Russian composers abroad how they left, stayed, returned
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| 505 | 8 | |a Introduction -- Part I : National versus global. The "universal" : Globalizing the local ; The national : Super-icons ; National identification versus cultural affiliation : Non-Russian composers ; Cultural affililtation versus citizenship : Russian diaspora -- Part II : How to : Perspectives of music creation. The "social" perspective ; The "production" perspective -- Part III : How they left. A brief history of Russian diaspora through music ; "Kolbasa" emigration" : A new cultural mythology? -- Part IV : How they stayed. The trauma of migration ; The many professions ; Supporters and connectors -- Part V : How they returned. Homecoming and reception at home ; Russian under Putin : To stay or to go? ; Conclusion | |
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Datensatz im Suchindex
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| adam_text | Contents Preface ix Acknowledgments xiii Note on Transliteration xxi Introduction 1 Part I. National versus Global 25 1. The “Universal”: Globalizing the Local 29 2. The National: Super-Icons 37 3. National Identification versus Cultural Affiliation: Non-Russian Composers 60 4. Cultural Affiliation versus Citizenship: Russian Diaspora Part II. How To: Perspectives of Music Creation 121 5. The “Social” Perspective 125 6. The “Production” Perspective 142 Part III. How They Left 169 7. A Brief History of Russian Diaspora through Music 171 8. “Kolbasa Emigration”: A New Cultural Mythology? 198 Part IV. How They Stayed 213 9. The Trauma of Migration 215 10. The Many Professions 237 11. Supporters and Connectors 260 Part V. How They Returned 287 12. Homecoming and Reception at Home 289 13. Russia under Putin: To Stay or to Go? 304 Conclusion 324 Bibliography Index 351 331 103
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Index Page numbers in italics refer to musical examples. Abulafia, Abraham, 136 Achron, Joseph, 174 ACM-II (Association of Contemporary Music11), 66. See also avant-garde Adams, John, 111 Agafonnikov, Vladislav, 308 Akbalkan, Yuri, 308 Akhmatova, Anna, 69, 255; work; Requiem, 72-100 Alexandrovna, Natalie, 261 Ali-Zadeh, Franghiz, 9, 179, 267; works: Aşk Havası, 269; Cello Concerto, 269; Habil-sajahi, 269; Shyshtar Metamorphoses, 269 Alliluyeva, Svetlana, 178 Andreeva, Viktoria, 289 Andriessen, Louis, 131 Arbatsky, Yuri, 176 Argerich, Martha, 10, 278 Arkushyna, Anna, 182 Artyomov, Vyacheslav, 112, 220, 223; To the Martyrs ofLong-Suffering Russia, 46 Arzoumanov, Valery, 16, 104; emigration of, 115,118,178; homecoming of, 291, 292; work: Quintet in Memory ofMy Fatherland, 116117, 118 Ashkenazy, Vladimir, 251, 252 Auerbach, Lera, 16,179, 246, 255-56; works: The Blind, 312; Dialogues on Stabat Ma ter (after G. B. Pergolesi), 278; Gogol, 255; Little Mermaid, 256; Oskolki, 277; Requiem for a Poet (Symphony No. 2), 255; Rus sian Requiem, 255, 256; A Serenade for a Melancholic Sea, 277՛, Speak, Memory, 219; Suite Concertante, 277; Symphony no. 3 (The Infant Minstrel and His Peculiar Menagerie), 256; Tatiana, 255; Violin Concerto, 255 avant-garde: composers, 46,69-71, 130, 247, 311; establishment, 125; musical style, 66, 192 Avshalomov, Aaron, 134,139, 174,239-40, 245; work: Esther, 134 awards and fellowships: American Academy in Rome, 243; Berliner Künstlerprogramm, 306; DAAD grant, 132, 215, 273, 275, 308; Gaudeamus Prize, 306; Golden Mask, 290; Great Distinguished Service Cross
with Star of the Federal Republic of Germany, 273; Guggenheim Fellowship, 243; Heidelberg Women Artists’ Prize, 273; Hilding Rosen berg Prize, 252; Koussevitzky International Recording Award, 135; Leo and Mina Fink Fund, 132; National Institute of Arts and Letters, 243; Nobel Prize, 199; Slava (Glory), 147,164 Babbitt, Milton, 289 Babel, Isaak, 112 Babkina, Nadezhda, 44 Bach, J. S„ 122, 297; works: Cantata no. 21, 88; Prelude and Fugue in D minor, Well-Tem pered Clavier vol. 1, BWV 851 (Raskatov ar rangement), 277; St. John Passion, 79 Bakhtin, Mikhail, 14 Balanchine, George, 243 Baley, Virko, 175
Ballet Companies: Ballets Russes, 40, 42; Ham burg Ballet, 255 Barantschik, Alexander, 279 Bardanashvili, Iosef, 9, 10,279; emigration of, 179, 245-46, 292 Barmash, Inna, 111 Barshai, Rudolf 266 Bartók, Bela: Bluebeard’s Castle, 282 Baryshnikov, Mikhail, 178 Bashmet, Yuri, 38,263,275 Batagov, Anton, 17,44, 182; works: I Fear No More, 294, 297; Selected Letters ofSergei Rachmaninoff, 297; Where We Are Not: Let ters ofMother Seraphima, 296-302, 300 Beaumarchais, 312; La Mère Coupable, 313 Beethoven, Ludwig van, 6, 55,145, 164, 231, 261, 274, 278; works: “Razumovsky” string quar tets (op. 59), 63; Rondo a Capriccio op. 129 (Rissine orchestration), 278; String Quartet op. 127 (Rissine orchestration), 278; Violin Concerto (Rissine cadenza), 278; Violin Concerto (Schnittke cadenza), 274 Bekirova, Sabrie, 267 Belaieff Mitrofan Petrovich, 17 Belaieff Foundation, 271-72,279 belonging: cultural (including cultural affilia tion), 15, 31, 60, 63-67,106,134; diaspora and, 145,291, 325-28; national (including national affiliation), 30, 33, 37-39, 63, 65-67, 128; universal, 29-33, 219, 324-25. See also citizenship; globalization in music; identity; Russianness Berezowsky, Nicolai, 174,238,261-62, 325; work: Symphony no. 4, 265 Berg, Alban, 165 Berg, Helene, 165 Berlin, Irving, 172 Bernstein, Leonard, 172,243, 320 Blok, Alexander, 69,104, 255 Bolshevik Revolution. See Russian revolutions: of 1917 (Bolshevik or October) Boreyko, Andrey, 16, 146, 147,148,160,251, 252, 255, 267,278, 294; as advocate of Rus sian music, 262-63, 279 Borisova-Ollas, Victoria, 16, 179, 246, 251-55, 262, 279;
