Louis I. Kahn in Rome and Venice tangible forms
"This book examines the idea of organism in the work of Louis I. Kahn, from the turning point of Rome to the project for Venice. It presents an original interpretation of the work of Louis I. Kahn during one of the most fruitful periods of his career, when he was working on a particular design...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | Routledge research in architecture
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| 008 | 211006s2021 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781032001241 |c hbk |9 978-1-03-200124-1 | ||
| 020 | |a 9781032002422 |c pbk |9 978-1-03-200242-2 | ||
| 035 | |a (OCoLC)1265029941 | ||
| 035 | |a (DE-599)BVBBV047500014 | ||
| 040 | |a DE-604 |b ger |e rda | ||
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| 100 | 1 | |a Barizza, Elisabetta |e Verfasser |0 (DE-588)1071931520 |4 aut | |
| 240 | 1 | 0 | |a La forma tangibile |
| 245 | 1 | 0 | |a Louis I. Kahn in Rome and Venice |b tangible forms |c Elisabetta Barizza |
| 264 | 1 | |a London ; New York, NY |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xii, 213 Seiten |b Illustrationen |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge research in architecture | |
| 500 | |a Translated by Michael Riddell from the Italian language edition | ||
| 505 | 8 | |a The idea of organism in the works of Louis Kahn -- Philadelphia and the teaching of Paul Cret -- "How'm I doing, Corbusier?" -- Kahn and Rome. The essence of the notion of organism -- "The word order is a beautiful word" -- "Architectural order implies integration of space, structure and mechanics" -- A dialogue with the architecture of the past -- The significance of the idea of city -- Original words: Kahn at UIA, International University of Art of Venice, 1971 | |
| 520 | 3 | |a "This book examines the idea of organism in the work of Louis I. Kahn, from the turning point of Rome to the project for Venice. It presents an original interpretation of the work of Louis I. Kahn during one of the most fruitful periods of his career, when he was working on a particular design method based on an entirely novel way of interacting with the past. Beginning with a meticulous documentation and analysis of Kahn's experiences in the twenty years 1930-1950, the book sheds new light on the relationship between Kahn's work and the modern movement. The arguments are supported by case studies, including that of the Palazzo dei Congressi in Venice based on Kahn's words (like his lessons in Venice at IUA, International University of Art, in 1971) and others as the Trenton Bath House, the Salk Institute (La Jolla), the Kimbell Museum (Fort Worth), the Yale Gallery and the Mellon Center for British Art (New Haven) and more. Unlike much of the by now well-established literature on Kahn's work, Louis I. Kahn in Rome and Venice suggests that the basic premise of Kahn's invention is the idea of spatial, constructive organism, which explains how he created forms that were inextricably anchored in the past, without imitating any one kind of ancient architecture. The main objective of the book is to explain Kahn's methodology to architects and students showing how he was able to design an architectural object with the characteristics of the best designed objects: organisms, in which each part contributes with the whole to create 'something made of indivisible parts'." | |
| 600 | 1 | 7 | |a Kahn, Louis I. |d 1901-1974 |0 (DE-588)118559354 |2 gnd |9 rswk-swf |
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| 653 | 1 | |a Kahn, Louis I. / 1901-1974 / Criticism and interpretation | |
| 653 | 0 | |a Organism (Philosophy) | |
| 653 | 1 | |a Kahn, Louis I. / 1901-1974 | |
| 653 | 0 | |a Organism (Philosophy) | |
| 653 | 6 | |a Criticism, interpretation, etc | |
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Datensatz im Suchindex
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| author | Barizza, Elisabetta |
| author_GND | (DE-588)1071931520 |
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| building | Verbundindex |
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| contents | The idea of organism in the works of Louis Kahn -- Philadelphia and the teaching of Paul Cret -- "How'm I doing, Corbusier?" -- Kahn and Rome. The essence of the notion of organism -- "The word order is a beautiful word" -- "Architectural order implies integration of space, structure and mechanics" -- A dialogue with the architecture of the past -- The significance of the idea of city -- Original words: Kahn at UIA, International University of Art of Venice, 1971 |
| ctrlnum | (OCoLC)1265029941 (DE-599)BVBBV047500014 |
| discipline | Kunstgeschichte |
| format | Book |
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| geographic_facet | Venedig Rom |
