Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)

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1. Verfasser: Maufort, Marc 1959- (VerfasserIn)
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Sprache:English
Veröffentlicht: Brussels P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales 2011
Ausgabe:1st, New ed
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505 8 |a Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama 
505 8 |a «Marc Maufort's impressive study, 'Labyrinth of Hybridities', puts critical works of contemporary African American, Asian American, Native American and Latino/a drama into productive conversation. Maufort insightfully argues that these works purposefully push against the limitations of conventional realism and indeed hybridize the form. This is one of the few scholarly works that examines multi-ethnic dramas comparatively. Consequently, this is a text that scholars and students of American drama and literature must read.» (Harry J. Elam, Jr., Olive H. Palmer Professor in the Humanities, Stanford University) «'Labyrinth' is a thoroughly researched monograph with copious footnotes and perspicacious readings of well-known and lesser-known multi-ethnic American playwrights and their works. Maufort brings to light stylistic, thematic, and dialogic techniques pioneered by O'Neill and taken up by the playwrights included in the book.  
505 8 |a 'Labyrinth' is thorough, concise, and astute in its treatment of a cornucopia of contemporary plays while it investigates O'Neill's legacy in postmodern experimental theater.» (Jeremy Ekberg, The Eugene O'Neill Review 33, 2012/2) «In his Epilogue, Maufort elucidates the many similarities among the ethnic dramatists he is examining without flattening them into a single mold. His analysis makes us aware of the intensely vibrant and experimental theater scene that these playwrights were helping to create at the end of the last century and the dawn of the twenty-first. Maufort's book reminds us of the richness and complexity of the many cultures that make up the 'American.' And even while he shows us the frequent marginalization of ethnic work, he helps to embed that corpus more firmly in mainstream American drama.  
505 8 |a This is a volume that should be of great interest to anyone interested in Ethnic Studies, American Studies, and Theater Studies as well as literary scholars and comparatists.» (Kathleen L. Komar, Recherche Littéraire/Literary Research 28, 2012) 
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Datensatz im Suchindex

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author Maufort, Marc 1959-
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contents Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama
«Marc Maufort's impressive study, 'Labyrinth of Hybridities', puts critical works of contemporary African American, Asian American, Native American and Latino/a drama into productive conversation. Maufort insightfully argues that these works purposefully push against the limitations of conventional realism and indeed hybridize the form. This is one of the few scholarly works that examines multi-ethnic dramas comparatively. Consequently, this is a text that scholars and students of American drama and literature must read.» (Harry J. Elam, Jr., Olive H. Palmer Professor in the Humanities, Stanford University) «'Labyrinth' is a thoroughly researched monograph with copious footnotes and perspicacious readings of well-known and lesser-known multi-ethnic American playwrights and their works. Maufort brings to light stylistic, thematic, and dialogic techniques pioneered by O'Neill and taken up by the playwrights included in the book.
'Labyrinth' is thorough, concise, and astute in its treatment of a cornucopia of contemporary plays while it investigates O'Neill's legacy in postmodern experimental theater.» (Jeremy Ekberg, The Eugene O'Neill Review 33, 2012/2) «In his Epilogue, Maufort elucidates the many similarities among the ethnic dramatists he is examining without flattening them into a single mold. His analysis makes us aware of the intensely vibrant and experimental theater scene that these playwrights were helping to create at the end of the last century and the dawn of the twenty-first. Maufort's book reminds us of the richness and complexity of the many cultures that make up the 'American.' And even while he shows us the frequent marginalization of ethnic work, he helps to embed that corpus more firmly in mainstream American drama.
This is a volume that should be of great interest to anyone interested in Ethnic Studies, American Studies, and Theater Studies as well as literary scholars and comparatists.» (Kathleen L. Komar, Recherche Littéraire/Literary Research 28, 2012)
ctrlnum (ZDB-114-LAC)9783035260281
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Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) Marc Maufort
1st, New ed
Brussels P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales 2011
©2010
1 Online-Ressource (241 Seiten)
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Online resource; title from title screen (viewed June 10, 2019)
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama
«Marc Maufort's impressive study, 'Labyrinth of Hybridities', puts critical works of contemporary African American, Asian American, Native American and Latino/a drama into productive conversation. Maufort insightfully argues that these works purposefully push against the limitations of conventional realism and indeed hybridize the form. This is one of the few scholarly works that examines multi-ethnic dramas comparatively. Consequently, this is a text that scholars and students of American drama and literature must read.» (Harry J. Elam, Jr., Olive H. Palmer Professor in the Humanities, Stanford University) «'Labyrinth' is a thoroughly researched monograph with copious footnotes and perspicacious readings of well-known and lesser-known multi-ethnic American playwrights and their works. Maufort brings to light stylistic, thematic, and dialogic techniques pioneered by O'Neill and taken up by the playwrights included in the book.
