Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings Part 2 Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings
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| 110 | 2 | |a International Committee on the History of Art |0 (DE-588)2014707-7 |4 oth | |
| 245 | 1 | 0 | |a Motion: Transformation |b 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |n Part 2 |p Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings |c edited by Marzia Faietti and Gerhard Wolf |
| 250 | |a First edition | ||
| 264 | 1 | |a Bologna |b Bononia University Press |c September 2021 | |
| 300 | |a Seite 278-563 |b Illustrationen | ||
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|---|---|
| adam_text | MOTION:
TRANSFORMATION
35TH
CONGRESS
OF
THE
INTERNATIONAL
COMMITTEE
OF
THE
HISTORY
OF
ARTS
FLORENCE, 1-6
SEPTEMBER
2019
CONGRESS PROCEEDINGS
EDITED
BY
MARZIA FAIETTI AND GERHARD
WOLF
-
PART 2 -
BONONIA
UNIVERSITY
PRESS
CONTENTS
CONGRESS PROCEEDINGS YY PART 1 YY
INDEX
OF
AUTHORS
PREFACE
FLORENCE 2019
AND
BEYOND
MARZIA FAIETTI,
GERHARD
WOLF
SESSION 1
THE MYSTICAL MIND
AS
A DIVINE ARTIST:
9
11
VISIONS, ARTISTIC PRODUCTION, CREATION
OF
IMAGES
THROUGH EMPATHY
AKIRA
AKIYAMA,
GIUSEPPE
CAPRIOTTI, VALENTINA
ZIVKOVIC
INTRODUCTION
17
ALESSANDRA
BARTOLOMEI
ROMAGNOLI
THE
PAINTED
WORD:
FORMS
OF
MYSTICAL
LANGUAGE
IN
THE
13TH
CENTURY
23
CLAUDIA CIERI
VIA
BEYOND
THE
VISIBLE:
ABY
WARBURG
AND HIS
FINAL REFLECTIONS
ON
IMAGES
31
MICHELE
BACCI
HOLY
SITES, ECSTATIC EXPERIENCE,
AND
ICON
GENERATING
VISIONS 39
SERGI
SANCHO FIB/A
PICTURING
THE
TRINITY: VISION, ICONOGRAPHY, AND
THEOLOGY
IN
BEATRICE
OF
ORNACIEUX (D. 1303)
43
TERUAKI MATSUZAKI
KAKEZUKURI: A JAPANESE
ARCHITECTURAL
STYLE
FOR
THE
MYSTICAL
EXPERIENCE
OF
THE
MOUNTAIN
RELIGION
49
PHILIPPE
MOREL
AN
INTRODUCTION
TO
SPIRITUAL CONTEMPLATION:
THE VISION
OF
SAINT
BERNARD
FROM
FILIPPO
LIPPI
TO
FRA
BARTOLOMEO
53
RAFFAELE
ARGENZIANO
THE
REPRESENTED
WORLD
OF
COLOMBA
DA
RIETI
AND
DOMENICA
DA
PARADISO
59
SESSION 2
ARTIST, POWER, PUBLIC
GIOVANNA CAPITEL/I, CHRISTINA
STRUNCK
INTRODUCTION.
ARTIST,
POWER, PUBLIC
67
GAETANO
CURZI
THE
POWER
OF
IMAGES
AND
IMAGES
OF
POWER:
THE REPLICAS
OF
THE
LATERAN SAVIOUR IN CENTRAL
ITALY
71
HANNAH
BAADER
THE KING S FINGER,
THE
MERMAID S
BODY
AND THE
POWER
OF
THE
SEA 77
CARLOTTA
PALTRINIERI
SOCIAL AND SPATIAL DIMENSIONS
OF
THE
FLORENTINE
ACCADEMIA
DE/LE
ARTI
DE/
DISEGNO: THE SPACES
OF
THE
FLORENTINE
ART
ACADEMY
83
PRIYANI
ROY
CHOUDHURY
THE MUGHAL SIMULACRA:
ARCHITECTURE
AS VISUAL
LANGUAGE
OF
IMPERIAL
IDENTITY
IN
FATEHPUR
SIKRI
87
FRIEDERIKE WEIS
CONFIDENT
WOMEN
IN LNDO-PERSIANATE ALBUMS:
VISUAL
METAPHORS
OR
ETHNOGRAPHY?
93
MARCO FOLIN / MONICA
PRETI
THE
WONDERS
OF
THE
ANCIENT
WORLD:
WESTERN
IMAGERY
IN TRANSLATION
99
STEFANO CRACOLICI
PARA HACER
HONOR
A
SU
PATRIA
Y
AL
GOBIERNO :
MEXICAN
ARTISTS
IN ROME (1825-1835) 107
LEONARDO
SANTAMARIA-MONTERO
FROM
COLONY
TO
REPUBLIC: POLITICAL IMAGES AND
CEREMONIES IN COSTA RICA (1809-1858)
113
G.
