Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film
"Seth Friedman explores the recent spate of 'misdirection films, ' a genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Be...
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| Format: | Buch |
| Sprache: | English |
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Albany
SUNY Press
[2017]
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| Schriftenreihe: | The SUNY Series, Horizons Of Cinema
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| 100 | 1 | |a Friedman, Seth |d 1976- |e Verfasser |0 (DE-588)1246163268 |4 aut | |
| 245 | 1 | 0 | |a Are you watching closely? |b cultural paranoia, new technologies, and the contemporary Hollywood misdirection film |c Seth Friedman |
| 264 | 1 | |a Albany |b SUNY Press |c [2017] | |
| 300 | |a xiv, 264 Seiten |b Illustrationen |c 24 cm | ||
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| 490 | 0 | |a The SUNY Series, Horizons Of Cinema | |
| 505 | 8 | |a Retrospective issues: the discursive approach to genre and the misdirection film -- The truth is out there: manufacturing conspiratorial narrative coherence -- Constructing the (im)perfect cover: masculine masquerade and narrative agency -- Start making sense: narrative complexity, DVD, and online fandom -- The masters of misdirection: branding M. Night Shyamalan and Christopher Nolan -- Genre prestige: the misdirection film as blockbuster and middlebrow art -- Conclusion | |
| 520 | 3 | |a "Seth Friedman explores the recent spate of 'misdirection films, ' a genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what "actually" occurred and who was "really" responsible for events at a time when it is also becoming increasingly recognized that "truth" is relative."--Provided by the publisher | |
| 648 | 7 | |a Geschichte 1990-2010 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Friedman, Seth 1976- |
| author_GND | (DE-588)1246163268 |
| author_facet | Friedman, Seth 1976- |
| author_role | aut |
| author_sort | Friedman, Seth 1976- |
| author_variant | s f sf |
| building | Verbundindex |
| bvnumber | BV047604111 |
| contents | Retrospective issues: the discursive approach to genre and the misdirection film -- The truth is out there: manufacturing conspiratorial narrative coherence -- Constructing the (im)perfect cover: masculine masquerade and narrative agency -- Start making sense: narrative complexity, DVD, and online fandom -- The masters of misdirection: branding M. Night Shyamalan and Christopher Nolan -- Genre prestige: the misdirection film as blockbuster and middlebrow art -- Conclusion |
| ctrlnum | (OCoLC)1298747707 (DE-599)BVBBV047604111 |
| era | Geschichte 1990-2010 gnd |
| era_facet | Geschichte 1990-2010 |
| format | Book |
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| id | DE-604.BV047604111 |
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| isbn | 9781438465913 |
| language | English |
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| spelling | Friedman, Seth 1976- Verfasser (DE-588)1246163268 aut Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film Seth Friedman Albany SUNY Press [2017] xiv, 264 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier The SUNY Series, Horizons Of Cinema Retrospective issues: the discursive approach to genre and the misdirection film -- The truth is out there: manufacturing conspiratorial narrative coherence -- Constructing the (im)perfect cover: masculine masquerade and narrative agency -- Start making sense: narrative complexity, DVD, and online fandom -- The masters of misdirection: branding M. Night Shyamalan and Christopher Nolan -- Genre prestige: the misdirection film as blockbuster and middlebrow art -- Conclusion "Seth Friedman explores the recent spate of 'misdirection films, ' a genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what "actually" occurred and who was "really" responsible for events at a time when it is also becoming increasingly recognized that "truth" is relative."--Provided by the publisher Geschichte 1990-2010 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Täuschung Motiv (DE-588)4184334-4 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Motion pictures / Philosophy Space and time in motion pictures Narration (Rhetoric) USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Erzähltechnik (DE-588)4124854-5 s Täuschung Motiv (DE-588)4184334-4 s Geschichte 1990-2010 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4384-6592-0 |
| spellingShingle | Friedman, Seth 1976- Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film Retrospective issues: the discursive approach to genre and the misdirection film -- The truth is out there: manufacturing conspiratorial narrative coherence -- Constructing the (im)perfect cover: masculine masquerade and narrative agency -- Start making sense: narrative complexity, DVD, and online fandom -- The masters of misdirection: branding M. Night Shyamalan and Christopher Nolan -- Genre prestige: the misdirection film as blockbuster and middlebrow art -- Conclusion Film (DE-588)4017102-4 gnd Täuschung Motiv (DE-588)4184334-4 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4184334-4 (DE-588)4124854-5 (DE-588)4078704-7 |
| title | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film |
| title_auth | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film |
| title_exact_search | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film |
| title_full | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film Seth Friedman |
| title_fullStr | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film Seth Friedman |
| title_full_unstemmed | Are you watching closely? cultural paranoia, new technologies, and the contemporary Hollywood misdirection film Seth Friedman |
| title_short | Are you watching closely? |
| title_sort | are you watching closely cultural paranoia new technologies and the contemporary hollywood misdirection film |
| title_sub | cultural paranoia, new technologies, and the contemporary Hollywood misdirection film |
| topic | Film (DE-588)4017102-4 gnd Täuschung Motiv (DE-588)4184334-4 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Film Täuschung Motiv Erzähltechnik USA |
| work_keys_str_mv | AT friedmanseth areyouwatchingcloselyculturalparanoianewtechnologiesandthecontemporaryhollywoodmisdirectionfilm |