The economics of music
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Edward Elgar Pub., Inc
2018
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| 245 | 1 | 0 | |a The economics of music |c edited by Samuel Cameron (former Professor of Economics, University of Bradford, UK) |
| 264 | 1 | |a Northampton, MA |b Edward Elgar Pub., Inc |c 2018 | |
| 300 | |a 1 Online-Ressource (768 Seiten) | ||
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| 500 | |a Includes index. - The recommended readings are available in the print version, or may be available via the link to your library's holdings | ||
| 505 | 8 | |a Recommended readings (Machine generated): 1. Storm Gloor (2011), 'Just How Long Is Your 'Fifteen Minutes'? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 -- 2. David E. Giles (2007), 'Survival of the Hippest: Life at the Top of the Hot 100', Applied Economics, 39 (15), 1877-87 -- 3. Ken Hendricks and Alan Sorensen (2009), 'Information and the Skewness of Music Sales', Journal of Political Economy, 117 (2), April, 324-69 -- 4. Caroline Elliott and Rob Simmons (2011), 'Factors Determining UK Album Success', Applied Economics, 43 (30), 4699-705 -- 5. W. Mark Crain and Robert D. Tollison (1997), 'Economics and the Architecture of Popular Music', Journal of Economic Behavior and Organization, 32 (2), February, 185-205 -- 6. William A. Hamlen, Jr. (1994), 'Variety and Superstardom in Popular Music', Economic Inquiry, XXXII (3), July, 395-406 -- | |
| 505 | 8 | |a 7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 -- 8. Peter E. Earl (2001), 'Simon's Travel Theorem and the Demand for Live Music', Journal of Economic Psychology, 22 (3), June, 335-58 -- 9. Nancy Bertaux, Kaleel Skeirik and David Yi (2015), 'Art Music and the Economy: The Modernity Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 -- 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 -- 11. Grant C. Black, Mark A. Fox and Paul Kochanowski (2007), 'Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005', Popular Music and Society: Record Charts, 30 (2), May, 149-72 -- | |
| 505 | 8 | |a 12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 -- 13. Wilfred Dolfsma (1999), 'The Consumption of Music and the Expression of VALUES: A Social Economic Explanation for the Advent of Pop Music', American Journal of Economics and Sociology, 58 (4), October, 1019-46 -- 14. Ercilia Garc?ia-?Alvarez, Tally Katz-Gerro and Jordi L?opez-Sintas (2007), 'Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences', Social Forces, 86 (2), December, 417-43 -- 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 -- 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music Composition, 1650-1900', Journal of Cultural Economics, 25 (4), November, 307-19 -- | |
| 505 | 8 | |a 17. Karol Jan Borowiecki and Georgios Kavetsos (2015), 'In Fatal Pursuit of Immortal Fame: Peer Competition and Early Mortality of Music Composers', Social Science and Medicine, 134, June, 30-42 -- 18. Mark Marotto, Johan Roos and Bart Victor (2007), 'Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra', Journal of Management Studies, 44 (3), May, 388-413 -- 19. Samuel Cameron and Alan Collins (1997), 'Transaction Costs and Partnerships: The Case of Rock Bands', Journal of Economic Behavior and Organization, 32 (2), February, 171-83 | |
| 505 | 8 | |a 20. C?edric Ceulemans, Victor Ginsburgh and Patrick Legros (2011), 'Rock and Roll Bands, (In)complete Contracts, and Creativity', American Economic Review: Papers and Proceedings, 101 (3), May, 217-21 -- 21. David Hesmondhalgh (1998), 'The British Dance Music Industry: A Case Study of Independent Cultural Production', British Journal of Sociology, 49 (2), June, 234-51 -- 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 -- 23. Patrick Georges and Aylin Se?ckin (2013), 'Black Notes and White Noise: A Hedonic Approach to Auction Prices of Classical Music Manuscripts', Journal of Cultural Economics, 37 (1), February, 33-60 -- 24. Dennis Halcoussis and Timothy Mathews (2007), 'eBay Auctions for Third Eye Blind Concert Tickets', Journal of Cultural Economics, 31 (1), March, 65-78 -- | |
