20th century Indian art modern, post-independence, contemporary
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| 245 | 1 | 0 | |a 20th century Indian art |b modern, post-independence, contemporary |c Partha Mitter, Parul Dave Mukherji, Rakhee Balaram |
| 246 | 1 | 3 | |a Twentieth century Indian art |
| 264 | 1 | |a London |b Thames and Hudson |c 2022 | |
| 300 | |a 744 Seiten |b Illustrationen |c 31,5 cm | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Published in association with Art Alive | ||
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| 653 | 0 | |a Art, Indic / 20th century | |
| 653 | 0 | |a Art, Modern / 20th century | |
| 653 | 0 | |a Art, South Asian / 20th century | |
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| 689 | 0 | 3 | |a Geschichte 1900-2022 |A z |
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| 700 | 1 | |a Dave Mukherji, Parul |d 1962- |0 (DE-588)128576499 |4 wpr |4 aut | |
| 700 | 1 | |a Balaram, Rakhee |d 19XX- |0 (DE-588)161105548 |4 wpr |4 aut | |
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| _version_ | 1804183974866583552 |
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| adam_text | CONTENTS THE GEOPOLITICS OF MODERNISM IN THE 20TH CENTURY 11 Partha Mitter, Parul Dave Mukherji, Rokhee Balaram PART I: COLONIAL MODERNITY, ART AND NATIONAL IDENTITY (1900-1947) 18 INTRODUCTION Partha Mitter I Indian Artists’Dialogue with Modernity (1900-1922) 22 Partha Mitter BOX 1.1 COLONIAL ART SCHOOLS IN INDIA -Sonal Khullar 23 BOX 1.2 M.V.DHURANDHAR (1867-1944) - Partha Mitter 26 BOX 1.3 RAVIVARMA:THE TRANSITION OF PAINTING FROM TRADITION TO MODERNITY - Rupika Chawla 28 BOX 1.4 ART COLLECTIONS IN PRINCELY STATES - Deepti Mulgund 30 BOX1.5 OKAKURA KAKUZO (1863-1913) - Sayaka Arase 32 BOX 1.6 NIHONGA - Sayaka Arase 2 34 BOX 1.7 ANANDA K. COOMARASWAMY (1877-1947) - Partha Mitter 36 BOX 1.8 AJANTA CAVES AND MODERN INDIAN ART - William Dalrymple 38 BOX 1.9 ANGELO DA FONSECA (1902-1967) - Rupert Arrowsmith 41 Competing Voices of Modernity (1922-1947) 44 Partha Mitter 3 BOX2.1 BAUHAUS IN INDIA- Sria Chatterjee 45 BOX 2.2 STELLA KRAMRISCH AND THE EAST-WEST ENCOUNTER - R. Siva Kumar 47 BOX 2.3 EXPRESSIONISM IN MODERN AND CONTEMPORARY INDIAN ART - Rahul Dev 54 Another Voice of Modernity 56 Partha Mitter BOX 3.1 NICHOLAS ROERICH (1874-1947) AND INDIA - Vladimir Zaitsev Natalia R. Kravchenko BOX 3.2 NINE CEILING PANELS AT THE EMPIRE EXHIBITION, WEMBLEY - Partha Mitter 4 S7 61 Indian Photography in the Colonial Era 64 Partha Mitter BOX 4.1 ANANDA K. COOMARASWAMY AND ALFRED STIEGLITZ - Lauren Kroiz 5 65 Empire, Colony and Nation: Abanindranath Tagore and the Shah Jahan Paintings 74 Debashish Banerji BOX 5.1 EARLY INDIAN ART HISTORY - Debashish Banerji 6 75 84 Retake of Amrita Sher-
Gil’s Self-Portrait as Tahitian Saioni Mathur BOX 6.1 VIVAN SUNDARAM’S RE-TAKE OF AMRITA - Saioni Mathur 7 94 96 Rabindranath Tagore, Nandalal Bose and Art in Santiniketan R. Siva Kumar BOX7.I XU BEIHONG (1895-1953) IN INDIA - Huang Lele 97 BOX 7.2 ANANDA K. COOMARASWAMY (1877-1947) AND HIS AMERICAN RECEPTION - Katherine Hoffman 103 BOX 7.3 STELLA KRAMRISCH (1896-1993) AND HER SCULPTURE COLLECTION - Brinda Kumar 104 BOX 7.4 THE SANTHALS INTHEART OF SANTINIKETAN - R. Siva Kumar BOX 7.5 ‘PRIMITIVE’ ART, MODERN ART AND RABINDRANATH TAGORE (1861-1941) -R. Sivakumar 109 107
