Sjostakovitj - en sovjetkunstner

Dmitrij Dmitrijevitj Sjostakovitj (1906-1975) var en af det 20. århundredes største komponister, men hans musikalske produktion er svær at adskille fra dens sammenfiltring med samtidens ideologiske konflikter. Den hidtil mest omfattende biografi om Sjostakovitj på dansk og en stor læseoplevelse for...

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1. Verfasser: Thrane Lassen, Mikkel (VerfasserIn)
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Sprache:Danish
Veröffentlicht: [Frederiksberg] Multivers 2022
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Datensatz im Suchindex

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adam_text Indhold Forord Hvad vi taler om, når vi taler om Sjostakovitj I: Piano (1880-1924) 1: Fædre og sønner (1880-1906) 2: Barndom (1906-1917) 3: Ungdom (1917-1923) II: Opera (1925-1936) 1: Det unge håb (1926-1927) 2: Tea for Two (1927-1934) 3: Nationalkomponisten (1934-36) III: Symfoni (1936-1948) 1: Lady Macbeth-affæren (1936) 2:1 Stalins skygge (1936-1940) 3: Krig (1939-1945) IV: Kvartet (1948-60) 1: Formalisten (1948) 2: Ambassadøren (1948-1952) 3: Enkemand (1950-1959) 4: Partiets mand (1957-1961) V: Kantate (1960-1975) 1: Statsmanden (1960-1970) 2: De sidste år (1970-1975) Personer Institutioner, begreber og forkortelser Tidslinje Litteraturliste Referenceværker Monografier Artikler Skønlitteratur, drama, film, opera Noter 9 13 35 36 43 56 93 94 116 176 195 196 221 246 293 294 325 344 387 417 418 474 505 531 535 543 543 543 551 554 557 Litteraturliste Et (epub) efter titlen betyder, at det er en e-bog, og sidenumre henviser derfor til Adobe sidenumrene i e-bogsudgaven Referenceværker Gravesen, Finn Martin Knakkegaard (red.): Gads Musikleksikon (Gads Forlag 2003). Fluirne, Derek C.: Dmitri Shostakovich Catalogue. The First Hundred Years and Beyond (The Scarrow Press 2010). Pons, Silvio Robert Service (red.): Communism. A Dictionary of the 20th Century (Princeton 2010). Sikorski Catalogue: Dmitri Shostakovich (Sikorski Musikverlage 2011). Monografier Alexander, Justin Lane: The Evolution of the Xylophone through the Sym­ phonies of Dmitri Shostakovich (Florida State University 2014). Alexievich, Svetlana: The Unwomanly Face of War (epub) (Progress Pub­ lishers 1988). Alexievich, Svetlana: Secondhand-tid (Forlaget Palomar 2016). Amis, Martin: Koba den frygtede. Stalin og Sovjetunionen (Lindhardt og Ringhof 2009). Anderson, M. T.: Symphony for City of the Dead (epub) (Candlewick Press 2015). Andreasen, Mogens Wenzel: Sergej Prokofiev. En komponist med personal­ stil (Olufsen 2016). Andreasen, Mogens Wenzel: De Fem (Lindhardt og Ringhof 2017). Ardov, Michael: Memories of Shostakovich (Short 2004). Bakst, James: A History of Russian-Soviet Music (Dodd, Mead Company 1966). Barber, John (ed.): Life and Death in Besieged Leningrad, 1941-44 (Paigrave Macmillan 2005). 543 Bartlett, Rosamund: Shostakovich in Context (Oxford University Press 2000). Blokker, Roy: The Music of Dmitri Shostakovich. The Symphonies (The Tantivy Press 1979). Bowers, Faubion: Scriabin. A Biography (Dover Publications 1996). Braginsky, Dmitri: Shostakovich and Football. Escape to Freedom (DSCH Publishers 2018). Brown, Malcolm Hamrick (ed.): Russian and Soviet Music. Essays for Boris Schwarz (UMI Research Press 1984). Brown, Malcolm Hamrick (ed.): A Shostakovich Casebook (Indiana Univer­ sity Press 2004). Buch, Esteban et al (ed.): Composing for the State. Music in Twentieth-Cen­ tury Dictatorships (Ashgate 2016). Christians, Ian: Shostakovich (epub) (White Owl 2016). Christiansen, Toke Lund: Bentzon - komponist, pianist, provokatør (Aarhus Universitetsforlag 2019). Cliff, Nigel: Moscow Nights. The Van Cliburn Story - How One Man and His Piano Transformed the Cold War (Harper Collins 2016). Conquest, Robert: The Great Terror. Stalin s Purge of the Thirties (epub) (Vintage 2018 (1968)). Craft, Robert: Stravinsky. Discoveries and Memories (Naxos Books 2013). Dalsgaard, Mette: En optimistisk tragedie. Sovjetruslands litteratur 1917-1985 (Gyldendal 2006). Dobbs, Michael: Down with Big Brother. The Fall of the Soviet Empire. (Random House 1996). Dubinsky, Rostislav: Stormy Applause. Making Music in a Worker’s State (Hill and Wang 1989). Dürrfeld, Peter: Verdens bedste dirigent. En bog от Jevgeņij Mravinskij og hans tid (Olufsen Bøger 2018). Fairclough, Pauline: A Soviet Credo: Shostakovich’s Fourth Symphony (Ash­ gate 2006). Fairclough, Pauline (ed.): The Cambridge Companion to Shostakovich (Cambridge University Press 2008). Fairclough, Pauline (ed.): Shostakovich Studies 2 (Cambridge University Press 2010). 544 Fairclough, Pauline (ed.): Twentieth-Century Music and Politics. Essays in memory of Neil Edmunds (Ashgate 2013). Fairclough, Pauline: Classics for the Masses. Shaping Soviet Musical Identity under Eenin and Stalin (Yale University Press 2016). Fairclough, Pauline: Dmitry Shostakovich (critical lives) (Reaktion Books 2019). Fanning, David (ed.): Shostakovich Studies (Cambridge University Press 1995). Fanning, David: Shostakovich: String Quartet No 8 (Ashgate 2004). Fanning, David: The Breath of the Symphonist. Shostakovich’s Tenth (Royal Musical Association 2011). Fay, Laurel: Shostakovich: A Life (Oxford University Press 2000). Fay, Laurel (ed.): Shostakovich and His World (Princeton University Press 2004). Feofanov, Dmitry Allan B. Ho (eds.): Shostakovich Reconsidered (Toccata Press 1998). Figes, Orlando: Revolutionary Russia 1891-1991. A History (epub) (Pelican Books 2014). Figes, Orlando: The Whisperers. Private Life in Stalin’s Russia (Penguin 2007). Fitzpatrick, Sheila: The Russian Revolution (Oxford University Press 2008). Frolova-Walker, Marina: Russian Music and Nationalism: From Glinka to Stalin (Yale University Press 2007). Frolova-Walker, Marina: Stalin’s Music Prize. Soviet Culture and Politics (Yale University Press 2016). Frolova-Walker, Marina Jonathan Walker (eds.): Music and Soviet Power 1917-1932 (The Boydell Press 2012). Fuchsman, Michael: Stalin’s Music. How Politics Affected Music in the So­ viet Union (Clever Fox Press 2017). Ginther, G. C.: Revisionism in the Music History of Dmitri Shostakovich: The Shostakovich Wars (University of Canterbury 2008). Glikman, Isaak (ed.): Story of a Friendship. The Letters of Dmitry Shostako­ vich to Isaak Glikman (Cornell University Press 2001). Greene, David B.: The Imagining of Community in Works of Beethoven, Verdi, and Shostakovich (The Edwin Mellen Press 2010). 