A.
BREMNER
PROPAGATING
POWER: GENDER, LANGUAGE, AND
EMPIRE IN
THE
EDWARDIAN BAROQUE REVIVAL
(1885-1920)
117
ILL
CONTENTS
GIULIA MURACE CARLO SEVERI
ENGAGED
IN
AN
UNDERTAKING
OF
THE
HIGHEST
PARER VIVO
AND
PERSPECTIVE: THE CASE
OF
ARTISTIC
CULTURE :
TWO PROJECTS
FOR
A
SOUTH
MANTEGNA
189
AMERICAN
ACADEMY
IN
ROME
(1897-1911)
123
YIZHUGE
AN
OVERVIEW
OF
CONTEMPORARY
NEW
MEDIA
ART
IN CHINA
127
KATARZYNA
JAGODZINSKA
BETWEEN
MUSEUM
AS A
SYMBOL
AND
MUSEUM
AS A
FORUM:
POWER
RELATIONS IN
BUILDING
A
MUSEUM
OF
MODERN
ART
IN WARSAW 133
SESSION 3
ART
AND NATURE. CULTURES
OF
COLLECTING
MARCO COLLARETA
EWA
RYBALT
THERE
WHERE
THE
LIGHT
RETREATS: MORE
ABOUT
TITIAN S
ANNUNCIATIONS
195
ZUZANNA SARNECKA
DIVINE
SCULPTURAL
ENCOUNTERS
IN
THE
ITALIAN
RENAISSANCE
HOUSEHOLD
CAROLINE VAN
ECK
SACRIFICES MATERIAL
AND
IMMATERIAL:
201
THE SURVIVAL
OF
GRAECO-ROMAN CANDELABRA
207
PAMELA
D.
WINFIELD
VISUAL MIMESIS, TEXTUAL NEMESIS:
ANIMATION
INTRODUCTION
141
AND
ALIENATION
IN
ZEN
PORTRAIT
INSCRIPTIONS
215
AVINOAM
SHA/EM
INTRODUCTION
DIMITRIOS
LATSIS
ABY
WARBURG
IN ARIZONA: THE
DENKRAUM
OF
NATURE
AND
ART
ANJA
GREBE
ART,
NATURE,
METAMORPHOSIS:
MARIA SIBYLLA
142
145
MERIAN AS
ARTIST
AND
COLLECTOR
153
JOAO
OLIVEIRA
DUARTE
ARCHIVING
NATURE.
FROM
VANDELLI S
CURIOSITY
CABINET
TO
THE
NATURAL
HISTORY
CABINET
159
ELIZABETH
J.
PETCU
PALISSY
AND
THE
CLASH
OF
NATURAL
AND
ARTISTIC
PROCESSES 165
MATTHEW
MARTIN
THE
PHILOSOPHER S
STONE:
ART
AND
NATURE
IN
EIGHTEENTH-CENTURY
EUROPEAN PORCELAIN
PRODUCTION
171
SESSION 5
DE/SIGN
AND WRITING
LIHONG
LIU
INTRODUCTION.
DE/SIGN
AND
WRITING:
TOWARD AN
AESTHETIC
OF
THE
ASEMIC
221
MARCO MUSI/LO
INTRODUCTION.
LINES,
BLOTS
AND GRAPHEMES:
FROM
DRAWING
TO
INVISIBLE FORMS
231
SANJA SAVKIC
SEBEK/
ERIK
VELASQUEZ GARCIA
WRITING
AS
A VISUAL
ART:
THE MAYA
SCRIPT
235
LIANG
CHEN
THE SEVEN SAGES
OF
THE
BAMBOO
GROVE:
THE CANONIZATION
OF
A PICTORIAL THEME IN
BRICK
RELIEFS
DURING
THE
SOUTHERN DYNASTIES
243
STEFAN
LAUBE
BELA
ZSOLT
SZAKACS
COLLECTING
THE
OTHER
WAY
ROUND:
COLLECTING
WRITTEN
ON
THE
WALL:
SCRIPT
AND
DECORATION
AND BEING
COLLECTED
177
IN MEDIEVAL CENTRAL
EUROPE
251
TUTTA PALIN
SESSION 4
ART
AND RELIGIONS
MODERN
DISEGNO:
THE
EMBODIED
SPLENDOUR
OF
LINES 257
ANDREA
PINOTTI
ARTHUR
VALLE
INTRODUCTION.