I 12 The 1940s: The Calcutta Group and the Bengal Famine 8 Sanjoy Mallik BOX 8.1 RAMKINKAR BAIJ’S SCULPTURE HARVESTER IN THE CONTEXT OF SANTINIKETAN, THE FAMINE AND THE 19405 - Sanjoy Malik 9 113 BOX 8.2 BISHNU DEYANDJOHN IRWIN’S 1944 MONOGRAPH ONJAMINI ROY - Sanjoy Mallik I 18 BOX 8.3 NABANNA AND THEATRICAL PERFORMANCE IN BENGAL IN THE I940S - Sanjoy Mallik 119 BOX 8.4 GANASANGEET: MUSIC IN BENGAL IN THE 1940S - Sanjoy Mallik I 19 BOX 8.5 THE PRAGUE CONNECTION OF CHITTAPROSAD (1915-1978) - Simone Wille 120 BOX 8.6 THE BENGAL PAINTERS’TESTIMONY OF 1944 - Sanjoy Mallik 120 Structures in Place: Modernity and Sculptural Imagination in 20th-Century India 124 Sanjukta Sunderason BOX 9.1 RE-CONFIGURING SANTHAL FAMILY: POSITIONS AROUND A MODERN SCULPTURE - Sanjukta Sunderason 10 The Arts and Crafts Movement: Modern Reinvocations 130 136 Naman P. Ahuja PART II: POST-COLONIAL DECADES IN VISUAL ART PRACTICES INTRODUCTION 150 Parul Dave Mukherji 11 Bombay Modern:The Progressive Artists’ Group and the Quest for Significant Form 156 Yashodhara Dalmia BOX I 1.1 GERMAN-SPEAKING EXILES IN THE BOMBAY ART WORLD - Devika Singh 158 BOX I 1.2 TYEB MEHTA (1925-2009) - Ranjit Hoskote 167 BOX I 1.3 THE NON-OBJECTIVE ART OF V. S. GAITONDE (1924-2001) - Sandhini Poddar 12 Exodus Westwards: Padamsee, Raza and Souza in Europe 170 172 Karin Zitzewitz BOX 12.1 PARIS AND OTHER CONNECTIONS - K. Zitzewitz 13 The Delhi Silpi Chakra: Art and Politics after the Radcliffe Line 173 180 Atreyee Gupta BOX 13.1 SATISH GUJRAL (1926-2020): A SINGULAR JOURNEY - Gayatri Sinha 181 BOX 13.2 MODERN ART AND ITS
INSTITUTIONS-Atreyee Gupta 189 BOX 13.3 THE FIRST TRIENNALE-INDIA, 1968 - Anushka Rajendran 190 14 Nation and Its Discontents: Group 1890 192 Rebecca M. Brown BOX 14.1 GROUP 1890 MANIFESTO (19 63) - Group 1890 BOX 14.2 BHARAT BHAVAN - Ashok Vajpeyi 15 Crafting Modernity through Regional Traditions: The Madras Art Movement 193 200 202 Ashrafi S. Bhagat BOX 15.1 NEO-TANTRIC MOVEMENT-Ashrafi Bhagat 212 BOX 15.2 SARAABRAHAM (B. 1928) AND THE ‘KALAYATRA’ EXHIBITION - Ashrafi Bhagat 216 16 Ornamental Modernism: Regional Aesthetics and the Art of Andhra Pradesh 218 Rohini Iyengar BOX 16.1 THE IMPACT OFTHE BARODA AND MADRAS SCHOOLS ON THE ART OF ANDHRA PRADESH - Rohini Iyengar 17 Bengal Decentred: The Emergence of the Regional Modern 224 226 Nandini Ghosh BOX 17.1 SOCIAL AND POLITICAL CRISIS IN BENGAL-Nandini Ghosh 227 BOX 17.2 NAXALITE MOVEMENT - Nandini Ghosh 232 BOX 17.3 POUSH MELA - Nandini Ghosh 235
18 Looking ‘East’: The Art of Assam and Around 238 Amrita Gupta Singh BOX 18.1 ART PRACTICES IN NORTHEAST INDIA: AN OVERVIEW - Amrita Gupta Singh 240 19 Framed Borders: Photography in India after Independence 252 Rahaab Allana BOX 19.1 STREET PHOTOGRAPHY AND MAKESHIFT STUDIOS IN INDIA - Sameena SMiqui 254 BOX 19.2 THE P. C. JOSHI ARCHIVE: PHOTOGRAPHY AND COMMUNISM - Monis Ahmed 256 BOX 19.3 RAGHUBIR SINGH (1942-1999): THE ICONIC COLOUR PHOTOGRAPHER OF INDIA - Partha Mitter 258 BOX 19.4 STREET THEATRE PHOTOGRAPHY - Rohoob Allona 261 20 The Classical and the Monumental in Indian Sculpture (1947-Present) 266 Annapurna Garimella BOX 20.1 THE MODERNIST CLASSICAL - Annapurna Corimello 271 BOX 20.2 POST-PEDESTAL SCULPTURES - Annapurna Garimella 271 21 The Making of the Baroda School: When People Become Public 274 Parul Dave Mukherji BOX2I.I OUTSIDETHE FACULTY OF FINE ARTS:ART INITIATIVES IN BARODA — Sandhya Bordawekar 275 BOX2I.2 GULAMMOHAMMED SHEIKH’S RECOLLECTIONS OF BHUPEN KHAKHAR (1934-2003) - Gulammohammed Sheikh 280 BOX 21.3 THE KERALA RADICALS - Anita Dube 288 BOX 21.4 COUNTERING COMMUNALISM: AN OVERVIEW OF ARTISTS’ INITIATIVES IN BARODA - Chithra K. S. 294 BOX 21.5 THE CHANDRAMOHAN CONTROVERSY - Parul Dave Mukherji 22 Museumizing the Present: Museums of Modern Art in India, Public and Private 296 298 Kavita Singh BOX 22.1 THE NATIONAL GALLERY OF MODERN ART. NEW DELHI - Rajeev Lochan 300 BOX22.2 INDIA’S ‘FIRST’ PAVILION IN VENICE-Manuela Ciotti 301 BOX22.3 LALIT KALA AKADEMI AND TRIENNALE-INDIA - Atreyee Gupta 303 BOX 22.4 NEW PLAYERS:THE RISE OF PRIVATE MUSEUMS IN INDIA -