545 Griffiths, Paul: The String Quartet. A History (Thames and Hudson 1983). Hakobian, Levon: Music of the Soviet Era: 1917-1991 (epub) (Routledge 2017). Hindley, Geoffrey (ed.): The Larousse Encyclopedia of Music (Chancellor Press 1971). Hurwitz, David: Shostakovich. Symphonies and Concertos (Amadeus Press 2006). Ings, Simon: Stalin and the Scientists. A History of Triumph and Tragedy 1905-1953 (Faber Faber 2016). Isacoff, Stuart: When the World Stopped to Listen. Van Cliburn’s Cold War Triumph and its Aftermath (Alfred A. Knopf 2017). Ivashkin, Alexander Andrew Kırkman (eds.): Contemplating Shostako­ vich: Life, Music and Film (Ashgate 2012). Jacobsson, Stig: Dmitri] Sjostakovitj (Norma Bokförlag 1983). Jackson, Stephen: Dmitri Shostakovich. An Essential Guide to His Life and Works (Pavilion Books 1997). Jacobsen, Kurt: Lenin. En biografi (Informations Forlag 2012). Jensen, Jørgen L: Carl Nielsen. Danskeren (Gyldendal 2015). Johnson, Stephen: How Shostakovich Changed my Mind (epub) (Notting Hill Editions 2019). Jones, Michael: Leningrad. State of Siege (John Murray 2008). Judt, Tony: Postwar. A History of Europe since 1945 (Penguin 2005). Kildea, Paul: Benjamin Britten. A Life in the Twentieth Century (epub) (Pen­ guin 2013). King, David: The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia (Canongate Books 1997). Klein, Jesper: Takt og Tolvtone (Fiskers Kulturbibliotek 2002). Kotkin, Stephen: Stalin. Waiting for Hitler. 1929-1941 (epub) (Penguin 2017). Krarup, Bertel: Niels Viggo Bentzon (Multivers 2020). Kuhn, Judith: Shostakovich in Dialogue. Form, Imagery, and Ideas in Quar­ tets 1-7 (Routledge 2010). Kulavig, Erik: Vi river himlen ned på jorden - drøm og hverdag i revolutio­ nens Rusland 1917-1922 (Lindhardt og Ringhof 2016). 546 la Cour, Niels: Blev Sjostakovitj misforstået i både øst og i vest? (Undersko­ ven, 2016). Lee, Douglas: Masterworks of 20th Century Music. The Modern Repertory of the Symphony (Routledge 2002). Lepenies, Wolf: The Seduction of Culture in German History (Princeton Uni­ versity Press 2006). Lesser, Wendy: Music for Silenced Voices. Shostakovich and His Fifteen Quartets (Yale University Press 2011). Lykkeberg, Rune: Vesten mod Vesten (Informations Forlag 2019). MacDonald, Ian: The New Shostakovich (Northeastern University Press 1990). MacGregor, Neil: Germany: Memories of a Nation (Penguin 2014). Maes, Francis: A History of Russian Music. From Kamarinskaya to Babi Yar (University of California Press 2002). Malko, Nikolai: Min russiske arv. Musikalske erindringer (Forum 2001 (1966)). Martynov, Ivan: Shostakovich. The Man and His Work (epub) (Philosophi­ cal Library 1947). Mažulio, Mark: Shostakovich’s Preludes and Fugues (Yale University Press 2010). McAllister, Rita Christina Guillaumier (eds.): Rethinking Prokofiev (Ox­ ford University Press 2020). McCauley, Martin: The Soviet Union 1917-1991 (Routledge 1993). McCauley, Martin: Stalin and Stalinism (Routledge 2008). McKay, Sinclair: The Fire and the Darkness. The Bombing of Dresden 1945 (St. Martin’s Press 2020). McSmith, Andy: Fear and the Muse Kept Watch. The Russian Masters - from Akhmatova and Pasternak to Shostakovich and Eisenstein - Under Stalin (The New Press 2015). Medvedev, Roy A.: Let History Judge. The Origins and Consequences of Stalinism (Macmillan 1971). Mishra, Michael: A Shostakovich Companion (Praeger 2008). Morrison, Simon: The People’s Artist. Prokofiev’s Soviet Years (Oxford Uni­ versity Press 2009). 547 Morton, Brian: Shostakovich. His Life and Music (Haus Books London 2006). Moshevich, Sofia: Dmitri Shostakovich, Pianist (McGill-Queen’s University Press 2004). Moshevich, Sofia: Shostakovich’s Music for Piano Solo (Indiana University Press 2015). Moynahan, Brian: Russiske billeder 1894-1994. En fotografsk historie om de sidste 100 år i Rusland (Gyldendal 1995). Moynahan, Brian: Leningrad: Siege and Symphony. The Story of the Great City Terrorized by Stalin, Starved by Hitler, Immortalized by Shostako­ vich (epub) (Quercus Editions Ltd 2013). Nabokov, Nicolas: Old Friends and New Music (Little, Brown 1951). Nabokov, Nicolas: Bagazh. Memoirs of a Russian Cosmopolitan (Atheneum New York 1975). Nelson, Amy: Music for the Revolution. Musicians and Power in Early So­ viet Russia (Penn State University Press 2004). Norris, Christopher (ed.): Shostakovich. The Man and His Music (Lawrence Wishart 1982). Oakes, Meredith: Mr Modernsky: How Stravinsky Survived Schoenberg (Oberon Books 2011). Ottaway, Hugh: Shostakovich Symphonies (University of Washington Press 1978). Overy, Richard: The Dictators: Hitler’s Germany, Stalin’s Russia (Allen Lane 2004). Pipes, Richard: The Russian Revolution (Vintage Books 1991). Prokofiev, Sergey: Diaries 1924-1933: Prodigal Son (Faber and Faber 2012). Rabinowitz, D.: Dmitry Shostakovich. Composer (University Press of the Pacific 2002 (1959)). Rasmussen, Karl Aage: Sviatoslav Richter. Pianist (Gyldendal 2007). Rasmussen, Karl Aage: Musik i det tyvende århundrede - en fortceiling (Gyl­ dendal 2011). Rasmussen, Karl Aage: Min sjæl gør ondt. Sergej Prokofjev mellem to verde­ ner (Gyldendal 2018). Reichardt, Sarah: Composing the Modern Subject. Four String Quartets by Dmitri Shostakovich (Routledge 2017). 