ANIMATION
RELOADED:
BRAZILIAN
PONTOS
RISCADOS:
SPIRITUAL
INVOCATION,
THE
IMAGE
AS
CULT
VALUE
185
NOMINATION,
GEOMETRIC
THOUGHT
263
CONTENTS
JING
YANG
THE
HUMAN
AND
NON-HUMAN
INTERCONNECTEDNESS
CONGRESS PROCEEDINGS -
PART 2 -
INDEX
OF
AUTHORS
281
IN
THREE
CHINESE
CONTEMPORARY
ARTISTS
365
SESSION 6
BUILDING AN ICON: ARCHITECTURE FROM PROJECT
TO
PRODUCT
SESSION 8
THE GHOST
IN
THE MACHINE: THE DISAPPEARANCE
OF
FILIZ ;AK,R PHILLIP,
DARIO
DONETTI
INTRODUCTION
285
ARTISTS, CRITICS, VIEWERS?
SHARON
C.
SMITH
RAKHEE BALARAM
OF
ARCHITECTURE,
ICONS,
AND
MEANING:
INTRODUCTION
373
ENCOUNTERING
THE
PRE-MODERN
CITY
291
YU
YANG
SHADOWS
OF
URBAN
UTOPIA:
JAPANESE HOUSING
IN
COLONIAL MANCHURIA
301
KWAN
KIU
LEUNG
VISIBILITY
AND CRITICISM
IN
THE
PUBLIC
SPHERE:
MARCEL
DUCHAMP
& HE
CHENGYAO
377
ELENA
O NEILL
NADIA RADWAN
THE
ARCHITECTURE
OF
ELADIO
DIESTE:
CHALLENGING INVISIBLE
STORIES:
THE
OTHER
CRITERIA
OF
ART
TECHNOLOGY,
STRUCTURE,
AND
BEAUTY
307
CRITICISM
IN
THE
MIDDLE
EAST
381
ALINA
PAYNE
THE
ARCHITECT S
HAND:
MAKING
TROPES
AND
THEIR
AFTERLIFE
SESSION 7
MATTER AND MATERIALITY IN
ART
AND AESTHETICS:
FROM TIME
TO DEEP-TIME
FRANCESCA BORGO,
RICCARDO
VENTURI
INTRODUCTION
FABIAN
JONIETZ
SMALL
MATTER
AND
ETERNITY:
MICHELANGELO S
LAST
313
325
JUDGMENT
329
NICOLAS
CORDON
THE
LIVELINESS
OF
STUCCO:
VANISHING
STATUES
AND
CREAMY
CLOUDS
IN
BAROQUE
PALERMO 335
BRONWEN
WILSON
LITHIC
IMAGES,
JACOPO
LIGOZZI,
AND
THE
DESCRIZIONE
DE/
SACRO MONTE DE/LA VERNIA
(1612)
341
AMY
F.
OGATA
MAKING
IRON
MATTER
IN
SECOND
EMPIRE
FRANCE
349
STEFANIA
PORTINARI
THE
VENICE BIENNALE
AS A
WORLD
MAP:
CARTOGRAPHIES, GEOLOGICAL
INTERVENTIONS,
LANDMARK
LAYERS
ULIANE
EHRHART
TOWARDS
THE CREATION
OF
ORIGINAL
MATERIAL
DEPICTIONS
OF
THE
HUMAN:
MARC
QUINN S
SCULPTURES
353
359
LING
MIN
WHAT
IS
LOST
IN
THE
TRANSFORMATION
OF
ART
CRITICISM
IN CHINA?
JOSE
ANTONIO
GONZALEZ ZARANDONA
387
DESTRUCTION
OF
IMAGES;
IMAGES
ON
DESTRUCTION:
CRITICAL
STANCES
ON
CONTEMPORARY
HERITAGE
391
FRANCESCO
GUZZETTI
STANDARDIZING
THE
AUTHOR:
EMILIO
PRINI
AND
CONCEPTUAL
ART
LOLA
LORANT
FROM
ART
CRITICISM
TO
ART
HISTORY: CHALLENGING
397
THE
ENVIRONMENTAL EXCLUSION IN
THE
WRITINGS
OF
NOUVEAU
REALISME IN
THE
TRANSATLANTIC
WORLD
403
MARIA
DE
FATIMA
MORETHY
COUTO
BRINGING
THE SPECTATOR
TO
THE
FOREGROUND:
JULIO
LE PARE AND LYGIA
CLARK
AT
THE
VENICE
BIENNALES (1966
AND
1968)
409
LEONARDO
LMPETT
/
PETER
BELL
REVERSE
ENGINEERING
MICHAEL
BAXANDALL S
PICTORIAL
PLOT
415
PAMELA BIANCHI
DIGITAL
CURATING
AND
EPHEMERAL
ARTWORKS:
THREE
CASE
STUDIES
SARA
DE
CHIARA
EDMOND
DE
BELAMY
OR
BEL
AMI:
THE RISE
OF
THE NON-ARTIST
VS.
THE
ARTIST S
RETREAT
423
429
-
CONTENTS
SESSION 9
HIROKO
NAGAI
VOYAGE GIOVIO S
AND
VASARI S
WHO S
WHO:
PINTURICCHIO S MURAL PAINTINGS AS MODELS
MARZIA
FAIETTI
FOR
PAOLO GIOVIO S
PORTRAITS
493
INTRODUCTION.