works: Dracula, 251; lhe Kingdom 352 Index ofSilence, 252,253-54; Symphony no. 1, “The Triumph ofHeaven,” 252 Borodin, Alexander, 271 Borok, Emanuel, 277 Boulanger, Nadia, 243 Boulez, Pierre, 69 Brahms, Johannes, 69 Brazhnikov, Maksim, 50 Brexit, 26, 30 Brezhnev, Leonid, 272 Britten, Benjamin, 263,265, 320 Brodsky, Joseph, 255 Bronfman, Yefim, 104, 105 Bronte, Sheila, 244 Brown, Justin, 320 Bruckner, Anton, 146 Bulgakov, Mikhail, 25,200, 202 Bunakov, Nikolai (Philip Rusanovsky), 174,175 Buniatishvili, Rhatia, 278 Butsko, Yuriy, 15, 46; Russian dodecaphony, 47, 51-52; work: Polyphonic Concerto, 4850,49-52 Cage, John, 54, 126,142,243,296 Catherine the Great, 171 Catholic requiem mass, 88, 93 Celan, Paul, 216 Cerha, Friedrich, 165 Chaliapin, Feodor, 173 Chekhov, Anton: Three Sisters, 321 Cherednichenko, Tatyana, 164 Chopin, Frédéric: First Ballade, 185-92 citizenship, 21, 32, 60,64,103,180,256,262, 296, 306. See also identity Cold War, 51, 142, 171, 293,298 colleges and conservatories: Basel Academy of Music, 269; Conservatoire de Paris, 308; Dresden College of Music, 290; Eastman School of Music, 242; Gnessin Musical Col lege, 132; Hartt College, 240; Helsinki Con servatory, 240; Juilliard School of Music, 243, 255, 289; Rronberg Academy, 276,278; Le ningrad Conservatory, 115; Malmö Music College, 251; Moscow Conservatory, 17, 122,146, 247,251, 252, 264,265, 289, 296, 305, 307-8, 310, 312; Moscow Conservatory
Training School, 289, 290; Moscow Synodal School, 175; Moscow Tchaikovsky Conser vatory, 125,135, 246,290, 309, 312; MusicalDramatic Institute (Kharkov), 240; Music Reina Sofia, 269; New England Conservatory of Music, 289; New School, 241; New South Wales Conservatory, 132; Petrograd State Conservatory, 240; P. I. Tchaikovsky Na tional Academy of Music, 309; Pomona Col lege, 242; Royal Academy of Music, 251, 312; Royal College of Music, 312; Royal Conser vatory of The Hague, 308; Rubin Academy of Music and Dance, 135; Salzburg Mozarteum, 273; State Conservatory for Music and Per forming Arts (Stuttgart), 308; St. Petersburg Conservatory, 240, 308; Westchester Conser vatory, 240 Columbia-Princeton Electronic Music Center, 242 competitions: International Tchaikovsky Com petition, 269, 296; Queen Elizabeth Compe tition, 278; UNESCO, 142 composers: artistic and commercial success of, 121-24; as brands, 145, 164, 219; as entre preneurs, 145; financial support of, 244, 27І; marketing music of, 143, 301 Congress of Compatriots in Russia, 328 Cooke, Deryck, 165 Copland, Aaron, 172, 240, 243 Cowell, Henry, 165 Cowell, Sidney, 165 Crimean Tatars, 128 Cui, César, 107 Currentzis, Teodor, 144 Dalos, Rimma, 70 Dante: Divine Comedy, 268 Dausgaard, Thomas, 251 Davies, Dennis Russell 146, 294 Debussy, Claude, 297 de Hartmann, Thomas, 174, 261, 271 Denisov, Edison, 65,66, 70, 122, 169, 176, 179, 220, 267,269; students of, 247; work: Svete tikhiy (Quiet light), 46 Derzhavin, Gavriil, 201, 255 Desiatnikov, Leonid, 279 Diaghilev, Serge, 40, 42, 260 diaspora. See belonging: diaspora
and; Russian diaspora Dirvanauskaite, Giedre, 276, 278 Dmitriev, Georgy: Vespers, 46 dodecaphony. See Russian sacred music: dodecaphony in Donne, John, 297 Dorsey, Tommy, 241 Dostoevsky, Fyodor, 1, 69, 71, 255, 327; works: From the House of the Dead, 68; A Gentle Spirit, 71 Dubensky, Arcady, 261 Dubinsky, Rostislav, 266 Duffek, Hans-Ulrich, 272 Dukelsky, Vladimir, 174,240,261 Dutilleux, Henri, 263 Dvořák, Antonín, 69 Eastern Orthodox Church. See Orthodox Church, Russia Eicher, Manfred. See recording labels: ECM Elfman, Danny, 256, 257 emigration: economic, 181-82; inner, 119nl; kolbasa (see Russian diaspora: fourth wave [“kolbasa”]); political, 108,181-82, 301. See also Russian diaspora; and under individual composer names Eno, Brian, 297 ensembles: 2E2M ensemble, 306; Asko-Schönberg Ensemble, 25; Astraea, 223; Celli Monighetti, 269; Chamber Society of Lincoln Center, 279; Ensemble Modern, 247,290; Klangforum Wien, 247,290; The Knights, 111; Kremerata Baltica, 275-76, 277, 278; Ljova and the Kontraband, Ш; Moscow Vir tuosi, 111; Music Aeterna ensemble, 144; Musikfabrik, 290; Nederlands Blazers En semble, 45; Nieuw Ensemble, 290; Pitts burgh New Music Ensemble, 278; Schönberg Ensemble, 247; Silkroad, 33, 111; Xenia En semble, 267 Eötvös, Peter, 252 Erofeev, Venedikt, 55 Eshpay, Andrey: Symphony no. 6, 46 ethnic doublethink, 1-2 Index 353