548 Riley, John: Dmitri Shostakovich. A Life in Film (I. B. Tauris 2005). Robinson, David: Chaplin. His Life and Art (Penguin 2001). Robinson, Harlow: Sergei Prokofiev. A Biography (Plunkei Lake Press 2018). Rofe, Michael: Dimensions of Energy in Shostakovich’s Symphonies (Ashgate 2012). Roseberry, Eric: Shostakovich (Omnibus Press 1986). Rosenfeldt, Niels Erik: Stalin: Diktaturets anatomi (Høst 2006). Rosenfeldt, Niels Erik: The ‘Special’ World. Stalin’s Power Apparatus and the Soviet System’s Secret Structures of Communication (Museum Tusculanum Press 2009). Ross, Alex: The Rest is Noise. Listening to the Twentieth Century (epub) (Picador 2007). Sachs, Harvey: Toscanini. Musician of Conscience (epub) (Liveright 2017). Scammell, Michael: Solzhenitsyn. A Biography (Hutchinson 1984). Schauser, Søren: Moderne tider. Europæisk musikhistorie fra 1889 til 2. ver­ denskrig (People’s Press 2018). Schmelz, Peter J.: Such Freedom, if Only Musical. Unofficial Soviet Music During the Thaw (Oxford University Press 2009). Schwarz, Boris: Music and musical Life in Soviet Russia. Enlarged Edition 1917-1981 (Indiana University Press 1983). Seroff, Victor Ilyich: The Life and Background of a Soviet Composer (epub) (Alfred A. Knopf 1943). Sheinberg, Esti: Irony, Satire, Parody, and the Grotesque in the Music of Shostakovich. A Theory of Musical Incongruities (Routledge 2016). Shostakovich, Dmitry: About Himself and His Times (Progress Publishers Moscow 1981). Slonimsky, Nicolas (ed.): Music Since 1900 (W. W. Norton Company 1971). Sollertinsky, Dmitri Ludmilla: Pages from the Life of Dmitri Shostakovich (Harcourt Brace Jovanovich 1980). Solzhenitsyn, Alexander: The Oak and the Calf. Sketches of Literary Life in the Soviet Union (Harper Row 1975). Stahl, Erik: Sovjetmusikken i historisk og aktuel belysning (Dansk-Russisk Samvirke 1949). 549 Stahl, Erik: Den Russiske Musiks historie II: Fra Musorgskij til Stravinskij (Borgen 1997). Stravinsky, Igor: An Autobiography (Simon Schuster 1936). Taruskin, Richard: Defining Russia Musically. Historical and Hermeneutical Essays (Princeton University Press 1997). Taruskin, Richard: On Russian Music (University of California Press 2009). Taruskin, Richard: Russian Music at Home and Abroad (University of Cali­ fornia Press 2016). Tassie, Gregor: Kirill Kondrashin. His Life in Music (The Scarecrow Press 2010). Tismaneanu, Vladimir: The Devil in History: Communism, Fascism, and Some Lessons of the Twentieth Century (University of California Press 2012). Titus, Joan: The Early Film Music of Dmitry Shostakovich (Oxford Univer­ sity Press 2016). Truvianni, Gianni: Stalin’s Night at the Opera: Shostakovich’s Lady Mac­ beth of the Mtsensk (Gino Herrerra 2016). Tucker, Robert C.: Stalin as Revolutionary. A study in History and Persona­ lity, 1879-1929 (epub) (W. W. Norton Co. 1974). Vishnevskaya, Galina: Galina. A Russian Story (Hodder Stoughton 1984). Volkov, Solomon: Testimony. The Memoirs of Shostakovich as Related to and Edited by Solomon Volkov (Hamish Hamilton 1979). Volkov, Solomon: Shostakovich and Stalin. The Extraordinary Relationship Between the Great Composer and the Brutal Dictator (Alfred A. Knopf 2004). Wade, Rex A: The Russian Revolution, 1917 (Cambridge University Press 2005). Werth, Alexander: Musical Uproar in Moscow (Turnstile Press 1949). Wilson, Elizabeth: Shostakovich. A Life Remembered (second edition, epub) (Faber and Faber 2010). Wilson, Elizabeth: Mstislav Rostropovich. Cellist, Teacher, Legend (Faber and Faber 2010). Yde, Katrine Hornstrup Peter Nielsen (red.): Russerne (epub) (Informati­ ons Forlag 2018). Zetkin, Clara: Reminiscences of Lenin (1924) (www.marxists.org). 550 Zuk, Patrick Marina Frolova-Walker (eds): Russian Music Since 1917. Reappraisal and Rediscovery (Oxford University Press 2017). Artikler Anderson, M. T.: “The Shostakovich Seventh on the Silver Screen” (i: DSCH nr. 51, 2019). Babbitt, Milton: “Who cares if you listen?” (i: High Fidelity, februar 1958). Barker, Philip: “The Anthem - Olympism’s Oldest Symbol” (i: Journal of Olympic History 12/2, 2004, s. 46-53). Barnett, Rebecca: “Shostakovich at the Proms” (i: DSCH nr. 55, 2021, s. 20ff). Buxbaum, Erica Heisler: “Stravinsky, Tempo, and Le Sacre” (і: Performance Practice Review, volume 1, number 1, Spring/Fall 1998). Cunningham, Sarah: “Remembering Laughter and Tears in a Drawer: Music as a Response to Soviet Repression” (i: Intersections 10, No 2, 2009, s. 83-94). Lairclough, Pauline: “Facts, Fantasies and Fictions: Recent Shostakovich Studies” (i: Music and Letters Voi. 86, No. 3, Aug. 2005, s. 452-460). Fairclough, Pauline: “The Old Shostakovich’: Reception in the British Press” (i: Music and Letters voi. 88, No. 2, 2007, s. 266-296, 2007). Lairclough, Pauline: “Julian Barnes’ The Noise of Time” (www.musicandliterature.org, 2016). Lairclough, Pauline: “Was Soviet Music Middlebrow? Shostakovich’s Fifth Symphony, Socialist Realism, and the Mass Listener in the 1930s” (i: Journal of Musicology, 35(3), s. 336-367, 2018). Fairclough, Pauline: “The Russian Revolution and Music” (i: Twentieth-Cen­ tury Music, February 2019, s. 157-64). Fay, Laurel: “Shostakovich versus Volkov: Whose Testimony?” (i: The Rus­ sian Review voi. 39, No. 4, October 1980, s. 484-493). Fitzpatrick, Sheila: “Voldemort or Stalin” (i: London Review of Books voi. 33, No 23, 1. December 2011). Grinberg, Miriam: “The Struggle to Create Soviet Opera” (i: The Gettysburg Historical Journal Volume 9, 2010). 551 Groep, Henny van der: “A Notably Deadly Game. Themes and Motifs in the First Cello Concerto” (i: DSCH nr. 54, 2021). Holland, Maureen: “The Trial of Shostakovich: What Was Really at Stake at the Premiere of His Fifth Symphony” (cmuse.org, 01.10.15). Horowitz, Joseph: “Cold War Propagandist: Nicolas Nabokov, JFK, and the Shostakovich Wars” (i: Los Angeles Review of Books, 04.01.20). Huseinova, Aida: “Shostakovich’s Tenth Symphony. The Azerbaijani Link - Elmira Nazirova” (i: Azerbaijan International Voi. 11.1 (azer.com), 2003). Huseinova, Aida: “Melodic Signatures in Shostakovich’s 10th Symphony” (i: Azerbaijan International Voi 11.1 (azer.com), 2003). Jensen, Solveig Gram: “Ideologi: Musikken skulle spille efter Stalins takt­ stok” (i: Dagbladet Information, 05.02.11). Keller, Hans: “Shostakovich’s Twelfth Quartet” (i: Tempo, New Series, No. 94, 1970). Klefstad, Terry: “Shostakovich and the Peace Conference” (i: Music Poli­ tics 6, Number 2, 2012). Kotkina, Irina: “Soviet Empire and Operatic Realm: Stalinist Search for the Model Soviet Opera” (i: Revue des etudes slaves, LXXXIV 3-4, 2013, s. 505-518). Kovich, Sarah: “String Quartet No. 2” (i: DSCH nr. 55, 2021, s. 30ff). Lassen, Mikkel Thrane: ”Somme tider er en strygekvartet bare en stryge­ kvartet. Om politik og erotik i Sjostakovitjs musik” (www.publimus.dk, januar 2022). Lesser, Wendy: ”Three Words for Dmitri Dmitriyevich Shostakovich” (cle. ens-lyon.fr). Levinsen, Jakob: ”Dmitrij Sjostakovitj 100 år: Den hellige nar” (i: Jyllands-Posten 22.09.06). Makarov, Evgeny: ”Memoirs About My Teacher, D.D. Shostakovich I” (і: DSCH nr. 50, January 2019). Makarov, Evgeny: ”Memoirs About my Teacher D.D. Shostakovich II” (i: DSCH nr. 51, July 2019). Mercer, Alan (ed.): DSCH Journal (http://dschjournal.com, nr. 1-55, 19942021). 