FROM
FLORENCE
TO
SAO PAULO VIA
MAROZIA
437
HAOXUE NIE
THE ANTI-URBANISM DISCOURSE IN THE PAINTINGS
ANA
GONCALVES MAGALHAES
OF
GEORGE
AULT
AND
OTHER
PRECISIONISTS
496
INTRODUCTION.
VOYAGE: MISPLACEMENT AND
FOREIGNNESS
443
IZUMI
FLORENCE
OTA
A FRENCH ROYAL RELIQUARY
WITH
THE
IMAGE
MIYUKI
AOKI
GIRARDELLI
OF
THE
ARMA
CHRISTI,
THE
SO-CALLED
LIBRETTO
499
THE
ORIENT
IN
THE
WEST: THE JAPANESE
ARCHITECT
ITO CH0TA S TRAVELS IN
THE
OTTOMAN
EMPIRE AND LARISSA CARVALHO
ITS CHALLENGE
TO
THE
ORIENTAL NARRATIVE
445
BETWEEN
ART
AND
FASHION: 16TH-CENTURY
COSTUME
BOOKS
TODAY
502
DAVID
YOUNG
KIM
NOTES ON
THE
UNDERGROUND: THE SUBTERRANEAN
JAQUELINE
SOUZA VELOSO
VOYAGES
OF
GIORGIO VASARI AND ANTONIO VIEIRA
451
PROJECTION
OF
MATURITY, INVENTIVENESS,
AND
IMAGINATION
IN
ROMAN
FUNERARY
ART:
ANALYSIS
MARIA BERBARA
OF
THE
ALTAR
OF
LULIA
VICTORINA
506
REPRESENTATIONS
OF
BRAZIL IN ITALY IN
THE
16TH
AND EARLY 17TH CENTURIES: BETWEEN
YUNING TENG
DOMESTICATION AND FEROCITY
459
THE
RE-FABRICATION
OF
NAPOLEON
IN CHINA
(1900-1930)
508
ALEXANDER
GAIOTTO
MIYOSHI
THE
EMIGRANTS
(1910)
BY
ANTONIO
ROCCO: YOKO TSUCHIYAMA
A VOYAGE
OF
A PAINTING AND ITS PAINTER
465
BETWEEN
OBJECT
AND TEXT: A
STUDY
ON LOCAL
REACTIONS
TO
THE
FAMILY
OF
MAN IN THE 1950S
PAOLO RUSCONI
AND 60S
511
ATTRACTION
AND
ARTISTIC
MOBILITY
PATTERNS
IN
P.M.
BARDI S BRAZILIAN WAY
471
GERHARD
WOLF
KEYNOTE SPEECH
BEYOND
THE
VOYAGE
477
KAVITA SINGH
UNCOLLECTING
INDIA
AT
THE
V&A:
POSTER SESSION COLONIAL
ARTEFACTS
AND THEIR AFTERLIVES
517
JEFFERSON
DE
ALBUQUERQUE
MENDES
IMAGO
SIGNORUM:
THE
DOCTRINE
OF
THE
MICROCOSMIC
MAN IN ILLUSTRATIONS
BETWEEN
ROUND TABLE
THE
14TH
AND
15TH CENTURIES
483
VERA
AGOSTI
TATIANE DE OLIVEIRA ELIAS
MOTION/TRANSFORMATION
IN VALERIO
ADAMI
533
SYMBOLISM
OF
AFRO-LATIN
AMERICAN RELIGIONS
IN VISUAL
ARTS
486
THIERRY
DUFRENE/
PETER
J.
SCHNEEMANN
CONTEMPORARY
ART
AND CIHA. THE CHALLENGE
PEDRO
LUENGO
OF
TRANSFORMATION.