ethnicity. See under individual composer names Evald, Zinaida: Songs from Pinezhie, 20 exoticism, 61-63, 68, 100; in composers’ works, 133,134. See also Russianness Falik, Yuri: Liturgical Chants, 46 Fay, Laurel, 270 Feigelson, Josif, 279 Feldman, Morton, 172, 296 Feltsman, Vladimir, 16, 177, 278-79, 283, 325 festivals: Alternativa, 296; Bang on a Can, 296, 301; BBC Proms, 256; Berliner Fest wochen, 290; Brighton Festival, 312; Brit ten and Strauss Festival, 312; Darmstadt Fereinkurse, 69; Diaghilev Festival, 297; Donauechingen Festival, 290, 306; Festival of Early and Contemporary Music, 275; Gaudeamus Music Week, 247, 290; Helsinki Festival, 61; International Festival of Contemporary Music and Performance, 267; Jewish Choral Festival, 132; Klang spuren, 247; Lockenhaus Chamber Music, 25, 274, 277; London Piano Festival, 321; Lucerne, 255; MaerzMusik, 306; Moscow Autumn, 247; Musical Collection, 283; Music Lives, 278; MusicMountain, 279; Music of the Future, 311; Ojai Festival, 243; PianoSummer, 278, 279; Ruhrtriennale, 144; Salzburg Easter Festival, 25; So fia Gubaidulina and Her Friends, 223; Tanglewood, 312; Venice Biennale, 306; White Nights, 294; Wien Modern, 290, 306; Zagreb Biennale, 247 Filanovsky, Boris, 16, 182, 301, 305, 307; home coming of, 291, 293; self-identity of, 112; works: play.list, 113-15,113-114՛, Propeven’,294 films on Russian music, 270 Filonenko, Alexandra, 179, 246 Finko, David, 132,139,142, 178, 185, 238, 325; emigration of, 9; self-identity of, 7; works: Abraham and Hanna, 132; The En chanted Tailor (unfinished), 132; Etapesnia, 131; Hear,
О Israel, 131; Holocaust: Ghetto Uprising, 131, 145; The Kabbalists, 132; The Klezmers, 132; Rus’, 131; The Wailing Wall, 131 354 Index Firsova, Elena, 2, 9, 31, 176, 179, 220, 268, 270, 271; emigration of, 119nl; host country of, 293; self-identity of, 12; work: Requiem, Tl im, 86, 89-92, 265 First World War, 171, 172 folk ensembles: Piatnitsky choir, 43; Pokrovsky ensemble, 45; State Academic Moiseev En semble of Folk Dance, 43 Foss, Lukas, 243 Frank, Anne, 131, 185 Furrer, Beat, 308 Galich, Alexander, 7,69 Gandelsman, Johnny, 111 Gandelsman, Yuri, 111 Gavin, Barrie, 270 Georgian, Karine, 266 Gergiev, Valery, 38,251, 267,294 Geringas, David, 266 Gershwin, George, 172, 320,241 Ginzburg, Irena, 111 Gippius, Eugeny: Songs from Pinezhie, 20 Gippius, Zinaida, 255 Glass, Philip, 203, 297 Glazunov, Alexander, 106,127,174,271 Glière, Reinhold, 271 Glinka, Mikhail, 39,132, 265 globalization in music, 29, 32-35, 51,60,108, 252,305,325. See also belonging: universal Gluzman, Vadim, 255,256 Gogol, Nikolai, 71,106,255; Taras Bulba, 67,68 Golovin, Andrey, 45 Goodman, Benny, 241 Gorbatov, Dmitry, 179,289-90 grants. See awards and fellowships Gretchaninov, Alexander, 174, 261,271 Griboyedov, Alexander, 201 Grindenko, Tatyana, 274 Gubaidulina, Sofia, 6,9,45,70,122,176,179, 220, 222-23, 267, 270, 272-74; emigration of, 215; ethnicity of, 3, 39; performances in Rus sia of music by, 294; works: Canticle of the Sun, 264; Hommage à T. S. Eliot, 274; Im promptu, 274; The Lyre of Orpheus, 274; Of fertorium, 273-74, 276; Ravvedimento, 269; Sonnengesang, 264
Hahn, Hilary, 219 Haieff, Alexei, 174,242-43; works; Ballet in E, 243; Concerto for Piano, 243; Divertimento, 243; Four Russian Songs for Soprano and String Quartet, 243; Orthodox Holy Week Music, 243; Symphony no. 1, 243; Symphony no. 2, 243; Symphony no. 3, 243 Haig Thomas, Margaret (Lady Rhondda), 320 Handel, George Frideric, 320 Harding, Daniel, 251 Hauschild, Wolf-Dieter, 223 Heifetz, Jascha, 173 Herschkowitz, Philip, 176 Hirschhorn, Philippe, 266, 278 Hitler, Adolf, 172, 311 homecoming. See Russian diaspora: homecom ing of; and under individual composer names Horowitz, Vladimir, 173 Horváth, Ödön von, 313 host countries, 9, 16,111-12, 122,290, 292, 325, 329; employment in, 244-45 Hrabovsky, Leonid, 3,4, 9,176,179, 238,245 Ibragimov, Rinat, 128 identity: collective, 11-12,220; cultural, 110; ethnic, 60, 66; flickering, 112-15, 130-32, 327; hyphenated, 2,110, 326-27; musical, 144; national, 37,60,63; politics of, 201; ra cial, 9,60; transnational, 2, 31, 292. See also belonging; and under individual composer names instrumental theater, 54-55. See also Korndorf, Nikolai Ivanov, Georgi, 255 Ivashkin, Alexander, 16,146, 148, 158, 160, 265, 269; as advocate of Russian music, 267-68 Ives, Charles: The Unanswered Question, 280 Janáček, Leoš, 15,67,70; self-identity of, 69, 71; works: Anna Karenina, 67; Divoška (The tomboy), 68; Elegy, 67; Jenüfa, 67; Káťa Ka hanová, 68; Pohádka (Fairy tale), 68; Smrt (Death), 67; String Quartet no. 1, 68; Taras Bulba, 68; Živá mrtvola, 68; Z mrtvého domu (From the house of the dead), 68 Janson, Mikhail, 297-98 Janson, Natalia (Mother
Seraphima), 297-302 Jasiński, Roman, 142 Jewish émigré composers, 2,8-9,131,178. See also Russian diaspora: Jewish émigré composers Jurowski,Vladimir, 16,105,255,262,267,294,297 Kafka, Franz, 325 Kancheli, Giya, 267, 272, 279; emigration of, 179,215,292; ethnicity of, 3-4, self-identity of, 8-9; works: And Farewell Goes Out Sigh ing, 275; Angels ofSorrow, 276; Exil, 21516,219,275; In Petto, 262; Lament, Music of Mourning in Memory ofLuigi Nono, 275; A Little Daneliade, 275; Lonesome, 275; Nach dem Weinen (Having wept), 264; Nu.Mu.Zu, 262; Rag-Gidon-Time, 275; Si lent Prayers, 275; Simi, “Joyless Thoughts, 265; Simple Music for Piano, 276; Time... and again, 275; Twilight, 275; With a Smile for Slava, 264 Karabits, Kirill, 262 Karaev, Faradzh, 268 Karamanov, Alemdar, 45 Karetnikov, Nikolai, 45 Karev, Leonid, 179, 245 Karmanov, Pavel, 279 Kats-Chernin, Elena, 16,178, 269; works: An cient Letters, 133; Deep Sea Dreaming, 132; Módim Anachnu Lach (We give thanks), 132; Remembering Białystok, 132; Russian Rug, 132; The Witching Hour, 132,133 Kavakos, Leonidas, 255 Kawabata, Yasunari, 321 Kharms, Daniil, 69,126, 321 Khismatov, Sergey, 182, 309 Khlebnikov, Velimir, 44 Khorkova, Marina, 182, 307 Khrennikov’s seven, 220 Kim, Sehyung (Sergey), 182, 308 Kissine, Victor, 105, 179, 280; works: Aftersight, Concerto for Violin and Chamber Orchestra, 279, 280; Aria, 278; Barcarola, 278,280; Be tween Two Waves, 280; Concerto for Violin and Orchestra, 262, 278,280, 283; Musique Nostalgique, 278; Piano Trio no. 1, 279; Post scriptum, 279-83,281, 294; Quintette, 278; Recto-verso, 279;