Roobina Karode 308 23 The Art of Ideas: Critics, Journals and Modernism in India (c. 1946-1981) 314 Sonal Khullar BOX 23.1 THE IMPACT OF CULTURAL STUDIES ON WRITINGS OF ART IN INDIA - Ayeeta Biswas Paul 316 BOX 23.2 ‘VERNACULAR’ ART WRITING - Sneha Ragavan 319 24 Modernist Myths and the Exile of Maqbool Fida Husain 326 Geeta Kapur BOX 24.1 ATTACKS ON ART IN INDIA - Priyani Roy Choudhury 336 PART III: NATION AFTER GLOBALIZATION: ART IN INDIA IN THE I990S-2000S INTRODUCTION 344 Rakhee Balaram 25 Transformations: Art, Globalization and Cultural Politics in 1990s India 354 Rebecca M. Brown BOX25.I PRACTISING FIGURATION AND ABSTRACTION IN 1990S DELHI - Rebecca M. Brown 355 BOX 25.2 BOMBAY BOYS-John Xaviers 359 BOX 25.3 CONTEMPORARY MINIATURE PAINTING IN PAKISTAN AND INDIA - Virginia Whiles 360 BOX 25.4 KHOJ — Geeta Kapur 364 BOX 25.5 NON-RESIDENT INDIANS ANDTHE INDIAN ART MARKET - Rebecca M. Brown 365 BOX 25.6 GALLERIES IN MUMBAI - Girish Shahane 365 BOX 25.7 CAPITAL SPACES: GALLERIES IN DELHI — Meera Menezes BOX 25.8 ‘TECHNO-TURN’: FROMTHE GREAT DIVIDETOTHE DIGITAL DIVIDE? - Sandip K. Luis BOX 25.9 ARTISTS AND FILM STARS — Ranjani Mazumdar 366 370 372
26 Public Quickening:Two Decades of Installation Art in India (1990-2010) 376 Elena Bernardini BOX 26.1 HISTORY PROJECT - Saloni Mathur 381 2 7 Revisitations: Women Artists in India since the 1990s 3 88 Gayatri Sinha BOX 27.1 ‘THROUGH THE LOOKING GLASS’ (1987-89) - DeepthaAchar 389 402 28 Minimal Abstraction in India Grant Watson 29 ‘A Chaos of Awakened Wonders’: Heteroglossia and Multimodal Signs in Indian Sculptural Practice 410 Maya Kovskaya BOX 29.1 MRINALINI MUKHERJEE (1949-2015) - Deepak Ananth 422 424 30 Exit Wounds: Practice and Politics of Performance Art in India Rakhee Balaram BOX 3 0.1 RATNABALI KANT (B. 195 6) - Partha Mitter 425 BOX 30.2 BENGALURU EXPERIMENTAL - Srajana Kaikini 432 31 Photo-Fact, Photo-Fiction: Constructing Artist Photography in Modern and Contemporary Indian Art 444 Shuk/a Sawant BOX3I.I ABSTRACTION AND PHOTOGRAPHY: NASREEN MOHAMEDI, 1960-75 - Emilia Terracciano 451 460 32 An Archaeology of New Media Practice in India Nancy Adajania BOX32.1 DASHRATH PATEL (1927-2010) - Nancy Adajania 461 BOX 32.2 FESTIVALS OF INDIA/INDIRA AND POST-EMERGENCY CULTURAL POLITICS - Arindam Dutta 465 BOX 32.3 ARTIST COLLECTIVES - Srinivas Aditya Mopidevi 475 BOX 32.4 ‘STATE OF THE ART’ - BRAHMA [Abhay Mangaldas Sonal Zaveri (Motia)} 476 33 Indian Video Art and the ‘New’ Narrative Matrix 478 Johan Pijnappel BOX33.I INDIA‘VIDEO ART’ INTERNATIONAL - Johan Pijnappel 479 BOX 33.2 BETWEEN SCREEN AND GALLERY - Rashmi Sawhney 480 BOX 33.3 THE DOCUMENTARY TURN IN INDIAN ART - Kaushik Bhaumik 482 488 34 Post-Postcolonial Sensory Infrastructure Ravi Sundaram BOX 34.1