AN
INFORMAL CONVERSATION 537
18TH-CENTURY
FOREIGN
ARTISTS
IN COURTS
489
RENATO MENEZES
AMBIGUOUS
GESTURES: ICONOGRAPHY
OF
THE CIHA, FLORENCE
2019
ARCHERS BETWEEN EUROPE AND THE NEW
WORLD
490
CONGRESS PROGRAM
545
|
| adam_txt |
MOTION:
TRANSFORMATION
35TH
CONGRESS
OF
THE
INTERNATIONAL
COMMITTEE
OF
THE
HISTORY
OF
ARTS
FLORENCE, 1-6
SEPTEMBER
2019
CONGRESS PROCEEDINGS
EDITED
BY
MARZIA FAIETTI AND GERHARD
WOLF
-
PART 2 -
BONONIA
UNIVERSITY
PRESS
CONTENTS
CONGRESS PROCEEDINGS YY PART 1 YY
INDEX
OF
AUTHORS
PREFACE
FLORENCE 2019
AND
BEYOND
MARZIA FAIETTI,
GERHARD
WOLF
SESSION 1
THE MYSTICAL MIND
AS
A DIVINE ARTIST:
9
11
VISIONS, ARTISTIC PRODUCTION, CREATION
OF
IMAGES
THROUGH EMPATHY
AKIRA
AKIYAMA,
GIUSEPPE
CAPRIOTTI, VALENTINA
ZIVKOVIC
INTRODUCTION
17
ALESSANDRA
BARTOLOMEI
ROMAGNOLI
THE
PAINTED
WORD:
FORMS
OF
MYSTICAL
LANGUAGE
IN
THE
13TH
CENTURY
23
CLAUDIA CIERI
VIA
BEYOND
THE
VISIBLE:
ABY
WARBURG
AND HIS
FINAL REFLECTIONS
ON
IMAGES
31
MICHELE
BACCI
HOLY
SITES, ECSTATIC EXPERIENCE,
AND
ICON
GENERATING
VISIONS 39
SERGI
SANCHO FIB/A
PICTURING
THE
TRINITY: VISION, ICONOGRAPHY, AND
THEOLOGY
IN
BEATRICE
OF
ORNACIEUX (D. 1303)
43
TERUAKI MATSUZAKI
KAKEZUKURI: A JAPANESE
ARCHITECTURAL
STYLE
FOR
THE
MYSTICAL
EXPERIENCE
OF
THE
MOUNTAIN
RELIGION
49
PHILIPPE
MOREL
AN
INTRODUCTION
TO
SPIRITUAL CONTEMPLATION:
THE VISION
OF
SAINT
BERNARD
FROM
FILIPPO
LIPPI
TO
FRA
BARTOLOMEO
53
RAFFAELE
ARGENZIANO
THE
"REPRESENTED"
WORLD
OF
COLOMBA
DA
RIETI
AND
DOMENICA
DA
PARADISO
59
SESSION 2
ARTIST, POWER, PUBLIC
GIOVANNA CAPITEL/I, CHRISTINA
STRUNCK
INTRODUCTION.
ARTIST,
POWER, PUBLIC
67
GAETANO
CURZI
THE
POWER
OF
IMAGES
AND
IMAGES
OF
POWER:
THE REPLICAS
OF
THE
LATERAN SAVIOUR IN CENTRAL
ITALY
71
HANNAH
BAADER
THE KING'S FINGER,
THE
MERMAID'S
BODY
AND THE
POWER
OF
THE
SEA 77
CARLOTTA
PALTRINIERI
SOCIAL AND SPATIAL DIMENSIONS
OF
THE
FLORENTINE
ACCADEMIA
DE/LE
ARTI
DE/
DISEGNO: THE SPACES
OF
THE
FLORENTINE
ART
ACADEMY
83
PRIYANI
ROY
CHOUDHURY
THE MUGHAL SIMULACRA:
ARCHITECTURE
AS VISUAL
LANGUAGE
OF
IMPERIAL
IDENTITY
IN
FATEHPUR
SIKRI
87
FRIEDERIKE WEIS
CONFIDENT
WOMEN
IN LNDO-PERSIANATE ALBUMS:
VISUAL
METAPHORS
OR
ETHNOGRAPHY?
93
MARCO FOLIN / MONICA
PRETI
THE
WONDERS
OF
THE
ANCIENT
WORLD:
WESTERN
IMAGERY
IN TRANSLATION
99
STEFANO CRACOLICI
"PARA HACER
HONOR
A
SU
PATRIA
Y
AL
GOBIERNO":
MEXICAN
ARTISTS
IN ROME (1825-1835) 107
LEONARDO
SANTAMARIA-MONTERO
FROM
COLONY
TO
REPUBLIC: POLITICAL IMAGES AND
CEREMONIES IN COSTA RICA (1809-1858)
113
G.
A.
BREMNER
PROPAGATING
POWER: GENDER, LANGUAGE, AND
EMPIRE IN
THE
EDWARDIAN BAROQUE REVIVAL
(1885-1920)
117
ILL
CONTENTS
GIULIA MURACE CARLO SEVERI
"ENGAGED
IN
AN
UNDERTAKING
OF
THE
HIGHEST
PARER VIVO
AND
PERSPECTIVE: THE CASE
OF
ARTISTIC
CULTURE":
TWO PROJECTS
FOR
A
SOUTH
MANTEGNA
189
AMERICAN
ACADEMY
IN
ROME
(1897-1911)
123
YIZHUGE
AN
OVERVIEW
OF
CONTEMPORARY
NEW
MEDIA
ART
IN CHINA
127
KATARZYNA
JAGODZINSKA
BETWEEN
MUSEUM
AS A
SYMBOL
AND
MUSEUM
AS A
FORUM:
POWER
RELATIONS IN
BUILDING
A
MUSEUM
OF
MODERN
ART
IN WARSAW 133
SESSION 3
ART
AND NATURE. CULTURES
OF
COLLECTING
MARCO COLLARETA
EWA
RYBALT
THERE
WHERE
THE
LIGHT
RETREATS: MORE
ABOUT
TITIAN'S
ANNUNCIATIONS
195
ZUZANNA SARNECKA
DIVINE
SCULPTURAL
ENCOUNTERS
IN
THE
ITALIAN
RENAISSANCE
HOUSEHOLD
CAROLINE VAN
ECK
SACRIFICES MATERIAL
AND
IMMATERIAL:
201
THE SURVIVAL
OF
GRAECO-ROMAN CANDELABRA
207
PAMELA
D.
