Drum sound and drum tuning bridging science and creativity
"Drum Sound and Drum Tuning assists drummers, sound engineers and music students in learning critical skills related to drum sound and achieving an optimised and personalised drum kit setup. The book covers the essential theories of percussion acoustics and develops this knowledge in order to f...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Audio Engineering Society presents
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Toulson, Rob |e Verfasser |0 (DE-588)1079424288 |4 aut | |
| 245 | 1 | 0 | |a Drum sound and drum tuning |b bridging science and creativity |c Rob Toulson |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xiv, 212 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Audio Engineering Society presents | |
| 520 | 3 | |a "Drum Sound and Drum Tuning assists drummers, sound engineers and music students in learning critical skills related to drum sound and achieving an optimised and personalised drum kit setup. The book covers the essential theories of percussion acoustics and develops this knowledge in order to facilitate advanced drum tuning and professional level recording and mixing of drums. All aspects of drumhead vibration, drumhead equalisation and resonant drumhead coupling are de-mystified, alongside creative discussions relating to drumhead types, drum shell vibration and tuning to musical intervals for different performance genres. The book develops drum sound theory and creative analysis into a detailed dissection of recording and production techniques specifically for drums, including discussions on studio technologies, room acoustics, microphone techniques, phase coherence and mixing drums with advanced DAW techniques and creative processing tools. Drum Sound and Drum Tuning includes many practical hands-on exercises that incorporate example tutorials with Logic Pro X and iDrumTune Pro software, encouraging the reader to put theory into immediate creative practice, and to develop their own listening skills in an informed and reflective manner. The book also documents primary interviews and opinion from some of the World's most celebrated drummers, music producers and sound engineers, enabling the reader to connect the discussed theory with real world context, whilst refining their own personalised approach to optimised drum sound"-- | |
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| 653 | 0 | |a Drum set | |
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| 653 | 0 | |a Drum / Acoustics | |
| 653 | 0 | |a Popular music / Production and direction | |
| 653 | 0 | |a Drum set | |
| 653 | 0 | |a Drum / Tuning | |
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Datensatz im Suchindex
| _version_ | 1819618679783948288 |
|---|---|
| adam_text | Contents List offigures List of tables 1 Introduction 1.1 Values ofgreat drum sound 2 1.2 Why bother with drum tuning? 3 1.3 About this book 6 1.3.1 Educational approach 6 1.3.2 Online resources 7 1.3.3 Interviews with esteemed professionals 7 1.3.4 Companion software and examples 8 1.4 Don’t forget to listen! 8 2 Drumhead vibration and the science of sound 2.1 Sound sources, acoustic transmission, and sound reception 10 2.2 Evaluatingfrequencies 12 2.3 The single most valuable musical acoustics theory! 14 2.4 Measuring and analysing drum modes 17 3 Tuning the pitch of a cylindrical drum 3.1 Exploring the pitch range of a cylindrical drum 20 3.2 Musicalfrequencies 22 3.3 Coupled drumheads 24 4 Lug tuning and clearing the drumhead 4.1 Evaluating the first overtone ofa drum 27 4.2 Beat frequencies 28 4.3 The sound ofa uniformly tuned drumhead 31 4.4 Lug tuning with assistance 32
viii Contents 5 Tuning the resonant drumhead - what, why, and how? 5.1 Harmonics and in-harmonic overtones 36 5.2 Musical intervals 39 5.3 Controlling overtones and intervals with the resonant drumhead 40 6 A holistic approach to drum tuning 6.1 Simplicity wins 44 6.2 Setting the fundamental pitch 47 6.3 Implementing lug tuning and resonant head tuning 48 6.4 Damping and decay times 49 7 The wonderful world of drumheads 7.1 7.2 7.3 7.4 7.5 Guitar strings on steroids! 54 The drumhead equation 56 Drumhead types andfeatures 58 Resonant drumhead selection 61 Experience drumheads! 62 8 Timbre: the truth about drum shell vibration 8.1 8.2 8.3 8.4 8.5 8.6 Introducing timbre 64 Tuning fork example with mass loading 67 Drum shell vibration 68 Loading the drum shell 70 Bearing edges and precision manufacturing 73 Considering the drum shell vibration frequency when tuning 74 9 Tuning for different musical styles and genres 9.1 Creative objectives 77 9.2 Drum sizes for different music genres 78 9.3 Pitches and intervals on the kit 81 9.4 Tuning suggestions for different genres 84 9.5 Drumheads for different music genres 88 10 Snare drum tuning 10.1 10.2 10.3 10.4 Key aspects of snare tuning 90 Holistic approach to snare tuning 91 Manipulating snare drum timbre 93 Comparing snare timbre example 95 11 Kick drum tuning 11.1 Kick drum tone and dynamics 98 11.2 Drumheadsfor the kick drum 99
