Paris and the musical the City of Light on stage and screen
"Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables...
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge, Taylor & Francis Group
2021
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| Ausgabe: | First published |
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| Online-Zugang: | Inhaltsverzeichnis |
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| 245 | 1 | 0 | |a Paris and the musical |b the City of Light on stage and screen |c edited by Olaf Jubin |
| 250 | |a First published | ||
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xvi, 398 Seiten |b Illustrationen | ||
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| 505 | 8 | 0 | |t Paris as a symbol (1852-1914) |r Venita Datta |t "Yes, I'm a gay Parisian!" : establishing the trope of "Gay Paree" : The merry widow |r Stefan Frey |t "Come and play wiz me in Gay Paree" : approaching Cole Porter's Paris |r Hannah Robbins |t Dessed by Paris : Mlle. Modiste, Roberta, and No strings |r Maya Cantu |t Liberated by Paris : a reconsideration of three Broadway "flops" : Miss Liberty, Ben Franklin in Paris and Dear world |r Michael G. Garber |t Seduced by Paris : Irma la Douce and its journey to Broadway |r Stewart Nicholls |t <<The>> capital of pre-code operettas : Paris at Paramount and MGM |r Marguerite Chabrol |t Paris as location : Funny face, Les girls, Silk stockings and Gigi |r Julia L. Foulkes |t Paris by hand : Gay Purr-ee and The aristocats |r Daniel Batchelder |t Shockwaves at a distance : Ellis and Herbert's Bless the bride |r John Snelson |t Performing Paris : Les misérables, The Phantom of the Opera, and Aspects of love |r John Snelson |t <<The>> courtesan and the collaborator : Marguerite |r Clare Chandler |t Gay shame in "Gay Paree" : re-contextualising gender progressiveness in two film versions of Victor/Victoria |r Florian J. Seubert |t À la recherche de quel temps? : Can-can and the fluidity of Paris perdu |r Raymond Knapp and Mitchell Morris |t Art, artifice, and artificiality : the various versions of the musical Gigi |r Olaf Jubin |t "Artists in art's capital city" : Americans in Paris on screen and stage |r Robert Gordon |t Paris and the curse of Chicago in Stephen Sondheim's Sunday in the park with George |r Robert Lawson-Peebles |
| 505 | 8 | 0 | |t <<The>> paradoxical "Frenchness" of an Australian musical : Baz Luhrmann's Moulin Rouge! |r Pierre-Olivier Toulza ; translated from the French by Tesi Murphy |
| 520 | 3 | |a "Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’." | |
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| 653 | 2 | |a Paris (France) / In motion pictures | |
| 653 | 2 | |a Paris (France) / In popular culture | |
| 653 | 2 | |a Paris (France) / Songs and music / History and criticism | |
| 653 | 0 | |a Musical films / History and criticism | |
| 653 | 0 | |a Musicals / History and criticism | |
| 653 | 0 | |a Motion pictures | |
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| 653 | 0 | |a Musicals | |
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| 700 | 1 | |a Jubin, Olaf |d 1967- |0 (DE-588)114608466 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1819777659636285440 |
|---|---|
| adam_text | CONTENTS Acknowledgements Notes on contributors Introduction x xi 1 PARTI Capital Paris 1 Paris as a symbol (1852—1914) 19 21 Venita Datta 2 ‘Yes, I’m a gay Parisian!’: Establishing the trope of ‘Gay Paree’: The Merry Widow 37 Stefan Frey 3 ‘Come and play wiz me in Gay Paree’: Approaching Cole Porter’s Paris 53 Hannah Robbins PART II Broadway Paris 4 Dressed by Paris: Mile. Modiste, Roberta and No Strings Maya Cantu 71 73
