Modernism and the Theatre of the Baroque
First comparative study to address the rediscovery of baroque aesthetic in modernismDid you know that seventeenth-century philosophy influenced dance theory and evolutionary science during the modernist period? Or that in England, Italy and Germany the term 'baroque' was used almost exclus...
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Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-Aug4 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
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| 520 | |a First comparative study to address the rediscovery of baroque aesthetic in modernismDid you know that seventeenth-century philosophy influenced dance theory and evolutionary science during the modernist period? Or that in England, Italy and Germany the term 'baroque' was used almost exclusively as an insult until the 1900s? Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot. Providing a fresh interpretation of the works of Djuna Barnes, Wyndham Lewis, Edward Gordon Craig and Isadora Duncan, the book broadens our understanding of modernist priorities and demonstrates how readily these ideas translate across genres. It shows that modernists are not passive recipients of baroque stereotypes but are instead painstaking in their research and innovative in their reworking of original sources. This is an introduction to key ideas, characters and techniques that will allow the baroque to be used as a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for further research.Key featuresFashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. EliotProvides new connections between philosophy/critical theory and modernist culture, links that are relevant to both popular and academic interestIntroduces key ideas, characters and techniques that allow the baroque to be used as both a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for research, and demonstrating how readily these ideas translate across genre | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Armond, Kate |
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| author_variant | k a ka |
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| bvnumber | BV047921655 |
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| dewey-full | 820.9/0091 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/0091 |
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| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV047921655 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T09:13:41Z |
| institution | BVB |
| isbn | 9781474419635 |
| language | English |
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| physical | 1 Online-Ressource (192 Seiten) |
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| publishDate | 2022 |
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| publisher | Edinburgh University Press |
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| series2 | Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP |
| spelling | Armond, Kate Verfasser aut Modernism and the Theatre of the Baroque Kate Armond Edinburgh Edinburgh University Press [2022] © 2017 1 Online-Ressource (192 Seiten) txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) First comparative study to address the rediscovery of baroque aesthetic in modernismDid you know that seventeenth-century philosophy influenced dance theory and evolutionary science during the modernist period? Or that in England, Italy and Germany the term 'baroque' was used almost exclusively as an insult until the 1900s? Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot. Providing a fresh interpretation of the works of Djuna Barnes, Wyndham Lewis, Edward Gordon Craig and Isadora Duncan, the book broadens our understanding of modernist priorities and demonstrates how readily these ideas translate across genres. It shows that modernists are not passive recipients of baroque stereotypes but are instead painstaking in their research and innovative in their reworking of original sources. This is an introduction to key ideas, characters and techniques that will allow the baroque to be used as a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for further research.Key featuresFashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. EliotProvides new connections between philosophy/critical theory and modernist culture, links that are relevant to both popular and academic interestIntroduces key ideas, characters and techniques that allow the baroque to be used as both a conceptual and historical framework for analysing modernist achievements, thereby opening up new opportunities for research, and demonstrating how readily these ideas translate across genre In English Literary Studies LITERARY CRITICISM / American / General bisacsh Aesthetics, Baroque Influence Baroque literature Influence Baroque literature English literature 20th century Baroque influences English literature 20th century History and criticism Modernism (Art) Theater Political aspects Europe History Theater Europe History https://www.degruyter.com/isbn/9781474419635 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Armond, Kate Modernism and the Theatre of the Baroque Literary Studies LITERARY CRITICISM / American / General bisacsh Aesthetics, Baroque Influence Baroque literature Influence Baroque literature English literature 20th century Baroque influences English literature 20th century History and criticism Modernism (Art) Theater Political aspects Europe History Theater Europe History |
| title | Modernism and the Theatre of the Baroque |
| title_auth | Modernism and the Theatre of the Baroque |
| title_exact_search | Modernism and the Theatre of the Baroque |
| title_full | Modernism and the Theatre of the Baroque Kate Armond |
| title_fullStr | Modernism and the Theatre of the Baroque Kate Armond |
| title_full_unstemmed | Modernism and the Theatre of the Baroque Kate Armond |
| title_short | Modernism and the Theatre of the Baroque |
| title_sort | modernism and the theatre of the baroque |
| topic | Literary Studies LITERARY CRITICISM / American / General bisacsh Aesthetics, Baroque Influence Baroque literature Influence Baroque literature English literature 20th century Baroque influences English literature 20th century History and criticism Modernism (Art) Theater Political aspects Europe History Theater Europe History |
| topic_facet | Literary Studies LITERARY CRITICISM / American / General Aesthetics, Baroque Influence Baroque literature Influence Baroque literature English literature 20th century Baroque influences English literature 20th century History and criticism Modernism (Art) Theater Political aspects Europe History Theater Europe History |
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| work_keys_str_mv | AT armondkate modernismandthetheatreofthebaroque |