| 505 | 8 | |a 25. Samuel Cameron (2008), 'E-Baying for Blood?: Noncompetitive Flexible Pricing in Entertainment Ticketing - Some Demand Side Evidence', Applied Economics, 40 (10), 1315-22 -- 26. Samuel Cameron and Mike Reynolds (2015), 'The Value of Collecting a Particular Musical Artist: The Case of MiniDiscs', Briefing Notes in Economics, 91, September, 1-9 -- 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of 'Blind' Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 -- 28. Sam Cameron (2003), 'The Political Economy of Gender Disparity in Musical Markets', Cambridge Journal of Economics, 27 (6), November, 905-17 -- 29. Jack Bishop (2005), 'Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market', Popular Music and Society, 28 (4), October, 443-71 -- | |
| 505 | 8 | |a 30. Ram D. Gopal, Sudip Bhattacharjee and G. Lawrence Sanders (2006), 'Do Artists Benefit from Online Music Sharing?', Journal of Business, 79 (3), May, 1503-33 -- 31. Juan de Dios Montoro Pons and Manuel Cuadrado Garc?ia (2008), 'Legal Origin and Intellectual Property Rights: An Empirical Study in the Prerecorded Music Sector', European Journal of Law and Economics, 26 (2), October, 153-73 -- 32. Samuel Cameron (2006), 'Rock, Pop and Judicial Efficiency: Economic Considerations in the Spandau Ballet Decisions', Journal of Interdisciplinary Economics, 17 (3), April, 327-44 -- 33. Maya Bacache-Beauvallet, Marc Bourreau and Fran?cois Moreau (2016), 'Information Asymmetry and 360-Degree Contracts in the Recorded Music Industry', Revue d'?economie Industrielle - Journal of Industrial Economics, 156 (4e trimester - 4th quarter), 57-90 -- | |
| 505 | 8 | |a 34. Kieran James and Christopher Tolliday (2009), 'Structural Change in the Music Industry: A Marxist Critique of Public Statements Made by Members of Metallica during the Lawsuit against Napster', International Journal of Critical Accounting, 1 (1-2), 144-76 -- 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 -- 36. Victor A. Ginsburgh and Jan C. van Ours (2003), 'Expert Opinion and Compensation: Evidence from a Musical Competition', American Economic Review, 93 (1), March, 289-96 -- 37. J. Atsu Amegashie (2009), 'American Idol: Should it be a Singing Contest or a Popularity Contest?', Journal of Cultural Economics, 33 (4), November, 265-77 -- 38. Luc Champarnaud (2014), 'Prices for Superstars Can Flatten Out', Journal of Cultural Economics, 38 (4), November, 369-84 | |
| 505 | 8 | |a This incisive review analyses the most influential academic research in a burgeoning subject - the economics of music. The literature stems from both mainstream economics journals as well as pertinent works from accountancy, sociology and management sources. Topics discussed include live music, music production, labour markets and ownership and music competitions. This review provides a valuable resource for students and economists involved in this fascinating field, as well as those seeking to enter it | |
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| contents | Recommended readings (Machine generated): 1. Storm Gloor (2011), 'Just How Long Is Your 'Fifteen Minutes'? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 -- 2. David E. Giles (2007), 'Survival of the Hippest: Life at the Top of the Hot 100', Applied Economics, 39 (15), 1877-87 -- 3. Ken Hendricks and Alan Sorensen (2009), 'Information and the Skewness of Music Sales', Journal of Political Economy, 117 (2), April, 324-69 -- 4. Caroline Elliott and Rob Simmons (2011), 'Factors Determining UK Album Success', Applied Economics, 43 (30), 4699-705 -- 5. W. Mark Crain and Robert D. Tollison (1997), 'Economics and the Architecture of Popular Music', Journal of Economic Behavior and Organization, 32 (2), February, 185-205 -- 6. William A. Hamlen, Jr. (1994), 'Variety and Superstardom in Popular Music', Economic Inquiry, XXXII (3), July, 395-406 -- 7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 -- 8. Peter E. Earl (2001), 'Simon's Travel Theorem and the Demand for Live Music', Journal of Economic Psychology, 22 (3), June, 335-58 -- 9. Nancy Bertaux, Kaleel Skeirik and David Yi (2015), 'Art Music and the Economy: The Modernity Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 -- 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 -- 11. Grant C. Black, Mark A. Fox and Paul Kochanowski (2007), 'Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005', Popular Music and Society: Record Charts, 30 (2), May, 149-72 -- 12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 -- 13. Wilfred Dolfsma (1999), 'The Consumption of Music and the Expression of VALUES: A Social Economic Explanation for the Advent