Canonic repertories and the French musical press Lully to Wagner
"This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
[2021]
|
| Schriftenreihe: | Eastman studies in music
177 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Inhaltsangabe:
- The Domestic versus the Foreign in Eighteenth-century Paris and London
- Elements of canon Formation at the Concert Spirituel / Beverly Wilcox
- To Praise or to criticize? The evolution of music criticism in eighteenth-century France
- Haydn in the press during the 1780s : How did a Canon Arise?
- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime
- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830
- Tracing the evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century
- Richard Wagner, concert life, and musical canon in Paris, 1860-1914