552 Meyer, Krzysztof: ”Recollections of a Man” (i: DSCH որ. 4, 1995 / http:// www.siue.edu/~aho/musov/meyer/meyer.html). Side. Morrison, Simon: ”What Next? Shostakovich’s Sixth Symphony as Sequel and Prequel” (i: Twentieth-Century Music 16/2, 2019, s. 231-257). New York Times: ”Dmitri Shostakovich Dead at 68 After Hospitalization in Moscow” (New York Times 11. august 1975) (https://www.nytimes. com/1975/08/ll/archives/dmitri-shostakovich-dead-at-68-after-hospitalization-in-moscow.html). O’Loughlin, Niall: ”Shostakovich’s String Quartets” (i: Tempo, New Series, No. 87, 1968-1969). Rabinowitz, Peter: ”The Rhetoric of Reference; or, Shostakovich’s Ghost Quartet” (i: NARRATIVE, Voi. 15, No. 2, May 2007). Side. Rockwell, John: ”Could Shostakovich Become the Mahler of the 80’s?” (i: New York Times 22.02.81). Rothstein, Edward: ”What Shostakovich was Really Expressing” (i: New York Times 06.05.11). Rowell, Bryan: ”April 1969-September 1969: Violin Sonata, ‘King Lear,’ and the Fourteenth Symphony” (DSCH nr. 51, 2019). Rubenstein, Joshua: ”The Night of the Murdered Poets” (i: The New Repu­ blic, 25/8 1997). Schmelz, Peter J.: ”’Shostakovich’ Fights the Cold War: Reflections from Great to Small” (i: Journal of Musicological Research Volume 34, 2015 - Issue 2, s. 91-140). Service, Tom: ”War Music: The Humanity, Heroism and Propaganda Behind Shostakovich’s Symphony No 7” (i: The Guardian 02.01.16). Shostakovich, Irina: ”An Answer to Those Who Still Abuse Shostakovich” (i: The New York Times 20.08.00). Stahl, Erik: ”Dmitrij Sjostakovitsj” (i: Sovjetunionen i dag, årg. 1, որ. 4, 1948). Stahl, Erik: ”Russiske Komponister udtaler sig” (i: Dansk Musik Tidsskrift Årgang 26, 1951). Stahl, Erik: ”Nikolaj Malko i venlighedens konservative København” (i: Dansk Musik Tidsskrift årgang 50, nr. 4, 1975-1976, s. 163-166). Stahl, Erik: ”Symposion - Sjostakovitsj’ forhold til politik” (i: Dansk Musik Tidsskrift årgang 57, nr. 1, 1982-1983, s. 32-34). 553 Stahl, Erik: ”Chrennikov og Sovjets stille komponister” (i: Dansk Musik Tidsskrift årgang 62, nr. 5,1987-1988, s. 180-182). Stahl, Erik: ”Kommentar til interviewet med Tichon Chrennikov” (i: Dansk Musik Tidsskrift årgang 67, nr. 5, 1992-1993, s. 155-156)). Taruskin, Richard: ”A Martyred Opera Reflects Its Abominable Time” (і: The New York Times 06.11.1994). Taruskin, Richard: ”Who was Shostakovich?” (i: The Atlantic Monthly, Fe­ bruary 1995, s. 63-72). Taruskin, Richard: ”Double Trouble” (i: The New Republic 225/26, 2001). Taruskin, Richard: ”Was Shostakovich a Martyr? Oris that Just Fiction?” (i: The New York Times 26.08.16). Tirman, Michael Robert: ”Socialist Realism and Soviet Music: The Case of Dmitri Shostakovich” (Butler University 2011, https://digitalcommons. butler.edu/ugtheses/100/). Side. Volkov, Solomon: ”When Opera was a Matter of Life or Death” (i: The Te­ legraph 08.03.04). Vulliamy, Ed: ”Orchestral Manoeuvres” (i: The Guardian 25.11.01, https:// www.theguardian.com/theobserver/2001/nov/25/features.magazine27). Side. Watson, Carolyn: ”Shostakovich’s Symphony No. 9: A ’Real’ Ninth?” (i: DSCH nr. 51, 2019). Wilson, Elizabeth: ”Rebels with a Cause: The Friendship of Britten and Shostakovich” (i: The Guardian 11.09.19). Skønlitteratur, drama, film, opera Aitken, John: Music from the Whirlwind: A Play About the Life and Times of Dmitri Shostakovich (Prickly Pear 2013). Akhamatova, Anna: The Complete Poems of Anna Akhmatova, translated by Judith Hemschemeyer (Zephyr Press Canongate Books 2000). Barnes, Julian: The Noise of Time (Vintage 2016). Boulter, Joanna: Twenty Four Preludes and Fugues on Dmitri Shostakovich (ARC Publications 2006). Dostojevski], Fjodor: Dobbeltgængeren (Bechs Forlag 2013 (1846)). 554 Dostoyevsky, Fyodor: The Complete Works of Fyodor Dostoyevsky (Delphi Classics 2014). Gogol, Nikolai: The Nose (Penguin 2015 (1836)). Grossman, Vasilij: Liv og skæbne (Rosinante 2015). Iannucci, Armando: Stalins død (Storbritannien 2017). Ilf, Ilya 8c Evgeny Petrov: The Twelve Chairs (Northwestern University Press 2011 (1928)). Jevtusjenko, Jevgeņij: Vildmarkens bær (Lindhardt og Ringhof 1982). Krylov, Ivan: Fabler (Museum Tusculanums Forlag 2001). Leskov, Nikolai: Lady Macbeth of Mtsensk (Hesperus 2003 (1864)). Owens, Lewis: Like a Chemist from Canada. Shostakovich, Isaiah Berlin, and Oxford (The Isaiah Berlin Virtual Library 2015). Ozerov, Lev: Portraits Without Frames. Poems (Granta 2019). Palmer, Tony: Testimony (Storbritannien 1988). Pownall, David: The Composer Plays: Masterclass (Oberon Books 1993). Side. Quigley, Sarah: The Conductor (Vintage 2011). Shostakovich, Dmitri 8c Alexander Preys: Lady Macbeth of the Mtsensk Di­ strict (Schirmer 1983). Solsjenitsyn, Aleksandr: Kræftafdelingen (Gyldendal 1974). Solsjenitsyn, Aleksandr: Gulag Øhavet bind 1-6 (Gyldendal 1976). Sonenberg, Maya: After the Death of Shostakovich Père (PANK Books 2017). Chekhov, Anton: The Complete Works of Anton Chekhov (Delphi Classics 2011). Turgenev, Ivan: Fædre og Sønner (Gyldendal 2007 (1862)). Vollmann, William T: Europe Central (Penguin 2005). Weinstein, Larry: Shostakovich Against Stalin. The War Symphonies. (Ca­ nada 1987). Wolf, Richard: Mitya. An Illustrated Biography of the Russian Composer Dmitri Shostakovich (Trafford Publishing 2005). Zoshchenko, Mikhail: Sentimental Tales (Columbia University Press 2018 (1929)). 555