of Pop Music', American Journal of Economics and Sociology, 58 (4), October, 1019-46 -- 14. Ercilia Garc?ia-?Alvarez, Tally Katz-Gerro and Jordi L?opez-Sintas (2007), 'Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences', Social Forces, 86 (2), December, 417-43 -- 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 -- 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music Composition, 1650-1900', Journal of Cultural Economics, 25 (4), November, 307-19 -- 17. Karol Jan Borowiecki and Georgios Kavetsos (2015), 'In Fatal Pursuit of Immortal Fame: Peer Competition and Early Mortality of Music Composers', Social Science and Medicine, 134, June, 30-42 -- 18. Mark Marotto, Johan Roos and Bart Victor (2007), 'Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra', Journal of Management Studies, 44 (3), May, 388-413 -- 19. Samuel Cameron and Alan Collins (1997), 'Transaction Costs and Partnerships: The Case of Rock Bands', Journal of Economic Behavior and Organization, 32 (2), February, 171-83 20. C?edric Ceulemans, Victor Ginsburgh and Patrick Legros (2011), 'Rock and Roll Bands, (In)complete Contracts, and Creativity', American Economic Review: Papers and Proceedings, 101 (3), May, 217-21 -- 21. David Hesmondhalgh (1998), 'The British Dance Music Industry: A Case Study of Independent Cultural Production', British Journal of Sociology, 49 (2), June, 234-51 -- 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 -- 23. Patrick Georges and Aylin Se?ckin (2013), 'Black Notes and White Noise: A Hedonic Approach to Auction Prices of Classical Music Manuscripts', Journal of Cultural Economics, 37 (1), February, 33-60 -- 24. Dennis Halcoussis and Timothy Mathews (2007), 'eBay Auctions for Third Eye Blind Concert Tickets', Journal of Cultural Economics, 31 (1), March, 65-78 -- 25. Samuel Cameron (2008), 'E-Baying for Blood?: Noncompetitive Flexible Pricing in Entertainment Ticketing - Some Demand Side Evidence', Applied Economics, 40 (10), 1315-22 -- 26. Samuel Cameron and Mike Reynolds (2015), 'The Value of Collecting a Particular Musical Artist: The Case of MiniDiscs', Briefing Notes in Economics, 91, September, 1-9 -- 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of 'Blind' Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 -- 28. Sam Cameron (2003), 'The Political Economy of Gender Disparity in Musical Markets', Cambridge Journal of Economics, 27 (6), November, 905-17 -- 29. Jack Bishop (2005), 'Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market', Popular Music and Society, 28 (4), October, 443-71 -- 30. Ram D. Gopal, Sudip Bhattacharjee and G. Lawrence Sanders (2006), 'Do Artists Benefit from Online Music Sharing?', Journal of Business, 79 (3), May, 1503-33 -- 31. Juan de Dios Montoro Pons and Manuel Cuadrado Garc?ia (2008), 'Legal Origin and Intellectual Property Rights: An Empirical Study in the Prerecorded Music Sector', European Journal of Law and Economics, 26 (2), October, 153-73 -- 32. Samuel Cameron (2006), 'Rock, Pop and Judicial Efficiency: Economic Considerations in the Spandau Ballet Decisions', Journal of Interdisciplinary Economics, 17 (3), April, 327-44 -- 33. Maya Bacache-Beauvallet, Marc Bourreau and Fran?cois Moreau (2016), 'Information Asymmetry and 360-Degree Contracts in the Recorded Music Industry', Revue d'?economie Industrielle - Journal of Industrial Economics, 156 (4e trimester - 4th quarter), 57-90 -- 34. Kieran James and Christopher Tolliday (2009), 'Structural Change in the Music Industry: A Marxist Critique of Public Statements Made by Members of Metallica during the Lawsuit against Napster', International Journal of Critical Accounting, 1 (1-2), 144-76 -- 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 -- 36. Victor A. Ginsburgh and Jan C. van Ours (2003), 'Expert Opinion and Compensation: Evidence from a Musical Competition', American Economic Review, 93 (1), March, 289-96 -- 37. J. Atsu Amegashie (2009), 'American Idol: Should it be a Singing Contest or a Popularity Contest?', Journal of Cultural Economics, 33 (4), November, 265-77 -- 38. Luc Champarnaud (2014), 'Prices for Superstars Can Flatten Out', Journal of Cultural Economics, 38 (4), November, 369-84 This incisive review analyses the most influential academic research in a burgeoning subject - the economics of music. The literature stems from both mainstream economics journals as well as pertinent works from accountancy, sociology and management sources. Topics discussed include live music, music production, labour markets and ownership and music competitions. This review provides a valuable resource for students and economists involved in this fascinating field, as well as those seeking to enter it |
