The people's pictures
The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander's most end...
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[2021]
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520 | 3 | |a The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander's most enduring subject -- the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In Lee Friedlander: The People's Pictures we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what's in front of the camera as they are about the photographer's lifelong redefining of the medium. Like his exploration of words, letters, and numbers in the social landscape, these photographs of photography's street presence seem inevitable to Friedlander's vast visual orchestration of what our society looks like. But make no mistake, Friedlander's photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place. | |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Friedlander, Lee 1934- |
author2_role | pht |
author2_variant | l f lf |
author_GND | (DE-588)119292491 |
author_facet | Friedlander, Lee 1934- |
building | Verbundindex |
bvnumber | BV047840195 |
callnumber-first | T - Technology |
callnumber-label | TR659 |
callnumber-raw | TR659.8 |
callnumber-search | TR659.8 |
callnumber-sort | TR 3659.8 |
callnumber-subject | TR - Photography |
classification_rvk | AP 94100 |
ctrlnum | (OCoLC)1295577155 (DE-599)BVBBV047840195 |
dewey-full | 779.092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 779 - Photographic images |
dewey-raw | 779.092 |
dewey-search | 779.092 |
dewey-sort | 3779.092 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines |
discipline_str_mv | Kunstgeschichte Allgemeines |
era | Geschichte 1963-2013 gnd |
era_facet | Geschichte 1963-2013 |
format | Book |
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index_date | 2024-07-03T19:11:41Z |
indexdate | 2024-07-10T09:22:47Z |
institution | BVB |
isbn | 9780871300881 0871300885 |
language | English |
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physical | 147 Seiten 32 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
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publisher | Eakins Press Foundation |
record_format | marc |
spelling | Friedlander, Lee 1934- (DE-588)119292491 pht The people's pictures Lee Friedlander Lee Friedlander - the people's pictures [New York] Eakins Press Foundation [2021] © 2021 147 Seiten 32 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander's most enduring subject -- the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In Lee Friedlander: The People's Pictures we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what's in front of the camera as they are about the photographer's lifelong redefining of the medium. Like his exploration of words, letters, and numbers in the social landscape, these photographs of photography's street presence seem inevitable to Friedlander's vast visual orchestration of what our society looks like. But make no mistake, Friedlander's photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place. Friedlander, Lee 1934- (DE-588)119292491 gnd rswk-swf Geschichte 1963-2013 gnd rswk-swf Streetphotography (DE-588)7745691-9 gnd rswk-swf Street photography Photography, Artistic (DE-588)4145395-5 Bildband gnd-content Friedlander, Lee 1934- (DE-588)119292491 p Streetphotography (DE-588)7745691-9 s Geschichte 1963-2013 z DE-604 |
spellingShingle | The people's pictures Friedlander, Lee 1934- (DE-588)119292491 gnd Streetphotography (DE-588)7745691-9 gnd |
subject_GND | (DE-588)119292491 (DE-588)7745691-9 (DE-588)4145395-5 |
title | The people's pictures |
title_alt | Lee Friedlander - the people's pictures |
title_auth | The people's pictures |
title_exact_search | The people's pictures |
title_exact_search_txtP | The people's pictures |
title_full | The people's pictures Lee Friedlander |
title_fullStr | The people's pictures Lee Friedlander |
title_full_unstemmed | The people's pictures Lee Friedlander |
title_short | The people's pictures |
title_sort | the people s pictures |
topic | Friedlander, Lee 1934- (DE-588)119292491 gnd Streetphotography (DE-588)7745691-9 gnd |
topic_facet | Friedlander, Lee 1934- Streetphotography Bildband |
work_keys_str_mv | AT friedlanderlee thepeoplespictures AT friedlanderlee leefriedlanderthepeoplespictures |