Still Life, 279; Swan Time, 278; Triplum, 278; Zerkało, 278 Index 355
Knaifel, Alexander, 220, 264, 267, 269 Kobzar, Alisa, 182,309 Kollontay, Mikhail, 46, 52; emigration of, 119nl, 179 Kondrashin, Kirill, 262 Kopytman, Mark, 2, 9, 16,142, 178, 238; selfidentityof, 134-35; works: Chamber Scenes from the Life of Susskind von Trimberg, 13639,137-39; Circles, 136; Kaddish, 140,145; Letters of Creation, 136; Memory, 135; Rota tions, 136; String Quartet no. 2, 139,145 Korndorf, Nikolai, 146,148,179, 252, 267, 269,294; emigration of, 122; minimalism in music of 52; self-identity of 5-7, 10,15; works: Continuum, 52; Lullaby, 252; Passa caglia, 268;... si muove, 54; String Quartet No. 2, 52, 53; Symphony no. 4 Muzyka andergraunda (“Underground music”), 55 Korostylyov, Vadim: The Warsaw AlarmBell, 186 Korsantia, Alexander, 279 Korsun, Anna, 182, 309 Kourliandski, Dmitri, 305-7; The Riot of Spring, 144 Koussevitzky, Serge, 16,174, 238, 240, 26062,265 Kozlov, Alexey, 157 Kremer, Gidon, 16, 104, 255, 263, 273-79, 283 Krenek, Ernst, 165 Krylov, Viktor, 68 Krysa, Oleg, 279 Kuchař, Theodore, 268 Kulkova, Ekaterina, 269 Kurtág, György, 15, 67, 69-71; works: Four Achmatova-Songs, 69,70; Games, 70; “I felt strange,” 69; “A meeting,” 69; Omaggio a Lu igi Nono, 70; Poslaniya pokoynoy R.V. Trusovoy (Messages of the late R. V. Troussova), 70; Requiem for the Beloved, 70; The Sayings ofPéter Bornemisza, 69,70; Scenes from a Novel, 70; The Songs ofDespair and Sorrow, 69; Stele, 70 Lachenmann, Helmut, 132, 245, 308 Langer, Elena, 179; works: Ariadne, 312; Beauty and Sadness, 321; Figaro Gets a Divorce, 312-22,315-18; Four Sisters, 321; The Girl of 356 Index Sand,
312; Havdala, 320; The Lions Face, 312; Plateh, 321; The Prayer, 320; RedMare, 321; Rhondda Rips It Up!, 320; Songs at the Well, 312; TuDa, 321; Two Cat Songs, 321 Lang Lang, 1 Ledenev, Roman: Four Sacred Chants, 46 Ledkovsky, Boris, 175-76 Lenin, Vladimir, 203 Lermontov, Mikhail, 67,69, 104, 255 Liadov, Anatoly, 106, 107, 271 Lindberg, Magnus, 61 Lintu, Hannu, 251 Liszt, Ferenc, 142 Lopatnikoff, Nikolai, 174, 240, 261 Lourié, Arthur (Naum Luria), 174, 240, 261 Lubimov, Alexei, 125, 231, 279 Lubotsky, Mark, 266 Luening, Otto, 242 Lunacharsky, Anatoly, 173 Lupu, Radu, 266 Lutosławski, Witold, 263 Mahler, Alma, 165 Mahler, Gustav, 55, 165 Maisky, Misha, 266, 278 Makovsky, Stanislav, 182, 308 Malevich, Kazimir, 252, 255 Malko, Nicolai, 173 Maminova, Dariya, 182, 308 Mandelstam, Osip, 69, 255 Manotskov, Alexander, 311 Markiz, Lev, 38, 266 Martynov, Ivan Ivanovich, 169 Martynov, Vladimir, 15,46, 169, 297; mini malism in music of, 125; work: Night in Gali cia, 44-45 Marx, Karl, 311 Masur, Kurt, 275 McBurney, Gerard, 17,122,202; as advocate of Russian music, 269-70 McBurney, Simon: Complicité theater, 202 Medtner, Nikolai, 173,174, 261 Merkel, Angela, 311 Meshchaninov, Piotr, 269 Messiaen, Olivier, 118 Mighty Handful, the, 2, 21n4,43,66 Mikhoels, Solomon, 184
Millennium of the Baptism of Russia, 46,72, 223. See also Orthodox Church, Russia Miller, Glenn, 241 Milstein, Nathan, 173 Minghella, Anthony: Madame Butterfly, 203 minimalism, 44, 142,192, 252,297, 301, 325. See also under individual composer names Mints, Roman, 312 Monighetti, Ivan, 16, 265, 269 Monteverdi, Claudio, 30 Mozart, W.A., 122, 147,261; works: Double Concerto K. 299 (Rissine cadenzas), 278; The Marriage ofFigaro, 312-13 Mukaiyama, Tomoko, 17 Mulligan, Gerry, 241 Munch, Charles, 243 musical community, 12, 272 Musorgsky, Modest, 45, 55,67,69, 211 Mustonen, Andres, 275,294 Muti, Riccardo, 267, 294, 295 Nabokov, Nikolai, 174,261 Nabokov, Vladimir, 219-20 narodnost’, 44 national acoustics, 39-40, 43 national affiliation. See belonging: national (in cluding national affiliation) national anthems, 265 national schools, 105 Nazaykinskaya, Polina, 182 Nelsons, Andris, 262 Neumeier, John, 255 Newski, Sergej, 179, 291, 305, 311; works: Franziskus, 290; Sverliitsy (Drillalians), 290 Nguyên Lân Tuât (Lantuat Nguen), 15,65; works: The Fanfare Overture, 65; The October cantata, 65; Solemn Overture, 65; The Steps of Revolution oratorio, 65 Nikolaev, Vladimir, 44 nvostalgia: kolbasa, 201; post-Soviet, 115, 289, 291; restorative, 120n22 Obukhov, Nikolai, 174 Okudzhava, Bulat, 7 Olkhovsky, Andrey, 175 opera companies: Bayerische Staatsoper, 105; Deutsche Staatsoper Unter den Linden, 290; English National Opera, 25, 202; Hamburg State Opera, 255; Het Muziektheater, 263; Hong Kong Opera, 321; Metropolitan Op era, 38,203; Netherlands National Opera, 25, 202; Opéra National de Lyon,