vill Contents 5 Liberated by Paris: A reconsideration of three Broadway ‘flops’ — Miss Liberty, Ben Franklin in Paris and Dear World 92 Michael G. Garber 6 Seduced by Paris: Irma la Douce and its journey to Broadway 110 Stewart Nicholls PART III Hollywood Paris 7 The capital of pre-code operettas: Paris at Paramount and MGM 129 131 Marguerite Chabrol 8 Paris as location: Funny Face, Les Girls, Silk Stockings and Gigi 148 Julia L. Foulkes 9 Paris by hand: Gay Purr-ее and The Aristocats 161 Daniel Batchelder PART IV West End Paris 10 Shockwaves at a distance: Ellis and Herbert’s Bless the Bride 183 185 John Snelson 11 Performing Paris: Les Misérables, The Phantom of the Opera and Aspects of Love 202 John Snelson 12 The courtesan and the collaborator: Marguerite 222 Clare Chandler PART V Naughty Paris 243 13 Gay Shame in ‘Gay Paree’: Re-contextualising gender progressiveness in two film versions of Victor/Victoria 245 Florian J. Seubert
Contents ix 14 Ala recherche de quel temps? Can-Can and the fluidity of Paris perdu 262 Raymond Knapp and Mitchell Morris 15 Art, artifice and artificiality: The various versions of the Musical Gigi 282 OlafJuhin PART VI Artistic Paris 16 ‘Artists in art’s capital city’: Americans in Paris on screen and stage 305 307 Robert Gordon 17 Paris and the curse of Chicago in Stephen Sondheim’s Sunday in the Park withGeorge 326 Robert Lawson-Peebles 18 The paradoxical ‘Frenchness’ of an Australian musical: Baz Luhrmann’sMoulin Rouge! 344 Pierre-Olivier Toulza Translatedfrom the French by Tresi Murphy Conclusion Index 359 366
|
| any_adam_object | 1 |
| author2 | Jubin, Olaf 1967- |
| author2_role | edt |
| author2_variant | o j oj |
| author_GND | (DE-588)114608466 |
| author_additional | Venita Datta Stefan Frey Hannah Robbins Maya Cantu Michael G. Garber Stewart Nicholls Marguerite Chabrol Julia L. Foulkes Daniel Batchelder John Snelson Clare Chandler Florian J. Seubert Raymond Knapp and Mitchell Morris Olaf Jubin Robert Gordon Robert Lawson-Peebles Pierre-Olivier Toulza ; translated from the French by Tesi Murphy |
| author_facet | Jubin, Olaf 1967- |
| building | Verbundindex |
| bvnumber | BV047314938 |
| contents | Paris as a symbol (1852-1914) "Yes, I'm a gay Parisian!" : establishing the trope of "Gay Paree" : The merry widow "Come and play wiz me in Gay Paree" : approaching Cole Porter's Paris Dessed by Paris : Mlle. Modiste, Roberta, and No strings Liberated by Paris : a reconsideration of three Broadway "flops" : Miss Liberty, Ben Franklin in Paris and Dear world Seduced by Paris : Irma la Douce and its journey to Broadway <<The>> capital of pre-code operettas : Paris at Paramount and MGM Paris as location : Funny face, Les girls, Silk stockings and Gigi Paris by hand : Gay Purr-ee and The aristocats Shockwaves at a distance : Ellis and Herbert's Bless the bride Performing Paris : Les misérables, The Phantom of the Opera, and Aspects of love <<The>> courtesan and the collaborator : Marguerite Gay shame in "Gay Paree" : re-contextualising gender progressiveness in two film versions of Victor/Victoria À la recherche de quel temps? : Can-can and the fluidity of Paris perdu Art, artifice, and artificiality : the various versions of the musical Gigi "Artists in art's capital city" : Americans in Paris on screen and stage Paris and the curse of Chicago in Stephen Sondheim's Sunday in the park with George <<The>> paradoxical "Frenchness" of an Australian musical : Baz Luhrmann's Moulin Rouge! |
| ctrlnum | (OCoLC)1261746386 (DE-599)BVBBV047314938 |
| edition | First published |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| indexdate | 2024-12-24T08:45:22Z |
| institution | BVB |
| isbn | 9781138611092 9781138611061 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032717791 |
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| physical | xvi, 398 Seiten Illustrationen |