Contents ix 11.3 Kick drum tuning range 101 11.4 Controlling the kick drum timbre 102 12 Production and preparation for drum recording 12.1 Production and pre-production 104 12.2 Setting standards and getting results 106 12.3 Choosing and evaluating the recording space 108 12.3.1 Room size and dimensions 108 12.3.2 Room materials and reverberation characteristics 110 12.3.3 Sound isolation and background noise levels 111 12.3.4 Suitability for a room’s use in a recording project 111 12.3.5 Positioning drums within a room 112 12.4 Tuning andperformance for recording 113 104 13 Fundamental technologies for drum recording 13.1 Microphones and transducers 117 13.1.1 Dynamic microphones 117 13.1.2 Condenser microphones 118 13.1.3 Ribbon microphones 119 13.1.4 Other audio transducers 120 13.2 Microphone characteristics 121 13.2.1 Microphone polar patterns 121 13.2.2 Other microphone characteristics 123 13.3 The complete recording signal chain 124 13.3.1 Audio convertors 125 13.3.2 Mixing desk 125 13.3.3 Microphone preamplifiers 126 13.3.4 Recording with signal processing effects 127 13.4 Monitoring andfoldback 127 13.4.1 Control room monitoring 127 13.4.2 Headphone foldback 128 116 14 We need to talk about phase! 14.1 What exactly is phase? 131 14.2 Time delay and comb filtering 134 14.3 Mono compatibility 139 14.4 Signal polarity 142 131 15 Microphone techniques for recording drums 15.1 Microphone placement approaches 146 15.2 Stereo recordingfor drums 147 15.2.1 Defining the stereo field 147 15.2.2 Spaced pair technique 151 15.2.3 X-Y technique 153 146
x Contents 15.2.4 Blumlein pair technique 154 15.2.5 ORTF technique 155 15.2.6 Mid-side technique 156 15.2.7 Baffled omnidirectional pair technique 159 15.2.8 Decca tree technique 160 15.2.9 Left-right-centre technique 161 Using spot microphone techniques 161 15.3.1 Kick drum microphone technique 162 15.3.2 Snare drum microphone technique 164 15.3.3 Tom drum microphone technique 164 15.3.4 Close cymbal microphone technique 165 Room microphones 166 Microphone choices for recording drums 167 Developing a personal approach 169 15.3 15.4 15.5 15.6 16 Mixing drums: balance and dynamics 16.1 Balance, panning, and bussing 173 16.2 Dynamics processing 176 16.2.1 Compression and limiting 111 16.2.2 Gates and expanders 182 16.2.3 Envelope shaping 184 16.3 Hybrid mixing 184 17 Mixing drums: creative processing 17.1 Equalisation and spectral processing 187 17.2 17.3 17.4 17.5 17.6 17.7 17.1.1 Cutting low frequencies 189 17.1.2 Treating the fundamental and overtones of each drum 190 17.1.3 Adding attack and presence 190 17.1.4 Controlling high frequencies 191 Using reverb to regain authenticity 192 Delay for drums 195 Distortion and enhancers 197 Sequential and sidechain processing 199 Drum replacement 201 Thefinalmixdown 203 Index
|
| any_adam_object | 1 |
| author | Toulson, Rob |
| author_GND | (DE-588)1079424288 |
| author_facet | Toulson, Rob |
| author_role | aut |
| author_sort | Toulson, Rob |
| author_variant | r t rt |
| building | Verbundindex |
| bvnumber | BV047440195 |
| ctrlnum | (OCoLC)1277013933 (DE-599)BVBBV047440195 |
| format | Book |
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| id | DE-604.BV047440195 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T08:55:10Z |
| institution | BVB |
| isbn | 9780367611187 9780367611194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032842381 |
| oclc_num | 1277013933 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiv, 212 Seiten Illustrationen, Diagramme |
| psigel | BSB_NED_20211027 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Audio Engineering Society presents |
| spellingShingle | Toulson, Rob Drum sound and drum tuning bridging science and creativity Trommel (DE-588)4117255-3 gnd Stimmung (DE-588)4140941-3 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4117255-3 (DE-588)4140941-3 (DE-588)4030933-2 |
| title | Drum sound and drum tuning bridging science and creativity |
| title_auth | Drum sound and drum tuning bridging science and creativity |
| title_exact_search | Drum sound and drum tuning bridging science and creativity |
| title_full | Drum sound and drum tuning bridging science and creativity Rob Toulson |
| title_fullStr | Drum sound and drum tuning bridging science and creativity Rob Toulson |
| title_full_unstemmed | Drum sound and drum tuning bridging science and creativity Rob Toulson |
| title_short | Drum sound and drum tuning |
| title_sort | drum sound and drum tuning bridging science and creativity |
| title_sub | bridging science and creativity |
| topic | Trommel (DE-588)4117255-3 gnd Stimmung (DE-588)4140941-3 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | Trommel Stimmung Klang |
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