adam_txt Indhold Forord Hvad vi taler om, når vi taler om Sjostakovitj I: Piano (1880-1924) 1: Fædre og sønner (1880-1906) 2: Barndom (1906-1917) 3: Ungdom (1917-1923) II: Opera (1925-1936) 1: Det unge håb (1926-1927) 2: Tea for Two (1927-1934) 3: Nationalkomponisten (1934-36) III: Symfoni (1936-1948) 1: Lady Macbeth-affæren (1936) 2:1 Stalins skygge (1936-1940) 3: Krig (1939-1945) IV: Kvartet (1948-60) 1: Formalisten (1948) 2: Ambassadøren (1948-1952) 3: Enkemand (1950-1959) 4: Partiets mand (1957-1961) V: Kantate (1960-1975) 1: Statsmanden (1960-1970) 2: De sidste år (1970-1975) Personer Institutioner, begreber og forkortelser Tidslinje Litteraturliste Referenceværker Monografier Artikler Skønlitteratur, drama, film, opera Noter 9 13 35 36 43 56 93 94 116 176 195 196 221 246 293 294 325 344 387 417 418 474 505 531 535 543 543 543 551 554 557 Litteraturliste Et (epub) efter titlen betyder, at det er en e-bog, og sidenumre henviser derfor til Adobe sidenumrene i e-bogsudgaven Referenceværker Gravesen, Finn Martin Knakkegaard (red.): Gads Musikleksikon (Gads Forlag 2003). Fluirne, Derek C.: Dmitri Shostakovich Catalogue. The First Hundred Years and Beyond (The Scarrow Press 2010). Pons, Silvio Robert Service (red.): Communism. A Dictionary of the 20th Century (Princeton 2010). Sikorski Catalogue: Dmitri Shostakovich (Sikorski Musikverlage 2011). Monografier Alexander, Justin Lane: The Evolution of the Xylophone through the Sym­ phonies of Dmitri Shostakovich (Florida State University 2014). Alexievich, Svetlana: The Unwomanly Face of War (epub) (Progress Pub­ lishers 1988). Alexievich, Svetlana: Secondhand-tid (Forlaget Palomar 2016). Amis, Martin: Koba den frygtede. Stalin og Sovjetunionen (Lindhardt og Ringhof 2009). Anderson, M. T.: Symphony for City of the Dead (epub) (Candlewick Press 2015). Andreasen, Mogens Wenzel: Sergej Prokofiev. En komponist med personal­ stil (Olufsen 2016). Andreasen, Mogens Wenzel: De Fem (Lindhardt og Ringhof 2017). Ardov, Michael: Memories of Shostakovich (Short 2004). Bakst, James: A History of Russian-Soviet Music (Dodd, Mead Company 1966). Barber, John (ed.): Life and Death in Besieged Leningrad, 1941-44 (Paigrave Macmillan 2005). 543 Bartlett, Rosamund: Shostakovich in Context (Oxford University Press 2000). Blokker, Roy: The Music of Dmitri Shostakovich. The Symphonies (The Tantivy Press 1979). Bowers, Faubion: Scriabin. A Biography (Dover Publications 1996). Braginsky, Dmitri: Shostakovich and Football. Escape to Freedom (DSCH Publishers 2018). Brown, Malcolm Hamrick (ed.): Russian and Soviet Music. Essays for Boris Schwarz (UMI Research Press 1984). Brown, Malcolm Hamrick (ed.): A Shostakovich Casebook (Indiana Univer­ sity Press 2004). Buch, Esteban et al (ed.): Composing for the State. Music in Twentieth-Cen­ tury Dictatorships (Ashgate 2016). Christians, Ian: Shostakovich (epub) (White Owl 2016). Christiansen, Toke Lund: Bentzon - komponist, pianist, provokatør (Aarhus Universitetsforlag 2019). Cliff, Nigel: Moscow Nights. The Van Cliburn Story - How One Man and His Piano Transformed the Cold War (Harper Collins 2016). Conquest, Robert: The Great Terror. Stalin's Purge of the Thirties (epub) (Vintage 2018 (1968)). Craft, Robert: Stravinsky. Discoveries and Memories (Naxos Books 2013). Dalsgaard, Mette: En optimistisk tragedie. Sovjetruslands litteratur 1917-1985 (Gyldendal 2006). Dobbs, Michael: Down with Big Brother. The Fall of the Soviet Empire. (Random House 1996). Dubinsky, Rostislav: Stormy Applause. Making Music in a Worker’s State (Hill and Wang 1989). Dürrfeld, Peter: Verdens bedste dirigent. En bog от Jevgeņij Mravinskij og hans tid (Olufsen Bøger 2018). Fairclough, Pauline: A Soviet Credo: Shostakovich’s Fourth Symphony (Ash­ gate 2006). Fairclough, Pauline (ed.): The Cambridge Companion to Shostakovich (Cambridge University Press 2008). Fairclough, Pauline (ed.): Shostakovich Studies 2 (Cambridge University Press 2010). 544 Fairclough, Pauline (ed.): Twentieth-Century Music and Politics. Essays in memory of Neil Edmunds (Ashgate 2013). Fairclough, Pauline: Classics for the Masses. Shaping Soviet Musical Identity under Eenin and Stalin (Yale University Press 2016). Fairclough, Pauline: Dmitry Shostakovich (critical lives) (Reaktion Books 2019). Fanning, David (ed.): Shostakovich Studies (Cambridge University Press 1995). Fanning, David: Shostakovich: String Quartet No 8 (Ashgate 2004). Fanning, David: The Breath of the Symphonist. Shostakovich’s Tenth (Royal Musical Association 2011). Fay, Laurel: Shostakovich: A Life (Oxford University Press 2000). Fay, Laurel (ed.): Shostakovich and His World (Princeton University Press 2004). Feofanov, Dmitry Allan B. Ho (eds.): Shostakovich Reconsidered (Toccata Press 1998). Figes, Orlando: Revolutionary Russia 1891-1991. A History (epub) (Pelican Books 2014). Figes, Orlando: The Whisperers. Private Life in Stalin’s Russia (Penguin 2007). Fitzpatrick, Sheila: The Russian Revolution (Oxford University Press 2008). Frolova-Walker, Marina: Russian Music and Nationalism: From Glinka to Stalin (Yale University Press 2007). Frolova-Walker, Marina: Stalin’s Music Prize. Soviet Culture and Politics (Yale University Press 2016). Frolova-Walker, Marina Jonathan Walker (eds.): Music and Soviet Power 1917-1932 (The Boydell Press 2012). Fuchsman, Michael: Stalin’s Music. How Politics Affected Music in the So­ viet Union (Clever Fox Press 2017). Ginther, G. C.: Revisionism in the Music History of Dmitri Shostakovich: The Shostakovich Wars (University of Canterbury 2008). Glikman, Isaak (ed.): Story of a Friendship. The Letters of Dmitry Shostako­ vich to Isaak Glikman (Cornell University Press 2001). Greene, David B.: The Imagining of Community in Works of Beethoven, Verdi, and Shostakovich (The Edwin Mellen Press 2010). 