Music city Melbourne urban culture, history and policy

"How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urb...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Hauptverfasser: Homan, Shane (VerfasserIn), O'Hanlon, Seamus (VerfasserIn), Strong, Catherine (VerfasserIn), Tebbutt, John (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: New York Bloomsbury Academic 2022
Schriftenreihe:Popular music
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000 c 4500
001 BV047877463
003 DE-604
005 00000000000000.0
007 t
008 220310s2022 a||| b||| 00||| eng d
020 |a 9781501365706  |9 978-1-5013-6570-6 
020 |a 9781501369643  |9 978-1-5013-6964-3 
035 |a (DE-599)BVBBV047877463 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
084 |a MUS  |q DE-12  |2 fid 
100 1 |a Homan, Shane  |e Verfasser  |0 (DE-588)1038038170  |4 aut 
245 1 0 |a Music city Melbourne  |b urban culture, history and policy  |c Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt 
264 1 |a New York  |b Bloomsbury Academic  |c 2022 
300 |a 213 Seiten  |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b n  |2 rdamedia 
338 |b nc  |2 rdacarrier 
490 0 |a Popular music 
505 8 |a Introduction -- The Transformed City -- The Live Music City -- The Media City -- The Recording City -- The Legendary City -- The Divided City -- The Branded City -- Conclusion 
520 3 |a "How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy"-- 
653 0 |a Popular music / Australia / Melbourne (Vic.) / History and criticism 
653 0 |a Poplular music / Social aspects / Australia / Melbourne (Vic.) / History 
653 0 |a Popular music 
653 2 |a Victoria / Melbourne 
653 6 |a Criticism, interpretation, etc 
653 6 |a History 
700 1 |a O'Hanlon, Seamus  |e Verfasser  |4 aut 
700 1 |a Strong, Catherine  |e Verfasser  |4 aut 
700 1 |a Tebbutt, John  |e Verfasser  |4 aut 
776 0 8 |i Online version  |z 9781501365713  |t Music city Melbourne  |d New York : Bloomsbury Academic, 2021 
999 |a oai:aleph.bib-bvb.de:BVB01-033259864 

Datensatz im Suchindex

_version_ 1804183472608116736
adam_txt
any_adam_object
any_adam_object_boolean
author Homan, Shane
O'Hanlon, Seamus
Strong, Catherine
Tebbutt, John
author_GND (DE-588)1038038170
author_facet Homan, Shane
O'Hanlon, Seamus
Strong, Catherine
Tebbutt, John
author_role aut
aut
aut
aut
author_sort Homan, Shane
author_variant s h sh
s o so
c s cs
j t jt
building Verbundindex
bvnumber BV047877463
contents Introduction -- The Transformed City -- The Live Music City -- The Media City -- The Recording City -- The Legendary City -- The Divided City -- The Branded City -- Conclusion
ctrlnum (DE-599)BVBBV047877463
format Book
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02472nam a2200409 c 4500</leader><controlfield tag="001">BV047877463</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220310s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501365706</subfield><subfield code="9">978-1-5013-6570-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501369643</subfield><subfield code="9">978-1-5013-6964-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047877463</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Homan, Shane</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1038038170</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music city Melbourne</subfield><subfield code="b">urban culture, history and policy</subfield><subfield code="c">Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">213 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Popular music</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- The Transformed City -- The Live Music City -- The Media City -- The Recording City -- The Legendary City -- The Divided City -- The Branded City -- Conclusion</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy"--</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Australia / Melbourne (Vic.) / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Poplular music / Social aspects / Australia / Melbourne (Vic.) / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Victoria / Melbourne</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">O'Hanlon, Seamus</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Strong, Catherine</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tebbutt, John</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="z">9781501365713</subfield><subfield code="t">Music city Melbourne</subfield><subfield code="d">New York : Bloomsbury Academic, 2021</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033259864</subfield></datafield></record></collection>
id DE-604.BV047877463
illustrated Illustrated
index_date 2024-07-03T19:21:33Z
indexdate 2024-07-10T09:23:59Z
institution BVB
isbn 9781501365706
9781501369643
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-033259864
open_access_boolean
physical 213 Seiten Illustrationen
publishDate 2022
publishDateSearch 2022
publishDateSort 2022
publisher Bloomsbury Academic
record_format marc
series2 Popular music
spelling Homan, Shane Verfasser (DE-588)1038038170 aut
Music city Melbourne urban culture, history and policy Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt
New York Bloomsbury Academic 2022
213 Seiten Illustrationen
txt rdacontent
n rdamedia
nc rdacarrier
Popular music
Introduction -- The Transformed City -- The Live Music City -- The Media City -- The Recording City -- The Legendary City -- The Divided City -- The Branded City -- Conclusion
"How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy"--
Popular music / Australia / Melbourne (Vic.) / History and criticism
Poplular music / Social aspects / Australia / Melbourne (Vic.) / History
Victoria / Melbourne
Criticism, interpretation, etc
History
O'Hanlon, Seamus Verfasser aut
Strong, Catherine Verfasser aut
Tebbutt, John Verfasser aut
Online version 9781501365713 Music city Melbourne New York : Bloomsbury Academic, 2021
spellingShingle Homan, Shane
O'Hanlon, Seamus
Strong, Catherine
Tebbutt, John
Music city Melbourne urban culture, history and policy
Introduction -- The Transformed City -- The Live Music City -- The Media City -- The Recording City -- The Legendary City -- The Divided City -- The Branded City -- Conclusion
title Music city Melbourne urban culture, history and policy
title_auth Music city Melbourne urban culture, history and policy
title_exact_search Music city Melbourne urban culture, history and policy
title_exact_search_txtP Music city Melbourne urban culture, history and policy
title_full Music city Melbourne urban culture, history and policy Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt
title_fullStr Music city Melbourne urban culture, history and policy Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt
title_full_unstemmed Music city Melbourne urban culture, history and policy Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt
title_short Music city Melbourne
title_sort music city melbourne urban culture history and policy
title_sub urban culture, history and policy
work_keys_str_mv AT homanshane musiccitymelbourneurbanculturehistoryandpolicy
AT ohanlonseamus musiccitymelbourneurbanculturehistoryandpolicy
AT strongcatherine musiccitymelbourneurbanculturehistoryandpolicy
AT tebbuttjohn musiccitymelbourneurbanculturehistoryandpolicy