Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought
"Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particu...
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| 520 | 3 | |a "Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible." | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Barraclough, Rachel Elizabeth |
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| id | DE-604.BV047621853 |
| illustrated | Illustrated |
| indexdate | 2025-01-02T17:58:47Z |
| institution | BVB |
| isbn | 9781501368325 9781501368318 9781501368301 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033006474 |
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| publishDate | 2022 |
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| spelling | Barraclough, Rachel Elizabeth Verfasser (DE-588)1250962978 aut Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought Rachel Elizabeth Barraclough London Bloomsbury Academic 2022 1 Online-Ressource (xii, 240 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible." Deleuze, Gilles 1925-1995 Influence Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Geschichte 1990-2010 gnd rswk-swf Horror films Japan History and criticism Motion pictures Philosophy Motion pictures Japan History 21st century Horrorfilm (DE-588)4127415-5 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Deleuze, Gilles / 1925-1995 Horror films Influence (Literary, artistic, etc.) Motion pictures Japan 2000-2099 Criticism, interpretation, etc History Deleuze, Gilles 1925-1995 (DE-588)118524534 p Japan (DE-588)4028495-5 g Horrorfilm (DE-588)4127415-5 s Geschichte 1990-2010 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-501-36829-5 Erscheint auch als Druck-Ausgabe, Paperback 978-1-501-37502-6 https://doi.org/10.5040/9781501368325?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Barraclough, Rachel Elizabeth Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought Deleuze, Gilles 1925-1995 Influence Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Horror films Japan History and criticism Motion pictures Philosophy Motion pictures Japan History 21st century Horrorfilm (DE-588)4127415-5 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4127415-5 (DE-588)4028495-5 |
| title | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought |
| title_auth | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought |
| title_exact_search | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought |
| title_full | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought Rachel Elizabeth Barraclough |
| title_fullStr | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought Rachel Elizabeth Barraclough |
| title_full_unstemmed | Japanese horror cinema and Deleuze interrogating and reconceptualizing dominant modes of thought Rachel Elizabeth Barraclough |
| title_short | Japanese horror cinema and Deleuze |
| title_sort | japanese horror cinema and deleuze interrogating and reconceptualizing dominant modes of thought |
| title_sub | interrogating and reconceptualizing dominant modes of thought |
| topic | Deleuze, Gilles 1925-1995 Influence Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Horror films Japan History and criticism Motion pictures Philosophy Motion pictures Japan History 21st century Horrorfilm (DE-588)4127415-5 gnd |
| topic_facet | Deleuze, Gilles 1925-1995 Influence Deleuze, Gilles 1925-1995 Horror films Japan History and criticism Motion pictures Philosophy Motion pictures Japan History 21st century Horrorfilm Japan |
| url | https://doi.org/10.5040/9781501368325?locatt=label:secondary_bloomsburyCollections |
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