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| spellingShingle | Paris and the musical the City of Light on stage and screen Paris as a symbol (1852-1914) "Yes, I'm a gay Parisian!" : establishing the trope of "Gay Paree" : The merry widow "Come and play wiz me in Gay Paree" : approaching Cole Porter's Paris Dessed by Paris : Mlle. Modiste, Roberta, and No strings Liberated by Paris : a reconsideration of three Broadway "flops" : Miss Liberty, Ben Franklin in Paris and Dear world Seduced by Paris : Irma la Douce and its journey to Broadway <<The>> capital of pre-code operettas : Paris at Paramount and MGM Paris as location : Funny face, Les girls, Silk stockings and Gigi Paris by hand : Gay Purr-ee and The aristocats Shockwaves at a distance : Ellis and Herbert's Bless the bride Performing Paris : Les misérables, The Phantom of the Opera, and Aspects of love <<The>> courtesan and the collaborator : Marguerite Gay shame in "Gay Paree" : re-contextualising gender progressiveness in two film versions of Victor/Victoria À la recherche de quel temps? : Can-can and the fluidity of Paris perdu Art, artifice, and artificiality : the various versions of the musical Gigi "Artists in art's capital city" : Americans in Paris on screen and stage Paris and the curse of Chicago in Stephen Sondheim's Sunday in the park with George <<The>> paradoxical "Frenchness" of an Australian musical : Baz Luhrmann's Moulin Rouge! Musical (DE-588)4040801-2 gnd Paris Motiv (DE-588)4122623-9 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4122623-9 (DE-588)4143413-4 |
| title | Paris and the musical the City of Light on stage and screen |
| title_alt | Paris as a symbol (1852-1914) "Yes, I'm a gay Parisian!" : establishing the trope of "Gay Paree" : The merry widow "Come and play wiz me in Gay Paree" : approaching Cole Porter's Paris Dessed by Paris : Mlle. Modiste, Roberta, and No strings Liberated by Paris : a reconsideration of three Broadway "flops" : Miss Liberty, Ben Franklin in Paris and Dear world Seduced by Paris : Irma la Douce and its journey to Broadway <<The>> capital of pre-code operettas : Paris at Paramount and MGM Paris as location : Funny face, Les girls, Silk stockings and Gigi Paris by hand : Gay Purr-ee and The aristocats Shockwaves at a distance : Ellis and Herbert's Bless the bride Performing Paris : Les misérables, The Phantom of the Opera, and Aspects of love <<The>> courtesan and the collaborator : Marguerite Gay shame in "Gay Paree" : re-contextualising gender progressiveness in two film versions of Victor/Victoria À la recherche de quel temps? : Can-can and the fluidity of Paris perdu Art, artifice, and artificiality : the various versions of the musical Gigi "Artists in art's capital city" : Americans in Paris on screen and stage Paris and the curse of Chicago in Stephen Sondheim's Sunday in the park with George <<The>> paradoxical "Frenchness" of an Australian musical : Baz Luhrmann's Moulin Rouge! |
| title_auth | Paris and the musical the City of Light on stage and screen |
| title_exact_search | Paris and the musical the City of Light on stage and screen |
| title_full | Paris and the musical the City of Light on stage and screen edited by Olaf Jubin |
| title_fullStr | Paris and the musical the City of Light on stage and screen edited by Olaf Jubin |
| title_full_unstemmed | Paris and the musical the City of Light on stage and screen edited by Olaf Jubin |
| title_short | Paris and the musical |
| title_sort | paris and the musical the city of light on stage and screen |
| title_sub | the City of Light on stage and screen |
| topic | Musical (DE-588)4040801-2 gnd Paris Motiv (DE-588)4122623-9 gnd |
| topic_facet | Musical Paris Motiv Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032717791&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT jubinolaf parisandthemusicalthecityoflightonstageandscreen |