Feminist histories and digital media
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge
2020
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| Ausgabe: | First issued in paperback |
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Datensatz im Suchindex
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| adam_text | Contents Citation Information Notes on Contributors Introduction - Twenty Years On: feminist histories and digital media vi viii 1 Paula Hamilton and Mary Spongberg 1 Ephemeral Feminist Histories and the Politics of Transmission within Digital Culture 8 D-M Withers 2 Women’s Studies 2.0. Italian Feminist Scholarship in the Digital Age 22 Andrea Hajek 3 Female Biography and the Digital Turn Mary Spongberg, Gina Luria Walker and Koren Whipp 35 4 Inclusions and Exclusions: considerations for a Stopes digital collection 51 Stephanie Green 5 Recovering from Collective Memory Loss: the Digital Mitford’s feminist project 68 Elisa Beshero-Bondar and Elizabeth Räisänen 6 Womens Literary History in Ireland: digitizing The Field Day Anthology of Irish Writing Anne Jamison 7 The Serendipity of Connectivity: piecing together women’s lives in the digital archive 81 95 Catherine Bishop Index 110
Feminist Histories and Digital Media Addressing current trends in feminist historical and literary scholarship in relation to digital media, this book looks at how the field has developed since the first feminist arch ival research projects were initiated over twenty years ago. The contributions to the book explore three key concerns: projects which document the history of womens political activism; the digitising of primary document archives by women; and the impact of digitisation on historical research about women. In add ition, the book sheds light on the way in which historians and literary scholars fuse digital sources with traditional forms such as books and journal articles to imagine different and ground-breaking histories of womens experience. With the field of feminist history and its relationship to the digital world in a dynamic position, the contributions to this volume can be read as signposts for future research in the field, posing questions for scholars and readers to explore in more detail. This book was originally published as a special issue of Womens History Review. Paula Hamilton is Professor of History and a Visiting Fellow at the University of Technology, Sydney, Australia, and at Macquarie University, Sydney, Australia. She is a cul tural historian who has published widely in oral histories and memory studies, exploring the intersection between personal and public memories. Her current research explores sensory memories of working in the home as a tool for understanding intimate class and gender relations. She is the co-editor of A Cultural
History ofSound Memory and the Senses (with Joy Damousi, 2017). Mary Spongberg is Deputy Vice Chancellor of Research at Southern Cross University, Australia. She is the author of Writing Womens History Since the Renaissance (2002), prin cipal editor of the Companion to Womens Historical Writing (2005) and former editorin-chief of Australian Womens Studies. Her latest book is Empathetic Histories: English Women Writers and the Nations Past 1790-1860 (2018).
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Contents Citation Information Notes on Contributors Introduction - Twenty Years On: feminist histories and digital media vi viii 1 Paula Hamilton and Mary Spongberg 1 Ephemeral Feminist Histories and the Politics of Transmission within Digital Culture 8 D-M Withers 2 Women’s Studies 2.0. Italian Feminist Scholarship in the Digital Age 22 Andrea Hajek 3 Female Biography and the Digital Turn Mary Spongberg, Gina Luria Walker and Koren Whipp 35 4 Inclusions and Exclusions: considerations for a Stopes digital collection 51 Stephanie Green 5 Recovering from Collective Memory Loss: the Digital Mitford’s feminist project 68 Elisa Beshero-Bondar and Elizabeth Räisänen 6 Womens Literary History in Ireland: digitizing The Field Day Anthology of Irish Writing Anne Jamison 7 The Serendipity of Connectivity: piecing together women’s lives in the digital archive 81 95 Catherine Bishop Index 110
Feminist Histories and Digital Media Addressing current trends in feminist historical and literary scholarship in relation to digital media, this book looks at how the field has developed since the first feminist arch ival research projects were initiated over twenty years ago. The contributions to the book explore three key concerns: projects which document the history of womens political activism; the digitising of primary document archives by women; and the impact of digitisation on historical research about women. In add ition, the book sheds light on the way in which historians and literary scholars fuse digital sources with traditional forms such as books and journal articles to imagine different and ground-breaking histories of womens experience. With the field of feminist history and its relationship to the digital world in a dynamic position, the contributions to this volume can be read as signposts for future research in the field, posing questions for scholars and readers to explore in more detail. This book was originally published as a special issue of Womens History Review. Paula Hamilton is Professor of History and a Visiting Fellow at the University of Technology, Sydney, Australia, and at Macquarie University, Sydney, Australia. She is a cul tural historian who has published widely in oral histories and memory studies, exploring the intersection between personal and public memories. Her current research explores sensory memories of working in the home as a tool for understanding intimate class and gender relations. She is the co-editor of A Cultural
History ofSound Memory and the Senses (with Joy Damousi, 2017). Mary Spongberg is Deputy Vice Chancellor of Research at Southern Cross University, Australia. She is the author of Writing Womens History Since the Renaissance (2002), prin cipal editor of the Companion to Womens Historical Writing (2005) and former editorin-chief of Australian Womens Studies. Her latest book is Empathetic Histories: English Women Writers and the Nations Past 1790-1860 (2018). |
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