25, 202; Royal Swedish Opera, 251; Teatro alla Scala, 25, 202; Vienna State Opera, 263; Welsh Na tional Opera, 312, 320 Oramo, Sakari, 251 orchestras: Baltimore Symphony Orches tra, 252; Basel Symphony Orchestra, 294; BBC Philharmonic, 251; Belgrade Philhar monic, 126; Berlin Philharmonic, 269; Berlin Radio Symphony Orchestra, 105, 265; Bol shoi Theater Orchestra, 268; Boston Sym phony Orchestra, 238, 240, 243, 261; Brook lyn Philharmonic, 112; Chicago Symphony, 243, 294, 295; Cleveland Orchestra, 274; Dal las Symphony Orchestra, 25, 277; Detroit Symphony, 294; Dresden Philharmonic Or chestra, 146,148; Dusseldorf Symphony Or chestra, 251, 255; Essen Philharmonic Or chestra, 223; Finnish Radio Symphony, 251; First Jazz Orchestra of Russia, 241; Gothen burg Symphony Orchestra, 252; Gulbenkian Orchestra, 269; Hamburg Symphony Or chestra, 146; Israel Philharmonic Orches tra, 111; Leipzig Gewandhaus Orchestra, 269; London Philharmonic Orchestra, 25, 105, 294; London Symphony Orchestra, 128, 251; Mariinsky Orchestra, 294; Munich Philhar monic, 251; National Orchestra of Belgium, 278; National Symphony Orchestra, 263, 264; NDR Radiophilharmonie Hannover, 255; Nevada Symphony Orchestra, 175; New World Symphony, 279; New York Philhar monic, 243, 255, 275; Novosibirsk Academic Symphony, 294; Residentie Orkest, 17; Rot terdam Philharmonic Orchestra, 25; Royal Flemish Philharmonic, 264; Russian State Academic Symphony Orchestra, 105; Rus sian State Symphony Orchestra, 294, 297; San Francisco Symphony, 252, 279, 280; Se attle Symphony, 17; Sinfonieorchester Basel, 25;
Staatskappelle Dresden, 255; St. Peters burg Philharmonic Orchestra, 267, 269, 279, 283, 294; Stuttgarter Kammerorchester, 25; Index 35 7
Swedish Radio Symphony, 251; Tonhalle Or chester Zürich, 278; Venezuela Symphony Orchestra, 268; Westdeutscher Rundfunk Köln, 223 Orlov, Dmitry, 175 Orlova, Alexandra, 177 Ornstein, Leo, 172 Orthodox Church, Finland, 61, 63 Orthodox Church, Russia, 33,60, 71-72, 173, 175,242. See also Russian Orthodox music Ostrovsky, Alexander, Groza (The storm), 68 Ozawa, Seiji, 267 Pachelbel, Johann, 297 Pale of Settlement. See Russian diaspora: minus-one wave Part, Arvo, 6, 9, 45,178, 267, 269, 271, 297, 324; emigration of, 177, 199; minimalism in music of, 125; self-identity of, 3; works: Passio, 275; Tabula Rasa, 274-75 participatory music art, 144 Pasternak, Boris, 255, 327 Paul Sacher Foundation, 273, 308 Paulsen, Reinhard, 274 Pavlutskaya, Natalia, 268 Penderecki, Krzysztof: Threnodyfor the Victims of Hiroshima, 142, 219 Pérotin, 269 Pesko, Zoltan, 223 Petersburski, Jerzy: Siniy platochek” (The blue headscarf), 130 Petrenko, Kirill, 262 Petrenko, Vassily, 262 Petrov, Georgy, 72 Petrov-Vodkin, Kuzma: Fantasy, 321 Piatigorsky, Gregor, 173 Piazzolla, Astor, 257 Pierson, Alan, 112 Pilchen, Daniil, 182, 308 Platonov, Andrey, 127, 223 Pokrovsky, Dmitry, 44-45 Poleukhina, Marina, 182, 309 Polevoy, Boris, 131 Polyakov, Lev: Only Love, 112 post-Soviet nostalgia. See nostalgia: post-Soviet Pountney, David, 312-13 358 Index Prokofiev, Gabriel: Concerto for Cello and Or chestra, 267 Prokofiev, Sergey, 18,107, 173, 175,261, 263, 320 propaganda: music as, 37-38. See also be longing: national (including national affilia tion) publishing houses, 143, 304; Durand Salabert, 272; Editions Russes
de Musique, 261; G. Schirmer, Inc., 270; Hans Sikorski, 222, 245, 269,272-73; Meladina Press, 31; M. P. Belaieff Publishing House and Foundation, 222, 271-72; Muzgiz, 261; Muzychna Ukraina, 309; Universal Edition, 251,275 publitsistichnosť (publicly oriented criticism), 6, 100. See also Korndorf, Nikolai Pushkarev, Andrei, 276 Pushkin, Alexander, 67,255 Pussy Riot, 57n8 Putin, Vladimir, 3,4, 7,21n9, 38-39, 310, 327, 328; third term of, 180,181, 311 Rabinovitch-Barakovsky, Alexander, 2, 3,8,9, 10, 29-30, 118, 178; emigration of, 227; em ployment of, 244,270-71; homecoming of, 291,292; minimalism in music of, 29,125; self-identity of, 15; works: Anthology ofAr chaic Rituals—In Search of the Center, 29; La Belle Musique No. 2,125; Le récit de voyage, 231,232-34; Pura Cosa Mentale, 126; Sixlntermediary States, 126 Rachmaninov, Sergey, 39,106, 127,173, 174, 176,243, 261,297-99, 325, 328 radio stations: Radio Svoboda, 245; Vineta, 176 Rakhmanova, Marina, 46, 48,50 Raskatov, Alexander, 2, 9,25, 32,44, 179,268, 270; emigration of, 215,292; minimalism in music of, 277; Schnittke’s Symphony no. 9 and, 146-64; self-identity of, 110; works: Courtly Songs, 272; A Dog’s Heart, 25, 2023,204-10; Fünf minuten aus dem Leben von W.A.M., 277; GerMANIA, 25,272; In excelsis, 277; Kyrie eleison, 268; Let There Be Night, Five Fragments by Samuel Taylor Coleridge, 267; Mysterium magnum, 294; Piano Concerto Night Butterflies, 17-21,1819; The Season’s Digest, 277; Swinging the
Dream Pendulum, 277; Valse Adieu, 262; Violin Concerto no. 2, . ex oriente lux.. .,” 294; Voices ofFrozen Land, 45; A White Night’s Dream, 294-95; Xenia, 272; Zatme nie, 25,294 Ratushinskaya, Irina, 255 Rautavaara, Einojuhani, 15, 61-63,67; works; All-Night Vigil, 61-62; Icons, 62; Rasputin, 62 Rayeva, Olga, 16, 179, 246-51; works: Mino taur’s Dreams, 251; Zhrat’l, 247,248-50 Rebikov, Vladimir, 67 recording labels, 31, 304; ECM, 17,216, 275, 278; Grammophon, 176; Polidor, 176; Toccata Classics, 269 refusenik, 177 Reiner, Fritz, 243 Repin, Vadim, 255, 294 residencies: American Academyin Rome, 243; Dartington Hall, 271; International House of Artists Villa Concordia, 309; Jerwood Composer in Association, 312; SME Musical Academy, 309 return migration, 17,176-77,289. See also Rus sian diaspora: homecoming; and under indi vidual composer names Riley, Terry: In C, 125 Rimsky-Korsakov, Nikolai, 47, 107, 261, 271, 320 Ross, Alex, 38 Rossini, Gioachino: Barber of Seville, 312-13 Rostropovich, Mstislav, 16, 38,147, 148,158, 164, 169; as advocate of Russian music, 26365,275; as conductor, 267; emigration of, 178, 266; students of, 269 Rovner, Anton, 178, 289 Rovner, Arkady, 289 Rozhdestvensky, Gennady, 267. See also Schnittke, Alfred: Symphony no. 9 Rubinstein, Anton, 67 Russian Compatriots Community Council in Great Britain, 328 Russian diaspora, 2-3,202, 328; by waves, 9,1214,169-71,198,267; cosmopolitanism in, 105, 325; fifth wave (“Putin Exodus”), 9,171,18083,310; first wave (“White emigration”), 171, 172-73, 174,175, 240, 297, 329; fourth wave (“kolbasa”),