545 Griffiths, Paul: The String Quartet. A History (Thames and Hudson 1983). Hakobian, Levon: Music of the Soviet Era: 1917-1991 (epub) (Routledge 2017). Hindley, Geoffrey (ed.): The Larousse Encyclopedia of Music (Chancellor Press 1971). Hurwitz, David: Shostakovich. Symphonies and Concertos (Amadeus Press 2006). Ings, Simon: Stalin and the Scientists. A History of Triumph and Tragedy 1905-1953 (Faber Faber 2016). Isacoff, Stuart: When the World Stopped to Listen. Van Cliburn’s Cold War Triumph and its Aftermath (Alfred A. Knopf 2017). Ivashkin, Alexander Andrew Kırkman (eds.): Contemplating Shostako­ vich: Life, Music and Film (Ashgate 2012). Jacobsson, Stig: Dmitri] Sjostakovitj (Norma Bokförlag 1983). Jackson, Stephen: Dmitri Shostakovich. An Essential Guide to His Life and Works (Pavilion Books 1997). Jacobsen, Kurt: Lenin. En biografi (Informations Forlag 2012). Jensen, Jørgen L: Carl Nielsen. Danskeren (Gyldendal 2015). Johnson, Stephen: How Shostakovich Changed my Mind (epub) (Notting Hill Editions 2019). Jones, Michael: Leningrad. State of Siege (John Murray 2008). Judt, Tony: Postwar. A History of Europe since 1945 (Penguin 2005). Kildea, Paul: Benjamin Britten. A Life in the Twentieth Century (epub) (Pen­ guin 2013). King, David: The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia (Canongate Books 1997). Klein, Jesper: Takt og Tolvtone (Fiskers Kulturbibliotek 2002). Kotkin, Stephen: Stalin. Waiting for Hitler. 1929-1941 (epub) (Penguin 2017). Krarup, Bertel: Niels Viggo Bentzon (Multivers 2020). Kuhn, Judith: Shostakovich in Dialogue. Form, Imagery, and Ideas in Quar­ tets 1-7 (Routledge 2010). Kulavig, Erik: Vi river himlen ned på jorden - drøm og hverdag i revolutio­ nens Rusland 1917-1922 (Lindhardt og Ringhof 2016). 546 la Cour, Niels: Blev Sjostakovitj misforstået i både øst og i vest? (Undersko­ ven, 2016). Lee, Douglas: Masterworks of 20th Century Music. The Modern Repertory of the Symphony (Routledge 2002). Lepenies, Wolf: The Seduction of Culture in German History (Princeton Uni­ versity Press 2006). Lesser, Wendy: Music for Silenced Voices. Shostakovich and His Fifteen Quartets (Yale University Press 2011). Lykkeberg, Rune: Vesten mod Vesten (Informations Forlag 2019). MacDonald, Ian: The New Shostakovich (Northeastern University Press 1990). MacGregor, Neil: Germany: Memories of a Nation (Penguin 2014). Maes, Francis: A History of Russian Music. From Kamarinskaya to Babi Yar (University of California Press 2002). Malko, Nikolai: Min russiske arv. Musikalske erindringer (Forum 2001 (1966)). Martynov, Ivan: Shostakovich. The Man and His Work (epub) (Philosophi­ cal Library 1947). Mažulio, Mark: Shostakovich’s Preludes and Fugues (Yale University Press 2010). McAllister, Rita Christina Guillaumier (eds.): Rethinking Prokofiev (Ox­ ford University Press 2020). McCauley, Martin: The Soviet Union 1917-1991 (Routledge 1993). McCauley, Martin: Stalin and Stalinism (Routledge 2008). McKay, Sinclair: The Fire and the Darkness. The Bombing of Dresden 1945 (St. Martin’s Press 2020). McSmith, Andy: Fear and the Muse Kept Watch. The Russian Masters - from Akhmatova and Pasternak to Shostakovich and Eisenstein - Under Stalin (The New Press 2015). Medvedev, Roy A.: Let History Judge. The Origins and Consequences of Stalinism (Macmillan 1971). Mishra, Michael: A Shostakovich Companion (Praeger 2008). Morrison, Simon: The People’s Artist. Prokofiev’s Soviet Years (Oxford Uni­ versity Press 2009). 547 Morton, Brian: Shostakovich. His Life and Music (Haus Books London 2006). Moshevich, Sofia: Dmitri Shostakovich, Pianist (McGill-Queen’s University Press 2004). Moshevich, Sofia: Shostakovich’s Music for Piano Solo (Indiana University Press 2015). Moynahan, Brian: Russiske billeder 1894-1994. En fotografsk historie om de sidste 100 år i Rusland (Gyldendal 1995). Moynahan, Brian: Leningrad: Siege and Symphony. The Story of the Great City Terrorized by Stalin, Starved by Hitler, Immortalized by Shostako­ vich (epub) (Quercus Editions Ltd 2013). Nabokov, Nicolas: Old Friends and New Music (Little, Brown 1951). Nabokov, Nicolas: Bagazh. Memoirs of a Russian Cosmopolitan (Atheneum New York 1975). Nelson, Amy: Music for the Revolution. Musicians and Power in Early So­ viet Russia (Penn State University Press 2004). Norris, Christopher (ed.): Shostakovich. The Man and His Music (Lawrence Wishart 1982). Oakes, Meredith: Mr Modernsky: How Stravinsky Survived Schoenberg (Oberon Books 2011). Ottaway, Hugh: Shostakovich Symphonies (University of Washington Press 1978). Overy, Richard: The Dictators: Hitler’s Germany, Stalin’s Russia (Allen Lane 2004). Pipes, Richard: The Russian Revolution (Vintage Books 1991). Prokofiev, Sergey: Diaries 1924-1933: Prodigal Son (Faber and Faber 2012). Rabinowitz, D.: Dmitry Shostakovich. Composer (University Press of the Pacific 2002 (1959)). Rasmussen, Karl Aage: Sviatoslav Richter. Pianist (Gyldendal 2007). Rasmussen, Karl Aage: Musik i det tyvende århundrede - en fortceiling (Gyl­ dendal 2011). Rasmussen, Karl Aage: Min sjæl gør ondt. Sergej Prokofjev mellem to verde­ ner (Gyldendal 2018). Reichardt, Sarah: Composing the Modern Subject. Four String Quartets by Dmitri Shostakovich (Routledge 2017). 548 Riley, John: Dmitri Shostakovich. A Life in Film (I. B. Tauris 2005). Robinson, David: Chaplin. His Life and Art (Penguin 2001). Robinson, Harlow: Sergei Prokofiev. A Biography (Plunkei Lake Press 2018). Rofe, Michael: Dimensions of Energy in Shostakovich’s Symphonies (Ashgate 2012). Roseberry, Eric: Shostakovich (Omnibus Press 1986). Rosenfeldt, Niels Erik: Stalin: Diktaturets anatomi (Høst 2006). Rosenfeldt, Niels Erik: The ‘Special’ World. Stalin’s Power Apparatus and the Soviet System’s Secret Structures of Communication (Museum Tusculanum Press 2009). Ross, Alex: The Rest is Noise. Listening to the Twentieth Century (epub) (Picador 2007). Sachs, Harvey: Toscanini. Musician of Conscience (epub) (Liveright 2017). Scammell, Michael: Solzhenitsyn. A Biography (Hutchinson 1984). Schauser, Søren: Moderne tider. Europæisk musikhistorie fra 1889 til 2. ver­ denskrig (People’s Press 2018). Schmelz, Peter J.: Such Freedom, if Only Musical. Unofficial Soviet Music During the Thaw (Oxford University Press 2009). Schwarz, Boris: Music and musical Life in Soviet Russia. Enlarged Edition 1917-1981 (Indiana University Press 1983). Seroff, Victor Ilyich: The Life and Background of a Soviet Composer (epub) (Alfred A. Knopf 1943). Sheinberg, Esti: Irony, Satire, Parody, and the Grotesque in the Music of Shostakovich. A Theory of Musical Incongruities (Routledge 2016). Shostakovich, Dmitry: About Himself and His Times (Progress Publishers Moscow 1981). Slonimsky, Nicolas (ed.): Music Since 1900 (W. W. Norton Company 1971). Sollertinsky, Dmitri Ludmilla: Pages from the Life of Dmitri Shostakovich (Harcourt Brace Jovanovich 1980). Solzhenitsyn, Alexander: The Oak and the Calf. Sketches of Literary Life in the Soviet Union (Harper Row 1975). Stahl, Erik: Sovjetmusikken i historisk og aktuel belysning (Dansk-Russisk Samvirke 1949). 