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| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV047924250</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240221</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220411s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781788117555</subfield><subfield code="9">978-1-78811-755-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4337/9781788117555</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-EWE)NLM010907424</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312687151</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047924250</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-634</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-573</subfield><subfield code="a">DE-M347</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-861</subfield><subfield code="a">DE-863</subfield><subfield code="a">DE-862</subfield><subfield code="a">DE-Re13</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The economics of music</subfield><subfield code="c">edited by Samuel Cameron (former Professor of Economics, University of Bradford, UK)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Northampton, MA</subfield><subfield code="b">Edward Elgar Pub., Inc</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (768 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index. - The recommended readings are available in the print version, or may be available via the link to your library's holdings</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Recommended readings (Machine generated): 1. Storm Gloor (2011), 'Just How Long Is Your 'Fifteen Minutes'? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 -- 2. David E. Giles (2007), 'Survival of the Hippest: Life at the Top of the Hot 100', Applied Economics, 39 (15), 1877-87 -- 3. Ken Hendricks and Alan Sorensen (2009), 'Information and the Skewness of Music Sales', Journal of Political Economy, 117 (2), April, 324-69 -- 4. Caroline Elliott and Rob Simmons (2011), 'Factors Determining UK Album Success', Applied Economics, 43 (30), 4699-705 -- 5. W. Mark Crain and Robert D. Tollison (1997), 'Economics and the Architecture of Popular Music', Journal of Economic Behavior and Organization, 32 (2), February, 185-205 -- 6. William A. Hamlen, Jr. (1994), 'Variety and Superstardom in Popular Music', Economic Inquiry, XXXII (3), July, 395-406 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 -- 8. Peter E. Earl (2001), 'Simon's Travel Theorem and the Demand for Live Music', Journal of Economic Psychology, 22 (3), June, 335-58 -- 9. Nancy Bertaux, Kaleel Skeirik and David Yi (2015), 'Art Music and the Economy: The Modernity Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 -- 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 -- 11. Grant C. Black, Mark A. Fox and Paul Kochanowski (2007), 'Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005', Popular Music and Society: Record Charts, 30 (2), May, 149-72 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 -- 13. Wilfred Dolfsma (1999), 'The Consumption of Music and the Expression of VALUES: A Social Economic Explanation for the Advent of Pop Music', American Journal of Economics and Sociology, 58 (4), October, 1019-46 -- 14. Ercilia Garc?ia-?Alvarez, Tally Katz-Gerro and Jordi L?opez-Sintas (2007), 'Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences', Social Forces, 86 (2), December, 417-43 -- 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 -- 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music Composition, 1650-1900', Journal of Cultural Economics, 25 (4), November, 307-19 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">17. Karol Jan Borowiecki and Georgios Kavetsos (2015), 'In Fatal Pursuit of Immortal Fame: Peer Competition and Early Mortality of Music Composers', Social Science and Medicine, 134, June, 30-42 -- 18. Mark Marotto, Johan Roos and Bart Victor (2007), 'Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra', Journal of Management Studies, 44 (3), May, 388-413 -- 19. Samuel Cameron and Alan Collins (1997), 