16,171,178-79,199-200, 215; homecoming of, 10,17,180,289-91 (see also return migration); Jewish émigré compos ers in, 131,134-35,184-85; minus-one wave, 171-72; second wave, 171,173-74,176; third wave (“Jewish”), 105,130-32,171-72,177-78, 200, 325; and pre-emigration experiences, 220 Russian Federation. See Putin, Vladimir Russian folk music genres: chastushki, 40, 55, 70, 71, 321; gypsy songs (romances), 55, 62, 67, 277; kamarinskaya, 70; pliasovaya, 70, 71; protyazhnaya, 20,68; zhestokyi romans, 55. See also Russian folk music Russian folk music: composers’ use of, 15,1920, 71,128,130,131, 297, 320, 321; folklore in, 40, 44-45, 132,135, 312; folk songs, 71, 175, 185, 211; as oral signifier, 33, 39-44, 56, 107. See also Russianness Russianness, 5-7, 51, 68, 72, 107-8, 325; in art music, 40; non-Russian composers’ use of, 60, 63, 99; oral signifiers of, 39-40, 226, 295, 298; Orthodoxy as marker of, 45-46; per ceived, 183; rossiiskii by state, 5,60; Rus sian composers’ use of, 133,252; russkii by culture, 3, 5; transnational affiliations with, 104. See also belonging: cultural (including cultural affiliation); identity; Russian folk music; Russian sacred music Russian Orthodox Church Outside Russia (ROCOR), 176; Novo-Diveevo Convent, 297, 301 Russian Orthodox music: Opekalovskii rospev, 52; znamenny chant, 46-47, 51,79, 87, 256 Russian revolutions: of 1905, 67-68; of 1917 (Bolshevik or October), 68,107,134, 172-73, 177, 198, 220, 240, 321 Russian sacred music: composers’ use of, 52, 62, 67, 71-72, 74, 93, 99,118, 211, 225,244, 255, 314; dodecaphony in, 47, 51-52, 128, 223
(see also Butsko, Yuriy); as oral signifier, 15, 39, 45, 56, 107 Rykova, Elena, 182, 310 Saariaho, Kaija, 61 Sabaneyev, Leonid, 173, 240 Sahl, Hans, 216 Said, Edward, 2, 26 Salluzzi, Dino, 275 Index 359
Salonen, Esa-Pekka, 61 Saminsky, Lazar, 174 Schillinger, Joseph, 174, 240-42; work: Oc tober, 241 Schlee, Alfred, 275 Schnittke (Fedorovna), Irina, 146, 147, 148, 158, 164, 165, 273 Schnittke, Alfred, 3,45, 70, 122,176, 179, 211, 245, 267, 269, 272-73, 276, 294, 325; Archive at Goldsmiths University, 146, 148, 158, 268; emigration of, 215, 237-38, 245; ethnicity of, 3,6,16; self-identity of, 107, 270; works: Cello Concerto no. 2, 263; Cello Sonata no. 2, 263; Concerto for Three, 263-64; Con certo Grosso no. 1, 274; Concerto Grosso no. 5, 274; Faust Cantata, 319; Gesualdo, 263; Hymns, 52; Klingende Buchstaben, 268; Life with an Idiot, 263; Moz-Art, 274; Musica Nos talgica, 263; Peer Gynt Epilogue, 263; Sym phony no. 1,153, 274; Symphony no. 4, 52; Symphony no. 6, 263; Symphony no. 9, 14566,149-52,154-57,159-63, 256 Schoenberg, Arnold: Five Pieces for Orchestra, 142; Moses und Aron, 165-66 Schubert, Franz, 231-32 Schulhoff, Erwin, 184 Schumann, Robert: Papillons, 18 Scriabin, Alexander, 225, 261, 271 Second World War, 128, 173,176-77, 184,189, 220, 272 Serebrennikov, Kirill, 290 serialism, 33, 71, 74, 223, 268 Shafarevich, Igor’, 199 Shariat, Yevgeniy, 179, 245 Shchedrin, Rodion, 15,179, 267, 290; works: Concerto for Orchestra no. 1, “Naughty Lim ericks,” 40-43, 41-43; Hamlet Ballad, 264; Lolita, 264; Na Pososhok, 264; Parabola Con certante, 264; Piano Concerto no. 4 “Sharp Keys,” 264; Russian Tunes, 264; Sealed An gel, 46; Slava, Slava, 264; Sonata for cello and piano, 264; Sotto Voce, 264; Stikhira for the Millennium of the Baptism of Russia, 46,264; Two Tangos by
Albéniz, 264 Shcheglov, Nikolai (Mikola Kulikovich), 174 Shoot, Vladislav, 179, 245, 271, 325; homecom ing of, 291, 292 360 Index Shostakovich, Dmitri, 6, 39, 74, 112,127, 128, 175,184, 186, 192, 211, 263, 265, 270; refer ences to the style of, 80, 82, 84, 164, 256, 320; string quartets, 217; work: String Quartet no. 7 (Raskatov arrangement), 277 Shulzhenko, Klavdiya, 130 Sibelius, Jean, 61 Sidel’nikov, Nikolai: Liturgy of St John Chryso stom, 46 Sikorski, Hans, 17. See also publishing houses Sikorski, Hans-Wilfred, 272 Siloti, Alexander, 173, 243 Silvestrov, Valentin, 269; Dedication, 283 Sinaisky, Vassily, 262, 265 Sino-Russian Treaty, 242 Slobodeniouk, Dmitri, 262 Slonimsky, Nicolas, 173 Slonimsky, Sergei, 45 Smirnov, Dmitri, 3, 31,176, 179,220, 270, 271; employment of, 244-45; host country of, 293; works: Concerto piccolo, op. 127, 265; Space Odyssey, 294, 295; Triple Concerto no. 2, 128-30,129 Smirnov, Yuri, 274 Smit, Leo, 243 socialist realism, 2, 71, 127,185, 256 Sokhiev, Tugan, 262 Sokolov, Ivan, 10, 17, 54,126-27,179, 290; work: The Sky-Blue Depth, 127 Solzhenitsyn, Alexander, 169,178, 199 Sorokin, Vladimir: Feast, 247, 251 Sosnora, Viktor, 255 Soviet cartoons, 112,158 Soviet folk songs, 175,203; Tsyplenok Zharenyi (Fried chicken), 158,256 Soviet Young Pioneer songs, 118 Spektor, Regina, 212nl2 Stalin, Joseph, 72, 109, 178,184,203 Stanmeyer, John, 31 Stock, David, 278 Stockhausen, Karlheinz, 69 Stravinsky, Igor, 40, 42,45,65, 107,243, 260, 320,325; emigration of, 172; works: Perse phone, 203; Petrushka, 261; The Rite of Spring, 144 String Quartets: Arditti
Quartet, 247; Brooklyn Rider, 111; Kronos Quartet, 111, 321