WINFIELD
VISUAL MIMESIS, TEXTUAL NEMESIS:
ANIMATION
INTRODUCTION
141
AND
ALIENATION
IN
ZEN
PORTRAIT
INSCRIPTIONS
215
AVINOAM
SHA/EM
INTRODUCTION
DIMITRIOS
LATSIS
ABY
WARBURG
IN ARIZONA: THE
DENKRAUM
OF
NATURE
AND
ART
ANJA
GREBE
ART,
NATURE,
METAMORPHOSIS:
MARIA SIBYLLA
142
145
MERIAN AS
ARTIST
AND
COLLECTOR
153
JOAO
OLIVEIRA
DUARTE
ARCHIVING
NATURE.
FROM
VANDELLI'S
CURIOSITY
CABINET
TO
THE
NATURAL
HISTORY
CABINET
159
ELIZABETH
J.
PETCU
PALISSY
AND
THE
CLASH
OF
NATURAL
AND
ARTISTIC
PROCESSES 165
MATTHEW
MARTIN
THE
PHILOSOPHER'S
STONE:
ART
AND
NATURE
IN
EIGHTEENTH-CENTURY
EUROPEAN PORCELAIN
PRODUCTION
171
SESSION 5
DE/SIGN
AND WRITING
LIHONG
LIU
INTRODUCTION.
DE/SIGN
AND
WRITING:
TOWARD AN
AESTHETIC
OF
THE
ASEMIC
221
MARCO MUSI/LO
INTRODUCTION.
LINES,
BLOTS
AND GRAPHEMES:
FROM
DRAWING
TO
INVISIBLE FORMS
231
SANJA SAVKIC
SEBEK/
ERIK
VELASQUEZ GARCIA
WRITING
AS
A VISUAL
ART:
THE MAYA
SCRIPT
235
LIANG
CHEN
THE SEVEN SAGES
OF
THE
BAMBOO
GROVE:
THE CANONIZATION
OF
A PICTORIAL THEME IN
BRICK
RELIEFS
DURING
THE
SOUTHERN DYNASTIES
243
STEFAN
LAUBE
BELA
ZSOLT
SZAKACS
COLLECTING
THE
OTHER
WAY
ROUND:
COLLECTING
WRITTEN
ON
THE
WALL:
SCRIPT
AND
DECORATION
AND BEING
COLLECTED
177
IN MEDIEVAL CENTRAL
EUROPE
251
TUTTA PALIN
SESSION 4
ART
AND RELIGIONS
MODERN
DISEGNO:
THE
EMBODIED
SPLENDOUR
OF
LINES 257
ANDREA
PINOTTI
ARTHUR
VALLE
INTRODUCTION.
ANIMATION
RELOADED:
BRAZILIAN
PONTOS
RISCADOS:
SPIRITUAL
INVOCATION,
THE
IMAGE
AS
'CULT
VALUE'
185
NOMINATION,
GEOMETRIC
THOUGHT
263
CONTENTS
JING
YANG
THE
HUMAN
AND
NON-HUMAN
INTERCONNECTEDNESS
CONGRESS PROCEEDINGS -
PART 2 -
INDEX
OF
AUTHORS
281
IN
THREE
CHINESE
CONTEMPORARY
ARTISTS
365
SESSION 6
BUILDING AN ICON: ARCHITECTURE FROM PROJECT
TO
PRODUCT
SESSION 8
THE GHOST
IN
THE MACHINE: THE DISAPPEARANCE
OF
FILIZ ;AK,R PHILLIP,
DARIO
DONETTI
INTRODUCTION
285
ARTISTS, CRITICS, VIEWERS?
SHARON
C.