'Transaction Costs and Partnerships: The Case of Rock Bands', Journal of Economic Behavior and Organization, 32 (2), February, 171-83</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">20. C?edric Ceulemans, Victor Ginsburgh and Patrick Legros (2011), 'Rock and Roll Bands, (In)complete Contracts, and Creativity', American Economic Review: Papers and Proceedings, 101 (3), May, 217-21 -- 21. David Hesmondhalgh (1998), 'The British Dance Music Industry: A Case Study of Independent Cultural Production', British Journal of Sociology, 49 (2), June, 234-51 -- 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 -- 23. Patrick Georges and Aylin Se?ckin (2013), 'Black Notes and White Noise: A Hedonic Approach to Auction Prices of Classical Music Manuscripts', Journal of Cultural Economics, 37 (1), February, 33-60 -- 24. Dennis Halcoussis and Timothy Mathews (2007), 'eBay Auctions for Third Eye Blind Concert Tickets', Journal of Cultural Economics, 31 (1), March, 65-78 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">25. Samuel Cameron (2008), 'E-Baying for Blood?: Noncompetitive Flexible Pricing in Entertainment Ticketing - Some Demand Side Evidence', Applied Economics, 40 (10), 1315-22 -- 26. Samuel Cameron and Mike Reynolds (2015), 'The Value of Collecting a Particular Musical Artist: The Case of MiniDiscs', Briefing Notes in Economics, 91, September, 1-9 -- 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of 'Blind' Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 -- 28. Sam Cameron (2003), 'The Political Economy of Gender Disparity in Musical Markets', Cambridge Journal of Economics, 27 (6), November, 905-17 -- 29. Jack Bishop (2005), 'Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market', Popular Music and Society, 28 (4), October, 443-71 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">30. Ram D. Gopal, Sudip Bhattacharjee and G. Lawrence Sanders (2006), 'Do Artists Benefit from Online Music Sharing?', Journal of Business, 79 (3), May, 1503-33 -- 31. Juan de Dios Montoro Pons and Manuel Cuadrado Garc?ia (2008), 'Legal Origin and Intellectual Property Rights: An Empirical Study in the Prerecorded Music Sector', European Journal of Law and Economics, 26 (2), October, 153-73 -- 32. Samuel Cameron (2006), 'Rock, Pop and Judicial Efficiency: Economic Considerations in the Spandau Ballet Decisions', Journal of Interdisciplinary Economics, 17 (3), April, 327-44 -- 33. Maya Bacache-Beauvallet, Marc Bourreau and Fran?cois Moreau (2016), 'Information Asymmetry and 360-Degree Contracts in the Recorded Music Industry', Revue d'?economie Industrielle - Journal of Industrial Economics, 156 (4e trimester - 4th quarter), 57-90 --</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">34. Kieran James and Christopher Tolliday (2009), 'Structural Change in the Music Industry: A Marxist Critique of Public Statements Made by Members of Metallica during the Lawsuit against Napster', International Journal of Critical Accounting, 1 (1-2), 144-76 -- 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 -- 36. Victor A. Ginsburgh and Jan C. van Ours (2003), 'Expert Opinion and Compensation: Evidence from a Musical Competition', American Economic Review, 93 (1), March, 289-96 -- 37. J. Atsu Amegashie (2009), 'American Idol: Should it be a Singing Contest or a Popularity Contest?', Journal of Cultural Economics, 33 (4), November, 265-77 -- 38. Luc Champarnaud (2014), 'Prices for Superstars Can Flatten Out', Journal of Cultural Economics, 38 (4), November, 369-84</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">This incisive review analyses the most influential academic research in a burgeoning subject - the economics of music. The literature stems from both mainstream economics journals as well as pertinent works from accountancy, sociology and management sources. Topics discussed include live music, music production, labour markets and ownership and music competitions. This review provides a valuable resource for students and economists involved in this fascinating field, as well as those seeking to enter it</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music trade</subfield><subfield code="a">Music</subfield><subfield code="x">Economic aspects</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cameron, Samuel</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4337/9781788117555</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-EWE</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033305838</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield 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| id | DE-604.BV047924250 |