549 Stahl, Erik: Den Russiske Musiks historie II: Fra Musorgskij til Stravinskij (Borgen 1997). Stravinsky, Igor: An Autobiography (Simon Schuster 1936). Taruskin, Richard: Defining Russia Musically. Historical and Hermeneutical Essays (Princeton University Press 1997). Taruskin, Richard: On Russian Music (University of California Press 2009). Taruskin, Richard: Russian Music at Home and Abroad (University of Cali­ fornia Press 2016). Tassie, Gregor: Kirill Kondrashin. His Life in Music (The Scarecrow Press 2010). Tismaneanu, Vladimir: The Devil in History: Communism, Fascism, and Some Lessons of the Twentieth Century (University of California Press 2012). Titus, Joan: The Early Film Music of Dmitry Shostakovich (Oxford Univer­ sity Press 2016). Truvianni, Gianni: Stalin’s Night at the Opera: Shostakovich’s Lady Mac­ beth of the Mtsensk (Gino Herrerra 2016). Tucker, Robert C.: Stalin as Revolutionary. A study in History and Persona­ lity, 1879-1929 (epub) (W. W. Norton Co. 1974). Vishnevskaya, Galina: Galina. A Russian Story (Hodder Stoughton 1984). Volkov, Solomon: Testimony. The Memoirs of Shostakovich as Related to and Edited by Solomon Volkov (Hamish Hamilton 1979). Volkov, Solomon: Shostakovich and Stalin. The Extraordinary Relationship Between the Great Composer and the Brutal Dictator (Alfred A. Knopf 2004). Wade, Rex A: The Russian Revolution, 1917 (Cambridge University Press 2005). Werth, Alexander: Musical Uproar in Moscow (Turnstile Press 1949). Wilson, Elizabeth: Shostakovich. A Life Remembered (second edition, epub) (Faber and Faber 2010). Wilson, Elizabeth: Mstislav Rostropovich. Cellist, Teacher, Legend (Faber and Faber 2010). Yde, Katrine Hornstrup Peter Nielsen (red.): Russerne (epub) (Informati­ ons Forlag 2018). Zetkin, Clara: Reminiscences of Lenin (1924) (www.marxists.org). 550 Zuk, Patrick Marina Frolova-Walker (eds): Russian Music Since 1917. Reappraisal and Rediscovery (Oxford University Press 2017). Artikler Anderson, M. T.: “The Shostakovich Seventh on the Silver Screen” (i: DSCH nr. 51, 2019). Babbitt, Milton: “Who cares if you listen?” (i: High Fidelity, februar 1958). Barker, Philip: “The Anthem - Olympism’s Oldest Symbol” (i: Journal of Olympic History 12/2, 2004, s. 46-53). Barnett, Rebecca: “Shostakovich at the Proms” (i: DSCH nr. 55, 2021, s. 20ff). Buxbaum, Erica Heisler: “Stravinsky, Tempo, and Le Sacre” (і: Performance Practice Review, volume 1, number 1, Spring/Fall 1998). Cunningham, Sarah: “Remembering Laughter and Tears in a Drawer: Music as a Response to Soviet Repression” (i: Intersections 10, No 2, 2009, s. 83-94). Lairclough, Pauline: “Facts, Fantasies and Fictions: Recent Shostakovich Studies” (i: Music and Letters Voi. 86, No. 3, Aug. 2005, s. 452-460). 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Themes and Motifs in the First Cello Concerto” (i: DSCH nr. 54, 2021). Holland, Maureen: “The Trial of Shostakovich: What Was Really at Stake at the Premiere of His Fifth Symphony” (cmuse.org, 01.10.15). Horowitz, Joseph: “Cold War Propagandist: Nicolas Nabokov, JFK, and the Shostakovich Wars” (i: Los Angeles Review of Books, 04.01.20). Huseinova, Aida: “Shostakovich’s Tenth Symphony. The Azerbaijani Link - Elmira Nazirova” (i: Azerbaijan International Voi. 11.1 (azer.com), 2003). Huseinova, Aida: “Melodic Signatures in Shostakovich’s 10th Symphony” (i: Azerbaijan International Voi 11.1 (azer.com), 2003). Jensen, Solveig Gram: “Ideologi: Musikken skulle spille efter Stalins takt­ stok” (i: Dagbladet Information, 05.02.11). Keller, Hans: “Shostakovich’s Twelfth Quartet” (i: Tempo, New Series, No. 94, 1970). Klefstad, Terry: “Shostakovich and the Peace Conference” (i: Music Poli­ tics 6, Number 2, 2012). Kotkina, Irina: “Soviet Empire and Operatic Realm: Stalinist Search for the Model Soviet Opera” (i: Revue des etudes slaves, LXXXIV 3-4, 2013, s. 505-518). Kovich, Sarah: “String Quartet No. 2” (i: DSCH nr. 55, 2021, s. 30ff). Lassen, Mikkel Thrane: ”Somme tider er en strygekvartet bare en stryge­ kvartet. Om politik og erotik i Sjostakovitjs musik” (www.publimus.dk, januar 2022). Lesser, Wendy: ”Three Words for Dmitri Dmitriyevich Shostakovich” (cle. ens-lyon.fr). Levinsen, Jakob: ”Dmitrij Sjostakovitj 100 år: Den hellige nar” (i: Jyllands-Posten 22.09.06). Makarov, Evgeny: ”Memoirs About My Teacher, D.D. Shostakovich I” (і: DSCH nr. 50, January 2019). Makarov, Evgeny: ”Memoirs About my Teacher D.D. Shostakovich II” (i: DSCH nr. 51, July 2019). Mercer, Alan (ed.): DSCH Journal (http://dschjournal.com, nr. 1-55, 19942021). 552 Meyer, Krzysztof: ”Recollections of a Man” (i: DSCH որ. 4, 1995 / http:// www.siue.edu/~aho/musov/meyer/meyer.html). Side. Morrison, Simon: ”What Next? Shostakovich’s Sixth Symphony as Sequel and Prequel” (i: Twentieth-Century Music 16/2, 2019, s. 231-257). New York Times: ”Dmitri Shostakovich Dead at 68 After Hospitalization in Moscow” (New York Times 11. august 1975) (https://www.nytimes. com/1975/08/ll/archives/dmitri-shostakovich-dead-at-68-after-hospitalization-in-moscow.html). O’Loughlin, Niall: ”Shostakovich’s String Quartets” (i: Tempo, New Series, No. 87, 1968-1969). Rabinowitz, Peter: ”The Rhetoric of Reference; or, Shostakovich’s Ghost Quartet” (i: NARRATIVE, Voi. 15, No. 2, May 2007). Side. Rockwell, John: ”Could Shostakovich Become the Mahler of the 80’s?” (i: New York Times 22.02.81). Rothstein, Edward: ”What Shostakovich was Really Expressing” (i: New York Times 06.05.11). Rowell, Bryan: ”April 1969-September 1969: Violin Sonata, ‘King Lear,’ and the Fourteenth Symphony” (DSCH nr. 51, 