Struve, Piotr, Π super-icons. See Russian folk music; Russian sa cred music Susiin, Victor, 176,177,178, 269, 272, 274; em igration of, 220-21; works: Capriccio über die Abreise, 221,222; Leb’wohl..., 222-27, 224-30; Mitternachtmusic, 223; Organ So nata no. 2,223 Sviridov, Georgy, 45 Swan, Alfred, 240 Szymanowski, Karol, 257 Takemitsu, Toru, 277 Talai, Dariush, 34 Taneyev, Sergey, 271 Tarnopolski, Vladimir, 199-200,201,267,268, 293, 307 Taruskin, Richard, 5,6,40, 69,106, 177, 186, 260, 325 Tavener, John, 15, 71,72; works: Akathist of Thanksgiving, 72; Akhmatova Requiem, 72100, 74, 80-85, 94-99; The Death ofIvan Ily ich, 71; A Gentle Spirit, 71; Liturgy of St. John Chrysostom, 71; Six Russian Folk Songs, 71 Tchaikovsky, 39, 65, 127, 211,271; works: Pikovaya Dama, 67; The Seasons, 277 Tcherepnin, Alexander, 174,271; work: Sym phony no. 4, 106-7 Tcherepnin, Nikolai, 107,174, 261, 271 Tcherepnin, Serge, 279 Temirkanov, Yuri, 267 Thomson, Llewellyn, 243 Tilson Thomas, Michael, 279,280 Tiomkin, Dimitri, 174 Tippett, Michael, 320 Tishchenko, Boris, 118, 269 Toch, Ernst, 240 Tolstoy, Leo, 67-71 Tommasini, Anthony, 283 toska (yearning), 20 transnationality: in music culture, 32-33; in music industry, 143; in social fields, 9, 31-32, 305. See also belonging; identity; Russianness trauma: cultural, 220; of displacement, 216, 231; musical devices to express, 218; narratives of emigres, 217-18; sonic torture and, 219 Truman Acts, 174 Trump, Donald, 26, 327,328 Tsvetayeva, Marina, 69, 255 Tszo Chen Guan (Victor Tszo), 15, 65-67; works: Evenki Dance, 66; Karyak Fantasy, 66; River
Flows, 66; Three Bashkir Dances, 66 Tukhmanov, David, 179 underground music. See Korndorf, Nikolai Union of Composers, 118, 221, 242, 276, 304 United Nations, 30 universities: Arts University (Bremen), 310; Bauman Moscow State Technical Univer sity, 310; Berlin University of the Arts, 290; Brandeis University, 243; Carnegie Mel lon University, 240, 243; Charles University (Univerzita Karlova) Musicological Institute, 176; Cologne University of Music and Dance, 308, 310; Columbia University, 242; Gold smiths University of London, 147, 148, 158, 268; Harvard University, 310; Music Univer sity of Detmold, 308; New York University, 241; Rutgers University, 289; Stetson Uni versity, 25, 270; University of Buffalo, 243; University of Canterbury, 268; University of Music and Performing Arts (Graz), 308, 309; University of Nevada, Las Vegas, 175; Uni versity of Texas at Austin, 245; University of Utah, 242, 243 Upshaw, Dawn, 321 Uspensky, Nikolai, 50 Ussachevsky, Vladimir, 241-42, 243 Ustvolskaya, Galina, 45 van Zweden, Jaap, 277 Vejvoda, Jaromír: “Beer Barrel Polka,” 219 venues, 143; Almeida Theater, 267, 312; Ar mory, 301; Berlin Konzerthaus, 290; Bol shoi Hall, 147, 264; Bolshoi Theater, 185, 290, 312; Carnegie Hall, 274; Mariinsky Theater, 25, 38; Millennium Theatre, 112; Museum of Modern Art, 242; Philharmonic Hall (St. Petersburg), 294; Rachmaninov Hall, 296, 312; Royal Opera House, 312; Stanislav ski Electrotheater, 290; Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre, 312 Veverintseva, M. N„ 67 Index 361
victim diaspora, 172. See also Russian diaspora vocal ensembles: Black Sea Cossacks Choir, 175; Hilliard Ensemble, 25; Jewish Male Choir, 320 Volkonsky, Andrey, 9,15, 17,169, 199; as advo cate of Russian music, 270-72, 279; return migration of, 176-77; work: Mugam, 33-35, 45,60 Volkov, Solomon, 177 von Trimberg, Susskind, 136 Vovsi, Natalia, 184 Vvedenskii, Alexander, 126 Vyazemsky, Pyotr, 201 Wagner, Richard, 38, 203, 231 Wassiljew, Anton, 182,310; works: New Na tional Anthem ofRussia: “President vs. People, 311; The Perpetual Return, 311 waves of emigration. See Russian diaspora: by waves Weinberg, Mieczysław, 112, 176; works: A Diary ofLove, 185,186; Idiot, 189; The Passen ger, 185; Sonata for Double Bass, 189; String Quartet no. 4, 188-89; Symphony no. 8, 186; Symphony no. 21, 184-87,187-95 White Army, 172, 175,198 Wilson, Duncan, 265 Wilson, Elizabeth, 16, 265-67 362 world music, 34-35. See also globalization in music Wuorinen, Charles, 289 Wustin, Alexander, 44,51,221 Wyschnegradsky, Ivan, 174 Yablonskaya, Natalia, 177 Yanov-Yanovsky, Dmitri: Perotin’s Viderunt Omnes, 269 Yeltsin, Boris, 38 Yesenin, Sergei, 55,69 Yo-Yo Ma, 33 Yusupova, Iraida, 44 zagranitsa, 169,180, 211, 247, 309 Zhukovsky, Vasily: The Tale ofTsarBerendey, 68 Zhurbin, Alexander, 179; work: Orpheus and Eurydice, 111 Zhurbin, Ljova (Lev), 109, 111-12,179; works: Cellostatus, 112; Finding Babel, 112; Marina Abramovič: The Artist Is Present, 112; Only Love, 112; Pulse, 112 Zimbalist, Efrem, 172 Zollman, Ronald, 278 Zverev, Anatoly, 55 Zya, 164 Zykina, Ludmila, 43,44 Index V Bayerische
Staatsbibliothek München J
|
| any_adam_object | 1 |
| author | Dubinec, Elena A. 1969- |
| author_GND | (DE-588)143750704 |
| author_facet | Dubinec, Elena A. 1969- |
| author_role | aut |
| author_sort | Dubinec, Elena A. 1969- |
| author_variant | e a d ea ead |
| building | Verbundindex |
| bvnumber | BV047572755 |
| classification_rvk | LQ 86000 |
| contents | Introduction -- Part I : National versus global. The "universal" : Globalizing the local ; The national : Super-icons ; National identification versus cultural affiliation : Non-Russian composers ; Cultural affililtation versus citizenship : Russian diaspora -- Part II : How to : Perspectives of music creation. The "social" perspective ; The "production" perspective -- Part III : How they left. A brief history of Russian diaspora through music ; "Kolbasa" emigration" : A new cultural mythology? -- Part IV : How they stayed. The trauma of migration ; The many professions ; Supporters and connectors -- Part V : How they returned. Homecoming and reception at home ; Russian under Putin : To stay or to go? ; Conclusion |