INFRASTRUCTURE, NEW MEDIA AND CONTEMPORARY ART - Ravi Sundaram 491 BOX 34.2 CAMP ON CAMP - CAMP 492 35 Art and Activism in India: A Return to the Public Sphere? 496 Deeptha Achar BOX 35.1 SAHMAT: WAYS OF RESISTANCE - Sandip K. Luis 499 BOX 35.2 PRINTING ACROSS BORDERS.-THE AAR-PAAR PROJECT (A VIEW FROM 2002) — Chaitanya Sambrani 503 36 Practising Participation: Contemporary Community-Based Art Practice in India 506 Rajashree Biswal BOX36.I ECO-AESTHETICS AND PUBLIC ART-Rajashree Biswal 515 BOX 36.2 STREET ART AND NEOLIBERAL DELHI - Sanchita Khurana 516 BOX 36.3 GLOBALIZATION, NEW NETWORKS ANDTHE PUBLIC SPHERE - Rajashree Biswal 518 37 The Contemporary in the ‘Folk’ and ‘Tribal’ Arts of India 522 Jyotindra Jain BOX 37.1 FRANCESCO CLEMENTE (B. 1952): COLLABORATIONS WITH INDIAN FOLK ARTISTS - Jyotindra Jain BOX 37.2 HISTORIOGRAPHY OF FOLK ANDTRIBALART-Jyotindra Jain BOX 37.3 OTHER MASTERS -JyotindraJain 523 524 526
38 Dalit Art and Imagery: Expanding the Indian Contemporary 540 Gary Michael Tartakov BOX 38.1 INVISIBLE VISIBLE: THE DALIT QUEST - Y. S.AIone 541 39 Crafting Contemporary Art in India 548 Annapurna Garimella BOX 39.1 ROBERT RAUSCHENBERG (1925-2008) IN GUJARAT: THE ART AND CRAFT DIVIDE-JyotindraJoin 554 BOX 39.2 THE METALWORK OF MEERA MUKHERJEE (1923-1998) -Annapurna Garimella 40 Desultory Diaspora: Post-Independence and Contemporary South Asian Art 555 558 Rakhee Balaram BOX 40.1 THE LABORATORIES OF DR. DEBAT - Sumeshwar Sharma 559 BOX 40.2 EXHIBITING ‘THE OTHER STORY’ - Rakhee Balaram 563 BOX 40.3 TRANSCULTURALITYAND CONTEMPORARY‘INDIAN’ART - Bindu Bhadana 571 41 Domains of Presentation and Reception: Indian Contemporary Art Overseas, Some Partial Perspectives 578 John Clark BOX4I.I INTERNATIONAL SURVEY SHOWS OF CONTEMPORARY INDIAN ART — Anushka Rajendran 579 BOX4I.2 KOCHI-MUZIRIS BIENNALE-Geeta Kapur 585 BOX41.3 EVERYONE AGREES: IT’S ABOUTTO EXPLODE. NOTES ON AN INDIAN EXPERIMENT AT THE VENICE BIENNALE - Ranjit Hoskote BOX 41.4 A FAIR GROUND’ FORART:THE INDIAART FAIR. NEW DELHI - Christiane Brosius 588 592 BOX 41.5 THE GLOBAL CONTEMPORARY - Sandip K. Luis BOX4I.6 INTRA-ASIAN DIALOGUES IN CONTEMPORARYART:THEWEST HEAVENS PROJECT — Chaitanya Sambrani 595 597 PART IV: MAPPING SEVERAL REGIONAL MODERNISMS IN SOUTH ASIA: PAKISTAN, NEPAL, BANGLADESH, MYANMAR AND SRI LANKA INTRODUCTION 602 Partha Mitter, Parul Dave Mukherji, Rakhee Balaram 42 A Short History of Art in Pakistan 604 Simone Wille 43 Framing Modern and Contemporary Art in Nepal 612 Dino Bongdel 44 Modern and
Contemporary Art in Bangladesh A. K. M. Khademul Haque 620 45 Contemporary Art from Myanmar under Militarization 624 Zosha Colah 46 Modern and Contemporary Art in Sri Lanka 636 T. Sanathanan Epilogue: On the Edge of the Global 642 Interviews with Artists and Critics: Krishen Khanna, K. G. Subramanyan, Jogen Chowdhury, Geeta Kapur, R. Nandakumar, Tapati Guha-Thakurta, Iftikhar Dadi, Raqs Media Collective, Jitish Kallat, Anita Dube 644 Acknowledgments 695 Glossary 696 Brief Biographies 699 Sources of Illustrations 707 Index 715
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CONTENTS THE GEOPOLITICS OF MODERNISM IN THE 20TH CENTURY 11 Partha Mitter, Parul Dave Mukherji, Rokhee Balaram PART I: COLONIAL MODERNITY, ART AND NATIONAL IDENTITY (1900-1947) 18 INTRODUCTION Partha Mitter I Indian Artists’Dialogue with Modernity (1900-1922) 22 Partha Mitter BOX 1.1 COLONIAL ART SCHOOLS IN INDIA -Sonal Khullar 23 BOX 1.2 M.V.DHURANDHAR (1867-1944) - Partha Mitter 26 BOX 1.3 RAVIVARMA:THE TRANSITION OF PAINTING FROM TRADITION TO MODERNITY - Rupika Chawla 28 BOX 1.4 ART COLLECTIONS IN PRINCELY STATES - Deepti Mulgund 30 BOX1.5 OKAKURA KAKUZO (1863-1913) - Sayaka Arase 32 BOX 1.6 NIHONGA - Sayaka Arase 2 34 BOX 1.7 ANANDA K. COOMARASWAMY (1877-1947) - Partha Mitter 36 BOX 1.8 AJANTA CAVES AND MODERN INDIAN ART - William Dalrymple 38 BOX 1.9 ANGELO DA FONSECA (1902-1967) - Rupert Arrowsmith 41 Competing Voices of Modernity (1922-1947) 44 Partha