Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968

Since its inauguration in 1895, the Biennale of Arts in Venice has been the world’s most renowned international exhibition of art. This chapter aims to illuminate the exhibition history of the Soviet Pavilion at the Venice Biennale and ask what a cosmonaut as an exhibiting artist can say about what...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Handberg, Kristian (VerfasserIn)
Format: Artikel
Sprache:English
Veröffentlicht: 2021
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000naa a2200000 c 4500
001 BV047848558
003 DE-604
005 20220325
007 t|
008 220222s2021 xx a||| |||| 00||| eng d
035 |a (OCoLC)1302319535 
035 |a (DE-599)BVBBV047848558 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-255 
100 1 |a Handberg, Kristian  |e Verfasser  |0 (DE-588)1127560239  |4 aut 
245 1 0 |a Cosmonaut paintings as contemporary art  |b the Soviet Union at the Venice Biennale, 1956-1968  |c Kristian Handberg 
264 1 |c 2021 
300 |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b n  |2 rdamedia 
338 |b nc  |2 rdacarrier 
520 3 |a Since its inauguration in 1895, the Biennale of Arts in Venice has been the world’s most renowned international exhibition of art. This chapter aims to illuminate the exhibition history of the Soviet Pavilion at the Venice Biennale and ask what a cosmonaut as an exhibiting artist can say about what was possible – and what was not – at the crossroads between different modernities. The cosmonaut landing at the world’s largest contemporary art exhibition – even in the turmoil of 1968 – will inevitably raise questions in regards to the Biennale’s game of internationalization and contemporaneity and possibly also of incommensurability. The spacewalking cosmonaut above the Black Sea is in some sense a peculiar meeting between free flight and open space and the carefully planned conquering of the elements by the authoritarian Soviet state. 
600 1 7 |a Leonov, Aleksej Archipovič  |d 1934-2019  |0 (DE-588)118727591  |2 gnd  |9 rswk-swf 
611 2 7 |a Biennale di Venezia  |0 (DE-588)1019502-6  |2 gnd  |9 rswk-swf 
648 7 |a Geschichte 1956-1968  |2 gnd  |9 rswk-swf 
648 7 |a Geschichte 1965-1968  |2 gnd  |9 rswk-swf 
650 0 7 |a Astronaut  |0 (DE-588)4143247-2  |2 gnd  |9 rswk-swf 
651 7 |a Sowjetunion  |0 (DE-588)4077548-3  |2 gnd  |9 rswk-swf 
689 0 0 |a Biennale di Venezia  |0 (DE-588)1019502-6  |D f 
689 0 1 |a Sowjetunion  |0 (DE-588)4077548-3  |D g 
689 0 2 |a Astronaut  |0 (DE-588)4143247-2  |D s 
689 0 3 |a Geschichte 1956-1968  |A z 
689 0 |5 DE-604 
689 1 0 |a Leonov, Aleksej Archipovič  |d 1934-2019  |0 (DE-588)118727591  |D p 
689 1 1 |a Biennale di Venezia  |0 (DE-588)1019502-6  |D f 
689 1 2 |a Geschichte 1965-1968  |A z 
689 1 |5 DE-604 
773 1 8 |g pages:220-231 
773 0 8 |t New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg  |d New York ; London, 2021  |g Seite 220-231  |w (DE-604)BV047683278  |z 978-0-367-14084-7 
941 |s 220-231 
943 1 |a oai:aleph.bib-bvb.de:BVB01-033231419 