| ctrlnum | (OCoLC)1294749606 (DE-599)BVBBV047572755 |
| discipline | Musikwissenschaft |
| era | Geschichte 1950-2020 gnd |
| era_facet | Geschichte 1950-2020 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03560nam a2200601 c 4500</leader><controlfield tag="001">BV047572755</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221128 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">211104s2021 xx agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253057785</subfield><subfield code="9">978-0-253-05778-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253057778</subfield><subfield code="9">978-0-253-05777-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294749606</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047572755</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 86000</subfield><subfield code="0">(DE-625)109117:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dubinec, Elena A.</subfield><subfield code="d">1969-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143750704</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Russian composers abroad</subfield><subfield code="b">how they left, stayed, returned</subfield><subfield code="c">Elena Dubinets</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington, Indiana</subfield><subfield code="b">Indiana University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xix, 362 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Russian music studies</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Part I : National versus global. The "universal" : Globalizing the local ; The national : Super-icons ; National identification versus cultural affiliation : Non-Russian composers ; Cultural affililtation versus citizenship : Russian diaspora -- Part II : How to : Perspectives of music creation. The "social" perspective ; The "production" perspective -- Part III : How they left. A brief history of Russian diaspora through music ; "Kolbasa" emigration" : A new cultural mythology? -- Part IV : How they stayed. The trauma of migration ; The many professions ; Supporters and connectors -- Part V : How they returned. 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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| id | DE-604.BV047572755 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:59:01Z |
| institution | BVB |
| isbn | 9780253057785 9780253057778 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032958338 |
| oclc_num | 1294749606 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xix, 362 Seiten Illustrationen, Notenbeispiele 23 cm |
| psigel | BSB_NED_20220111 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Russian music studies |
| spellingShingle | Dubinec, Elena A. 1969- Russian composers abroad how they left, stayed, returned Introduction -- Part I : National versus global. The "universal" : Globalizing the local ; The national : Super-icons ; National identification versus cultural affiliation : Non-Russian composers ; Cultural affililtation versus citizenship : Russian diaspora -- Part II : How to : Perspectives of music creation. The "social" perspective ; The "production" perspective -- Part III : How they left. A brief history of Russian diaspora through music ; "Kolbasa" emigration" : A new cultural mythology? -- Part IV : How they stayed. The trauma of migration ; The many professions ; Supporters and connectors -- Part V : How they returned. Homecoming and reception at home ; Russian under Putin : To stay or to go? ; Conclusion Diaspora Sozialwissenschaften (DE-588)1188375210 gnd Migration (DE-588)4120730-0 gnd Exil (DE-588)4015959-0 gnd Russen (DE-588)4051034-7 gnd Komponist (DE-588)4032009-1 gnd |
| subject_GND | (DE-588)1188375210 (DE-588)4120730-0 (DE-588)4015959-0 (DE-588)4051034-7 (DE-588)4032009-1 (DE-588)4006804-3 |
| title | Russian composers abroad how they left, stayed, returned |
| title_auth | Russian composers abroad how they left, stayed, returned |
| title_exact_search | Russian composers abroad how they left, stayed, returned |
| title_full | Russian composers abroad how they left, stayed, returned Elena Dubinets |
| title_fullStr | Russian composers abroad how they left, stayed, returned Elena Dubinets |
| title_full_unstemmed | Russian composers abroad how they left, stayed, returned Elena Dubinets |
| title_short | Russian composers abroad |
| title_sort | russian composers abroad how they left stayed returned |
| title_sub | how they left, stayed, returned |
| topic | Diaspora Sozialwissenschaften (DE-588)1188375210 gnd Migration (DE-588)4120730-0 gnd Exil (DE-588)4015959-0 gnd Russen (DE-588)4051034-7 gnd Komponist (DE-588)4032009-1 gnd |
| topic_facet | Diaspora Sozialwissenschaften Migration Exil Russen Komponist Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958338&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958338&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958338&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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