Mitter 3 BOX2.1 BAUHAUS IN INDIA- Sria Chatterjee 45 BOX 2.2 STELLA KRAMRISCH AND THE EAST-WEST ENCOUNTER - R. Siva Kumar 47 BOX 2.3 EXPRESSIONISM IN MODERN AND CONTEMPORARY INDIAN ART - Rahul Dev 54 Another Voice of Modernity 56 Partha Mitter BOX 3.1 NICHOLAS ROERICH (1874-1947) AND INDIA - Vladimir Zaitsev Natalia R. Kravchenko BOX 3.2 NINE CEILING PANELS AT THE EMPIRE EXHIBITION, WEMBLEY - Partha Mitter 4 S7 61 Indian Photography in the Colonial Era 64 Partha Mitter BOX 4.1 ANANDA K. COOMARASWAMY AND ALFRED STIEGLITZ - Lauren Kroiz 5 65 Empire, Colony and Nation: Abanindranath Tagore and the Shah Jahan Paintings 74 Debashish Banerji BOX 5.1 EARLY INDIAN ART HISTORY - Debashish Banerji 6 75 84 Retake of Amrita Sher-
Gil’s Self-Portrait as Tahitian Saioni Mathur BOX 6.1 VIVAN SUNDARAM’S RE-TAKE OF AMRITA - Saioni Mathur 7 94 96 Rabindranath Tagore, Nandalal Bose and Art in Santiniketan R. Siva Kumar BOX7.I XU BEIHONG (1895-1953) IN INDIA - Huang Lele 97 BOX 7.2 ANANDA K. COOMARASWAMY (1877-1947) AND HIS AMERICAN RECEPTION - Katherine Hoffman 103 BOX 7.3 STELLA KRAMRISCH (1896-1993) AND HER SCULPTURE COLLECTION - Brinda Kumar 104 BOX 7.4 THE SANTHALS INTHEART OF SANTINIKETAN - R. Siva Kumar BOX 7.5 ‘PRIMITIVE’ ART, MODERN ART AND RABINDRANATH TAGORE (1861-1941) -R. Sivakumar 109 107
I 12 The 1940s: The Calcutta Group and the Bengal Famine 8 Sanjoy Mallik BOX 8.1 RAMKINKAR BAIJ’S SCULPTURE HARVESTER IN THE CONTEXT OF SANTINIKETAN, THE FAMINE AND THE 19405 - Sanjoy Malik 9 113 BOX 8.2 BISHNU DEYANDJOHN IRWIN’S 1944 MONOGRAPH ONJAMINI ROY - Sanjoy Mallik I 18 BOX 8.3 NABANNA AND THEATRICAL PERFORMANCE IN BENGAL IN THE I940S - Sanjoy Mallik 119 BOX 8.4 GANASANGEET: MUSIC IN BENGAL IN THE 1940S - Sanjoy Mallik I 19 BOX 8.5 THE PRAGUE CONNECTION OF CHITTAPROSAD (1915-1978) - Simone Wille 120 BOX 8.6 THE BENGAL PAINTERS’TESTIMONY OF 1944 - Sanjoy Mallik 120 Structures in Place: Modernity and Sculptural Imagination in 20th-Century India 124 Sanjukta Sunderason BOX 9.1 RE-CONFIGURING SANTHAL FAMILY: POSITIONS AROUND A MODERN SCULPTURE - Sanjukta Sunderason 10 The Arts and Crafts Movement: Modern Reinvocations 130 136 Naman P. Ahuja PART II: POST-COLONIAL DECADES IN VISUAL ART PRACTICES INTRODUCTION 150 Parul Dave Mukherji 11 Bombay Modern:The Progressive Artists’ Group and the Quest for Significant Form 156 Yashodhara Dalmia BOX I 1.1 GERMAN-SPEAKING EXILES IN THE BOMBAY ART WORLD - Devika Singh 158 BOX I 1.2 TYEB MEHTA (1925-2009) - Ranjit Hoskote 167 BOX I 1.3 THE NON-OBJECTIVE ART OF V. S. GAITONDE (1924-2001) - Sandhini Poddar 12 Exodus Westwards: Padamsee, Raza and Souza in Europe 170 172 Karin Zitzewitz BOX 12.1 PARIS AND OTHER CONNECTIONS - K. Zitzewitz 13 The Delhi Silpi Chakra: Art and Politics after the Radcliffe Line 173 180 Atreyee Gupta BOX 13.1 SATISH GUJRAL (1926-2020): A SINGULAR JOURNEY - Gayatri Sinha 181 BOX 13.2 MODERN ART AND ITS
INSTITUTIONS-Atreyee Gupta 189 BOX 13.3 THE FIRST TRIENNALE-INDIA, 1968 - Anushka Rajendran 190 14 Nation and Its Discontents: Group 1890 192 Rebecca M. Brown BOX 14.1 GROUP 1890 MANIFESTO (19 63) - Group 1890 BOX 14.2 BHARAT BHAVAN - Ashok Vajpeyi 15 Crafting Modernity through Regional Traditions: The Madras Art Movement 193 200 202 Ashrafi S. Bhagat BOX 15.1 NEO-TANTRIC MOVEMENT-Ashrafi Bhagat 212 BOX 15.2 SARAABRAHAM (B. 1928) AND THE ‘KALAYATRA’ EXHIBITION - Ashrafi Bhagat 216 16 Ornamental Modernism: Regional Aesthetics and the Art of Andhra Pradesh 218 Rohini Iyengar BOX 16.1 THE IMPACT OFTHE BARODA AND MADRAS SCHOOLS ON THE ART OF ANDHRA PRADESH - Rohini Iyengar 17 Bengal Decentred: The Emergence of the Regional Modern 224 226 Nandini Ghosh BOX 17.1 SOCIAL AND POLITICAL CRISIS IN BENGAL-Nandini Ghosh 227 BOX 17.2 NAXALITE MOVEMENT - Nandini Ghosh 232 BOX 17.3 POUSH MELA - Nandini Ghosh 235
