbild (DE-588)4311215-8 gnd
subject_GND (DE-588)4035964-5
(DE-588)4114056-4
(DE-588)4311215-8
title Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy
title_auth Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy
title_exact_search Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy
title_full Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy Eric Haywood
title_fullStr Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy Eric Haywood
title_full_unstemmed Fabulous Ireland- «Ibernia Fabulosa» Imagining Ireland in Renaissance Italy Eric Haywood
title_short Fabulous Ireland- «Ibernia Fabulosa»
title_sort fabulous ireland ibernia fabulosa imagining ireland in renaissance italy
title_sub Imagining Ireland in Renaissance Italy
topic Literatur (DE-588)4035964-5 gnd
Italienisch (DE-588)4114056-4 gnd
Irlandbild (DE-588)4311215-8 gnd
topic_facet Literatur
Italienisch
Irlandbild
url https://www.peterlang.com/view/product/46771?format=EPDF
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