Datensatz im Suchindex

_version_ 1819312328266481664
any_adam_object
article_link (DE-604)BV047683278
author Handberg, Kristian
author_GND (DE-588)1127560239
author_facet Handberg, Kristian
author_role aut
author_sort Handberg, Kristian
author_variant k h kh
building Verbundindex
bvnumber BV047848558
ctrlnum (OCoLC)1302319535
(DE-599)BVBBV047848558
era Geschichte 1956-1968 gnd
Geschichte 1965-1968 gnd
era_facet Geschichte 1956-1968
Geschichte 1965-1968
format Article
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02632naa a2200469 c 4500</leader><controlfield tag="001">BV047848558</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220325 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">220222s2021 xx a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1302319535</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047848558</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Handberg, Kristian</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1127560239</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cosmonaut paintings as contemporary art</subfield><subfield code="b">the Soviet Union at the Venice Biennale, 1956-1968</subfield><subfield code="c">Kristian Handberg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Since its inauguration in 1895, the Biennale of Arts in Venice has been the world’s most renowned international exhibition of art. This chapter aims to illuminate the exhibition history of the Soviet Pavilion at the Venice Biennale and ask what a cosmonaut as an exhibiting artist can say about what was possible – and what was not – at the crossroads between different modernities. The cosmonaut landing at the world’s largest contemporary art exhibition – even in the turmoil of 1968 – will inevitably raise questions in regards to the Biennale’s game of internationalization and contemporaneity and possibly also of incommensurability. The spacewalking cosmonaut above the Black Sea is in some sense a peculiar meeting between free flight and open space and the carefully planned conquering of the elements by the authoritarian Soviet state.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Leonov, Aleksej Archipovič</subfield><subfield code="d">1934-2019</subfield><subfield code="0">(DE-588)118727591</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="611" ind1="2" ind2="7"><subfield code="a">Biennale di Venezia</subfield><subfield code="0">(DE-588)1019502-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1956-1968</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1965-1968</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Astronaut</subfield><subfield code="0">(DE-588)4143247-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Biennale di Venezia</subfield><subfield code="0">(DE-588)1019502-6</subfield><subfield code="D">f</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Astronaut</subfield><subfield code="0">(DE-588)4143247-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1956-1968</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Leonov, Aleksej Archipovič</subfield><subfield code="d">1934-2019</subfield><subfield code="0">(DE-588)118727591</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Biennale di Venezia</subfield><subfield code="0">(DE-588)1019502-6</subfield><subfield code="D">f</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1965-1968</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:220-231</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg</subfield><subfield code="d">New York ; London, 2021</subfield><subfield code="g">Seite 220-231</subfield><subfield code="w">(DE-604)BV047683278</subfield><subfield code="z">978-0-367-14084-7</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">220-231</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033231419</subfield></datafield></record></collection>
geographic Sowjetunion (DE-588)4077548-3 gnd
geographic_facet Sowjetunion
id DE-604.BV047848558
illustrated Illustrated
indexdate 2024-12-24T09:10:40Z
institution BVB
isbn 978-0-367-14084-7
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-033231419
oclc_num 1302319535
open_access_boolean
owner DE-255
owner_facet DE-255
physical Illustrationen
publishDate 2021
publishDateSearch 2021
publishDateSort 2021
record_format marc
spelling Handberg, Kristian Verfasser (DE-588)1127560239 aut
Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968 Kristian Handberg
2021
Illustrationen
txt rdacontent
n rdamedia
nc rdacarrier
Since its inauguration in 1895, the Biennale of Arts in Venice has been the world’s most renowned international exhibition of art. This chapter aims to illuminate the exhibition history of the Soviet Pavilion at the Venice Biennale and ask what a cosmonaut as an exhibiting artist can say about what was possible – and what was not – at the crossroads between different modernities. The cosmonaut landing at the world’s largest contemporary art exhibition – even in the turmoil of 1968 – will inevitably raise questions in regards to the Biennale’s game of internationalization and contemporaneity and possibly also of incommensurability. The spacewalking cosmonaut above the Black Sea is in some sense a peculiar meeting between free flight and open space and the carefully planned conquering of the elements by the authoritarian Soviet state.
Leonov, Aleksej Archipovič 1934-2019 (DE-588)118727591 gnd rswk-swf
Biennale di Venezia (DE-588)1019502-6 gnd rswk-swf
Geschichte 1956-1968 gnd rswk-swf
Geschichte 1965-1968 gnd rswk-swf
Astronaut (DE-588)4143247-2 gnd rswk-swf
Sowjetunion (DE-588)4077548-3 gnd rswk-swf
Biennale di Venezia (DE-588)1019502-6 f
Sowjetunion (DE-588)4077548-3 g
Astronaut (DE-588)4143247-2 s
Geschichte 1956-1968 z
DE-604
Leonov, Aleksej Archipovič 1934-2019 (DE-588)118727591 p
Geschichte 1965-1968 z
pages:220-231
New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg New York ; London, 2021 Seite 220-231 (DE-604)BV047683278 978-0-367-14084-7
spellingShingle Handberg, Kristian
Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968
Leonov, Aleksej Archipovič 1934-2019 (DE-588)118727591 gnd
Biennale di Venezia (DE-588)1019502-6 gnd
Astronaut (DE-588)4143247-2 gnd
subject_GND (DE-588)118727591
(DE-588)1019502-6
(DE-588)4143247-2
(DE-588)4077548-3
title Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968
title_auth Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968
title_exact_search Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968
title_full Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968 Kristian Handberg
title_fullStr Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968 Kristian Handberg
title_full_unstemmed Cosmonaut paintings as contemporary art the Soviet Union at the Venice Biennale, 1956-1968 Kristian Handberg
title_short Cosmonaut paintings as contemporary art
title_sort cosmonaut paintings as contemporary art the soviet union at the venice biennale 1956 1968
title_sub the Soviet Union at the Venice Biennale, 1956-1968
topic Leonov, Aleksej Archipovič 1934-2019 (DE-588)118727591 gnd
Biennale di Venezia (DE-588)1019502-6 gnd
Astronaut (DE-588)4143247-2 gnd
topic_facet Leonov, Aleksej Archipovič 1934-2019
Biennale di Venezia
Astronaut
Sowjetunion
work_keys_str_mv AT handbergkristian cosmonautpaintingsascontemporaryartthesovietunionatthevenicebiennale19561968