18 Looking ‘East’: The Art of Assam and Around 238 Amrita Gupta Singh BOX 18.1 ART PRACTICES IN NORTHEAST INDIA: AN OVERVIEW - Amrita Gupta Singh 240 19 Framed Borders: Photography in India after Independence 252 Rahaab Allana BOX 19.1 STREET PHOTOGRAPHY AND MAKESHIFT STUDIOS IN INDIA - Sameena SMiqui 254 BOX 19.2 THE P. C. JOSHI ARCHIVE: PHOTOGRAPHY AND COMMUNISM - Monis Ahmed 256 BOX 19.3 RAGHUBIR SINGH (1942-1999): THE ICONIC COLOUR PHOTOGRAPHER OF INDIA - Partha Mitter 258 BOX 19.4 STREET THEATRE PHOTOGRAPHY - Rohoob Allona 261 20 The Classical and the Monumental in Indian Sculpture (1947-Present) 266 Annapurna Garimella BOX 20.1 THE MODERNIST CLASSICAL - Annapurna Corimello 271 BOX 20.2 POST-PEDESTAL SCULPTURES - Annapurna Garimella 271 21 The Making of the Baroda School: When People Become Public 274 Parul Dave Mukherji BOX2I.I OUTSIDETHE FACULTY OF FINE ARTS:ART INITIATIVES IN BARODA — Sandhya Bordawekar 275 BOX2I.2 GULAMMOHAMMED SHEIKH’S RECOLLECTIONS OF BHUPEN KHAKHAR (1934-2003) - Gulammohammed Sheikh 280 BOX 21.3 THE KERALA RADICALS - Anita Dube 288 BOX 21.4 COUNTERING COMMUNALISM: AN OVERVIEW OF ARTISTS’ INITIATIVES IN BARODA - Chithra K. S. 294 BOX 21.5 THE CHANDRAMOHAN CONTROVERSY - Parul Dave Mukherji 22 Museumizing the Present: Museums of Modern Art in India, Public and Private 296 298 Kavita Singh BOX 22.1 THE NATIONAL GALLERY OF MODERN ART. NEW DELHI - Rajeev Lochan 300 BOX22.2 INDIA’S ‘FIRST’ PAVILION IN VENICE-Manuela Ciotti 301 BOX22.3 LALIT KALA AKADEMI AND TRIENNALE-INDIA - Atreyee Gupta 303 BOX 22.4 NEW PLAYERS:THE RISE OF PRIVATE MUSEUMS IN INDIA -
Roobina Karode 308 23 The Art of Ideas: Critics, Journals and Modernism in India (c. 1946-1981) 314 Sonal Khullar BOX 23.1 THE IMPACT OF CULTURAL STUDIES ON WRITINGS OF ART IN INDIA - Ayeeta Biswas Paul 316 BOX 23.2 ‘VERNACULAR’ ART WRITING - Sneha Ragavan 319 24 Modernist Myths and the Exile of Maqbool Fida Husain 326 Geeta Kapur BOX 24.1 ATTACKS ON ART IN INDIA - Priyani Roy Choudhury 336 PART III: NATION AFTER GLOBALIZATION: ART IN INDIA IN THE I990S-2000S INTRODUCTION 344 Rakhee Balaram 25 Transformations: Art, Globalization and Cultural Politics in 1990s India 354 Rebecca M. Brown BOX25.I PRACTISING FIGURATION AND ABSTRACTION IN 1990S DELHI - Rebecca M. Brown 355 BOX 25.2 BOMBAY BOYS-John Xaviers 359 BOX 25.3 CONTEMPORARY MINIATURE PAINTING IN PAKISTAN AND INDIA - Virginia Whiles 360 BOX 25.4 KHOJ — Geeta Kapur 364 BOX 25.5 NON-RESIDENT INDIANS ANDTHE INDIAN ART MARKET - Rebecca M. Brown 365 BOX 25.6 GALLERIES IN MUMBAI - Girish Shahane 365 BOX 25.7 CAPITAL SPACES: GALLERIES IN DELHI — Meera Menezes BOX 25.8 ‘TECHNO-TURN’: FROMTHE GREAT DIVIDETOTHE DIGITAL DIVIDE? - Sandip K. Luis BOX 25.9 ARTISTS AND FILM STARS — Ranjani Mazumdar 366 370 372