| illustrated | Not Illustrated |
| index_date | 2024-09-19T15:57:26Z |
| indexdate | 2024-11-25T18:02:39Z |
| institution | BVB |
| isbn | 9781788117555 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033305838 |
| oclc_num | 1312687151 |
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| physical | 1 Online-Ressource (768 Seiten) |
| psigel | ZDB-1-EWE |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| publisher | Edward Elgar Pub., Inc |
| record_format | marc |
| spellingShingle | The economics of music Recommended readings (Machine generated): 1. Storm Gloor (2011), 'Just How Long Is Your 'Fifteen Minutes'? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 -- 2. David E. Giles (2007), 'Survival of the Hippest: Life at the Top of the Hot 100', Applied Economics, 39 (15), 1877-87 -- 3. Ken Hendricks and Alan Sorensen (2009), 'Information and the Skewness of Music Sales', Journal of Political Economy, 117 (2), April, 324-69 -- 4. Caroline Elliott and Rob Simmons (2011), 'Factors Determining UK Album Success', Applied Economics, 43 (30), 4699-705 -- 5. W. Mark Crain and Robert D. Tollison (1997), 'Economics and the Architecture of Popular Music', Journal of Economic Behavior and Organization, 32 (2), February, 185-205 -- 6. William A. Hamlen, Jr. (1994), 'Variety and Superstardom in Popular Music', Economic Inquiry, XXXII (3), July, 395-406 -- 7. Robert B. Ekelund, Jr. and Shawn Ritenour (1999), 'An Exploration of the Beckerian Theory of Time Costs: Symphony Concert Demand', American Journal of Economics and Sociology, 58 (4), October, 887-99 -- 8. Peter E. Earl (2001), 'Simon's Travel Theorem and the Demand for Live Music', Journal of Economic Psychology, 22 (3), June, 335-58 -- 9. Nancy Bertaux, Kaleel Skeirik and David Yi (2015), 'Art Music and the Economy: The Modernity Index and the Cincinnati Symphony Orchestra, 1895 to 2013', International Journal of Economics and Business Research, 9 (4), 376-92 -- 10. Bruno S. Frey (1994), 'The Economics of Music Festivals', Journal of Cultural Economics, 18 (1), March, 29-39 -- 11. Grant C. Black, Mark A. Fox and Paul Kochanowski (2007), 'Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005', Popular Music and Society: Record Charts, 30 (2), May, 149-72 -- 12. Stan J. Liebowitz (2016), 'How Much of the Decline in Sound Recording Sales is Due to File-Sharing?', Journal of Cultural Economics: Economics of Music, 40 (1), February, 13-28 -- 13. Wilfred Dolfsma (1999), 'The Consumption of Music and the Expression of VALUES: A Social Economic Explanation for the Advent of Pop Music', American Journal of Economics and Sociology, 58 (4), October, 1019-46 -- 14. Ercilia Garc?ia-?Alvarez, Tally Katz-Gerro and Jordi L?opez-Sintas (2007), 'Deconstructing Cultural Omnivorousness 1982-2002: Heterology in Americans' Musical Preferences', Social Forces, 86 (2), December, 417-43 -- 15. William J. Baumol and Hilda Baumol (1994), 'On The Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18 (3), September, 171-98 -- 16. F. M. Scherer (2001), 'The Evolution of Free-Lance Music Composition, 1650-1900', Journal of Cultural Economics, 25 (4), November, 307-19 -- 17. Karol Jan Borowiecki and Georgios Kavetsos (2015), 'In Fatal Pursuit of Immortal Fame: Peer Competition and Early Mortality of Music Composers', Social Science and Medicine, 134, June, 30-42 -- 18. Mark Marotto, Johan Roos and Bart Victor (2007), 'Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra', Journal of Management Studies, 44 (3), May, 388-413 -- 19. Samuel Cameron and Alan Collins (1997), 'Transaction Costs and Partnerships: The Case of Rock Bands', Journal of Economic Behavior and Organization, 32 (2), February, 171-83 20. C?edric Ceulemans, Victor Ginsburgh and Patrick Legros (2011), 'Rock and Roll Bands, (In)complete Contracts, and Creativity', American Economic Review: Papers and Proceedings, 101 (3), May, 217-21 -- 21. David Hesmondhalgh (1998), 'The British Dance Music Industry: A Case Study of Independent Cultural Production', British Journal of Sociology, 49 (2), June, 234-51 -- 22. Kathryn Graddy and Philip E. Margolis (2011), 'Fiddling with Value: Violins as an Investment?', Economic