2019). Rubenstein, Joshua: ”The Night of the Murdered Poets” (i: The New Repu­ blic, 25/8 1997). Schmelz, Peter J.: ”’Shostakovich’ Fights the Cold War: Reflections from Great to Small” (i: Journal of Musicological Research Volume 34, 2015 - Issue 2, s. 91-140). Service, Tom: ”War Music: The Humanity, Heroism and Propaganda Behind Shostakovich’s Symphony No 7” (i: The Guardian 02.01.16). Shostakovich, Irina: ”An Answer to Those Who Still Abuse Shostakovich” (i: The New York Times 20.08.00). Stahl, Erik: ”Dmitrij Sjostakovitsj” (i: Sovjetunionen i dag, årg. 1, որ. 4, 1948). Stahl, Erik: ”Russiske Komponister udtaler sig” (i: Dansk Musik Tidsskrift Årgang 26, 1951). Stahl, Erik: ”Nikolaj Malko i venlighedens konservative København” (i: Dansk Musik Tidsskrift årgang 50, nr. 4, 1975-1976, s. 163-166). Stahl, Erik: ”Symposion - Sjostakovitsj’ forhold til politik” (i: Dansk Musik Tidsskrift årgang 57, nr. 1, 1982-1983, s. 32-34). 553 Stahl, Erik: ”Chrennikov og Sovjets stille komponister” (i: Dansk Musik Tidsskrift årgang 62, nr. 5,1987-1988, s. 180-182). Stahl, Erik: ”Kommentar til interviewet med Tichon Chrennikov” (i: Dansk Musik Tidsskrift årgang 67, nr. 5, 1992-1993, s. 155-156)). Taruskin, Richard: ”A Martyred Opera Reflects Its Abominable Time” (і: The New York Times 06.11.1994). Taruskin, Richard: ”Who was Shostakovich?” (i: The Atlantic Monthly, Fe­ bruary 1995, s. 63-72). Taruskin, Richard: ”Double Trouble” (i: The New Republic 225/26, 2001). Taruskin, Richard: ”Was Shostakovich a Martyr? Oris that Just Fiction?” (i: The New York Times 26.08.16). Tirman, Michael Robert: ”Socialist Realism and Soviet Music: The Case of Dmitri Shostakovich” (Butler University 2011, https://digitalcommons. butler.edu/ugtheses/100/). Side. Volkov, Solomon: ”When Opera was a Matter of Life or Death” (i: The Te­ legraph 08.03.04). Vulliamy, Ed: ”Orchestral Manoeuvres” (i: The Guardian 25.11.01, https:// www.theguardian.com/theobserver/2001/nov/25/features.magazine27). Side. Watson, Carolyn: ”Shostakovich’s Symphony No. 9: A ’Real’ Ninth?” (i: DSCH nr. 51, 2019). Wilson, Elizabeth: ”Rebels with a Cause: The Friendship of Britten and Shostakovich” (i: The Guardian 11.09.19). Skønlitteratur, drama, film, opera Aitken, John: Music from the Whirlwind: A Play About the Life and Times of Dmitri Shostakovich (Prickly Pear 2013). Akhamatova, Anna: The Complete Poems of Anna Akhmatova, translated by Judith Hemschemeyer (Zephyr Press Canongate Books 2000). Barnes, Julian: The Noise of Time (Vintage 2016). Boulter, Joanna: Twenty Four Preludes and Fugues on Dmitri Shostakovich (ARC Publications 2006). Dostojevski], Fjodor: Dobbeltgængeren (Bechs Forlag 2013 (1846)). 554 Dostoyevsky, Fyodor: The Complete Works of Fyodor Dostoyevsky (Delphi Classics 2014). Gogol, Nikolai: The Nose (Penguin 2015 (1836)). Grossman, Vasilij: Liv og skæbne (Rosinante 2015). Iannucci, Armando: Stalins død (Storbritannien 2017). Ilf, Ilya 8c Evgeny Petrov: The Twelve Chairs (Northwestern University Press 2011 (1928)). Jevtusjenko, Jevgeņij: Vildmarkens bær (Lindhardt og Ringhof 1982). Krylov, Ivan: Fabler (Museum Tusculanums Forlag 2001). Leskov, Nikolai: Lady Macbeth of Mtsensk (Hesperus 2003 (1864)). Owens, Lewis: Like a Chemist from Canada. Shostakovich, Isaiah Berlin, and Oxford (The Isaiah Berlin Virtual Library 2015). Ozerov, Lev: Portraits Without Frames. Poems (Granta 2019). Palmer, Tony: Testimony (Storbritannien 1988). Pownall, David: The Composer Plays: Masterclass (Oberon Books 1993). Side. Quigley, Sarah: The Conductor (Vintage 2011). Shostakovich, Dmitri 8c Alexander Preys: Lady Macbeth of the Mtsensk Di­ strict (Schirmer 1983). Solsjenitsyn, Aleksandr: Kræftafdelingen (Gyldendal 1974). Solsjenitsyn, Aleksandr: Gulag Øhavet bind 1-6 (Gyldendal 1976). Sonenberg, Maya: After the Death of Shostakovich Père (PANK Books 2017). Chekhov, Anton: The Complete Works of Anton Chekhov (Delphi Classics 2011). Turgenev, Ivan: Fædre og Sønner (Gyldendal 2007 (1862)). Vollmann, William T: Europe Central (Penguin 2005). Weinstein, Larry: Shostakovich Against Stalin. The War Symphonies. (Ca­ nada 1987). Wolf, Richard: Mitya. An Illustrated Biography of the Russian Composer Dmitri Shostakovich (Trafford Publishing 2005). Zoshchenko, Mikhail: Sentimental Tales (Columbia University Press 2018 (1929)). 555
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Sjostakovitj - en sovjetkunstner Mikkel Thrane Lassen
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Hier auch später erschienene, unveränderte Nachdrucke
Dmitrij Dmitrijevitj Sjostakovitj (1906-1975) var en af det 20. århundredes største komponister, men hans musikalske produktion er svær at adskille fra dens sammenfiltring med samtidens ideologiske konflikter. Den hidtil mest omfattende biografi om Sjostakovitj på dansk og en stor læseoplevelse for interesserede i klassisk musik.
Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd rswk-swf
(DE-588)4006804-3 Biografie gnd-content
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Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033306882&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033306882&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis
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Sjostakovitj - en sovjetkunstner
Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd
subject_GND (DE-588)118642472
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title Sjostakovitj - en sovjetkunstner
title_alt Sjostakovitj
title_auth Sjostakovitj - en sovjetkunstner
title_exact_search Sjostakovitj - en sovjetkunstner
title_exact_search_txtP Sjostakovitj - en sovjetkunstner
title_full Sjostakovitj - en sovjetkunstner Mikkel Thrane Lassen
title_fullStr Sjostakovitj - en sovjetkunstner Mikkel Thrane Lassen
title_full_unstemmed Sjostakovitj - en sovjetkunstner Mikkel Thrane Lassen
title_short Sjostakovitj - en sovjetkunstner
title_sort sjostakovitj en sovjetkunstner
topic Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd
topic_facet Šostakovič, Dmitrij Dmitrievič 1906-1975
Biografie
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