SMITH
RAKHEE BALARAM
OF
ARCHITECTURE,
ICONS,
AND
MEANING:
INTRODUCTION
373
ENCOUNTERING
THE
PRE-MODERN
CITY
291
YU
YANG
SHADOWS
OF
URBAN
UTOPIA:
JAPANESE HOUSING
IN
COLONIAL MANCHURIA
301
KWAN
KIU
LEUNG
VISIBILITY
AND CRITICISM
IN
THE
PUBLIC
SPHERE:
MARCEL
DUCHAMP
& HE
CHENGYAO
377
ELENA
O'NEILL
NADIA RADWAN
THE
ARCHITECTURE
OF
ELADIO
DIESTE:
CHALLENGING INVISIBLE
STORIES:
THE
OTHER
CRITERIA
OF
ART
TECHNOLOGY,
STRUCTURE,
AND
BEAUTY
307
CRITICISM
IN
THE
MIDDLE
EAST
381
ALINA
PAYNE
THE
ARCHITECT'S
HAND:
MAKING
TROPES
AND
THEIR
AFTERLIFE
SESSION 7
MATTER AND MATERIALITY IN
ART
AND AESTHETICS:
FROM TIME
TO DEEP-TIME
FRANCESCA BORGO,
RICCARDO
VENTURI
INTRODUCTION
FABIAN
JONIETZ
SMALL
MATTER
AND
ETERNITY:
MICHELANGELO'S
LAST
313
325
JUDGMENT
329
NICOLAS
CORDON
THE
LIVELINESS
OF
STUCCO:
VANISHING
STATUES
AND
CREAMY
CLOUDS
IN
BAROQUE
PALERMO 335
BRONWEN
WILSON
LITHIC
IMAGES,
JACOPO
LIGOZZI,
AND
THE
DESCRIZIONE
DE/
SACRO MONTE DE/LA VERNIA
(1612)
341
AMY
F.
OGATA
MAKING
IRON
MATTER
IN
SECOND
EMPIRE
FRANCE
349
STEFANIA
PORTINARI
THE
VENICE BIENNALE
AS A
WORLD
MAP:
CARTOGRAPHIES, GEOLOGICAL
INTERVENTIONS,
LANDMARK
LAYERS
ULIANE
EHRHART
TOWARDS
THE CREATION
OF
ORIGINAL
MATERIAL
DEPICTIONS
OF
THE
HUMAN:
MARC
QUINN'S
SCULPTURES
353
359
LING
MIN
WHAT
IS
LOST
IN
THE
TRANSFORMATION
OF
ART
CRITICISM
IN CHINA?
JOSE
ANTONIO
GONZALEZ ZARANDONA
387
DESTRUCTION
OF
IMAGES;
IMAGES
ON
DESTRUCTION:
CRITICAL
STANCES
ON
CONTEMPORARY
HERITAGE
391
FRANCESCO
GUZZETTI
STANDARDIZING
THE
AUTHOR:
EMILIO
PRINI
AND
CONCEPTUAL
ART
LOLA
LORANT
FROM
ART
CRITICISM
TO
ART
HISTORY: CHALLENGING
397
THE
ENVIRONMENTAL EXCLUSION IN
THE
WRITINGS
OF
NOUVEAU
REALISME IN
THE
TRANSATLANTIC
WORLD
403
MARIA
DE
FATIMA
MORETHY
COUTO
BRINGING
THE SPECTATOR
TO
THE
FOREGROUND:
JULIO
LE PARE AND LYGIA
CLARK
AT
THE
VENICE
BIENNALES (1966
AND
1968)
409
LEONARDO
LMPETT
/
PETER
BELL
REVERSE
ENGINEERING
MICHAEL
BAXANDALL'S
PICTORIAL
PLOT
415
PAMELA BIANCHI
DIGITAL
CURATING
AND
EPHEMERAL
ARTWORKS:
THREE
CASE
STUDIES
SARA
DE
CHIARA
EDMOND
DE
BELAMY
OR
BEL
AMI:
THE RISE
OF
THE 'NON-ARTIST'
VS.
THE
ARTIST'S
RETREAT
423
429
-
CONTENTS
SESSION 9
HIROKO
NAGAI
VOYAGE GIOVIO'S
AND
VASARI'S
WHO'S
WHO:
PINTURICCHIO'S MURAL PAINTINGS AS MODELS
MARZIA
FAIETTI
FOR
PAOLO GIOVIO'S
PORTRAITS
493
INTRODUCTION.
FROM
FLORENCE
TO
SAO PAULO VIA
MAROZIA
437
HAOXUE NIE
THE ANTI-URBANISM DISCOURSE IN THE PAINTINGS
ANA
GONCALVES MAGALHAES
OF
GEORGE
AULT
AND
OTHER
PRECISIONISTS
496
INTRODUCTION.