26 Public Quickening:Two Decades of Installation Art in India (1990-2010) 376 Elena Bernardini BOX 26.1 HISTORY PROJECT - Saloni Mathur 381 2 7 Revisitations: Women Artists in India since the 1990s 3 88 Gayatri Sinha BOX 27.1 ‘THROUGH THE LOOKING GLASS’ (1987-89) - DeepthaAchar 389 402 28 Minimal Abstraction in India Grant Watson 29 ‘A Chaos of Awakened Wonders’: Heteroglossia and Multimodal Signs in Indian Sculptural Practice 410 Maya Kovskaya BOX 29.1 MRINALINI MUKHERJEE (1949-2015) - Deepak Ananth 422 424 30 Exit Wounds: Practice and Politics of Performance Art in India Rakhee Balaram BOX 3 0.1 RATNABALI KANT (B. 195 6) - Partha Mitter 425 BOX 30.2 BENGALURU EXPERIMENTAL - Srajana Kaikini 432 31 Photo-Fact, Photo-Fiction: Constructing Artist Photography in Modern and Contemporary Indian Art 444 Shuk/a Sawant BOX3I.I ABSTRACTION AND PHOTOGRAPHY: NASREEN MOHAMEDI, 1960-75 - Emilia Terracciano 451 460 32 An Archaeology of New Media Practice in India Nancy Adajania BOX32.1 DASHRATH PATEL (1927-2010) - Nancy Adajania 461 BOX 32.2 FESTIVALS OF INDIA/INDIRA AND POST-EMERGENCY CULTURAL POLITICS - Arindam Dutta 465 BOX 32.3 ARTIST COLLECTIVES - Srinivas Aditya Mopidevi 475 BOX 32.4 ‘STATE OF THE ART’ - BRAHMA [Abhay Mangaldas Sonal Zaveri (Motia)} 476 33 Indian Video Art and the ‘New’ Narrative Matrix 478 Johan Pijnappel BOX33.I INDIA‘VIDEO ART’ INTERNATIONAL - Johan Pijnappel 479 BOX 33.2 BETWEEN SCREEN AND GALLERY - Rashmi Sawhney 480 BOX 33.3 THE DOCUMENTARY TURN IN INDIAN ART - Kaushik Bhaumik 482 488 34 Post-Postcolonial Sensory Infrastructure Ravi Sundaram BOX 34.1
INFRASTRUCTURE, NEW MEDIA AND CONTEMPORARY ART - Ravi Sundaram 491 BOX 34.2 CAMP ON CAMP - CAMP 492 35 Art and Activism in India: A Return to the Public Sphere? 496 Deeptha Achar BOX 35.1 SAHMAT: WAYS OF RESISTANCE - Sandip K. Luis 499 BOX 35.2 PRINTING ACROSS BORDERS.-THE AAR-PAAR PROJECT (A VIEW FROM 2002) — Chaitanya Sambrani 503 36 Practising Participation: Contemporary Community-Based Art Practice in India 506 Rajashree Biswal BOX36.I ECO-AESTHETICS AND PUBLIC ART-Rajashree Biswal 515 BOX 36.2 STREET ART AND NEOLIBERAL DELHI - Sanchita Khurana 516 BOX 36.3 GLOBALIZATION, NEW NETWORKS ANDTHE PUBLIC SPHERE - Rajashree Biswal 518 37 The Contemporary in the ‘Folk’ and ‘Tribal’ Arts of India 522 Jyotindra Jain BOX 37.1 FRANCESCO CLEMENTE (B. 1952): COLLABORATIONS WITH INDIAN FOLK ARTISTS - Jyotindra Jain BOX 37.2 HISTORIOGRAPHY OF FOLK ANDTRIBALART-Jyotindra Jain BOX 37.3 OTHER MASTERS -JyotindraJain 523 524 526
38 Dalit Art and Imagery: Expanding the Indian Contemporary 540 Gary Michael Tartakov BOX 38.1 INVISIBLE VISIBLE: THE DALIT QUEST - Y. S.AIone 541 39 Crafting Contemporary Art in India 548 Annapurna Garimella BOX 39.1 ROBERT RAUSCHENBERG (1925-2008) IN GUJARAT: THE ART AND CRAFT DIVIDE-JyotindraJoin 554 BOX 39.2 THE METALWORK OF MEERA MUKHERJEE (1923-1998) -Annapurna Garimella 40 Desultory Diaspora: Post-Independence and Contemporary South Asian Art 555 558 Rakhee Balaram BOX 40.1 THE LABORATORIES OF DR. DEBAT - Sumeshwar Sharma 559 BOX 40.2 EXHIBITING ‘THE OTHER STORY’ - Rakhee Balaram 563 BOX 40.3 TRANSCULTURALITYAND CONTEMPORARY‘INDIAN’ART - Bindu Bhadana 571 41 Domains of Presentation and Reception: Indian Contemporary Art Overseas, Some Partial Perspectives 578 John Clark BOX4I.I INTERNATIONAL SURVEY SHOWS OF CONTEMPORARY INDIAN ART — Anushka Rajendran 579 BOX4I.2 KOCHI-MUZIRIS BIENNALE-Geeta Kapur 585 BOX41.3 EVERYONE AGREES: IT’S ABOUTTO EXPLODE. NOTES ON AN INDIAN EXPERIMENT AT THE VENICE BIENNALE - Ranjit Hoskote BOX 41.4 A'FAIR GROUND’ FORART:THE INDIAART FAIR. NEW DELHI - Christiane Brosius 588 592 BOX 41.5 THE GLOBAL CONTEMPORARY - Sandip K. Luis BOX4I.6 INTRA-ASIAN DIALOGUES IN CONTEMPORARYART:THEWEST HEAVENS PROJECT — Chaitanya Sambrani 595 597 PART IV: MAPPING SEVERAL REGIONAL MODERNISMS IN SOUTH ASIA: PAKISTAN, NEPAL, BANGLADESH, MYANMAR AND SRI LANKA INTRODUCTION 602 Partha Mitter, Parul Dave Mukherji, Rakhee Balaram 42 A Short History of Art in Pakistan 604 Simone Wille 43 Framing Modern and Contemporary Art in Nepal 612 Dino Bongdel 44 Modern and