Inquiry, 49 (4), October, 1083-97 -- 23. Patrick Georges and Aylin Se?ckin (2013), 'Black Notes and White Noise: A Hedonic Approach to Auction Prices of Classical Music Manuscripts', Journal of Cultural Economics, 37 (1), February, 33-60 -- 24. Dennis Halcoussis and Timothy Mathews (2007), 'eBay Auctions for Third Eye Blind Concert Tickets', Journal of Cultural Economics, 31 (1), March, 65-78 -- 25. Samuel Cameron (2008), 'E-Baying for Blood?: Noncompetitive Flexible Pricing in Entertainment Ticketing - Some Demand Side Evidence', Applied Economics, 40 (10), 1315-22 -- 26. Samuel Cameron and Mike Reynolds (2015), 'The Value of Collecting a Particular Musical Artist: The Case of MiniDiscs', Briefing Notes in Economics, 91, September, 1-9 -- 27. Claudia Goldin and Cecilia Rouse (2000), 'Orchestrating Impartiality: The Impact of 'Blind' Auditions on Female Musicians', American Economic Review, 90 (4), September, 715-41 -- 28. Sam Cameron (2003), 'The Political Economy of Gender Disparity in Musical Markets', Cambridge Journal of Economics, 27 (6), November, 905-17 -- 29. Jack Bishop (2005), 'Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market', Popular Music and Society, 28 (4), October, 443-71 -- 30. Ram D. Gopal, Sudip Bhattacharjee and G. Lawrence Sanders (2006), 'Do Artists Benefit from Online Music Sharing?', Journal of Business, 79 (3), May, 1503-33 -- 31. Juan de Dios Montoro Pons and Manuel Cuadrado Garc?ia (2008), 'Legal Origin and Intellectual Property Rights: An Empirical Study in the Prerecorded Music Sector', European Journal of Law and Economics, 26 (2), October, 153-73 -- 32. Samuel Cameron (2006), 'Rock, Pop and Judicial Efficiency: Economic Considerations in the Spandau Ballet Decisions', Journal of Interdisciplinary Economics, 17 (3), April, 327-44 -- 33. Maya Bacache-Beauvallet, Marc Bourreau and Fran?cois Moreau (2016), 'Information Asymmetry and 360-Degree Contracts in the Recorded Music Industry', Revue d'?economie Industrielle - Journal of Industrial Economics, 156 (4e trimester - 4th quarter), 57-90 -- 34. Kieran James and Christopher Tolliday (2009), 'Structural Change in the Music Industry: A Marxist Critique of Public Statements Made by Members of Metallica during the Lawsuit against Napster', International Journal of Critical Accounting, 1 (1-2), 144-76 -- 35. Herbert Glejser and Bruno Heyndels (2001), 'Efficiency and Inefficiency in the Ranking in Competitions: The Case of the Queen Elisabeth Music Contest', Journal of Cultural Economics, 25 (2), May, 109-29 -- 36. Victor A. Ginsburgh and Jan C. van Ours (2003), 'Expert Opinion and Compensation: Evidence from a Musical Competition', American Economic Review, 93 (1), March, 289-96 -- 37. J. Atsu Amegashie (2009), 'American Idol: Should it be a Singing Contest or a Popularity Contest?', Journal of Cultural Economics, 33 (4), November, 265-77 -- 38. Luc Champarnaud (2014), 'Prices for Superstars Can Flatten Out', Journal of Cultural Economics, 38 (4), November, 369-84 This incisive review analyses the most influential academic research in a burgeoning subject - the economics of music. The literature stems from both mainstream economics journals as well as pertinent works from accountancy, sociology and management sources. Topics discussed include live music, music production, labour markets and ownership and music competitions. This review provides a valuable resource for students and economists involved in this fascinating field, as well as those seeking to enter it Music trade Music Economic aspects |
| title | The economics of music |
| title_auth | The economics of music |
| title_exact_search | The economics of music |
| title_exact_search_txtP | The economics of music |
| title_full | The economics of music edited by Samuel Cameron (former Professor of Economics, University of Bradford, UK) |
| title_fullStr | The economics of music edited by Samuel Cameron (former Professor of Economics, University of Bradford, UK) |
| title_full_unstemmed | The economics of music edited by Samuel Cameron (former Professor of Economics, University of Bradford, UK) |
| title_short | The economics of music |
| title_sort | the economics of music |
| topic | Music trade Music Economic aspects |
| topic_facet | Music trade Music Economic aspects |
| url | https://doi.org/10.4337/9781788117555 |
| work_keys_str_mv | AT cameronsamuel theeconomicsofmusic |