| id | DE-604.BV047500014 |
| illustrated | Illustrated |
| indexdate | 2025-01-03T09:33:39Z |
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| isbn | 9781032001241 9781032002422 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032901081 |
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| publisher | Routledge, Taylor & Francis Group |
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| spelling | Barizza, Elisabetta Verfasser (DE-588)1071931520 aut La forma tangibile Louis I. Kahn in Rome and Venice tangible forms Elisabetta Barizza London ; New York, NY Routledge, Taylor & Francis Group 2021 xii, 213 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in architecture Translated by Michael Riddell from the Italian language edition The idea of organism in the works of Louis Kahn -- Philadelphia and the teaching of Paul Cret -- "How'm I doing, Corbusier?" -- Kahn and Rome. The essence of the notion of organism -- "The word order is a beautiful word" -- "Architectural order implies integration of space, structure and mechanics" -- A dialogue with the architecture of the past -- The significance of the idea of city -- Original words: Kahn at UIA, International University of Art of Venice, 1971 "This book examines the idea of organism in the work of Louis I. Kahn, from the turning point of Rome to the project for Venice. It presents an original interpretation of the work of Louis I. Kahn during one of the most fruitful periods of his career, when he was working on a particular design method based on an entirely novel way of interacting with the past. Beginning with a meticulous documentation and analysis of Kahn's experiences in the twenty years 1930-1950, the book sheds new light on the relationship between Kahn's work and the modern movement. The arguments are supported by case studies, including that of the Palazzo dei Congressi in Venice based on Kahn's words (like his lessons in Venice at IUA, International University of Art, in 1971) and others as the Trenton Bath House, the Salk Institute (La Jolla), the Kimbell Museum (Fort Worth), the Yale Gallery and the Mellon Center for British Art (New Haven) and more. Unlike much of the by now well-established literature on Kahn's work, Louis I. Kahn in Rome and Venice suggests that the basic premise of Kahn's invention is the idea of spatial, constructive organism, which explains how he created forms that were inextricably anchored in the past, without imitating any one kind of ancient architecture. The main objective of the book is to explain Kahn's methodology to architects and students showing how he was able to design an architectural object with the characteristics of the best designed objects: organisms, in which each part contributes with the whole to create 'something made of indivisible parts'." Kahn, Louis I. 1901-1974 (DE-588)118559354 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Kahn, Louis I. / 1901-1974 / Criticism and interpretation Organism (Philosophy) Kahn, Louis I. / 1901-1974 Criticism, interpretation, etc Kahn, Louis I. 1901-1974 (DE-588)118559354 p Rom (DE-588)4050471-2 g Venedig (DE-588)4062501-1 g DE-604 Erscheint auch als Online-Ausgabe 978-1-00-317329-8 (DE-604)BV047601278 |
| spellingShingle | Barizza, Elisabetta Louis I. Kahn in Rome and Venice tangible forms The idea of organism in the works of Louis Kahn -- Philadelphia and the teaching of Paul Cret -- "How'm I doing, Corbusier?" -- Kahn and Rome. The essence of the notion of organism -- "The word order is a beautiful word" -- "Architectural order implies integration of space, structure and mechanics" -- A dialogue with the architecture of the past -- The significance of the idea of city -- Original words: Kahn at UIA, International University of Art of Venice, 1971 Kahn, Louis I. 1901-1974 (DE-588)118559354 gnd |
| subject_GND | (DE-588)118559354 (DE-588)4062501-1 (DE-588)4050471-2 |
| title | Louis I. Kahn in Rome and Venice tangible forms |
| title_alt | La forma tangibile |
| title_auth | Louis I. Kahn in Rome and Venice tangible forms |
| title_exact_search | Louis I. Kahn in Rome and Venice tangible forms |
| title_full | Louis I. Kahn in Rome and Venice tangible forms Elisabetta Barizza |
| title_fullStr | Louis I. Kahn in Rome and Venice tangible forms Elisabetta Barizza |
| title_full_unstemmed | Louis I. Kahn in Rome and Venice tangible forms Elisabetta Barizza |
| title_short | Louis I. Kahn in Rome and Venice |
| title_sort | louis i kahn in rome and venice tangible forms |
| title_sub | tangible forms |
| topic | Kahn, Louis I. 1901-1974 (DE-588)118559354 gnd |
| topic_facet | Kahn, Louis I. 1901-1974 Venedig Rom |
| work_keys_str_mv | AT barizzaelisabetta laformatangibile AT barizzaelisabetta louisikahninromeandvenicetangibleforms |