El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil
"El Eternauta, Daytripper, and Beyond examines the graphic narrative tradition in the two South American countries that have produced the medium's most significant and copious output. Argentine graphic narrative emerged in the 1980s, awakened by Héctor Oesterheld's groundbreaking 1950...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University of Texas Press
[2021]
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| 520 | |a "El Eternauta, Daytripper, and Beyond examines the graphic narrative tradition in the two South American countries that have produced the medium's most significant and copious output. Argentine graphic narrative emerged in the 1980s, awakened by Héctor Oesterheld's groundbreaking 1950s serial El Eternauta. After Oesterheld was "disappeared" under the military dictatorship, El Eternauta became one of the most important cultural texts of turbulent mid-twentieth-century Argentina. Today its story, set in motion by an extraterrestrial invasion of Buenos Aires, is read as a parable foretelling the "invasion" of Argentine society by a murderous tyranny. Because of El Eternauta, graphic narrative became a major platform for the country's cultural redemocratization. In contrast, Brazil, which returned to democracy in 1985 after decades of dictatorship, produced considerably less analysis of the period of repression in its graphic narratives. In Brazil, serious graphic narratives such as Fábio Moon and Gabriel Bá's Daytripper, which explores issues of modernity, globalization, and cross-cultural identity, developed only in recent decades, reflecting Brazilian society's current and ongoing challenges. Besides discussing El Eternauta and Daytripper, David William Foster utilizes case studies of influential works-such as Alberto Breccia and Juan Sasturain's Perramus series, Angélica Freitas and Odyr Bernardi's Guadalupe, and others-to compare the role of graphic narratives in the cultures of both countries, highlighting the importance of Argentina and Brazil as anchors of the production of world-class graphic narrative | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Foster, David William |
| author_facet | Foster, David William |
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| dewey-ones | 741 - Drawing and drawings |
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| dewey-search | 741.5982 |
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| id | DE-604.BV047598751 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T08:59:42Z |
| institution | BVB |
| isbn | 9781477310861 |
| language | English |
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| publishDate | 2021 |
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| publisher | University of Texas Press |
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| spelling | Foster, David William Verfasser aut El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil David William Foster Austin University of Texas Press [2021] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) "El Eternauta, Daytripper, and Beyond examines the graphic narrative tradition in the two South American countries that have produced the medium's most significant and copious output. Argentine graphic narrative emerged in the 1980s, awakened by Héctor Oesterheld's groundbreaking 1950s serial El Eternauta. After Oesterheld was "disappeared" under the military dictatorship, El Eternauta became one of the most important cultural texts of turbulent mid-twentieth-century Argentina. Today its story, set in motion by an extraterrestrial invasion of Buenos Aires, is read as a parable foretelling the "invasion" of Argentine society by a murderous tyranny. Because of El Eternauta, graphic narrative became a major platform for the country's cultural redemocratization. In contrast, Brazil, which returned to democracy in 1985 after decades of dictatorship, produced considerably less analysis of the period of repression in its graphic narratives. In Brazil, serious graphic narratives such as Fábio Moon and Gabriel Bá's Daytripper, which explores issues of modernity, globalization, and cross-cultural identity, developed only in recent decades, reflecting Brazilian society's current and ongoing challenges. Besides discussing El Eternauta and Daytripper, David William Foster utilizes case studies of influential works-such as Alberto Breccia and Juan Sasturain's Perramus series, Angélica Freitas and Odyr Bernardi's Guadalupe, and others-to compare the role of graphic narratives in the cultures of both countries, highlighting the importance of Argentina and Brazil as anchors of the production of world-class graphic narrative In English LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc - Brazil - History Comic books, strips, etc Brazil History Comic books, strips, etc Argentina History Graphic novels Argentina History and criticism Graphic novels Brazil History and criticism https://doi.org/10.7560/310847 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Foster, David William El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc - Brazil - History Comic books, strips, etc Brazil History Comic books, strips, etc Argentina History Graphic novels Argentina History and criticism Graphic novels Brazil History and criticism |
| title | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil |
| title_auth | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil |
| title_exact_search | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil |
| title_full | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil David William Foster |
| title_fullStr | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil David William Foster |
| title_full_unstemmed | El Eternauta, Daytripper, and Beyond Graphic Narrative in Argentina and Brazil David William Foster |
| title_short | El Eternauta, Daytripper, and Beyond |
| title_sort | el eternauta daytripper and beyond graphic narrative in argentina and brazil |
| title_sub | Graphic Narrative in Argentina and Brazil |
| topic | LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc - Brazil - History Comic books, strips, etc Brazil History Comic books, strips, etc Argentina History Graphic novels Argentina History and criticism Graphic novels Brazil History and criticism |
| topic_facet | LITERARY CRITICISM / Comics & Graphic Novels Comic books, strips, etc - Brazil - History Comic books, strips, etc Brazil History Comic books, strips, etc Argentina History Graphic novels Argentina History and criticism Graphic novels Brazil History and criticism |
| url | https://doi.org/10.7560/310847 |
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