VOYAGE: MISPLACEMENT AND
FOREIGNNESS
443
IZUMI
FLORENCE
OTA
A FRENCH ROYAL RELIQUARY
WITH
THE
IMAGE
MIYUKI
AOKI
GIRARDELLI
OF
THE
ARMA
CHRISTI,
THE
SO-CALLED
LIBRETTO
499
THE
"ORIENT"
IN
THE
WEST: THE JAPANESE
ARCHITECT
ITO CH0TA'S TRAVELS IN
THE
OTTOMAN
EMPIRE AND LARISSA CARVALHO
ITS CHALLENGE
TO
THE
ORIENTAL NARRATIVE
445
BETWEEN
ART
AND
FASHION: 16TH-CENTURY
COSTUME
BOOKS
TODAY
502
DAVID
YOUNG
KIM
NOTES ON
THE
UNDERGROUND: THE SUBTERRANEAN
JAQUELINE
SOUZA VELOSO
VOYAGES
OF
GIORGIO VASARI AND ANTONIO VIEIRA
451
PROJECTION
OF
MATURITY, INVENTIVENESS,
AND
IMAGINATION
IN
ROMAN
FUNERARY
ART:
ANALYSIS
MARIA BERBARA
OF
THE
ALTAR
OF
LULIA
VICTORINA
506
REPRESENTATIONS
OF
BRAZIL IN ITALY IN
THE
16TH
AND EARLY 17TH CENTURIES: BETWEEN
YUNING TENG
DOMESTICATION AND FEROCITY
459
THE
RE-FABRICATION
OF
NAPOLEON
IN CHINA
(1900-1930)
508
ALEXANDER
GAIOTTO
MIYOSHI
THE
EMIGRANTS
(1910)
BY
ANTONIO
ROCCO: YOKO TSUCHIYAMA
A VOYAGE
OF
A PAINTING AND ITS PAINTER
465
BETWEEN
OBJECT
AND TEXT: A
STUDY
ON LOCAL
REACTIONS
TO
THE
FAMILY
OF
MAN IN THE 1950S
PAOLO RUSCONI
AND'60S
511
ATTRACTION
AND
ARTISTIC
MOBILITY
PATTERNS
IN
P.M.
BARDI'S BRAZILIAN WAY
471
GERHARD
WOLF
KEYNOTE SPEECH
BEYOND
THE
VOYAGE
477
KAVITA SINGH
UNCOLLECTING
INDIA
AT
THE
V&A:
POSTER SESSION COLONIAL
ARTEFACTS
AND THEIR AFTERLIVES
517
JEFFERSON
DE
ALBUQUERQUE
MENDES
IMAGO
SIGNORUM:
THE
DOCTRINE
OF
THE
MICROCOSMIC
MAN IN ILLUSTRATIONS
BETWEEN
ROUND TABLE
THE
14TH
AND
15TH CENTURIES
483
VERA
AGOSTI
TATIANE DE OLIVEIRA ELIAS
MOTION/TRANSFORMATION
IN VALERIO
ADAMI
533
SYMBOLISM
OF
AFRO-LATIN
AMERICAN RELIGIONS
IN VISUAL
ARTS
486
THIERRY
DUFRENE/
PETER
J.
SCHNEEMANN
CONTEMPORARY
ART
AND CIHA. THE CHALLENGE
PEDRO
LUENGO
OF
TRANSFORMATION.
AN
INFORMAL CONVERSATION 537
18TH-CENTURY
FOREIGN
ARTISTS
IN COURTS
489
RENATO MENEZES
AMBIGUOUS
GESTURES: ICONOGRAPHY
OF
THE CIHA, FLORENCE
2019
ARCHERS BETWEEN EUROPE AND THE NEW
WORLD
490
CONGRESS PROGRAM
545 |
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| spelling | International Committee on the History of Art (DE-588)2014707-7 oth Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings Part 2 Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings edited by Marzia Faietti and Gerhard Wolf First edition Bologna Bononia University Press September 2021 Seite 278-563 Illustrationen txt rdacontent n rdamedia nc rdacarrier (DE-588)1071861417 Konferenzschrift gnd-content Faietti, Marzia (DE-588)1057195774 edt Wolf, Gerhard 1952- (DE-588)128409037 edt (DE-604)BV047656898 2 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033041916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| subject_GND | (DE-588)1071861417 |
| title | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| title_auth | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| title_exact_search | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| title_exact_search_txtP | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| title_full | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings Part 2 Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings edited by Marzia Faietti and Gerhard Wolf |
| title_fullStr | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings Part 2 Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings edited by Marzia Faietti and Gerhard Wolf |
| title_full_unstemmed | Motion: Transformation 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings Part 2 Motion: Transformation : 35th Congress of the International Committee of the History of Arts : Florence, 1-6 September 2019 : Congress Proceedings edited by Marzia Faietti and Gerhard Wolf |
| title_short | Motion: Transformation |
| title_sort | motion transformation 35th congress of the international committee of the history of arts florence 1 6 september 2019 congress proceedings motion transformation 35th congress of the international committee of the history of arts florence 1 6 september 2019 congress proceedings |
| title_sub | 35th Congress of the international Committee of the History of Arts : Florence, 1-6 September 2019 : Congress proceedings |
| topic_facet | Konferenzschrift |
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| volume_link | (DE-604)BV047656898 |
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