Images of Apartheid Filmmaking on the Fringe in the Old South Africa
Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Traditions in World Cinema : TWC
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047921862 | ||
| 003 | DE-604 | ||
| 005 | 20230202 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220411s2022 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781474450041 |9 978-1-4744-5004-1 | ||
| 024 | 7 | |a 10.1515/9781474450041 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474450041 | ||
| 035 | |a (OCoLC)1312689246 | ||
| 035 | |a (DE-599)BVBBV047921862 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-Po75 | ||
| 082 | 0 | |a 791.430968 |2 23 | |
| 100 | 1 | |a Waddell, Calum |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Images of Apartheid |b Filmmaking on the Fringe in the Old South Africa |c Calum Waddell |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (280 Seiten) |b 20 B/W illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Traditions in World Cinema : TWC | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | ||
| 520 | |a Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxploitation films such as Shaft (1971) and Super Fly (1972)Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 4 | |a Apartheid in motion pictures | |
| 650 | 4 | |a Motion pictures |z South Africa |x History | |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781474450041 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033303452 | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-12 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781474450041 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819312522655694851 |
|---|---|
| any_adam_object | |
| author | Waddell, Calum |
| author_facet | Waddell, Calum |
| author_role | aut |
| author_sort | Waddell, Calum |
| author_variant | c w cw |
| building | Verbundindex |
| bvnumber | BV047921862 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474450041 (OCoLC)1312689246 (DE-599)BVBBV047921862 |
| dewey-full | 791.430968 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430968 |
| dewey-search | 791.430968 |
| dewey-sort | 3791.430968 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04008nam a2200529zc 4500</leader><controlfield tag="001">BV047921862</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230202 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220411s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474450041</subfield><subfield code="9">978-1-4744-5004-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474450041</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474450041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312689246</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047921862</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430968</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Waddell, Calum</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Images of Apartheid</subfield><subfield code="b">Filmmaking on the Fringe in the Old South Africa</subfield><subfield code="c">Calum Waddell</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (280 Seiten)</subfield><subfield code="b">20 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in World Cinema : TWC</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxploitation films such as Shaft (1971) and Super Fly (1972)Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Apartheid in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">South Africa</subfield><subfield code="x">History</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033303452</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781474450041</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047921862 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T09:13:42Z |
| institution | BVB |
| isbn | 9781474450041 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303452 |
| oclc_num | 1312689246 |
| open_access_boolean | |
| owner | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Po75 |
| owner_facet | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Po75 |
| physical | 1 Online-Ressource (280 Seiten) 20 B/W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Traditions in World Cinema : TWC |
| spelling | Waddell, Calum Verfasser aut Images of Apartheid Filmmaking on the Fringe in the Old South Africa Calum Waddell Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (280 Seiten) 20 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Provides the first study of South Africa's B-Scheme cinemaIdentifies a South African cinema of low-budget blaxploitationFeatures many interviews with South African filmmakers, conducted as part of the researchProvided audiences of the time with unique, apartheid-era adaptations of popular blaxploitation films such as Shaft (1971) and Super Fly (1972)Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Apartheid in motion pictures Motion pictures South Africa History https://www.degruyter.com/isbn/9781474450041 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Waddell, Calum Images of Apartheid Filmmaking on the Fringe in the Old South Africa Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Apartheid in motion pictures Motion pictures South Africa History |
| title | Images of Apartheid Filmmaking on the Fringe in the Old South Africa |
| title_auth | Images of Apartheid Filmmaking on the Fringe in the Old South Africa |
| title_exact_search | Images of Apartheid Filmmaking on the Fringe in the Old South Africa |
| title_full | Images of Apartheid Filmmaking on the Fringe in the Old South Africa Calum Waddell |
| title_fullStr | Images of Apartheid Filmmaking on the Fringe in the Old South Africa Calum Waddell |
| title_full_unstemmed | Images of Apartheid Filmmaking on the Fringe in the Old South Africa Calum Waddell |
| title_short | Images of Apartheid |
| title_sort | images of apartheid filmmaking on the fringe in the old south africa |
| title_sub | Filmmaking on the Fringe in the Old South Africa |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Apartheid in motion pictures Motion pictures South Africa History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Apartheid in motion pictures Motion pictures South Africa History |
| url | https://www.degruyter.com/isbn/9781474450041 |
| work_keys_str_mv | AT waddellcalum imagesofapartheidfilmmakingonthefringeintheoldsouthafrica |