'Labyrinth' is thorough, concise, and astute in its treatment of a cornucopia of contemporary plays while it investigates O'Neill's legacy in postmodern experimental theater.» (Jeremy Ekberg, The Eugene O'Neill Review 33, 2012/2) «In his Epilogue, Maufort elucidates the many similarities among the ethnic dramatists he is examining without flattening them into a single mold. His analysis makes us aware of the intensely vibrant and experimental theater scene that these playwrights were helping to create at the end of the last century and the dawn of the twenty-first. Maufort's book reminds us of the richness and complexity of the many cultures that make up the 'American.' And even while he shows us the frequent marginalization of ethnic work, he helps to embed that corpus more firmly in mainstream American drama.
This is a volume that should be of great interest to anyone interested in Ethnic Studies, American Studies, and Theater Studies as well as literary scholars and comparatists.» (Kathleen L. Komar, Recherche Littéraire/Literary Research 28, 2012)
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Geschichte 1972-2003 z
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Erscheint auch als Druck-Ausgabe 9789052010335
https://www.peterlang.com/view/product/11479?format=EPDF Verlag URL des Erstveröffentlichers Volltext
spellingShingle Maufort, Marc 1959-
Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama
«Marc Maufort's impressive study, 'Labyrinth of Hybridities', puts critical works of contemporary African American, Asian American, Native American and Latino/a drama into productive conversation. Maufort insightfully argues that these works purposefully push against the limitations of conventional realism and indeed hybridize the form. This is one of the few scholarly works that examines multi-ethnic dramas comparatively. Consequently, this is a text that scholars and students of American drama and literature must read.» (Harry J. Elam, Jr., Olive H. Palmer Professor in the Humanities, Stanford University) «'Labyrinth' is a thoroughly researched monograph with copious footnotes and perspicacious readings of well-known and lesser-known multi-ethnic American playwrights and their works. Maufort brings to light stylistic, thematic, and dialogic techniques pioneered by O'Neill and taken up by the playwrights included in the book.
'Labyrinth' is thorough, concise, and astute in its treatment of a cornucopia of contemporary plays while it investigates O'Neill's legacy in postmodern experimental theater.» (Jeremy Ekberg, The Eugene O'Neill Review 33, 2012/2) «In his Epilogue, Maufort elucidates the many similarities among the ethnic dramatists he is examining without flattening them into a single mold. His analysis makes us aware of the intensely vibrant and experimental theater scene that these playwrights were helping to create at the end of the last century and the dawn of the twenty-first. Maufort's book reminds us of the richness and complexity of the many cultures that make up the 'American.' And even while he shows us the frequent marginalization of ethnic work, he helps to embed that corpus more firmly in mainstream American drama.
This is a volume that should be of great interest to anyone interested in Ethnic Studies, American Studies, and Theater Studies as well as literary scholars and comparatists.» (Kathleen L. Komar, Recherche Littéraire/Literary Research 28, 2012)
O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd
Drama (DE-588)4012899-4 gnd
Rezeption (DE-588)4049716-1 gnd
Realismus (DE-588)4048680-1 gnd
Asiaten (DE-588)4198081-5 gnd
Indianer (DE-588)4026718-0 gnd
Hispanos (DE-588)4240086-7 gnd
Schwarze (DE-588)4116433-7 gnd
subject_GND (DE-588)118590014
(DE-588)4012899-4
(DE-588)4049716-1
(DE-588)4048680-1
(DE-588)4198081-5
(DE-588)4026718-0
(DE-588)4240086-7
(DE-588)4116433-7
(DE-588)4078704-7
title Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)
title_auth Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)
title_exact_search Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)
title_full Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) Marc Maufort
title_fullStr Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) Marc Maufort
title_full_unstemmed Labyrinth of Hybridities Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) Marc Maufort
title_short Labyrinth of Hybridities
title_sort labyrinth of hybridities avatars of o neillian realism in multi ethnic american drama 1972 2003
title_sub Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003)
topic O'Neill, Eugene 1888-1953 (DE-588)118590014 gnd
Drama (DE-588)4012899-4 gnd
Rezeption (DE-588)4049716-1 gnd
Realismus (DE-588)4048680-1 gnd
Asiaten (DE-588)4198081-5 gnd
Indianer (DE-588)4026718-0 gnd
Hispanos (DE-588)4240086-7 gnd
Schwarze (DE-588)4116433-7 gnd
topic_facet O'Neill, Eugene 1888-1953
Drama
Rezeption
Realismus
Asiaten
Indianer
Hispanos
Schwarze
USA
url https://www.peterlang.com/view/product/11479?format=EPDF
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