Contemporary Art in Bangladesh A. K. M. Khademul Haque 620 45 Contemporary Art from Myanmar under Militarization 624 Zosha Colah 46 Modern and Contemporary Art in Sri Lanka 636 T. Sanathanan Epilogue: On the Edge of the Global 642 Interviews with Artists and Critics: Krishen Khanna, K. G. Subramanyan, Jogen Chowdhury, Geeta Kapur, R. Nandakumar, Tapati Guha-Thakurta, Iftikhar Dadi, Raqs Media Collective, Jitish Kallat, Anita Dube 644 Acknowledgments 695 Glossary 696 Brief Biographies 699 Sources of Illustrations 707 Index 715 |
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| author | Mitter, Partha 1938- Dave Mukherji, Parul 1962- Balaram, Rakhee 19XX- |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1900-2022 gnd |
| era_facet | Geschichte 1900-2022 |
| format | Book |
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| id | DE-604.BV048206157 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:47:51Z |
| indexdate | 2024-07-10T09:31:58Z |
| institution | BVB |
| institution_GND | (DE-588)10355396-4 |
| isbn | 9780500023327 |
| language | English |
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| spelling | 20th century Indian art modern, post-independence, contemporary Partha Mitter, Parul Dave Mukherji, Rakhee Balaram Twentieth century Indian art London Thames and Hudson 2022 744 Seiten Illustrationen 31,5 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Published in association with Art Alive Geschichte 1900-2022 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Südasien (DE-588)4058406-9 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Art, Indic / 20th century Art, Modern / 20th century Art, South Asian / 20th century (DE-588)4143413-4 Aufsatzsammlung gnd-content Indien (DE-588)4026722-2 g Südasien (DE-588)4058406-9 g Kunst (DE-588)4114333-4 s Geschichte 1900-2022 z DE-604 Mitter, Partha 1938- (DE-588)13271664X wpr aut Dave Mukherji, Parul 1962- (DE-588)128576499 wpr aut Balaram, Rakhee 19XX- (DE-588)161105548 wpr aut Art Alive Gallery (Delhi) Sonstige (DE-588)10355396-4 oth Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033587055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mitter, Partha 1938- Dave Mukherji, Parul 1962- Balaram, Rakhee 19XX- 20th century Indian art modern, post-independence, contemporary Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4058406-9 (DE-588)4026722-2 (DE-588)4143413-4 |
| title | 20th century Indian art modern, post-independence, contemporary |
| title_alt | Twentieth century Indian art |
| title_auth | 20th century Indian art modern, post-independence, contemporary |
| title_exact_search | 20th century Indian art modern, post-independence, contemporary |
| title_exact_search_txtP | 20th century Indian art modern, post-independence, contemporary |
| title_full | 20th century Indian art modern, post-independence, contemporary Partha Mitter, Parul Dave Mukherji, Rakhee Balaram |
| title_fullStr | 20th century Indian art modern, post-independence, contemporary Partha Mitter, Parul Dave Mukherji, Rakhee Balaram |
| title_full_unstemmed | 20th century Indian art modern, post-independence, contemporary Partha Mitter, Parul Dave Mukherji, Rakhee Balaram |
| title_short | 20th century Indian art |
| title_sort | 20th century indian art modern post independence contemporary |
| title_sub | modern, post-independence, contemporary |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Südasien Indien Aufsatzsammlung |
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