No Power Without an Image Icons Between Photography and Film
Explores the entwined histories of iconic photographs and filmReviews the lives of seven legendary photographs through the lens of cinema, expanding understanding of these interlocking mediaPresents new archival research into and close analysis of the double lives of four of these photographs as pie...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Studies in Film and Intermediality : ESFI
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-Aug4 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
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| 520 | |a Explores the entwined histories of iconic photographs and filmReviews the lives of seven legendary photographs through the lens of cinema, expanding understanding of these interlocking mediaPresents new archival research into and close analysis of the double lives of four of these photographs as pieces of footage, enhancing knowledge of some of film history's most haunting momentsProposes the icon as a novel paradigm for thinking about the confluence of still and moving images and their relationship to historyExplores developments in technology and aesthetics that shaped the iconic image, enriching appreciation of its historical emergenceThe first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images | ||
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| 650 | 4 | |a Film, Media & Cultural Studies | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Saxton, Libby |
| author_facet | Saxton, Libby |
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| author_variant | l s ls |
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| dewey-full | 770.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.9 |
| dewey-search | 770.9 |
| dewey-sort | 3770.9 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9781474463171 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-12-24T09:21:39Z |
| institution | BVB |
| isbn | 9781474463171 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033576512 |
| oclc_num | 1314895442 |
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| physical | 1 Online-Ressource (192 pages) 17 B/W illustrations |
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| publisher | Edinburgh University Press |
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| series2 | Edinburgh Studies in Film and Intermediality : ESFI |
| spelling | Saxton, Libby Verfasser aut No Power Without an Image Icons Between Photography and Film Libby Saxton Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (192 pages) 17 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Explores the entwined histories of iconic photographs and filmReviews the lives of seven legendary photographs through the lens of cinema, expanding understanding of these interlocking mediaPresents new archival research into and close analysis of the double lives of four of these photographs as pieces of footage, enhancing knowledge of some of film history's most haunting momentsProposes the icon as a novel paradigm for thinking about the confluence of still and moving images and their relationship to historyExplores developments in technology and aesthetics that shaped the iconic image, enriching appreciation of its historical emergenceThe first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography History https://doi.org/10.1515/9781474463171 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Saxton, Libby No Power Without an Image Icons Between Photography and Film Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography History |
| title | No Power Without an Image Icons Between Photography and Film |
| title_auth | No Power Without an Image Icons Between Photography and Film |
| title_exact_search | No Power Without an Image Icons Between Photography and Film |
| title_full | No Power Without an Image Icons Between Photography and Film Libby Saxton |
| title_fullStr | No Power Without an Image Icons Between Photography and Film Libby Saxton |
| title_full_unstemmed | No Power Without an Image Icons Between Photography and Film Libby Saxton |
| title_short | No Power Without an Image |
| title_sort | no power without an image icons between photography and film |
| title_sub | Icons Between Photography and Film |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Photography History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Photography History |
| url | https://doi.org/10.1515/9781474463171 |
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